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Lot 706

Robert Kasimir (Austrian, 1914-2002), Fountain at the Plaza, 1992, hand-colored etching, pencil signed lower right, titled indistinctly lower left and dated, overall: 27.5""h x 22""w

Lot 707

After George Inness (American, 1825-1894), ""Early Morn,"" etching with aquatint and hand-coloring, pencil signed ""after George Inness"" lower right, titled lower left, overall: 22""h x 17.5""w

Lot 708

Luigi Kasimir (Austrian, 1881-1962), Ye Olde Tuffe Shoppe, etching, pencil signed lower right, titled indistinctly lower left, overall: 26.5""h x 23.5""w

Lot 715

(lot of 2) Ynez Johnston (American, 1920), ""Dynastic Scene,"" color etching, aquatint and carborundum, edition 11/50, and American School (20th century), Children in the Square, pastel on paper, signed ""Lepe,"" lower right, overall (framed/largest): 21""h x 16.75""w

Lot 731

Daniel Weaver (American, 20th/21st c.), Revenge of the Dead, 1988, etching, pencil signed lower right, edition A/P, exhibited: Mission Cultural Center Day of Dead Exhibition Dia De Los Muertos Nov. 1988, overall: 14""h x 18""w

Lot 754

Richard Bosman (American, b. 1944), ""Forced Entry,"" 1983, sugarlift aquatint etching, pencil signed lower right, edition 13/20, Dart Gallery, Chicago, IL, label affixed verso, overall (with frame): 29.5""h x 24.75""w. Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

Lot 770

Priscilla Hoback (American, b. 1939), ""Early Morning in June,"" color etching, signed and dated in pencil lower right, titled in pencil lower left, overall (with frame): 38.75""h x 50.5""w

Lot 797

American School (20th century), Untitled, 1979, etching, signed lower right ""Colleen Wendell"", overall with mat (unframed): 36""h x 28""w; Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

Lot 818

(lot of 2) Ira Yeager (American, b. 1938), Mr. Green Man, watercolor on paper, pencil signed lower right, overall: 12.5""h x 9.5""w, and John Dunlop (American, 20th c.), Red, Orange, Blue, and Green, etching with aquatint and carborundum, pencil signed lower right, overall: 11""h x 11.5""w. Provenance: From the private collection of Jose Ramon Lerma (American, b.1930)

Lot 823

European School (20th century), View of Heidelberg, etching, signed indistinctly lower right; American School (20th century), ``Grant and California Street, San Francisco,`` etching, signed ``Anthony Palmer`` lower right, largest overall (each unframed): 15.75``h x 13``w

Lot 2277

Rembrandt van Rijn (Dutch, 1606-1669), ""A Peasant in a High Cap, Standing Leaning on a Stick,"" 1639, etching, late 18th/early 19th century, mid-basan impression, plate signed and dated lower center, plate: 3.2""h x 1.8""w, overall: 18""h x 16""w, Minotour Galleries, Las Vegas, NV label affixed verso. Reference: Bartsch, 133; Hind, 164; White-Boon, 133

Lot 2278

Rembrandt Van Rijn (Dutch, 1606-1669), Jan Uytenbogwert, Preacher of the Remonstants, 1635, etching and drypoint, image: 8""h x 7""w, overall: 20""h x 16.75""w. Provenance: Purchased from Frost and Reed, Bristol, England from the Dr. Poynton Collection

Lot 2279

Francisco de Goya (Spanish, 1746-1828), The Picador Rouses the Bull, plate 13 of La Tauromaquia, c. 1816, etching with burnished aquatint and engraving, printed 1921, plate: 9.75""h x 13.75""w, overall: 19.5""h x 23.5""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 2280

Giovanni Battista Piranesi (Italian, 1720-1778), Scenographia Campi Martii, pl. II (from Campo Marzio dell`Antica Roma), c. 1762, etching, image: 19""h x 38""w, overall: 32""h x 50.5""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 2281

Giovanni Battista Piranesi (Italian, 1720-1778), Veduta della Curia Ostilia, 1757, etching, plate: 15.5""h x 23.5""w, overall: 30""h x 37.5""w. Reference: Hind, 43. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 2283

