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Lot 2052

Henry Wilkinson (1921-2011), hunting/sporting/shooting scene with dog retrieving pheasant for his master, signed l.r., numbered 9/700 l.l., coloured etching, 25cm by 37cm, framed

Lot 2047

Marine / Maritime Interest. 'Yachting - Scene off Cowes, Isle of Wight ', hand-coloured aquatint etching by J. Harris after T. S. Robins, published in London by Fores, May 1st 1851, 40cm by 50cm, framed

Lot 2063

An ink drawing, 17th Cenury portrait, possibly a design for a book frontispiece etching or engraving, framed

Lot 2091

Fred Bottomley, harbour/boatyard scene, signed l.r. with dedication and indistinct title l.l., artist proof, aquatint etching, 17.5cm by 22cm, framed

Lot 353

Michael Ayrton (British, 1921-1975), Demeter, 1975, numbered 18/75, etching and aquatint, 45 x 52 cm Loose in its frame. Unglazed.

Lot 431

A limited edition etching, "Hungarian Farm", a 19th century mezzotint, an Asian brass rubbing, an oil on canvas, landscape, and an ornate gilt picture frame

Lot 430

Leonard Griffiths Brammer: etching, potteries workers, 9 1/2" x 6 1/2", in wash lined mount and gilt frame

Lot 417

Bicat, 1992: a signed coloured artists proof, a girl with doves, inscribed "All good wishes for Xmas 1992, Andy", in ebonised frame, and an etching, man with apple on his head, in linen frame

Lot 426

M C Robinson: an etching, timber frame houses Old Holborn, a golfing print, a skiing scene, a coastal scene, a photograph of George Melly

Lot 596

William Lionel Wylie [1851-1931]- Thames Estuary,:-etching, signed in pencil in the bottom marginplate size 22 x 37.5cm.

Lot 597

William Lionel Wylie [1851-1931]- Collier on The Medway,:-etching, signed in pencil in the bottom marginplate size 10.5 x 33cm.

Lot 600

William Lionel Wylie [1851-1931]- Stiff Breeze, Thames Barges on The Medway,:-etching, signed in pencil in the bottom marginplate size 34 x 45cm.

Lot 136

W.H. Hawksworth London Bridge Etching, signed in pencil 9.5cm x 13.5cm An acrylic portrait of Freddie Mercury and another oil of exotic birds

Lot 110

Various topographical steel engravings, a cartoon print 'The New Judge', an etching of The Shambles and York Minster, and oil study of flowers

Lot 129

David Dancey Wood Study of orangutan 'Meditation' Limited edition etching 124/495, signed in pencil 40.5cm x 40.5cm

Lot 90

REMBRANDT VAN RIJN (DUTCH 1606-1669)WOMAN READING Etching, signed and dated in the plate 1634, third state of three, trimmed to the plate mark12cm x 10cm (4.75in x 4in)

Lot 536

HEDLEY FITTON (1857-1929)Rue St. Romain, Rouenoriginal etching, first statepencil signed in the lower margin12 1/2 x 13 1/2 in (31.7 x 34.3cm)Provenance: with Robert Dunthorne, LiverpoolSold with three other etchings comprising 'The Empress' by Robert Houston; St. Giles Cathedral, Edinburgh by Mary Mackay; and The Castle, Edinburgh by Mary Mackay; four (4)

Lot 539

WALTER GREAVES (1846-1930)Duke Street, Chelseaetching, signed in plate 'W.Greaves', with some foxing in margins and on mountPl. 8 x 7 in (20.3 x 17.8cm); together with a further etching by the same artist depicting Old Chelsea Bridge, 1872; two (2) The son of a Chelsea boat builder, Walter Greaves and his brother Henry ferried the artist James Whistler on the Thames. Already an amateur artist when he first met Whistler in 1863, he later became an unpaid studio assistant of the artist. As a topographical draughtman he specialized in recording the Thames and Streets of Old Chelsea before their development in the later Victorian era.

Lot 543

ADRIAEN VAN OSTADE (1610-1685)The Gossipsetching, with margins,with pencil inscription on inner mount 'D40 111'Pl. 4 1/4 x 3 3/4 in (10.8 x 9.6cm)

Lot 544

‡ANNE ELIZABETH WATSON (1921-2003)WW2 Pilots receiving weather observationsetchingpencil signed in the lower margin6 x 8 1/4 in (15.3 x 20.9cm) In 1939 when war broke out, as an eighteen year old, Anne Watson postponed her art school training and joined the WAAF, finding a post in the Meteorology Department. This gave her a firm understanding of weather conditions and cloud formations. It also enhanced her powers of observation as a painter and provided her with an opportunity to record interesting WW2 subject matter. After the war Anne Watson continued training as an artist, working with Leslie Ward and Kenneth Martin. In 1958 she married the painter John Christopherson.

