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Graham Vivian Sutherland OM (British, 1903-1980), "Fight between Workers and Drones", etching and aquatint on Magnani wove paper, signed in pencil lower right and numbered 59 of an edition of 66, metal frame, 17 ½ x 14in. (44.4 x 35.5cm.); accompanied by the Exhibition Catalogue of the fourteen Etchings and Aquatints in the series "Bees" produced by Graham Sutherland. The Catalogue was published to coincide with the exhibition at Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London June - July 1977., * Provenance: The Pallas Gallery Ltd, London, 5th July 1978., ** Notes: Plate 14 from the suite "The Bees". Printed after 2nd March 1977 in , four colours: yellow, violet, brown & black on Magnani paper. Etched by the artist in collaboration with Eleonora and Valter Rossi and printed in Rome by Adriano Corazzi and Antonio Di Leo. Marlborough Fine Art Edition, London & Rome., ** Good condition, full margins. Acidic mount., Good condition, full margins. Acidic mount.
Henry Moore O.M., C.H. (British, 1898-1986), 'Head of Girl', soft ground etching, 1981, on wove paper, signed and numbered J4/50 in pencil, printed by Michael Rand, London, published by Raymond Spencer Company Ltd, with margins, 11.5 x 12in. (29 x 30.5cm.), in silvered frame with plain ivory mount. Good condition. Slight cockling to sheet and a little dirt spotting to underside of glass. No other faults.
Edmund Blampied RE (Jersey, 1886-1966), 'A Jersey Vraic Cart', drypoint etching, signed "Blampied 1939" in the right lower corner of the plate, signed in ink lower centre, published in 1939, edition not known, 8 9/16 x 11 1/16in. (21.8 x 28.1cm). * Notes: Catalogue Raisonné Appleby & Arnold No.183
E. C. Boon (British, early 20th century), Bulb planting above Rocquaine, Guernsey. * pencil on wove paper, signed lower right. * 6¾ x 9¾in. (17.1 x 24.75cm.); together with an etching by A. Sines, 'an old street, Guernsey' [Berthelot Street], signed and titled, 8 7/8 x 6 7/8in. (22.5 x 17.5cm.). (2). *
Robert Tilling (R.I., M.B.E. (British, 1944-2011), 'Distant Island'. * watercolour, signed, inscribed and dated 2002 verso, further presentation inscription by artist above. * 11¾ x 7¾in. (29.8 x 19.7cm.); together with a signed artist's proof etching by the same hand, untitled, signed and inscribed to margin, 7¾ x 9 7/8in. (19.7 x 25cm.). (2). * Good condition, with no faults.
Hedley Fitton (British, 1859-1929)., The Pantheon, Rome, etching with drypoint, executed in 1913, signed in pencil lower right “Hedley Fitton”, framed, 17¾ x 22in. (45 x 55.9cm.).. * * The Pantheon is generally considered to be Hedley Fitton's most accomplished etching.. * Behind glass. Unexamined out of frame but appears to be lightly foxed and lightly time stained but otherwise in good condition.
Edmund Blampied R.E., R.B.A. (Jersey, 1886-1966), Kicking Horse. * terracotta maquette, signed lower centre “Blampied”, English, early 19th century, gilded frame with a lamb’s tongue sight edge, 4 1/8 x 5 1/8in. (10.5 x 13cm.). * * The maquette is related to the drypoint etching “Flies” of 1913 and the bronze sculpture Kicking Horse of 1924 (Catalogue Raisonné, Arnold & Appleby, No.17 & BZ.1). Maquettes by Edmund Blampied are extremely rare.. * Good condition, mane possibly with losses, some wear to frame, very appealing to the eye.
Eric James Melon (British 1925-2014), Persephone Returns to the Realm of The Dead Accompanied by Musicians, monochrome lithograph, signed, dated 1978 and inscribed with title 5/25. 31 cm x 20 cm (SH), together with an etching depicting Natalie Clein, young musician of the year 1994, signed by the artist in the margin and a further etching by the same hand of a young lady, in addition a collection of pamphlets and exhibition programmes relating to the artist. ARR
Bob Dylan, American b.1941- Sunflowers, 2009; giclee print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 260/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b.1941- Sidewalk Cafe, 2008; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 211/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 284/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 123 x 91.5 cm, (framed) Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b.1941- Train Tracks, 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 110/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 91.5 x 71 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (white), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA, issued by Washington Green Fine Art. Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (blue), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (green), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
Louise Bourgeois, French 1911-2010- Be Calm, 2005; screenprint with embroidery on linen tea towel, signed in the plate, numbered 703/1000 in black pen, in original paper packaging, published by Third Drawer Down and Tate, London, sheet: 68 x 49.5 cm, (unframed) (ARR) Note: In 2005, Bourgeois created ''Be Calm'' a drypoint etching, after which this tea towel is reproduction. It was created two years prior to Louise Bourgeois's monumental exhibition at the Tate Modern, London in 2007.Please refer to department for condition report
Peter Doig, Scottish, b. 1959- Untitled (Canoe) from Grasshopper Series; etching on wove, numbered 25/35 and signed in pencil, 45 x 55.5 cm, (framed) (ARR) Provenance: With the Contemporary Art Society Market (according to a label on the reverse) Please refer to department for condition report