Édouard Manet (French, 1832-1883) (after Velázquez), Little Cavaliers, 1860, etching on chine colle paper, sight: 9.75""h x 15.25""w, overall: 19.25""h x 24.5""w

Lot 2287

Armin Carl Hansen (American, 1886-1957), ""Snug Harbor,"" 1928, etching, pencil signed lower right, titled lower left, titled and dated within plate lower left, image: 4""h x 8""w, sheet: 9.75""h x 12.25""w. Reference: White, 109

Lot 2290

Gene Kloss (American, 1903-1946), ""A Road to Taos,"" drypoint etching, pencil signed lower right, titled lower left, image: 5""h x 4""w, overall (sheet): 7""h x 6""w

Lot 2291

Samuel L. Margolies (American, 1897-1974), ""Men of Steel,"" c. 1940, drypoint etching, pencil signed lower right, titled lower left, from an edition of 250, published by AAA, image: 14.75""h x 11.5""w, overall: 22.25""h x 18.25""w

Lot 2312

Antoni Clave (Spanish, 1913-2005), Gloves, etching with embossing, signed in pencil lower right, edition 19/80, sight: 31.5""h x 24.5""w, overall: 32.25""h x 25""w

Lot 2313

Salvador Dalí (Spanish, 1904-1989), Plaza Fountain: New York City, 1964, etching, pencil signed and dated lower right, edition E.A.V/X, published by Jean Schneider, image: 17""h x 25""w, overall: 32.25""h x 37.75""w. Reference: Field, 64-30

Lot 2320

Henry Moore (British, 1898-1986), Girl Writing at Her Desk, etching with aquatint, pencil signed lower right, edition 10/50, image: 8""h x 7""w, overall: 19""h x 15""w

Lot 811

William Lionel Wyllie (1851-1931) - Tallship and Tugboats in Govan Harbour, drypoint etching, published London 1915, signed in pencil to the margin, 20.3 x 49.8cm

Lot 812

William Lionel Wyllie (1851-1931) - Depot ships on the Clyde 1912, drypoint etching, published London 1912, signed in pencil to the margin, 20 x 49.3cm

Lot 6597

RACHEL HELLER (XX) - a framed and glazed limited edition etching, 'Male Model', signed in pencil and numbered 1/10. Image size 17.5cm x 25cm.

Lot 6630

DAVID HOCKNEY (b 1937) (ARR) A framed and glazed limited edition etching 'The Beginning', pencil signed and numbered 35/75 and dated 66. 35cm x 23cm.

Lot 556

LOUIS WILLIAM BRAIDE (1896 - 1974) - Bradd Head, watercolour, signed, framed, 11cm x 16cm also seven other watercolours, an oil and an etching by different hands (10)

Lot 573

GEOFFREY SNEYD GARNIER (1889 - 1970) - `The Hour of Evening Rice`, hand coloured etching, signed and inscribed in pencil, framed, 28cm x 24cm

Lot 584

FRANK PATON (1855 - 1905) - `Hunting Incidents`, etching, signed in pencil, framed, 26cm x 21cm, also seven other sporting etchings by the same hand (8)

Lot 681

Five books to include Sir D Y Cameron - Modern Masters of Etching 1925, second volume 1932, Blampied 1926, together with Daily Mail 1947, 1948 and 1949 Ideal Home books (5)

Lot 2057

J. J. AUDUBON, HAVELL EDITION ENGRAVING, ETCHING & AQUATINT, 1834, H 20 3/4", W 26 1/4", "WHITE IBIS: Framed. Hand colored; plate CCXXII; No. 45; framed. Dry mounted. 20 3/4" x 26 1/4" plate size; 25" x 39" paper size.

Lot 2154

LOUIS ICART, COLOR ETCHING, H 7.5", L 5.5", "NO STOPPING": Louis Icart [French, 1888-1950]. From the "La Nuit et le Moment" suite. Signed lower right, framed and matted under glass. Framed size H 19.25", L 16.25".

