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John Brunsdon, British ARE b.1933- "Dunwich Heath"; aquatint printed in colours, signed in pencil and numbered 95/1

Rosebery's

Lot 479

John Brunsdon, British ARE b.1933- "Dunwich Heath"; aquatint printed in colours, signed in pencil and numbered 95/150, 22.5x30cm: Derek Mynott RBA NEAC 1926-1994- "Venice from the Udo"; lithograph printed in colours, signed in pencil and numbered 32/200, 32.5x52cm: Fernando Rangel, late 20th/early 21st century- "The 2nd at Quail West"; lithograph printed in colours, signed in pencil and numbered 14/125, 37.5x50.5cm: Charles Bartlett, British b.1921- "Stepping Stones"; etching and aquatint printed in colours, signed in pencil and numbered 21/50, 39.8x44.5cm, (4) (may be subject to Droit de Suite)

Live Auction

Helen Hanson SBA, British mid-late 20th century- `Red Hot`; etching on handmade paper, signed, titled and numbered 3/100, 39.

Rosebery's

Lot 527

Helen Hanson SBA, British mid-late 20th century- `Red Hot`; etching on handmade paper, signed, titled and numbered 3/100, 39.6x35cm: together with one other similar etching titled `Prima Donnaon, signed, titled and numbered 7/100, 35x39.6cm: After Antoni Tapies b.1923- Untitled Composition; lithograph in colours, 37.7x83.2cm: After Alexander Calder 1898-1976- `Olem Nozzi` (1976); lithograph in colours, 36.6x55cm; together with one other similar lithograph after the same hand titled `Nozzi` (1976), 37.1x55.2cm: After Alberto Giacometti, 1901-1966- `Atelier`; lithograph, 37x55cm: After Hans Hartung 1904-1989- Poster for the Musée National d`Art Moderne; lithograph in colours, 72x51cm., (7) (a lot) (may be subject to Droit de Suite)

Live Auction

Lionello Balestrieri, Italian 1872-1958- Figures by a cafe at night; etching printed in colours, signed within the plate, sig

Rosebery's

Lot 532

Lionello Balestrieri, Italian 1872-1958- Figures by a cafe at night; etching printed in colours, signed within the plate, signed in pencil, 37.5x47cm

Live Auction

After Charles Méryon, French 1821-1868- "The Abside of Notre Dame Paris"; etching, signed with monogram within the

Rosebery's

Lot 545

After Charles Méryon, French 1821-1868- "The Abside of Notre Dame Paris"; etching, signed with monogram within the plate, 15x26cm: Benjamin Thomas Pouncy, British b. circa 1750- d.1799- "Rydal Mere", "The Lower Water Fall at Rydall" and "View of Ambleside", after Thomas Farrington RA, publ 1st Jan1789 by W Byrne No 79 Titchfield St; hand-coloured engravings, three, 24.5x35.8cm., ea: After Henry Alken 1785-1851- "You can have no IDEA what a magnificent day I have had, at least a dozen falls and twice in the brook Oh it was a most magnificent day: be kind enough to LEND ME A HAT" from "Ideas Getting Home after getting into every thing but Hot Water", publ by Thomas McLean 26 Haymarket May 1st 1830; hand-coloured lithograph, in a maple veneered frame, 18.5x24.5cm: After Spy (Leslie Matthew Ward) 1851-1922- Untitled portrait of a gentleman standing full-length; chromolithograph, 33x18cm: Antoine Monay (Yvon), French, early-mid 20th century- Notre Dame, La Madelaine, View of the Seine, and The Arc de Triomphe, Paris; etchings, four, each signed, 13.5x19cm., largest: together with a further quantity of prints of Paris, pictures and reproductions by and after different hands, (a lot)

Live Auction

* Edward Sharland, British 1884-1967- "Redcliffe Gate"; etching, inscribed `Redcliffe gate, demolished 1872` within

Rosebery's

Lot 547

* Edward Sharland, British 1884-1967- "Redcliffe Gate"; etching, inscribed `Redcliffe gate, demolished 1872` within the plate, signed and titled in pencil, 19x27.2cm., (unframed)

Live Auction

Circle of Paul Sandby Munn 1773-1845- View of an Abbey ruin; watercolour, David Waterson 1870-1934- A figure on horseback und

