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Lot 241

Phil Greenwood (b.1943). White Sun, artist signed coloured etching, titled and dated (19)80, 42.5cm x 49cm.

Lot 260

Claude Hamilton Rowbotham (1864-1949). St. Michael's Mount, coloured etching, signed and titled, 10cm x 15cm and two others, Fowey, Carbis Bay. (3)

Lot 28

D. Deighton (19thC/20thC). Brayford, Lincoln, artist signed and titled etching, 18cm x 22.5cm.

Lot 70

William Lionel Wyllie (1851-1931). North Shields, artist signed etching, 18cm x 38cm.

Lot 71

William Lionel Wyllie (1851-1931). Rouen, artist signed etching, label verso Hewson and Forster Sheffield, 18cm x 39cm.

Lot 44

Laxma Goud (B.1940)Untitled (Woman) signed in Telgu upper rightgouache on paper, framed39.8 x 18.3cm (15 11/16 x 7 3/16in).Footnotes:ProvenanceProperty from a private collection, UK.Acquired from Sotheby's, The Indian Sale, 8th May 1997, lot 434.Awarded a Padma Shri in 2016, one of India's highest civilian honours, Goud is a printmaker, draughtsman and painter. A prolific artist, he works across a variety of mediums including gouache, pastel, etching, sculpture and glass painting. Predominantly known for his early drawings depicting eroticism in a rural context, he has also depicted other aspects of rural life, including the women he has come across. Untitled (Woman) is one such example, where his exquisite painterly skills are on display. The painting is timeless and deeply rooted in Indian tradition as seen through the colourful sari depicted in the muted colours of blues, reds, oranges, yellows and whites. The women is unadorned and the composition is rendered with thin definitive lines. The woman's gaze is introspective, inviting viewers to engage with the work and pondering where her thoughts may lay.For further information on this lot please visit Bonhams.com

Lot 1633

A framed Etching scout planes at Dawn Kerr Eby

Lot 116

PLATH (SYLVIA)Pursuit. With an Etching & Drawings by Leonard Baskin, NUMBER 1 OF 100 COPIES, etched plate by Baskin signed and numbered, original green morocco by Zaehnsdorf, t.e.g., slipcase [Tabor A17], 1973; Lyonnesse. Poems, NUMBER 12 OF 90 COPIES BOUND IN FULL CALF, from an overall edition of 400 copies, full calf, gilt, t.e.g., slipcase [Tabor A13], 1971; Crystal Gazer and Other Poems, ONE OF 80 COPIES BOUND IN FULL CAPE GOAT LEATHER from an overall edition of 400, this copy number 34, one plate after Plath, full red morocco gilt by Zaehnsdorf, t.e.g., slipcase [Tabor A9], 1917; Dialogue Over the Ouija Board, NUMBER 1 OF 140 COPIES, frontispiece by Leonard Baskin, publisher's limp vellum, slipcase [Tabor A25], 1981, 4to and 8vo, The Rainbow Press (4)Footnotes:The four titles by Sylvia Plath published by The Rainbow Press, founded by Ted Hughes and his sister Olwyn.Provenance: Frieda Hughes, inscribed in each copy.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 118

