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An Osborn's Patent Light Cavalry Officer Sabre and steel scabbard c1796. Original good etching to the blade on both sides and marked ''GR', 'AP', Osborn's' & 'Warranted' as well as GIII coat of arms. Leather and Silver wire wrapped grip. 97cm long in scabbard. 

William Hogarth (1697-1764) - The Rake’s Progress (Paulson 132-139). The set of eight engravings with etching, 1763, on wove paper, from the edition published by G.G. & J. Robinson, London, 1796-1797, with margins, framed, most plates with minor discolouration, one plate discoloured, two plates with waterstains, occasional foxmarks, one plate examined out of the frame. Plates 35.8cm x 42cm. Sheets 39cm x 47cm.

AFTER ROSSINI “Veduta del pantheon di Agrippa” black and white etching inscribed “Roma 1820” lower right, 47 cm x 65 cm

Rembrandt, H van Rijn (1606-1669) Scarce The Kolf Player etching - signed and dated Rembrandt 1654 - image 4" x 5.75" - a mounted display with history and details laid down below - overall 23" x 15" and comes with a copy of the book titled "Rembrandt - The Complete Etchings" 1td ed 1963 publ'd Thames and Hudson London - see p. 249 (2) Note: From The Estate of The Late David Easby

Pierre Alechinsky (Belgian, b. 1927). Etching with aquatint on a laid paper titled "Entre Quatre Faux," depicting an abstract scene in black with a circular bold red accent, 1978. Signed and dated along the lower right; titled along the lower center; numbered 10/60 along the lower left.Sight; height: 26 1/2 in x width: 39 in. Framed; height: 30 1/4 in x width: 43 in.br/>Condition:The sheet is slightly toned. There are no visible rips, losses, or restorations. There are networks of foxing and small stains throughout. Creases and handling marks throughout; some undulation to the sheet. Framed under glass; some light wear to the frame. Not inspected out of frame.

Jack Youngquist (American, 1918-1993). Etching titled "Prone F/Tri-Sequence" depicting figures lying on their backs, 1975. Pencil signed and dated along the lower right; numbered 1/50 along the lower center; titled along the lower left.Exhibition: Inver Heights College, 1987.Sight; height: 13 in x width: 17 3/4 in. Framed; height: 18 1/4 in x width: 23 1/4 in.br/>Condition:No visible tears, losses, or restorations. Evidence of matburn and toning. Housed under an acidic mat; there are a few areas of moisture exposure to the mat - it is unknown if this affects the print. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "Butterfly Mornings, Wildflower Afternoons." Pencil signed and dated 2002 along the bottom edge. Editioned 3/18 along the bottom right edge. Titled along the top edge of the print.Height: 17 in x width: 15 in.br/>Condition:The item is in good condition with no visible tears, creases, or losses. To the center upper margin, there is a handling mark that is only visible under careful scrutiny. No visible sign of restoration under UV light. Clean verso. The etching is not framed.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "I Forgot It Was Sunday." Pencil signed and dated 2002 along the bottom edge. Editioned 3/18 along the bottom right edge. Titled along the top edge of the print. From a suite of five prints.Height: 17 in x width: 15 in.br/>Condition:The item is in good condition with no visible tears, losses, or major creases. There is a minor crease to the lower right corner. Along the lower margin, there are two minute black accretions. To the center of the left margin, there is a small foxing began to form; however, it does not affect the center image. Along the verso, along the upper margin, there is a minute black mark, which does not affect the center image. The etching is not framed.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "It's Just my Rough Habits, I Guess." Pencil signed and dated 2002 along the bottom edge. Editioned 3/18 along the bottom right edge. Titled along the top edge of the print.Height: 17 in x width: 15 in.br/>Condition:The item is in excellent condition with no visible tears, creases, or losses. No visible toning, foxing, and soiling. No visible sign of restoration when inspected under UV light. Clean verso The etching is not framed.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "Montana's Killing Me." Pencil signed and dated 2002 along the bottom edge. Editioned 3/18 along the bottom right edge. Signed along the top edge of the print.Height: 17 in x width: 15 in.br/>Condition:The item is in excellent condition with no visible tears, creases, or losses. No visible toning, foxing, and soiling. No visible sign of restoration when inspected under UV light. Clean verso. The etching is not framed.