Lot 91

HUGHIE O'DONOGHUE RA (B.1953) DESCENT I, Etching, 8/30, 28 x 20cm, signed and dated 1989.

Lot 234

MICHAEL COLLINS SIGNED PRINT OF A PEN AND WASH DRAWING 'Ironbridge, Shropshire, 1779' Signed and dated 1989 10" x 15" (25.4cm x 38.1cm) COLOUR ETCHING Ornate gateway Indistinctly signed MODERN MACHINE WOVEN PICTURE OF PARIS, (3)

Lot 283

DEREK WILKINSON (1921-2001) ARTIST SIGNED LIMITED EDITION ETCHING 'Five Buses', (11/20) Signed, titled and dated 1972 9" x 20" (22.8cm x 50.8cm)

Lot 285

DEREK WILKINSON (1929-2001) ARTIST SIGNED LIMITED EDITION ETCHING 'The Beach', (1/25) Signed, titled and dated 1976 9 ¾" x 12 ¼" (4.8cm x 31.1cm)

Lot 282

DEREK WILKINSON (1921-2001) ARTIST SIGNED LIMITED EDITION ETCHING 'Wall', (7/25) Signed, titled and dated 1974 8 x 10 ¾", (20.3cm x 27.3cm)

Lot 203

MARCEL AUGISE (Late 19th/early 20th Century) ETCHING PRINTED IN COLOUR 'Cathedrale de Reims bombardie 1915' Signed and inscribed in pencil And ANOTHER BY THE SAME ARTIST (2)

Lot 521

Fred Cuming (British, b.1930)UNTITLEDEtching, signed and numbered 2/2 in pencil, on wove Somerset paper, with full marginssheet 37.5 x 35.5cm, unframed

Lot 507

Double sided framed strip/road map relating to Grimsby to Market Rasen and Lincoln to Nottingham, small Lincolnshire map & etching of Great Grimsby Church drawn by F Nash from a sketch by J Espin engraved by B Howlett published by William Miller 1802

Lot 371

After Louis Legrand, Faisant la Natte (Tying a plait), drypoint with etching in black ink, 25.5cm x 90.5cm, (William Weston Gallery, London).

Lot 408

After Tatton Winter, Promenade, hand coloured etching, pencil signed, 25cm x 30cm; and another hand-colour etching, town scene; and another street scene.

Lot 370

After Louis Legrand, La Toilette (bathing woman), monochrome etching, 20cm x 14cm, label verso William Weston Gallery, London.

Lot 396

Oliver Hall, Lower Dudden Moss, monochrome etching, 15cm x 27cm; and five other etchings by Oliver Hall, including Askrigg Moor; Middleham Castle, evening; Over Hill and Dale; A Peat Moor. (6)

Lot 446

Sidney Tustingham, Entrance to the City Walls, etching, 24cm x 39cm; together with A Simes, Old Manor House Broadway, etching. (2)

Lot 165

G. Cruikshank, a 19th Century hand coloured etching, titled 'Louis XVIII climbing the Mat de Cocagne', dated October 6th 1815, framed and glazed, H.34cm W.24.5cm

Lot 330

Elnika (Contemporary), abstract study, mixed media collage, signed lower right 'Elnika' and dated 94, H.44cm W.69cm, together with a John Tunnard print, an etching monogrammed 'BM', and a oil on photo mounted canvas of blue bells, signed to verso 'Magill'.

Lot 581

ANDRE BALYON (b.1951) SEPIA WATERCOLOUR Quarter length portrait of a man Signed and dared (19)77 3 ½" x 2 ¾" (8.9cm x 7cm ANDRE BALYON (b.1951) ARTIST SIGNED ETCHING Rural church Signed and dated (19)79 3 ¼" x 4 ¼" (8.3cm x 10.8cm), (2)

Lot 7505

William Lionel Wyllie, etching, 'Old London Bridge', signed in pencil, 30 x 22cm.

Lot 254

A framed map of The Lake District and a copper etching of Westmorland

Lot 413

M Walker, etching with aquatint, 'East Choir, Westminster', signed and a watercolour by C. Howell Jones

Lot 426

George Soper (1870-1942)etchingPolo 1922 Galloping Playerssigned in pencil7 x 11in.

Lot 425

George Soper (1870-1942)etchingSheep Shearing Wooton Courtney 1922signed in pencil7.5 x 11.75in.