PLATH (SYLVIA) AND TED HUGHESPLATH (SLYVIA) Crystal Gazer and Other Poems, NUMBER 106 OF 400 COPIES, publisher's cloth-backed boards, 1971; Lyonnesse. Poems, NUMBER 354 OF 4OO COPIES, 1971; Pursuit, NUMBER 3 OF 100 COPIES, ONE ORIGINAL ETCHING SIGNED AND NUMBERED BY LEONARD BASKIN, full morocco by Sangorski & Sutcliffe, [1973]; Dialogue Over a Ouija Board, NUMBER 2 OF 140 COPIES, frontispiece by Leonard Baskin, original vellum, 1981--HUGHES (TED) Eat Crow, NUMBER 3 OF 150 COPIES, 1971; Prometheus on his Crag. 21 Poems, NUMBER 21 OF 160 COPIES SIGNED BY THE AUTHOR AND ARTIST, 1973; Orts, NUMBER 183 OF 200 COPIES, 1978; Adam and the Sacred Nine, NUMBER 42 OF 200 COPIES, 1978, these 3 with frontispiece by Leonard Baskin, original calf by Zaehnsdorf, or Gray of Cambridge; Spring, Summer, Autumn, Winter, NUMBER 3 OF 140 COPIES SIGNED BY THE AUTHOR, white calf, 1973--Moortown Elegies, NUMBER 6 OF 175 COPIES SIGNED BY THE AUTHOR, one plate by Leonard Baskin, publisher's limp vellum gilt, blocked with an illustration of a bull on upper cover, 1978; Earth-Moon, NUMBER 3 OF 226 COPIES, illustrations by the author, original pictorial gilt calf, 1978; Remains of Elmet. Photographs by Fay Goodwin, NUMBER 35 OF 70 COPIES printed on Barcham Green Charing hand-made paper bound in full treed calf, and signed by the author and photographer, from an overall edition of 180 copies, 1979--HUGHES (TED), RUTH FAINLIGHT AND ALAN SILLITOE. Poems, NUMBER 184 OF 300 COPIES, publisher's green pictorial morocco, 1971; Henry Williamson. A Tribute, NUMBER 9 OF 200 COPIES, publisher's wrappers, 1979--GUNN (THOMAS) Mandrakes, NUMBER 3 OF 150 COPIES, frontispiece by Leonard Baskin, signed by the author, quarter white vellum by Sangorski & Sutcliffe, 1973, ALL RAINBOW PRESS, all but the fourteenth in original slipcases, 8vo and 4to (15)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 115

