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Lot 1120
After John Sell Cotman (1782-1842) "Castle at Tancarville" Inscribed and published 1st October 1821 by J & A Arch, Cornhill & J.S. Cotman, Yarmouth, the plate numbered "85", black and white etching, 26cm by 36.5cm; together with "Rievaulx Abbey Yorke Doorway to the Refectory"; "West Front of Byland Abbey of Yorks"; "Castle at Dieppe" Various sizes (4) Probably taken from John Sell Cotman's series of etchings resulting from his three visits to Normandy in 1817, 1818 and 1820 together with his trip to Yorkshire between 1800 and 1806.
Lot 1121
After Graham Vivian Sutherland O.M. (1903-1982) Figure at the Edge of a Garden, thatched building nearby Signed artist's proof, numbered "10/60", black and white etching, 14cm by 13cm (pl); together with Ten Further Examples (two unframed) Various sizes (11) The artist was born in London and studied at Goldsmiths College 1920-1925, producing etchings in the 1920's and early 1930's, which are probably part of that series as they depict a romantic representation of the countryside showing the strong influence and the etching work of Samuel Palmer. He was official ware artist 1941-1944 and lived in Kent.
Lot 1124
After William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "Our Father's to the memory of the nameless killed and wounded after the original work by Captain Ronald A. Hopwood R.N.", a series of vignettes Each extensively inscribed and numbered "I", "II", "III", "IV", also signed in pencil, black and white drypoint etching, each 31cm by 21cm (pl) (a set of four)
Lot 1125
William Walcot R.B.A., R.E. (1874-1943) Parliament Square and Abingdon Street, with figures, trams and other vehicles, the Houses of Parliament nearby Signed artist's proof, black and white drypoint etching, 16.5cm by 30cm (pl) Provenance: With Victor Waddington Galleries, 28 South Anne Street, Dublin
Lot 15
Norman Wilkinson (1878-1971) An etching of H.M.S. Lion anchored in company with other shipping Signed in pencil 'Norman Wilkinson' (lower left); and 'Beatty' (lower right) 15 x 14½in. (38 x 37cm.) Framed and glazed, the reverse with a trade label for Ackerman. Provenance: Reputedly this picture was Beatty's own copy and hung in his office until given or acquired by Sub Lieut D.R. Duff who passed it to the vendor.
Lot 32
E. Gordon Carter (20th Century) The Cymbol Dance Signed, titled and numbered 37/100 Etching, mounted, unframed 15 x 20.5cm; 6 x 8½in With 2 linocuts by Ninos Stavroski, 4 woodcuts by another hand and a pen and ink drawing of a monkey all, mounted, unframed (8) 1. minor dents and some rippling, paper slightly yellowed. The woodcuts foxed. The pen and ink yellowed but good
Lot 241
John Crome, Senior (1768-1821) Deepham near Hingham Signed and dated 1813 on the plate Etching, fourth state of five, mounted, unframed 16.25 x 16.5cm 6½ x 6¾in With an etching after Cotman of Beeston, Norfolk inscribed and published 1910, mounted, unframed(2) 1. Slightly discoloured 2. Yellowed, some blemishes
Lot 323
Charles Dixon R.I. (1872-1934) The Cutty Sark Signed inscribed and dated 32 Watercolour and bodycolour 18.5 x 27cm; 7¼ x 10½in With a hand tinted and inscribed print of racing at Cowes and a letter by Dixon and a small etching by Frank H. Mason on buff paper (4) Cutty Sark - Good. Others - Some creasing to the letter, some paper discolouration to the card and some blemishes on the etching
Lot 637
RALPH STEADMAN. Reproduction monochrome print, girl and sheep and in a boat, signed and dated 4/12/77, 47cm x 67cm, unframed. CHRIS PLOUGHMAN. Etching, “Desk Top Confusion”, signed, dated 1982 and titled in pencil, 28cm x 39cm, unframed; ROSE FINN-KELSEY, screen print, “Finger Print”, signed, dated 82 and titled in pencil, numbered 13/50, 66cm x 50cm, unframed. (3).
Lot 228
Eileen Alice Soper (British, 1905-1990) Sympathy, 1925 signed lower right in pencil "Eileen A. Soper" etching 11.5 x 7.5 cm (unframed) Provenance: From the estate of George and Eileen Soper. Literature: Beetles/Wootton 92 Excellent impression printed with tone. One of only 14 signed proofs from the sole published edition. On cream wove paper, watermarked New York, with full margins and deckle edge. Generally very good condtiion.
![Sir Francis Seymour Haden (British, 1818-1910) A River's Bank [Dundrum or Multeen River, Ireland] etching, signed in the pla](http://lot-images.atgmedia.com/SR/10091/2746302/234-61-10091_468x382.jpg)
Lot 234
Sir Francis Seymour Haden (British, 1818-1910) A River's Bank [Dundrum or Multeen River, Ireland] etching, signed in the plate 15.5 x 14 cm Literature: Schneiderman 46b iv/iv; Harrington 49 ii/ii Good bright impression in the fourth state, as published in Etchings for the Art Union of London by the Etching Club in 1872, under the title "A River's Bank".
Lot 237
Evelyn Gibbs (British, 1905-1991) The Haunted Ruin, circa 1927 signed by the artist in pencil etching 19 x 23 cm 'Unique' touched proof impression, with pencil shading on the lintel above the cottage door. A particularly good signed proof impression prior to the only edition. The granddaughter of an Edinburgh engraver, Evelyn Gibbs trained as an artist in her native town of Liverpool. She came to London after winning an Exhibition to the Royal College of Art where she learned the techniques of printmaking under Malcom Osborne. In 1929 Evelyn Gibbs won the Prix de Rome for engraving and was to spend the following two years in Italy. Upon her return to England she became an influential teacher of art, being appointed Lecturer in Art at Goldsmiths' College in 1934. Highly regarded as an original printmaker, her works were handled by the prestigious XXI Gallery.
Lot 241
Pablo Picasso (Spanish, 1881-1973) Composition au Verre et Compotier bearing pencil signature and numbered 262/300 published by Atelier Crommelynck, Paris and with their blindstamp etching and aquatint in colours 49 x 60cm (image) Provenance: Private collection, London Purchased from Natalie Knight Gallery, Johannesburg in 1983, with original invoice attached verso
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