Rosebery's

Lot 552

Circle of Paul Sandby Munn 1773-1845- View of an Abbey ruin; watercolour, David Waterson 1870-1934- A figure on horseback under a stormy sky; mezzotint printed in brown, with extensive rocker and roulette work, presumably a unique impression, bears indistinct title verso, 40x52cm: William Strange, Scottish 1859-1921- Italianette courtyard; dry-point etching, signed in pencil, initialed and dated 1913: M C Robinson, 19/20th century- Extensive highland landscape; aquatint: Vincent Brooks, Day & Son Lith 1888- "Pembroke"; Rev Ernest John Smith 1888 (Rowing) publ by Vanity Fair, Jan 28th 1888, lithograph printed in colours, after Hay, 31x19cm: John Marshall, publ c.1821- "A Representation of Twenty One Beasts Commonly Seen in England; engraving publ 1821: Carlo Maratta 1625-1713- St John the Baptist; etching, 20.6x14.2cm: After Peter Candid 1548-1628- Teresa of Avuili`s Vision of the dove; engraving, trimmed: Dirck Stoop c.1610-c.1681- Ponies grazing; etching, signed within the plate, on laid paper, (A/F) (unframed) (a lot)

Live Auction

* Alison Neville b.1945- "Church, Ronda"; Etching, aquatint in colours, titled, signed, numbered 8/50, 55x36.5cm Pr

Rosebery's

Lot 553

* Alison Neville b.1945- "Church, Ronda"; Etching, aquatint in colours, titled, signed, numbered 8/50, 55x36.5cm Provenance: Paintings in Hospitals, London cat no: HS 0198 (may be subject to Droit de Suite)

Live Auction

Thomas Cornell, American b.1937- "Michaelangelo"; etching, signed, titled, numbered 20/100 and dated 64 in pencil,

Rosebery's

Lot 570

Thomas Cornell, American b.1937- "Michaelangelo"; etching, signed, titled, numbered 20/100 and dated 64 in pencil, 49.5x37cm

Live Auction

* Salvador Dali, Spanish 1904-1989- Don Quixote; etching, signed and numbered 121/800 in pencil, bears certificate from The C

Rosebery's

Lot 592

* Salvador Dali, Spanish 1904-1989- Don Quixote; etching, signed and numbered 121/800 in pencil, bears certificate from The Collector`s Guild Ltd New York attached to the reverse, 17x12cm

Live Auction

Hermann Struck, German 1876-1944- View of Jerusalem; etching on paper, signed in pencil below the plate, inscribed indistinct

Rosebery's

Lot 596

Hermann Struck, German 1876-1944- View of Jerusalem; etching on paper, signed in pencil below the plate, inscribed indistinctly in the plate, 13.5x22cm: together with four other prints by the same hand - Views of Palestine; etchings on paper, all signed in pencil below the plates, 18.5x24.5cm., (max) (5) (mounted) (unframed)

Live Auction

Edward Burrow, late 19th/early 20th century- "New Court Corpus Christi, from the Archway" publ WH Beynon & Co C

Rosebery's

Lot 607

Edward Burrow, late 19th/early 20th century- "New Court Corpus Christi, from the Archway" publ WH Beynon & Co Cheltenham; etching, signed and dated 1898 within the plate, signed in pencil beneath the plate, 27.4x19.4cm: together with another etching by the same hand and publisher depicting "The Chapel Corpus Christi College Cambridge", signed within and beneath the plate, 26.8x19.2cm: Daniel Havell 1785-c.1826- "Magdalen College Entrance Gate" and "Botanic Garden", Augustus Charles Pugin: hand coloured engravings, 20.3x13.3cm & 19.5x13.1cm: together with three other hand coloured engravings of Oxford university by and after various hands, the set of 5 mounted in matching frames, (7)

Live Auction

Brenda Hartill, British b.1943- "Spring Variations IV"; etching in colours, numbered 122/200, signed in pencil and

Rosebery's

Lot 625

Brenda Hartill, British b.1943- "Spring Variations IV"; etching in colours, numbered 122/200, signed in pencil and dated `86, 59x20cm: together with one other by the same hand- "Rooftop London 1987"; six separate etchings in colours on the same sheet, all signed, first artist`s proof, 9x11.2cm (each)., (in matching frames) (2) (may be subject to Droit de Suite)