PLATH (SYLVIA)A Winter Ship, FIRST EDITION OF THE AUTHOR'S FIRST BOOK, ONE OF APPROXIMATELY 60 COPIES, title within an ornamental border, stitched in original stiff card with marbled wrappers, title printed in black on label pasted on upper cover [Tabor A1], Edinburgh, Tragara Press, 1960; The Colossus, FIRST EDITION, library copy with perforated stamp on title an without front free endpaper, publisher's cloth, stamped on upper cover and spine [Tabor A2], Heinemann, 1960; Three Women. A Monologue for Three Voices, second (first published) edition, NUMBER 165 OF 180 COPIES, frontispiece by Stanislaw Gliwa, publisher's pictorial cloth gilt [Tabor A3b.1], Turret Books, 1968; The Bell Jar, [Tabor A4a.3, Heinemann, [1966]; Ariel, FIRST EDITION, [Tabor A5a], Faber, [1965]; idem, first U.S. edition [Tabor A5b], Harper & Row, [1966]; Uncollected Poems, [LIMITED TO 150 COPIES], THIS COPY 'C OF 13 COPIES' SIGNED BY TED HUGHES inside upper cover, publisher's pictorial wrappers [Tabor A6, not mentioning this 'lettered' limited variant], Turret Books, 1965 [but 1966]; Wreath for a Bridal, LIMITED TO 100 COPIES, this copy 'B' of 5 unnumbered copies, publisher's wrappers [Tabor A7], Frensham, Farnham Press, 1970; Crystal Gazer and Other Poems, NUMBER 104 OF 400 COPIES, publisher's quarter cloth, slipcase [Tabor 9], Rainbow Press, 1971; Fiesta Melons, LIMITED TO 150 COPIES, this copy number '6' but not signed by TH [Tabor A10], Exeter, Rougemont Press, 1971; Crossing the Water, FIRST EDITION, Tabor A11a], Faber, 1971; idem, first U.S. edition [Tabor A11b], Harper & Row, 1971; Lyonnesse. Poems, ONE OF 90 COPIES BOUND IN FULL CALF, from an overall edition of 300, this copy number 15, publisher's calf gilt, slipcase [Tabor A13], Rainbow Press, 1971; Million Dollar Month, NUMBER 30 OF 150 COPIES, publisher's wrappers [Tabor A14], Frensham, Sceptre Press, [1971]; Winter Trees, FIRST EDITION, [Tabor A15], Faber, 1971; idem, first U.S. edition [Tabor A15b], Harper & Row, 1972; Child, NUMBER 6 OF 325 COPIES [Tabor A16], Exeter, The Rougemont Press, 1971; Pursuit, NUMBER 8 OF 100 COPIES, WITH ORIGINAL ETCHING SIGNED BY LEONARD BASKIN, 4 full-page illustrations by Baskin, full morocco by Zaehnsdorf, t.e.g., slipcase [Tabor A17], Rainbow Press, 1973; Letters Home... Selected and Edited with Commentary by Aurelia Schober Plath, FIRST EDITION, PRESENTATION COPY FROM THE EDITOR, SYLVIA'S MOTHER TO FRIEDA HUGHES 'To Frieda - my first grandchild with every wish for all that is good and true in life. Love from your mother's mother Granny' on the half-title, jacket slightly creased [Tabor A18], New York, Harper & Row, 1975; The Bed Book. Illustrated by Quentin Blake, FIRST EDITION, AUTOGRAPH LETTER FROM THE ILLUSTRATOR TO FRIEDA HUGHES (28 October 1999) loosely inserted [Tabor A19], Faber, 1963; Johnny Panic and the Bible of Dreams, FIRST EDITION, short tears to front free endpaper [Tabor A22], Faber, 1977; idem, first U.S. edition [Tabor A22b], Harper & Row, [1978]; Two Poems, NUMBER 67 OF 75 'ESPECIAL' COPIES, from an overall edition of 300 [Tabor A22], Knotting, Martin Booth at Sceptre Press, 1980; Two Uncollected Poems, NUMBER 3 OF 450 COPIES, [Tabor A23], Anvil Press, 1980; A Day in June. An Uncollected Short Story, NUMBER 16 OF 160 COPIES, [Tabor A24], Ely, Embers Handpress, 1981, last 3 publisher's wrappers; A Dialogue Over a Ouija Board, NUMBER 138 OF 140 COPIES, illustration by Leonard Baskin, publisher's limp vellum, slipcase [Tabor A25], Rainbow Press, 1981; Collected Poems. Edited by Ted Hughes, FIRST EDITION, INSCRIBED BY TED HUGHES TO FRIEDA HUGHES 'To Frieda and Des [Dawes, first husband] with love from Dad, 2nd October 81', with note from Frieda about corrections [Tabor A26], Faber, 1981; The Journals of Sylvia Plath 1950-1962... Edited by Karen V. Kukil, FIRST EDITION, PRESENTATION COPY INSCRIBED BY THE EDITOR TO FRIEDA '... with all my heart and much help from your beautiful mother...', several annotations in the text by Frieda [Tabor A27], Faber, 1982; The Green Rock, NUMBER 9 OF 160 COPIES publisher's wrappers, slipcase [Tabor A28], Ely, Embers Handpress, 1982; The Magic Mirror, LIMITED TO 226 COPIES, this marked 'Copy III. Copy O. Ted Hughes' on the colophon, Rhiwagor, Embers Handpress, 1989, unless otherwise mentioned publisher's cloth, dust-jackets, ALL SIGNED BY FRIEDA HUGHES, either in the book or in slip inserted, 8vo and 4to; and 4 others with contributions by Plath (34)Footnotes:A fine collection of Plath's major works, including her very first book (limited to 60 copies), a fine copy of Ariel, many private press limited editions, and copies inscribed by Sylvia's mother Aurelia and husband Ted HughesProvenance: Frieda Hughes, all with ownership inscription in the book, or inserted label.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 173

BOX PRINTS & ETCHING BY CRESSWELL BOAK

Lot 505

AMMAN, Jost (c. 1539-1591). (Coat of arms of the Holzschuher Family). (2nd half 16th c.). Etching. 192 x 162 mm. Tipped in under passepartout. (Cut to plate edge, stamps on v°). NOTE: New Hollstein 180; Bartsch 23; Andresen 226; Becker 123.

Lot 565

TWELVE YEARS' TRUCE -- "TREBUS VAL". Amst., S. Theunis, n.d. (c. 1621). Broadside. Etching 200 x 353 mm on top of a 2 column letterpress text, total size 459 x 350 mm. Hinged to mount and under passepartout. NOTE: Allegory on the ending of the Twelve Years' Truce in 1621. On the left the Dutch Virgin in the Dutch Garden, in the center the falling pyramid of the Truce, propped up in vain by monks with sticks. Here are Mars and Victoria. On the right, Treves - personification of the Truce - lies on her deathbed, for which Mars scatters money and weapons. Printed under the print is a conversation between a citizen and a farmer, in 2 columns, and the legend A-L. - Very rare. FMH 1449; Atlas v. St. 1529.