Lot 147

* STANLEY WILLIAM HAYTER (BRITISH 1901 - 1988), PELAGIC FORMS colour etching, signed, titled, dated '63 and numbered 33/50 36cm x 44cm Framed and under glass

Lot 165

* STANLEY WILLIAM HAYTER (BRITISH 1901 - 1988), SCRAP BOOK colour etching, signed, titled, dated '82 and numbered 21/100 60cm x 49cm Framed and under glass

Lot 94

* MARK CHEVERTON (1952 - 1991), CRINAN LIGHT artist's proof etching, signed in pencil 23cm x 14cm Mounted, framed and under glass. Artist label verso: Inscribed with title and artist's address.

Lot 95

* MARK CHEVERTON (1952 - 1991), MULL AND GALLOWAY LIGHTHOUSE artist's proof etching, signed 16cm x 14cm Mounted, framed and under glass

Lot 175

John Fullwood FSA, RBA "Brig O' Doon" Drypoint etching, signed in pencil, in a glazed frame, 19 x 22cm

Lot 295

W. RENISON. Framed, glazed, signed in pencil to margin, etching on paper, signed with initials W.R., Victorian street scene, 38cm x 41cm,

Lot 370

HILDA BERNSTEIN. Framed, glazed, signed in pencil to margin limited edition 20/90 colour etching titled Shellfish, Menton, 25cm x 29cm together with a pair of LIBBY JANUARY framed pastels on paper, signed with initials EJ, 11.5cm x 15.5cm.

Lot 845

Original limited edition etching titled 'A Windswept Lane' by Willie Rawson. 47cm x 36cm

Lot 343

After Adolf Schreyer (1828 -1899), Wallachian Posting, etching, 10 x 22cms, another etching, an engraving of a jockey and a signed Henri V of France seal

Lot 22

A signed Stephen Dove limited edition etching, Rhythms of Light, numbered 4/50, 48 x 55cms, framed

Lot 117

Herbert Thomas Dicksee (British 1862-1942): Lady in a Doorway, drypoint etching signed in pencil, after Jean Corot, 'The Ferryman' and 'L'allée des Arbres', two Grafton Proof polychrome prints, Sunset off the Coast, lithograph signed by Julius Olsson, Theatrical Scene, lithograph signed by Doris Zinkeisen etc max 51cm x 66cm framed and unframed (8) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Lot 878

A small limited edition etching of a nude 'Claudia' 42/50 - 12 x 22cm

Lot 953

Glynn Thomas - limited edition etching Fen Bridge, East Anglia - 15 x 22cm

Lot 150

NO RESERVE Volpato (Giovanni) View of the ceiling of the Farnese Gallery with the frescoes of Annibale Carracci, etching with full hand-colouring in watercolour and bodycolour, heightened with gold, on thick laid paper, platemark 375 x 855 mm. (14 3/4 x 33 3/4 in), 453 x 872 mm. (17 3/4 x 34 5/8 in), minor spotting and surface dirt, unframed, [ca. 1775-1777].

Lot 143

Henry Wilkinson, colour etching, fly fisherman, limited edition, signed in pencil, 12ins x 8.5ins (D)

Lot 154

Two Antique black and white engravings, A View of Bromsgrove from Hill Top and A View of Droitwich from Dodders Hill, both by T sanders, 8ins x 12ins and another etching The South View of the City of Worcester, 4.75ins x 7.75ins

Lot 150

Arthur Henry Knighton Hammond, black and white etching, Haddon Hall Derbyshire, 11.5ins x 11.5ins (D)

Lot 545

*Trevelyan (Julian, 1910-1988). Holy Ganges (India Suite), 1968, colour etching & aquatint, an artist's proof, aside from the published edition of 75, signed, titled and marked Artist's Proof in pencil, plate size 47 x 35 cm (18.5 x 13.75 ins), with margins, framed and glazed (1)

Lot 426

*Turner (William, of Oxford, 1789-1862). Berry Pomeroy Castle, near Totnes, Devon, circa 1820-30, watercolour with traces of pencil, and scratching out, unsigned, 26 x 37.3 cm (10.25 x 14.7 ins), framed and glazed with label to verso of Michael Bryan Fine English Watercolours (giving title of the work as Goodrich Castle) The ruins of Berry Pomeroy castle in Devon became a favourite location for artists seeking a picturesque subject in the late 18th and early 19th century, including Francis Towne (1739-1816), Thomas Girtin (1775-1802) and J.M.W. Turner, who included an etching of it as an example of 'Elevated Pastoral' in his Liber Studiorum. (1)

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