Live Auction

* Emil Orlik, Czech, 1870-1932- London Girl; etching, signed, bears stamp, signature and inscription to verso, 9.6x7cm: toget

Rosebery's

Lot 637

* Emil Orlik, Czech, 1870-1932- London Girl; etching, signed, bears stamp, signature and inscription to verso, 9.6x7cm: together with five lithographs of figures by the same artist, four printed in colours, all signed, stamped to verso, various sizes, (unframed) (6)

Live Auction

Attributed to Alphonse Dupont, French 1994-1877- Venetian Canal; etching, blind stamp `The Academy of Art ltd, Birmingham`, s

Rosebery's

Lot 641

Attributed to Alphonse Dupont, French 1994-1877- Venetian Canal; etching, blind stamp `The Academy of Art ltd, Birmingham`, signed, 30x21.4cm: Francesco Bartolozzi RA 1727-1815- "The Jealousy of Lord Darnley, Husband of Mary Queen of Scots. Alarmed at Observing Her Entertained and Delighted by David Rizzio", after G.B.Cipriani, publ according to Act of Parliament 19 April 1793, by Ann Bryer No. 5. Poland Street. Soho; stipple engraving printed in colours, oval, 26.5x33cm: Mark Dunford, 20th Century- `Fowey II`; acrylic on board, 42x30.5cm: together with two 20th Century reproduction prints, 37.3x54cm., (max) (5) (a lot) (may be subject to Droit de Suite)

Live Auction

Michael Chaplin, British b.1943- `St. Martin, Picardy`, `Viaduct`, `Water Trough`; etching and aquatint, all numbered or arti

Rosebery's

Lot 653

Michael Chaplin, British b.1943- `St. Martin, Picardy`, `Viaduct`, `Water Trough`; etching and aquatint, all numbered or artist proof, titled, signed and dated 80 or 81, 43.5x56.5cm (max) (3): Susan Jameson, British b. 1944- "Moonlight"; mezzotint in colours, numbered 1/200, titled, and signed, 30x40cm: Peter Matthews b.1942 - `Evening Sea`; etching and aquatint, numbered 20/50, titled, signed and dated `83, 38.5x48cm: Norman Marcus, 20th/21st Century- "Lower Wessex Lane, Pummer; serigraph in colours, numbered 33/60, signed and dated `76, 44.5x50.5cm: Kenneth Leech, 20/21st Century- "Meadow Covert"; lithograph in colours, numbered 12/150, signed, 40x48.2cm: Brad Fain, 20/21st Century- `Ashes of Autumn`, `Springtime Promise; serigraph in colours, both numbered, titled and signed, 84x60cm (max) (2): together with four other prints by the same or various hands, 20/21st Century; serigraph in colours, all numbered or artist`s proof and signed, 54.5x74.2cm (max)., (unframed) (13) (a lot) (may be subject to Droit de Suite)

Live Auction

Lewis Christopher Edward Baumer RI 1870-1963- "Vicars daughter (meeting one of her class)"; pen and ink, signed, be

Rosebery's

Lot 662

Lewis Christopher Edward Baumer RI 1870-1963- "Vicars daughter (meeting one of her class)"; pen and ink, signed, bears conversation in pencil beneath, 33.5x24.5cm, Note: Baumer was a caricaturist who worked for over fifty years for the British magazine `Punch`. He studied at the Royal Academy and Royal College of Arts, in 1921 he was elected a member of the Royal Institution: Wilfred Fairclough, RE 1907-1996- Two women walking on a cobbled street; etching, signed and dated 1988, 19.7x13cm: Richard Bertram Ogle fl. 1920-1929- "Bacchanalia, with Nymphs and Satyrs", oil pastel, 29x22cm: William Nicholson 1872-1949- "W.E Gladstone"; lithograph, 25.2x23.1cm: with another of Cecil Rhodes by the same artist, 24.2x23.1cm, (5)

Live Auction

Sidney Kent, late 19th/early 20th century- Portrait of an elderly lady seated half-length turned to the right; black chalk, s