David Rathman (American, b. 1958). Etching and aquatint on paper titled "That’s as Fair as I Know How to Make It." Pencil signed and dated 2002 along the bottom edge. Editioned 3/18 along the bottom right edge. Titled along the top edge of the print.Height: 17 in x width: 15 in.br/>Condition:The item is in excellent condition with no visible tears, creases, or losses. No visible toning, foxing, and soiling. No visible sign of restoration when inspected under UV light. Clean verso. The etching is not framed.

Marc Chagall (Russian/French, 1887-1985). Etching titled "Granada" depicting two lovers in a garden. With a poem of the same name by Louis Aragon (French, 1897-1982). From "Paroles Peintes I" Paris: Editions O. Lazar-Vernet, 1962.(Print) height: 15 1/4 in x width: 11 1/2 in.br/>Condition:No rips, tears, losses, or restorations. Light wear along the edges. An area of acidic burn along the poem where the print was nested. Not framed.

Harry Lindley Hosford (American, 1877-1945). Etching on paper depicting a fishing boat in a harbor with two fishermen. Pencil signed along the lower right; numbered 5/50 along the lower left.Sight; height: 6 1/2 in x width: 7 1/2 in. Framed; height: 16 in x width: 13 in.br/>Condition:No visible tears, creases or losses. The print and mat are toned. There is mat burn along the edges of the print. There is discoloration along the bottom left corner and margin, possibly from water exposure. There is a minute spot of discoloration along the center of the lower margin. No signs of restoration under UV light. Framed under glass. Not examined out of frame.

Benjamin Damman (French, 1835-1921) after Jean-Francois Millet (French, 1814-1875). Etching on laid paper titled "The Gleaners" after Millet's 1857 painting depicting three women working in a field. The original painting is in the collection of the Musee d'Orsay. Signed in plate along the lower right; Millet's signature in plate in the lower right of the image. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in.br/>Condition:There are no tears, losses, or restorations. The sheet is slightly toned; the work is slightly unevenly toned within the image. There are a few light creases/handling marks along the edges. There is a slight undulation to the sheet. Light wear along the deckled edges. There are a few small stains to the sheet. Pencil number 76 written along the upper right. The work is not framed.

Henri Toussaint (French, 1849-1911) after Eugene Delacroix (French, 1798-1863). Etching on laid paper titled "The Coast of Morocco" depicting a boat set on tumultuous seas with a distant coastline. After a ca. 1853 work by Delacroix, more likely depicting the biblical scene of Christ on the Sea of Galilee. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in.br/>Condition:The sheet is toned; there is a slight uneven toning to the margins of the sheet. Light undulation to the sheet. Light wear to the deckled edges. There is a horizontal tear extending 1/2 inch inward from the upper left edge. There is a small loss to the lower left corner. There are creases along the left edge. There is a crease along the lower right edge as well. There is a slight loss along the lower right corner. The print is not framed.

Charles Louis Kratke (French, 1848-1921) after Etienne Pierre Theodore Rousseau (French, 1812-1867). Etching on laid paper after a Theodore Rousseau painting titled "Evening" depicting an idyllic riverside landscape with a fisherman. Signed in plate by Kratke along the lower right. Th. Rousseau signature in plate along the lower left of the image. With a watermark with "MA" along the center. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in.br/>Condition:There is light toning to the sheet; there is uneven toning along the margins of the print. Light undulation to the sheet. There is light wear along the deckled edges. There is an acidic burn and a vertical line along the entire right margin. There is a light crease along the right edge. The print is not framed.

Jules-Elie Delaunay (French, 1828-1891) after Meindert Lubbertszoon Hobbema (Dutch, 1638-1709). Etching on laid paper titled "A Forest" depicting a wooded cottage with figures strolling along the road. Signed in plate by Dalauney along the lower right. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in.br/>Condition:There are no tears, creases, losses, or restorations. The sheet is slightly toned; the work is slightly unevenly toned within the image. There is a slight undulation to the sheet. Light wear along the deckled edges. Pencil number 88 written along the upper right. The work is not framed.