AMENDMENT- please note this lot is unframed.Georges Braque, French 1882-1963, Green Head [Vallier 58], 1950; etching with aquatint in colours on wove, signed and numbered 25/30 in pencil, sheet: 49.8 x 32.5 cm, (framed) (ARR) Note: this book is accompanied by the monograph 'George Braque Printmaker', published by The Tate Gallery.Please refer to department for condition report
Tracey Emin CBE RA, British b. 1963- Closed, 2013; etching on Somerset soft white wove, signed, titled, dated and numbered 149/200 in pencil, published by Emin International and come with certificates from IMMA Art Editions, 36.5 x 38.0 cm, (unframed) (ARR) Please refer to department for condition report
Tracey Emin CBE RA, British b. 1963- You forgot who you are, 2013; etching on Somerset soft white wove, signed, titled, dated, numbered 154/200 in pencil, published by Emin International, and comes with a certificate from IMMA art editions sheet: 36.5 x 40.5 cm, (unframed) (ARR) Note: This was made available by IMMA Art Editions for Tracey Emin's exhibition Desire: A Revision from the 20th Century to the Digital Age, September 2019 - March 2020Please refer to department for condition report
Mimmo Paladino, Italian b. 1948- Camera degli Sposi, 1985; etching with drypoint, aquatint, spit-bite, and engraving printed chine collé on wove, signed, dated and numbered 38/40, printed by Harlan & Weaver, New York, published by Waddington Graphics, London, plate: 24.5 x 32 cm, (framed) (ARR) Note: One can find a similar example in The Museum of Fine Arts, Houston, accession number: 2016.183Please refer to department for condition report
Donald Sultan, American b. 1951- Pomegranates, 1990; etching with aquatint in colours on Somerset wove, initialled, dated, titled and numbered AP 10/13 in pencil, aside from the edition of 60, published by Waddington graphics, sheet: 90.7 x 121.2 cm, (unframed)Please refer to department for condition report
Donald Sultan, American b. 1951- Pomegranates, 1990; each etching in black and white on wove, (i) signed with initials, titled, dated and numbered AP 7/13 in pencil, (ii) signed with initials, titled, dated and numbered AP 9/13 in pencil, (iii) signed with initials, titled, dated and numbered AP 9/13 in pencil, (iv) signed with initials, titled, dated and numbered AP 10/13 in pencil, each 121 x 91 cm, (unframed) (4)Please refer to department for condition report
Grayson Perry CBE RA, British b.1960- Untitled, 'Curiosity, Ambition'; Untitled, 'Artists, Potters, Printers'; etching on wove, together with a pen and ink and pencil drawing on wove, inscribed 'Happy birthday Kate, love Grayson' in pencil, image (etching): 24.1 x 28.7 cm, sheet (drawing): 27 x 21.1 cm, (framed) (ARR) (2) Provenance: The vendor's wife is a friend of Grayson Perry. Please refer to department for condition report
Mimmo Paladino, Italian b. 1948, Flores Seraphici, the complete set of 15 hand-coloured etchings, 1992-1995; each etching in colours with drypoint and photoengraving on Magnani wove paper, each signed, dated '93 and numbered AP 3/10, edition of 25, published by Waddington Graphics, London, eight plates: 27 x 19 cm, five plates: 27 x 18.5 cm, one plate: 27.5 x 9 cm, one plate: 29.5 x 19 cm, (framed) (ARR) together with etched frontispiece and a poem by Giuseppe Conte in cloth-bound folio case, (16) Please refer to department for condition report
Johnny Friedlaender, German/French 1912-1992, Campagne D'Ete; etching with aquatint in colours on BFK Rives watermarked wove, signed and inscribed 'Epreuve d'Artiste' (Artist's Proof) and 'Campagne d'ete' in pencil, image: 64.2 x 48.3 cm, (framed) (ARR) Please refer to department for condition report
Henry Moore OM CH FBA, British 1898-1986, Reclining Figure 5, from the Reclining Figure Portfolio, 1978; etching on Richard de Bas wove, signed, and inscribed Pl.5 G18/25 in pencil, printed by Lacourière et Frelaut, Paris, published by Ganymed with the Louisiana Museum, sheet: 44.5 x 51.8 cm, (unframed) (ARR) (VAT charged on hammer price) Note: see Tate Britain, accession no P02634, for another impression.Please refer to department for condition report
Henry Moore OM CH FBA, British 1898-1986, Ideas for Sculpture, from the book ‘Henry Moore’ by Ionel Jiahou, 1969; etching on wove, signed and numbered 92/100 in pencil, plate: 24 x 30.6 cm, (framed) (ARR)Note: see Tate Britain accession no. P02097, for another impression.Please refer to department for condition report
Tom Phillips CBE RA, British b.1937-Dante Alighieri, the Divine Comedy: Inferno, 1983;etching, aquatint, lithographs, silkscreens on 100% rag Inveresk acid-free mould-made 250gsm wove in three volumes, boxed, each print initialled in pencil, each sheet watermarked by Tom Phillips, a limited edition of an unknown size, printed by The Talfourd Press, published by Tom Phillips, box: 45 x 35 x 19 cm, (unframed) (ARR)Note:Typography by Ian Mortimer, and printed at IM Imprimit, London.Binding by Pella Erskine Tulloch.Project coordinator Anthea Toorchen.Intaglio plates worked, proofed and editioned by Nick Tite and the artist at the Talfourd Press between 1979 and 1983, and completed by John Duffin in 1989.Lithographs worked and proofed by Nick Hunter at the Talfourd Press, and editioned at the Dog's Ear Press, London between 1979 and 1983.Silkscreens proofed and editioned under the direction of Chris Betambeau at Advanced Graphics, London between 1979 and 1983.Additional silkscreens proofed and editioned by Brad Faine at the Coriander Press, London in 1982.Please refer to department for condition report

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78391 item(s)/page