Rosebery's

Lot 664

Sidney Kent, late 19th/early 20th century- Portrait of an elderly lady seated half-length turned to the right; black chalk, signed and dated 1905, 35x26.5cm: Follower of Charles Edward Wagstaff b.1808- The letter; hand-coloured engraving, in a gilt frame, 60x46cm: Circle of Walter Granville Smith 1870-1938- Figures sitting by a port; watercolour, tranquil street scene; oil on canvas, two, held in a shared mount, bears indistinct inscriptions, 19x16.5cm and 17.5x16cm: Scottish School, early 20th century- "Inverness"; watercolour: English School, late 19th century- River scene in autumn; watercolour: English Provincial School, late 19th/early 20th century- Family by the hearth; watercolour, 12x17.5cm.: Frederick C Lewis I 1775-1856- "His Grace the Duke of Wellington K G", after Sir Thomas Lawrence PRA, publ June 18th 1840, by Graves & Comp, Pall Mall, London; engraving with extensive mattoir work & mixed technique: John Browne 1741-1801- "The Watering Place", after P P Rubens, publ Dec 1st 1770 by John Boydell; engraving, 48x60.5cm: Axel Herman Haig 1835-1921- "The Interior of Burgos Cathedral"; etching, signed with monogram and dated 1889 within the plate, signed in pencil, bears label for Robert Dunthorne, 5 Vigo Street, London attached to the reverse of the frame, 70.5x47cm: William Sharp 1749-1824- The Assumption of The Virgin, publ by John Boydell 1785; engraving, 59x39cm: together with a collection of further 19th century engravings, mezzotints and chromolithographs: (a lot) (part unframed) (af)

Live Auction

After Salvador Dali, Spanish 1904-1989- Allegorical Saints and Angels; lithographs printed in colours, a pair, both bear sign

Rosebery's

Lot 667

After Salvador Dali, Spanish 1904-1989- Allegorical Saints and Angels; lithographs printed in colours, a pair, both bear signature, 24x17.4cm., ea., (2): Mary Rudolph, 20th Century- `Maxine`s sister`; etching, signed and dated `70, titled and numbered 12/20, 22.3x30cm: Danielle Nasso, 20th Century- Labourer with basket on stick; pencil on paper, signed and dated 3.86, 31x25cm: David N`Lalia, 20th Century- `Bush Men after the Hunt, Namibia`; acrylic, signed, titled, 58x26.5cm: together with a 20th Century reproduction print, 29x21cm., (6) (a lot) (may be subject to Droit de Suite)

Live Auction

* Edward Sharland, British 1884-1967- "Temple Gate, Bristol, Demolished 1810"; etching, signed and titled in pencil

Rosebery's

Lot 676

* Edward Sharland, British 1884-1967- "Temple Gate, Bristol, Demolished 1810"; etching, signed and titled in pencil, titled within plate, 19x27cm., (mounted), (unframed)

Live Auction

* After Archibald Thorburn, British 1860-1935- `Course Shooting`, publ. June 1st 1892 by Leggat Bros.; photogravure, signed i

Rosebery's

Lot 683

* After Archibald Thorburn, British 1860-1935- `Course Shooting`, publ. June 1st 1892 by Leggat Bros.; photogravure, signed in pencil, bears publisher, bears blindstamp `GDU` Printsellers Assoc., 44x63cm: Frank Paton, British 1856-1909- `Grouse, End of the Line`, after Archibald Thorburn, British 1860-1935, publ. July 10th 1889 by Leggatt Bros.; etching, signed by both the artist and printmaker in pencil, bears blindstamp `GDU` Printsellers Assoc., 40x57cm., (unframed) (2)

Live Auction

Framed and glazed etching of Rembrandt hand-printed and pencil signed R de Boer, image size 14x13cm

Barnes Auctions

Lot 48

Framed and glazed etching of Rembrandt hand-printed and pencil signed R de Boer, image size 14x13cm

Live Auction

Moore Allen & Innocent

Lot 551

20TH CENTURY SCHOOL "Old English Game II" and "Old English Game III", watercolours, both monogrammed "CB", IN THE MANNER OF CECIL ALDIN "Study of a terrier on hind quarters", coloured print, and a black and white etching of a black labrador with hare in mouth

Live Auction

Niels Lund, River Landscape, etching, framed, signed in pencil

Addisons Auctioneers

Lot 307

Niels Lund, River Landscape, etching, framed, signed in pencil

Live Auction

Mallams Ltd. - Abingdon

Lot 394

A WALKMAN (20TH CENTURY SCHOOL) - Camus nan Gael, coloured etching, indistinctly signed, inscribed and numbered 13/90, 15 1/2" x 19 3/4"; and two further (3)