Sol LeWitt (1928-2007). Lithograph with aquatint and etching titled "Parallel Curves" depicting a composition of blue curving lines against a red background, 2000. Pencil signed and numbered 20/30 along the lower right. From the Landfall Press 30th Anniversary Portfolio.Height: 36 in x width: 36 in.br/>Condition:The colors are bold and bright. No tears, losses, creases, or restorations. Very minimal wear along the edges. The work is not framed.

Alberto Magnelli (Italian, 1888-1971). Etching titled "Projets de Pegase" depicting an abstract composition of grays, orange, and white. With a poem of the same name by Jean Arp (German/French, 1886-1966). From "Paroles Peintes I" Paris: Editions O. Lazar-Vernet, 1962.(Print) height: 15 1/4 in x width: 11 1/2 in.br/>Condition:No tears, losses, or restorations. Some light handling marks along the edges. The poem is slightly toned. Not framed.

DAVID JONES, The Engravings of..., A Survey by Douglas Cleverdon, number LXIX of 105 copies, 4to, plates, quarter brown morocco, together with the accompanying clamshell box containing 96 loose plates on japon paper, suite of 7, only, of 9 copper plates & lacking the etching, slipcase, Clover Hill, 1981. (as a collection of plates)

Hedley Fitton (1859 - 1929), Borgo San Jacapo, Florence, etching, signed in pencil, label to verso, 39cm x 25.5cm

Roland Ruscart (French, 20th century), A Domestic Kitchen Interior, label to verso inscribed, dated 1970 and numbered E/A & 1/35, etching, 14.5cm x 19.5cm

Sir Ernest George (1839 - 1922), by and after, St Jean, Caen, etching, signed and titled in the plate, signature and title in pencil to margin, 41cm x 28.5cm

An assortment of Parliamentary printed magazine sketches and Etchings, to include, 1910 Suffragette 'Mrs Speaker' postcard, an etching of Speaker's House from the River', etching of St Margarets Church, Punch or the London Charivari printed sketch, etching of the Commons Chamber, an Acoustic Prayer composed for Betty Boothroyd, a print of a painting of Betty and more (parcel)

Etchings - Frank Henry Mason (1875–1965), Richmond Castle, monochrome etching, 16.5cm x 10cm;  G Ray, A Bordewr Stronghold, coloured etching;  another, Rothesay Castle;   Joseph Kirkpatrick, a pair, Downlands Meadow and a Ford;  etc

Newmans (Soho) Victorian mahogany artists paint box, late 19th/early 20th century, the tooled leather inset to top fitted with pigment blocks and removable trays, the lower drawer fitted with Newman box of pigment, an etching depicting a bust length portrait of a young lady, a small box of pigment and assorted playing cards Condition ReportAdditional photos uploaded

Wilfred Crawford Appleby (Scottish, 1889-1959) Etching 'Edinburgh University Quadrangle', signed and titled in pencil, framed and glazed, image size 36.5cm x 29.5cm Andrew Watson Turnbull (1874-1957) Etching 'The New University Tower, Bristol', signed in pencil lower right, framed and glazed, image size 29cm x 20cm together with another etching of Gloucester Cathedral, indistinctly signed lower right, framed and glazed, image size 22cm x 14cm (3)

Richard Robbins (British 1927-2009) Etching 'Couples', Artist's Proof, signed and titled in pencil lower right, framed and glazed, image size 74cm x 99cm

After William Lionel Wyllie (1851-1931) Drypoint etching Medway shipping scene with tug pulling tall ship, signed in pencil lower left, unframed, image size 23.5cm x 38cm

After William Lionel Wyllie (1851-1931) Drypoint etching 'The Bay of Naples', signed lower left, numbered LXXXVIII lower right in pencil, unframed, image size 17.5cm x 38.5cm

After William Lionel Wyllie (1851-1931) Drypoint etching 'Valetta Harbour, Malta', signed in pencil lower left, unframed, image size 18cm x 48.5cm

After Rowland Langmaid (1897-1956) Drypoint etching View of St. Pauls' Cathedral from the Thames, signed in pencil lower right, unframed, image size 18cm x 12.5cm

After Hedley Hilton Drypoint etching The High Cross, Winchester, signed in pencil lower left, framed and glazed, image size 53cm x 33.5cm Condition Report Overall good condition. Some browning around the edges near mount. Some accretions behind the glass at top left. Possibly some fading. General wear and tear.