Lot 610

DULLAERT, H. Sonnetten. (Amst.), Sub Signo Libelli, 1977. Owrps. Printed in 62 numb. copies. -- K. PAUSTOVSKIJ. Sneeuw. Baarn, Arethusa Pers, (1996). W. cold. etching by A. Spronk-Feenstra. Ocl. Printed in 100 copies, one of 40 bound copies. -- M. NIJHOFF. Pierrot aan de lantaarn. Een clowneske rapsodie. Vught, Zolderpers, 1994. W. etched front. by G. Charpentier. Lge-8°. Owrps. Printed in 100 numb. copies. -- W.H. AUDEN. Drie gedichten. Arethusa Pers, (1983). W. cold. lithogr. by P. Roucka. Printed in 100 numb. copies. -- H. SALDEN. Soviel gramm Wurst. Terhorst, Ser Prop, 1992. Owrps. Printed in 100 numb. copies. -- And 4 o. (9).

Lot 737

JACKSON, J. A treatise on wood engraving, historical and practical. 1839. W. num. ills. Lge-8°. Cont. h. mor. extra. (Extremities sl. chafed). -- J. BUCKLAND-WRIGHT. Etching & engraving. Techniques & the modern trend. (1953). -- Id. Seven book-cover designs. Carlinapers, 1977. Owrps. Printed in 110 copies (#7). -- And 1 o. (4).

Lot 18

Atelier de Girolamo Francesco Mazzola, dit le Parmesan (Parma 1503-1540 Casal Maggiore)Femme étendant son bras droit vers un autelsanguine, rehauts de blanc sur papier, contrecolléred chalk, heightened with white on paper, laid downdans un cadre doré ancien; in a gilt frame 10 x 7.2cm (3 15/16 x 2 13/16in).Footnotes:Provenance:Modesto Ignazio Bonaventura Luigi Genevosio (Turin 1719- 1795) (L.545)Charles-Joseph-Bartélémy Giraud (Pernes, Vaucluse 1802-1881) (L.1143)Private Collection, FranceA similar drawing in silverpoint, after Parmigianino, is now at the ENSBA of Paris (EBA 228). The present drawing, and the one in the ENSBA, are related to an etching of the same subject executed by Master F. P., discovered in the Mariette album, now at the Metropolitan Museum of Art, New York (Mariette Album, folio 42, lower right, 27.78.2(112))For further information on this lot please visit Bonhams.com

Lot 433

After George Mason "The Harvest Moon," black and white Etching, in oak and parcel gilt foliate frame, 35cms x 86cms (13 3/4" x 33 3/4"). (1)

Lot 465

After Jonathan Fisher and Others Prints & Engravings:  "Jerpoint Abbey," & "Fenner Rock on the River Boyne," published 1792 & 1794, each approx. 18cms x 27cms (7" x 10 1/2"), matching frames; [R. Cresswell Boak] "Bray Head & Killiney Strand, Co. Wicklow," coloured etching, signed  approx. 15cms x 26cms (6" x 10"). (3)

Lot 279

Two mezzotint engravings, one limited edition with label verso, a gilt frame, an etching signed 'Janczek 22/30' and an unframed print of the boat 'La Jeanne d'Arc' (8).