Live Auction

Arthur A. Stead, Signed Black and White Etching "Eventide N. France" signed in pencil, in black frame, 22cm x 31.5c

P.F. Windibank Auctioneers

Lot 133

Arthur A. Stead, Signed Black and White Etching "Eventide N. France" signed in pencil, in black frame, 22cm x 31.5cm

Live Auction

Robert H Smith, Signed Black and White Etching "? Island, Newquay, Cornwall", signed in pencil, in black frame, 23c

P.F. Windibank Auctioneers

Lot 134

Robert H Smith, Signed Black and White Etching "? Island, Newquay, Cornwall", signed in pencil, in black frame, 23cm x 28cm

Live Auction

Frederick Arthur Farrell, Signed Black and White Etching "The Royal Exchange", signed in pencil, in black frame, 24

P.F. Windibank Auctioneers

Lot 135

Frederick Arthur Farrell, Signed Black and White Etching "The Royal Exchange", signed in pencil, in black frame, 24cm x 38cm

Live Auction

Richard Fozard ?, Signed Limited Edition Black and White Etching "Fresh Day, Northumberland Landscape", numbered 50

P.F. Windibank Auctioneers

Lot 159

Richard Fozard ?, Signed Limited Edition Black and White Etching "Fresh Day, Northumberland Landscape", numbered 50/110, signed in pencil and dated 1982, 30.5cm x 30.5cm

Live Auction

Nigel Ward & Company

Lot 2123

An F.Robson, sepia Etching `Castle Garth and Cathedral, Newcastle on Tyne. 8`` x 5 1/4`` approx. Framed

Live Auction

Nigel Ward & Company

Lot 2162

An original signed Etching. London shipping Stanley Charles Rowles, approx 12`` x 9``.

Live Auction

JAMES MCBEY Avila 28 July 1911 etching, signed in pencil and numbered XXIX 17.5cm x 27.5cm

McTear's

Lot 2050A

JAMES MCBEY Avila 28 July 1911 etching, signed in pencil and numbered XXIX 17.5cm x 27.5cm

Live Auction

FRANK WESTON BENSON (AMERICAN 1862-1951) Morning flight etching, signed and numbered 60 (of 150) in pencil 20cm x 25cm

McTear's

Lot 2125

FRANK WESTON BENSON (AMERICAN 1862-1951) Morning flight etching, signed and numbered 60 (of 150) in pencil 20cm x 25cm

Live Auction

¥ HENRY MOORE OM CH FBA (British 1898-1986) Mother and Child XI etching, aquatint and roulette, 1983 Unframed 34.5cm x 26cm N

McTear's

Lot 2173

¥ HENRY MOORE OM CH FBA (British 1898-1986) Mother and Child XI etching, aquatint and roulette, 1983 Unframed 34.5cm x 26cm Note: From the Mother and Child series.. this lot is subject to VAT at the standard rate

Live Auction

¥ HENRY MOORE OM CH FBA (British 1898-1986) Mother and Child XVII etching, aquatint and roulette, 1983 21cm x 20cm Note: From

McTear's

Lot 2176

¥ HENRY MOORE OM CH FBA (British 1898-1986) Mother and Child XVII etching, aquatint and roulette, 1983 21cm x 20cm Note: From the Mother and Child Series.. this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA The Kiss I etching, 20/50, 1970, signed Framed 25.5cm x 28.5cm this lot is subject to VAT at the

McTear's

Lot 2187

¥ * JOHN BELLANY CBE RA HRSA The Kiss I etching, 20/50, 1970, signed Framed 25.5cm x 28.5cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Self Portrait etching, edition of 25, 1971, signed Framed 25.5cm x 28.5cm this lot is subject to

McTear's

Lot 2188

¥ * JOHN BELLANY CBE RA HRSA Self Portrait etching, edition of 25, 1971, signed Framed 25.5cm x 28.5cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Death Knell for John Knox etching, 15/75, 1970, signed Framed 47cm x 49.5cm this lot is subject

McTear's

Lot 2190

¥ * JOHN BELLANY CBE RA HRSA Death Knell for John Knox etching, 15/75, 1970, signed Framed 47cm x 49.5cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Sula Bassana etching, edition of 50, 1986, signed Framed 49cm x 32.5cm this lot is subject to VA