Four etchings and prints. Including a Ugo Banacco limited edition etching 36/80 depicting Venice, 19.5cm x 13.5cm, etc.

An assortment of pictures and prints. Featuring watercolours, aquatints, lino prints, coloured prints, etc. Including an etching after Heywood Hardy, hand coloured etchings, base relief bust portrait of Lord Nelson, chromolithograph etc. (16).

"The Cato Street Conspirators", a hand coloured etching by George Cruickshank, published March 9th 1820 by G Humphrey, No 27 St James's Street, London, laid down on board, 10" x 15", creased down the centre, slight foxing otherwise GC; 2 early 19th century hand coloured prints published by O. Hodgson, 10 Cloth Fair, London: "John Bull & The New Police", and "A Regular Guy" depicting a Policeman seated and tied to a chair, each 8" x 10½", GC; "The Looking Glass, None See themselves but by Reflection - in this glass you may", a monthly publication of satirical coloured prints by William Heath and Paul Pry, Vol 1st No 7 July 1st 1830 and No 12 December 1st 1830, each single sheet approximately 15" x 10", basically GC (some foxing and minor damage); a monochrome etching by Sayers, of the Earl of Effingham, published by C. Bretherton, 14th May 1782, 7" x4¾" (BM cat No 6061), basically GC (slight staining), with a copy of the British Museum Catalogue entry; a coloured print c 1830 of a Policeman addressing a Guardsman, by J.V. Barrett, published by Mourilyan & Casey, 21 Fleet St, 10" x 8"; and two other small prints. £50-60

Mason Storm  (British, b. 1974) Monkey Parliament II Giclee print on Hahnemuhle Museum Etching 350gms paper Limited edition of 500 Artist's proof Published by Stowe Gallery  Measures approx. 56cm x 80cm (22" x 31.5") If postage is required, any print within this sale will be posted rolled unless informed otherwise.   

Etching. A lion. Unsigned and unnumbered. H.31 W.31cm.

Milein Cosman (German. 1921-2017). Ivor Stravinsky conducting. Etching. Signed in pencil lower right. Edition of 50 copies, this one is numbered 1/50. In a gilt frame. From the collection of Derwent May. H.47 W.56cm.

Wallace Hester, Victorian etching together with a further coloured print Have a Cigar and a photographic print (3)

Michael John Blaker (1928-2018), two oils on board and a colour etching, Figures fishing, landscape and White Cat and Flowers, each signed, one framed, largest 51 x 61cm

L Trevor Oil on panel River landscape with boats moored, signed lower right, framed, 19cm x 35cm, together with an oil on board of a rural scene with path, unsigned, 20.5cm x 32.5cm Valerie Oakshott Watercolour Study of a yellow rose (copy of Redoute's Rosier des Parfumes) signed and dated 1970 lower right, framed and glazed, 44.5cm x 30cm, together with two further floral studies in pencil by the same hand, both signed and dated 1970  Alan Lumsden Etching and aquatint "Sunday Morning", Artists Proof/3, signed and titled within margin, framed and glazed, 77cm x 55cm together with another by the same hand "Last Man In", limited edition numbered 20/30, signed, titled and numbered within margin, framed and glazed, 53cm x 63cm (7)

A group of ten framed prints  Including a pair of engravings of Hamburg, a pair of hand coloured etchings of Hamburg, one by Albrecht Bruck and a photogravure after Ferdinand Keller of Kaiser & his family and a French engraving of Francfort-sur-le-Maine and two others, the largest 25cm x 30cm, together with René Carcan (Belgian, 1925-1993), L'arbre fleur, a limited edition framed aqua tint etching numbered 28/99, 35cm x 27cm. (10)