Lot 2155

LOUIS ICART, COLOR ETCHING, H 7.75", L 5.75", "ORGY": Louis Icart [French, 1888-1950]. From the "La Nuit et le Moment" suite. Signed lower right, framed and matted under glass. Framed size H 19.5", L 16.25".

Lot 2156

LOUIS ICART, COLOR ETCHING, H 7.75", L 6", "STAGECOACH": Louis Icart [French, 1888-1950]. From the "La Nuit et le Moment" suite. Signed lower right, framed and matted under glass. Framed size H 16.5", L 15.75".

Lot 2157

LOUIS ICART, COLOR ETCHING, H 7.75", L 5.5", "WHAT A SURPRISE": Louis Icart [French, 1888-1950]. From the "La Nuit et le Moment" suite. Signed lower right, framed and matted under glass. Framed size H 17.75", L 14.75".

Lot 432

Mixed collectables including watercolours, metalware, an etching, photography etc.

Lot 450

A 19th Century black and white etching of a French street scene, signed W.R and full signature in pencil; a Continental oil on board, signed to lower right; a framed group of three black and white photographs depicting an Edwardian child, a framed seal and an oak framed print.

Lot 463

AFTER W.M. WYLLIE - a gilt framed print on canvas depicting The House of Lords 1883, with accompanying plan. WILL HENDERSON - a black and white print, signed and one other similar, a 19th Century etching on silk of a coastal scene, possibly Jersey and a PETER GRAHAM (R.A) black and white Burlington proof titled `An Easterly Breeze`, also of a coastal scene.

Lot 3653

LOT OF 58 WWI & MISC POSTERS. Lot includes: ""Joan of Arc Saved France"" by Haskell Coffin; ""For Every Fighter a Woman Worker""; ""Every Girl Pulling for Victory - Victory Girls United War Work Campaign"" by Edward Penfield; ""Save Coal""; ""Help Them""; ""Have YOU a Red Cross Service Flag - 1918"" (2); "" They Give Their Lives. Do You Lend Your Savings?""; ""Second Liberty Loan of 1917""; ""A Million Boys Behind a Million Fighters""; ""Welcome Home Our Fighting Newton Heroes""; ""Inasmuch as ye have done it unto one of the least of these""; ""LEND! (10)""; ""To-day Buy That Liberty Bond"" (5 large & 3 small versions); ""Have you Given? We Have""; ""Join-All You Need is a Heart and a Dollar"" (4); 2 Red Cross posters captioned ""JOIN""; ""Give"" (2); ""Buy Early"" (2); ""Free Storage of Liberty Bonds"" (large & small versions); ""Buy Liberty Bonds at Any Bank""; ""Help Our Town Win This Flag""; ""Eat More Cottage Cheese-You`ll Need Less Meat""; ""Welcome Home""; ""Your War Saving Pledge""; ""buy War Savings Stamps""; ""Second Liberty Loan of 1917""; ""Third Liberty Loan Subscriber""; ""Keep Them Smiling""; ""Fire Prevention Day-Help Win the War""; 3 Atlas size maps of the Southern Pacific Railroad dated June 1875; Harvard medical degree; and 1888 etching of St. Ouen-Rouen cathedral in Northern France. SIZE: Ranges from 7"" w x 11"" h to 30"" w x 40"" h. CONDITION: Good to very good. 1-13760-7

Lot 233

Aquatint after Bela Sziklay A man sharpening tools, signed, 29.5cm x 21.5cm approx. and Etching After Joseph Kirkpatrick (1872-1936) Landscape scene, 9cm x 29cm with blindstamp

Lot 621

Jaques Rebout - small circular colour etching white terrier, 8.5cm diameter, framed and glazed

Lot 384

An oak framed pencil signed etching of Hadleigh Castle dated 1912, 60cm x 49cm

Lot 255

William Lionel Wyllie [1851-1931]- Tantallon Castle and the Bass Rock, etching signed in pencil in the margin image size 21 x 49cm.

Lot 256

William Lionel Wyllie [1851-1931]- Shipping in a calm:- etching signed in pencil in the margin image size 21 x 49cm.