McTear's

Lot 2191

¥ * JOHN BELLANY CBE RA HRSA Sula Bassana etching, edition of 50, 1986, signed Framed 49cm x 32.5cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Ominous Presence II-Fear etching, edition of 50, 1970, signed Framed 25cm x 23.5cm this lot is s

McTear's

Lot 2193

¥ * JOHN BELLANY CBE RA HRSA Ominous Presence II-Fear etching, edition of 50, 1970, signed Framed 25cm x 23.5cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Self Portrait in Hospital II etching, 7/20, 1988, signed Framed 45cm x 40cm this lot is subject

McTear's

Lot 2194

¥ * JOHN BELLANY CBE RA HRSA Self Portrait in Hospital II etching, 7/20, 1988, signed Framed 45cm x 40cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA The Transplant I etching, 25/30, 1989, signed Framed 40cm x 45cm this lot is subject to VAT at t

McTear's

Lot 2195

¥ * JOHN BELLANY CBE RA HRSA The Transplant I etching, 25/30, 1989, signed Framed 40cm x 45cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Confessions of a Justified Sinner etching, 12/50, 1972, signed Framed 49cm x 43cm this lot is su

McTear's

Lot 2196

¥ * JOHN BELLANY CBE RA HRSA Confessions of a Justified Sinner etching, 12/50, 1972, signed Framed 49cm x 43cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA The Queen of the Night etching, 51/200, 1991, signed Framed 74cm x 60cm this lot is subject to V

McTear's

Lot 2211

¥ * JOHN BELLANY CBE RA HRSA The Queen of the Night etching, 51/200, 1991, signed Framed 74cm x 60cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Angry Young Man-Self Portrait etching, 23/50, 1971, signed Framed 13cm x 9cm this lot is subject

McTear's

Lot 2213

¥ * JOHN BELLANY CBE RA HRSA Angry Young Man-Self Portrait etching, 23/50, 1971, signed Framed 13cm x 9cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Bass Rock Requiem etching, edition of 25, 1985, signed Framed 24.5cm x 16cm this lot is subject

McTear's

Lot 2215

¥ * JOHN BELLANY CBE RA HRSA Bass Rock Requiem etching, edition of 25, 1985, signed Framed 24.5cm x 16cm this lot is subject to VAT at the standard rate

Live Auction

¥ * JOHN BELLANY CBE RA HRSA Rose and Crown etching, 32/50, 1979, signed Framed 25cm x 20cm this lot is subject to VAT at the

McTear's

Lot 2218

¥ * JOHN BELLANY CBE RA HRSA Rose and Crown etching, 32/50, 1979, signed Framed 25cm x 20cm this lot is subject to VAT at the standard rate

Live Auction

Anders Zorn (1860-1920) Ols Maria, Etching, 1919, signed in pencil

Shapes Auctioneers & Valuers

Lot 416

Anders Zorn (1860-1920) Ols Maria, Etching, 1919, signed in pencil

Live Auction

Anders Zorn (1860-1920) Vika Etching signed

Shapes Auctioneers & Valuers

Lot 417

Anders Zorn (1860-1920) Vika Etching signed

Live Auction

Rembrant van Rijn/ Man Reading at a Window/signed and dated/etching, 24.5cm x 19cm (9.5" x 7.25")

Chorley's Auctioneers & Valuers

Lot 144

Rembrant van Rijn/ Man Reading at a Window/signed and dated/etching, 24.5cm x 19cm (9.5" x 7.25")

Live Auction

18th Century etching/Vanellus Vanneau/Birds beside a Lake/etching, 9.5cm x 20cm (4.75" x 8")

Chorley's Auctioneers & Valuers

Lot 154

18th Century etching/Vanellus Vanneau/Birds beside a Lake/etching, 9.5cm x 20cm (4.75" x 8")

Live Auction

Keys - Aylsham Salerooms

Lot 356

LAURA KNIGHT, 4 ttls: MODERN MASTERS OF ETCHING LAURA KNIGHT, “The Studio”, 1932, 1st edn, obl, 4to, orig cl, ptd paper label; A PROPER CIRCUS OMIE, 1962, 1st edn, orig cl, d/w; THE MAGIC OF A LINE, 1965, 1st edn, orig cl, d/w; ON WITH THE SHOW, nd, orig pict laminated bds + CAROLINE FOX: DAME LAURA KNIGHT, 1988, 1st edn, 4to, orig cl, d/w (5)