Henri Matisse (French, 1869-1954) 'Nu Allonge' Etching Etched 1929, published 1983 with 'Matisse Oeuvre Grave' catalog, stamp initials lower right (ref. Duhuit #125) Property from: a Private Collector, Illinois Height: 9 5/8 inches, Width: 12 3/8 inches (sheet) Condition: light wear overall, minor diagonal streak in top white field Category: Fine Art > Prints & Multiples Estimated Sale Time: 12:02 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3

Anders Zorn Leonard (Swedish, 1860-1920) 'August Strindberg' Etching 1910, pencil signed lower right, depicting a figure, in a black painted wood frame Property from: a Private Estate, Evanston, Illinois Height: 13 1/8 inches, Width: 8 1/2 inches (sight)Frame Size: 20 3/4 inches by 16 3/8 inches Condition: light wear overall, paint loss on frame Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 12:28 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Eleanor Coen (American, 1916-2010) 'Three Little Trees' Color Lithograph 1955, pencil signed and dated lower right, notation '13 Imp. (T.P.)' lower left and titled lower center margin, matted behind glass in a painted wood frame having Fort Wayne Museum of Art label verso; together with a color etching with aquatint pencil signed lower right 'T. F. Guinan', #280 and chop mark lower left, depicting a European village night scene, matted behind acrylic in a painted wood frame Property from: a Private Estate, Evanston, Illinois Height: 15 1/2 inches, Width: 18 1/4 inches (sight larger)Frame Size: 24 inches by 26 1/2 inches Condition: margins of Coen having spotting that appear to be from printing process, Guinan print having a short tear entering image near middle of left edge and marginal creases, toning, light wear to frames Disclaimers: not examined out of the frames Category: Fine Art > Prints & Multiples Estimated Sale Time: 12:41 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8

Salvador Dali (Spanish 1901-1989) 'Coronation of Gala' Etching (2) items including undated, pencil signed lower right, #12/250 etching matted behind acrylic in a gold-tone metal frame; together with an after Pablo Picasso (Spanish, 1881-1973) undated, printed signature within image 'Pierrot And Harlequin' silkscreen print, behind glass in a wood frame Property from: a Private Collector, Chicago (Kenwood), Illinois Height: 16 1/4 inches, Width: 12 3/4 inches (plate, larger)Frame Size: 27 1/4 inches by 22 3/4 inches Condition: no damage to artwork noted, light wear to frames Disclaimers: not examined out of the frames Category: Fine Art > Prints & Multiples Estimated Sale Time: 12:46 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7

After Rembrandt van Rijn (Dutch, 1606-1669) 'Self-Portrait Leaning on a Stone Sill' Etching Faintly etched date '1639' and signature upper left, etching and drypoint on buff laid paper having 0.375-inch average margins visible, double matted behind acrylic in a gold-tone carved wood frame Property from: an Estate, Chicago (Streeterville), Illinois Height: 8 1/4 inches, Width: 6 3/8 inches (plate)Frame Size: 25 1/4 inches by 22 5/8 inches Condition: no damage to artwork noted, having occasional minuscule dark inclusions to paper, a minute white spot 0.75-inch below top edge, light wear to frame Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 12:49 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3

William Gropper (American, 1897-1977) Lithograph Collection (6) items including (2) multi-image etchings having lithographed signatures with one dated 1965, an undated, pencil signed lower right, 'Artist Proof' lower left 'Men of Business' etching, an undated etching, printed reversed signature within image, an undated etching, pencil signed lower right and notated '1st State' and a lithograph 'Caucasian Peasants' pencil signed lower right and #32/35, all matted behind glass or acrylic in wood frames Property from: a Private Estate, Evanston, Illinois Height: 16 1/2 inches, Width: 26 inches (sight, largest)Frame Size: 25 1/2 inches by 34 1/2 inches Condition: no damage to artwork noted, a multi-image etching lacking glass, a scuff to acrylic of 'Men of Business', light wear to frames Disclaimers: not examined out of the frames Category: Fine Art > Prints & Multiples Estimated Sale Time: 1:01 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9