Lot 264

William Lionel Wyllie [1851-1931]- A naval convoy:- etching, signed in pencil in the margin image size 14 x 23cm.

Lot 411

Dolf Rieser, Yellow Bird, coloured etching, signed and numbered 35-45 in pencil

Lot 412

Valerie Thornton, Clay Hall Farm, etching with aquatint, coloured, signed, inscribed with title and numbered 30/70 in pencil, 50 x 79cm

Lot 129

A CZECHOSLOVAKIAN EARTHENWARE FIGURE OF A GIRL in green and yellow dress with three ducklings at her feet, on gilt base, 39cm h, indistinctly impressed CZECHOSLOVAKIA and 14375, c1930 Contemporary Royal Dux versions of the same figure exist and the subject was based on the etching Le Gouter by Louis Icart, published in 1927. ++In fine condition

Lot 791

ROWLAND JOHN ROBB LANGMAID (1897-1956) THE POOL OF LONDON etching on wove with margins, signed by the artist in pencil, s22.5 x 16cm ++In apparently very good condition and clean, laid down beneath plain window mount in modern Hogarth frame

Lot 811

WILLIAM WOOLLETT (1735-1785) AND/OR WILLIAM SHARP (1749-1824) AFTER BENJAMIN WEST, PRA (1738-1820) KING CHARLES THE 2ND LANDING ON THE BEACH AT DOVER; OLIVER CROMWELL DISSOLVING THE LONG PARLIAMENT a pair, engravings, the first with etching, 1789, mounted to platemark, 48.5 x 61cm, contemporary ebonised and gilt cavetto frames and six other similar 18th c English engravings and portraits (for details visit www.mellorsandkirk.com) (8) ++The pair described in good typical country house condition with some staining, the frames slightly shabby but undisturbed an unrestored, the other prints in the lot comprise: Wollett after Benjamin West, The Battle La Hogue, 1781 Hall after West, The Battle of the Boyne, 1781 Wollett after Wright, The Fishery, 1768 Doo after Newton, The English Girl, 1831 Cousins after Newton, Mrs Lister, 1834 Cousins after Lawrence, Miss Crooks, 1828 (very foxed) Bromley after Hater, Lord John Russell, 1836

Lot 61

Marino Marini RISVEGLIO etching, signed and numbered 21/90 in pencil in the margin 1 sheet size: 67 by 55cm

Lot 63

Pablo Picasso and Paul Lemagny (French, 1905 - 1977) PORTRAIT DE PABLO PICASSO ET REMARQUE POUR TEMOIGNAGE etching and drypoint, signed in brown crayon by Picasso, signed in pencil and numbered 27/65 by Paul Lemagny Sold: Stephan Welz and Company (Pty) Limited, Cape Town, June 2010, lot 311 1 sheet size: 56 by 38cm

Lot 610

Tatton Winter, RVA `St George`s Street`, etching, Museum Galleries label to reverse, and Thea Doniach: Harbour scene, watercolour and ink

Lot 933

20th Century Continental School - Coloured etching - Medieval building at night, 10.25ins x 8.25ins, indistinctly signed and titled in pencil outside plate mark, in wood frame and glazed

Lot 934

Herbert Gordon Warlow (1885-1942) - Artists proof etching - ""Beauvais Cathedral"", 11.75ins x 6.5ins, signed in pencil to margin, in stained wood frame and glazed Note : National Society label to reverse with title of work, name of artist and address of The Round House, Weybridge Road, Weybridge, as well as label for James Bourlet & Sons, Frame Makers, London

Lot 935

Hedley Hilton (20th Century) - Etching - ""Pantheon"", 17.25ins x 21.25ins, signed in pencil outside plate, in ebonised frame and glazed

Lot 445A

Francis Seymour Haden (1818-1910) Calais, etching, unframed

Lot 184

Rowland Langmaid (British 1897-1956): 'HMS Renown', artist's dry point etching signed in pencil (image) 12.5cm x 22cm

Lot 185

Rowland Langmaid (British 1897-1956): Thames Embankment, artist's dry point etching signed in pencil 19cm x 25cm

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