Live Auction

Etching -- Cameron, D.Y. -- Rinder, F. D.Y. Cameron. An illustrated catalogue of his etched work. Glasgow: J. Maclehose, 1912

Lyon & Turnbull

Lot 231

Etching -- Cameron, D.Y. -- Rinder, F. D.Y. Cameron. An illustrated catalogue of his etched work. Glasgow: J. Maclehose, 1912. 4to, plates, original cloth, dust-jacket, upper board slightly damp-stained; Salaman, M.C. Modern masters of etching. 6 volumes in one: Brangwyn, Cameron, McBey, Meryon, Whistler, Zorn. London: The Studio, 1924-27. Oblong folio, green half morocco by The Atelier Bindery, t.e.g., slightly rubbed (2)

Live Auction

AFTER VILLANUEVA - Vista del Palazio de Aranjuez por la Parte del Camino de Madrid, monochrome etching, 12" x 16 1/2&quo

Mallams Ltd. - Oxford

Lot 360

AFTER VILLANUEVA - Vista del Palazio de Aranjuez por la Parte del Camino de Madrid, monochrome etching, 12" x 16 1/2".

Live Auction

Mallams Ltd. - Oxford

Lot 361

JAMES GILLRAY - `John Bull Taking A Luncheon`; all British Cooks Cramming Old Grumble - Gizzard With Bonne - Chere`, etching, hand coloured, 10 1/2" x 14 1/2"; seven John Doyle lithograph characters from the `H.B. Sketches` Series; Robert Dighton characters - `Mr Braham in the character of Orlando`; and one further titled `John Bull Arming` (10).

Live Auction

J * EDWARDS - `Greater Hairy Campion with a Scarlet Flower`, hand coloured etching, published c. May 1st 1769, 13 1/2" x

Mallams Ltd. - Oxford

Lot 362

J * EDWARDS - `Greater Hairy Campion with a Scarlet Flower`, hand coloured etching, published c. May 1st 1769, 13 1/2" x 9 1/4"; and three further similar (4) (see illustration).

Live Auction

Mallams Ltd. - Oxford

Lot 365

JOHAN MICHAEL SELIGMANN AFTER G. EDWARD - `Der Maiter Specht`, etching, hand coloured, 10 1/4" x 8"; another similar; and a pair of 19th Century watercolours, each applied with feathers in the form of a bird perched upon a branch, 10" x 8" overall (4).

Live Auction

Mallams Ltd. - Oxford

Lot 376

SYDNEY R. JONES (1881-1966) - `Royal Exchange`, etching, pencil signed and titled in the margin, 10 1/2" x 13"; and a monochrome print after W.L. Wyllie (2).

Live Auction

20TH CENTURY ENGLISH SCHOOL - `Barking, 26 Bow Boilers`, etching, inscribed with title to the margin and indistinctly signed

Mallams Ltd. - Oxford

Lot 378

20TH CENTURY ENGLISH SCHOOL - `Barking, 26 Bow Boilers`, etching, inscribed with title to the margin and indistinctly signed ? Cyril H. Banano, 12" x 8 1/4" (see illustration).

Live Auction

JAMES GILLRAY - `The Coming - On Of The Monsoons Or The Retreat From Seringapatam`, etching, hand coloured, 8 3/4" x 11&

Mallams Ltd. - Oxford

Lot 379

JAMES GILLRAY - `The Coming - On Of The Monsoons Or The Retreat From Seringapatam`, etching, hand coloured, 8 3/4" x 11"; another - `The Genies of France Nursing Her Darling`, Thomas Rowlandson `Procession of The Cod Company from St. Gile`s to Billingsgate`, hand coloured etching, 10 1/2" x 14" and six further characters, three unframed (9).

Live Auction

Mallams Ltd. - Oxford

Lot 383

FREDERICK MARRIOTT (1860-1941) - `Ravello`, etching, titled and pencil signed in the margin, 7 1/2" x 9 1/2"; David Young Cameron `Perth Bridge`, etching, 7" x 10" and four further etchings to include two by Fred Richards (6).

Live Auction

71174 item(s)

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