Lot 39

A COLLECTION OF ARTEFACTS ASSOCIATED WITH THE AMERICAN CLIPPER SHIP SURPRISE AND THE RANLETT FAMILYComprising an American silver slop bowl, impressed 'Davis Palmer & Co, Boston, Pure Silver' and engraved with the inscription, 'Presented to Capt. Charles A. Ranlett, by the Underwriters on the Ship Susan Drew, Decr 1841', 6in. (15cm.) high, together with a creamer by the same maker and with a similar inscription, 6in. (15cm.) high; an English silver cup, maker unknown, 1830-31, engraved 'Charles Augustus Ranlet, Jan 1st 1876'; a book entitled 'Gracious Lady, The Life of Sara Delano Roosevelt', by Rita Halle Kleeman, 1st edition, 1935, signed by Sara Roosevelt and the author; another book entitled 'Clipper Ships of America and Great Britain, 1833-1869', by Helen La Grange, 1936; 'The American clipper ship, Surprise' an etching, titled lower left, signed illegibly lower right -- 4 x 5½ in. (10 x 13cm.); a daguerreotype of the elder Ranlett’s children, including Charles Ranlett, Jr.; and two handwritten letters to Charles Augustus Ranlett from his mother and his wife, dated 1837 and 1839(a lot) Charles Augustus Ranlett (1804-1878) and thence by descentCharles Augustus Ranlett (1804-1878) and his son and namesake, Charles Augustus Ranlett Jr. (1836-1874) hailed from a Charlestown (Massachusetts) maritime family. Both father and son would in time captain the American clipper ship, Surprise. An early clipper ship, Surprise was built in 1850 to the order of A A Low & Brother. She was built by Samuel Hall of East Boston, with Samuel Hartt Pook as a designer. Although her first voyage was from New York to San Francisco, she spent the majority of her long working life plying the China trade. She set several speed records and was one of the most profitable clipper ships ever built. On one notable voyage she carried the Roosevelt family to Shanghai, a journey described in the biography of the mother of American President Franklin Delano Roosevelt, Sara Delano Roosevelt, Gracious Lady. She was still trading to the Far East when lost in February 1876 near Yokohama. The Ranlett Family Papers (1791-1948), Series I and II, are housed in the Phillips Library, Peabody and Essex Museum, Salem, Massachusetts. 1.3 oz kg;/542 gm slop bowl11 1/8 kg/316 gm creamer 

Lot 425

George Vernon Stokes – Labrador Retriever with Duck, signed in pencil and numbered, coloured etching, 19 x 29cms wide, mounted, in frame.

Lot 311

Simon Ball, limited edition etching Sharpei & Charolias 91/190

Lot 42

A Jim Starling etching of Little Walsingham together with a further engraving The Company of Undertakers (2)

Lot 1442

A large Edward VIII commemorative trumpet goblet with etched glass design dated 1937, together with a small commemorative glass with similar etching and ‘God Save The King’ etched around the foot, both with a commemorative 1937 coin within the knob, highest 24.3cm

Lot 1715

After Nicolas Poussin (1594-1665), 18th century etching, 'A Land Storm', 47 x 59cm

Lot 1746

Sir Hubert Von Herkomer (1849-1914), etching, Self Portrait, indistinctly inscribed to the mount, together with an easel stand and Christie's letter, 17 x 12cm

Lot 135

Rowland Langmaid (British, 1897-1956) Boats on the Thames Etching Signed in pencil 22cm x 16cm

Lot 155

Blue coloration with wave etching on body. Clear blue glass on head. Signed by artist. iittala sticker. Artist: Oiva ToikkaIssued: c. 1992Dimensions: 5"L x 3"W x 3.75"HManufacturer: iittalaCountry of Origin: FinlandCondition: Age related wear.

Lot 702A

*Local Interest - Hilda Simpson (19th/20th Century), a monochrome etching, 'Lancaster Priory', signed to the lower right, framed, mounted, and under glass, 16cm x 19cm, & 36cm x 41cm overall

Lot 200

"L'Egalité des sexes" "Sex Equality" etching of the original drawing by Paul Delvaux for Illustration of Paul Eluard's book.

Lot 109

Set of six original vintage Hungarian design posters. 1. Gorog Rezso painting etching exhibition from 11 January to 3 February 1963, featuring an image of a person tormented by a mask with horns and sharp teeth and a goat playing a trumpet. Good condition, creasing, tears, staining, browning, paper loss in top right corner. Country of issue: Hungary, designer: Gorog Rezso, size (cm): 70x50, year of printing: 1963; 2. Busojaras Mohacson on 28 February 1965 featuring a smiling mask with horns set over a red background with two silhouettes in costumes below. The Busojaras is an annual celebration of the Shokci people in Mohacs, Hungary, held at the end of the Carnival season, ending the day before Ash Wednesday. Good condition, creasing, tears. Country of issue: Hungary, designer: Unknown, size (cm): 67x47, year of printing: 1965; 3. Hungarian Arts and Crafts exhibition / Ungarisches Kunst-Handwerk from 24 March to 20 May 1981, featuring an abstract image of white and pink lines set over a silhouette of a person, the reverse features photographs and short descriptions of diploma works of various artists. Good condition, creasing, staining, double sided. Country of issue: Hungary, designer: Design: K. Szekely, photo: L. Lelkes, size (cm): 68x48, year of printing: 1981; 4.Hungarian School of Applied Arts for Tom Wolfe's The Kandy-Kolored Tangerine-Flake Streamline Baby book of essays, published in 1965, featuring green and yellow lettering set over a light background. Horizontal. Very good condition, minor creasing, light browning. Country of issue: Hungary, designer: Unknown, size (cm): 48x68, year of printing: 1960s; 5. Szuzet a hercegnek! / A Maiden for a Prince, a 1965 Italian–French film directed by Pasquale Festa Campanil, starring Vittorio Gassman and Virna Lisi, based on a famous story from the Mantua court of the Gonzagas in the 16th century. The poster features an illustration of a person in green and black clothing holding a flower set over a green background. Good condition, folds, creasing, tears. Country of issue: Hungary, designer: Kau, size (cm): 57x38, year of printing: 1967; 6. Pest Megyei Muveszeti Hetek / Pest county art weeks from May to June 1970, featuring an image of ruins on the hill and a tower at the foot of the hill, with the reflection in a brick pattern. Good condition, creasing, folds, tears, minor staining. Country of issue: Hungary, designer: Unknown, size (cm): 67x48, year of printing: 1970.

Lot 225

20th Cent. Belgian etching by Jules De Bruycker || DE BRUYCKER JULES (1870 - 1945) ets : "Mijnheer Slimvogel" - 35 x 23

Lot 226

20th Cent. Belgian etching - signed Jules De Bruycker || DE BRUYCKER JULES (1870 - 1945) ets n° 114/120 op het voorblad van "Sites et Visions de Gand" getiteld "Les Cloches" - 8 x 12 getekend

Lot 378

rare Eduardo Chillida signed etching with a typical abstract composition || CHILLIDA EDUARDO (1924 - 2002) zeldzame ets n° 18/20 met een typische abstracte compositie - 43,5 x 34,5 getekend

Lot 387

Alechinsky signed etching with aquatint in colors titled "Milano" and dated 1990 || ALECHINSKY PIERRE (° 1927) ets met aquatint in kleur n° 27/99 getiteld : "Milano" - 92 x 70 getekend en gedateerd 1990

Lot 441

Alexander Calder signed etching in colors - plate from "The Sacrilege of Alan Kent" to be dated in 1976 || CALDER ALEXANDER (1898 - 1976) kleurets n° 34/60 : "Jong meisje" - 40 x 45 plaat afkomstig uit "The Sacrilege of Alan Kent" te dateren in 1976

Lot 448

Roger Raveel signed etching || RAVEEL ROGER (1921 - 2013) ets n° 40/100 : "Een mens ten voeten uit" dd 2005 - 40 x 30 getekend

Lot 449

Roger Raveel signed etching || RAVEEL ROGER (1921 - 2013) ets n° 11/60 : "Zonder titel" - 37,5 x 56 getekend

Lot 450

Roger Raveel signed color etching || RAVEEL ROGER (1921 - 2013) kleurets n° 21/60 : "Figuur in een ruimte" dd 1991 - 14,5 x 19 getekend

Lot 452A

etching in colors by Roger Raveel from a five part suite || RAVEEL ROGER (1921 - 2013) kleurets uit de vijfdelige suite "Zoals zijn beelden" gemaakt samen met Rutger Kopland in 2003 - 21 x 15,5

Lot 452B

etching in colors by Roger Raveel from a five part suite || RAVEEL ROGER (1921 - 2013) kleurets uit de vijfdelige suite "Zoals zijn beelden" gemaakt samen met Rutger Kopland in 2003 - 21 x 15,5

Lot 452C

etching in colors by Roger Raveel from a five part suite || RAVEEL ROGER (1921 - 2013) kleurets uit de vijfdelige suite "Zoals zijn beelden" gemaakt samen met Rutger Kopland in 2003 - 21 x 15,5

Lot 452D

etching in colors by Roger Raveel from a five part suite || RAVEEL ROGER (1921 - 2013) kleurets uit de vijfdelige suite "Zoals zijn beelden" gemaakt samen met Rutger Kopland in 2003 - 21 x 15,5

Lot 452E

etching in colors by Roger Raveel from a five part suite || RAVEEL ROGER (1921 - 2013) kleurets uit de vijfdelige suite "Zoals zijn beelden" gemaakt samen met Rutger Kopland in 2003 - 21 x 15,5

Lot 541

20th Cent. Belgian etching - signed Jef Van Tuerenhout || VAN TUERENHOUT JEF (1926 - 2006) ets getiteld "Eva" - 16 x 14,5 getekend

Lot 690

20th Cent. Belgian etching - signed Anto Carte || ANTO CARTE (1886 - 1954) ets n° 8/100 : "Maternité" - 26 x 34 getekend

Lot 705

three antique prints and a signed etching || Lot van drie antieke prints en een ets getekend Romain Malfliet met zicht van Antwerpen

Lot 713

Albert Saverys signed etching in colors by Roger Hebbelinck || SAVERYS ALBERT (1886 - 1964) en HEBBELINCK ROGER kleurets n° 234/350 : "De Leie in de winter met molen" - 49 x 63 getekend

Lot 714

Albert Saverys signed etching in colors by Roger Hebbelinck || SAVERYS ALBERT (1886 - 1964) en HEBBELINCK ROGER kleurets n° 283/350 : "De Leie in de winter" - 48 x 63 getekend

Lot 794

20th Cent. Belgian etching - signed Christian Silvain || SILVAIN CHRISTIAN (PS. VAN GOHIMONT, CHRISTIAN) (° 1950) ets n° 17/60 met een hyperrealistisch uitgewerkt thema : "Gevel met deur en fiets" - 37 x 27 getekend

Lot 858

portfolio with various works in different techniques including an ex-libris/etching by Oldrich Kulhanek (° 1940) and a drawing by Jacques Charlier (° 1939) || KULHANEK OLDRICH (° 1940) map met verschillende werken in verschillende technieken waaronder een ex-libris/ets van Oldrich Kulhanek (° 1940) en een tekening van Jacques Charlier (° 1939)

Lot 933

two views of a city with an illegibly signed etching of Ghent and a lithograph of Bruges || Lot (2) met stadzichten, een onleesbaar getekende ets van Gent en een litho van Brugge

Lot 957

20th Cent. etching - signed Gaston Callens || CALLENS GASTON (1925 - 2004) ets n° 25/50 : "Zeewaarts" - 10 x 15 getekend

Lot 959

20th Cent. Belgian etching - signed Romain Malfliet || MALFLIET ROMAIN ets n° 77/100 : "Gents straatzicht" - 25 x 22 getekend

Lot 962

antique plate signed etching after Pieter Schenck || SCHENCK PIETER (1660 - 1713) antieke ets : "De thermen van Caracalla" - 16,5 x 19,5 getekend in de plaat

Lot 963

antique plate signed etching by Johan Collaert after Johannes Stradanus || COLLAERT JOHAN (1525 - 1580) NAAR STRADANUS JOHANNES (1523 - 1605) antieke ets : "De krokodillenjacht" - 18,5 x 26 getekend in de plaat

Lot 988

lot (3) with a lavis signed De Breuker, an etching and a print of an old map || Lot (3) met een lavis getekend De Breuker, een ets en een offset van een oude kaart

Lot 993

20th Cent. Belgian etching - signed Jean Donnay || DONNAY JEAN (1897 - 1992) ets n° 18/50 getiteld "Plutarque" - 47 x 62 getekend

Lot 994

lot with a mixed media, a drawing and an etching || Lot (3) van een gemengde techniek met vrouwelijk naakt, een tekening met portret van Jean Moulin en een kleurets getekend André Lambers

Lot 500

William Lionel Wyllie (1851 - 1931), St Pauls from The Thames, etching, signed in pencil lower left, label verso for James Connell & Sons, Fine Art Dealers & Publishers, London, 36.5 x 26cm together with English School, snowy scene, pastel, initialled lower left ALM and dated 1922, 37.5 x 57cm, both framed and glazed

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