James Tissot (French, 1836-1902) 'Le Journal' Etching 1883, printed signature and date lower right, depicting a figure reading a newspaper, matted under acrylic in a gilt wood frame, Merrill Chase Galleries documents verso Property from: an Estate, Chicago (River North), Illinois Height: 14 5/8 inches, Width: 11 1/4 inches (plate mark)Frame Size: 34 1/4 inches by 28 1/2 inches Condition: possible humidity damage to hat area, wear and chips to frame Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 1:23 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Arthur Luiz Piza and Alfons Dargis Artworks (2) items including a Piza (Brazilian / French, 1928-2017) colored etching, pencil signed lower right and #3/10 E.A. lower left, matted behind glass in a metal frame and a 1964 Dargis (Lithuania / American, 1909-1996) oil on paper abstraction signed lower left, dated lower right and matted without glass in a wood frame having a label verso giving title 'Composition #6' Property from: a Private Estate, Evanston, Illinois Height: 21 inches, Width: 15 1/2 inches (plate, etching)Frame Size: 32 inches by 25 1/4 inches Condition: oil on paper appears glued to backing and having occasional slight rippling of surface, light to moderate wear to frames, accretions to exterior of Piza glass, Dargis frame lacks glass Disclaimers: not examined out of the frames Category: Fine Art > Paintings Estimated Sale Time: 1:29 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8

Andre Beaudin (French, 1895-1979) 'Birds in Blue' Etching 1947, signed lower right, #4/12, depicting abstract shapes, attached international Galleries label verso, in a gold-tone frame Property from: a Private Collector, Illinois Height: 12 inches, Width: 9 3/4 inches (sight)Frame Size: 23 1/4 inches by 18 1/4 inches Condition: light wear, minor foxing, chips on frame, paper backing having tears Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 1:31 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

Zao Wou-Ki (Chinese / French, 1921-2013) 'Paysage au Soleil' Etching Undated, pencil signed lower right, #89/200 lower left, a pictographic landscape, linen matted behind acrylic in a silver-tone wood frame Property from: a Private Collector, Illinois Height: 9 3/4 inches, Width: 9 5/8 inches (plate)Frame Size: 16 inches by 15 1/4 inches Condition: no damage to artwork noted, a water stain to linen mat at lower left corner, moderate wear to frame Disclaimers: not examined out of the frame Category: Asian Arts > Asian Arts Estimated Sale Time: 1:51 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6

England - - James Gillray. Clearing a Five-Bar-Gate. Handkolorierte Original-Radierung. London, Hannah Humphrey, 20. August 1805. Sichtmaß 27 x 37 cm. Unter Glas in Massivholzrahmen gerahmt (ungeöffnet). British Museum Satires, Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, 10481. - Rechts unten in der Platte mit der Inschrift "J. Cd Esqr delt". - Etwas braunfleckig. Kolorit überaus schön erhalten. England - Hand-coloured original etching. Framed under glass in solid wood frame (unopened). - Inscription "J. Cd Esqr. del." lower right in the plate. - Some brownstaining. Colours extremely well preserved.

Sammlung von 41 Graphiken und 1 Handzeichnung. 1967-2009. Mit Holzschnitten, teils in Farbe, eine über Monotypie, einer Offsetlithographie und drei Farbradierung sowie einer Mischtechnik auf verschiedenen Papieren. Blattmaß von 19,5 x 13,5 cm bis 70 x 50 cm. Vorwiegend signiert und datiert, einige betitelt, bezeichnet und gewidmet. Drei Blatt unter Passepartout montiert. - Wenige Blatt im Außenrand oder Ecke mit leichter bis merklicher Knickspur oder Bestoßung, ganz vereinzelt sehr blasse Farbspur, verso teils kleine Montierungsreste, insgesamt sehr gut. - Mit Tier- und Figurendarstellungen. - Dabei: Bengt Birck (4) - Jens Gussek - Peter Stephan - Klaus Eberlein (10) - Günter Grass (3). - Beigegeben: Literarisches-grafisches Extrablatt zu Alfred Pohl. Collection of 41 graphics and 1 drawing. With woodcuts, some in colour, one over monotype, one offset lithograph, one colour etching and one mixed media drawing on different papers. Mostly signed and dated, some titled, indicated and dedicated. - Three prints mounted to mat. Few works with light to visible crease mark oder bumping in outer margins, very isolated very faint colour trace, partly traces of mounting in the verso, all in all very good. - With depictions of animals and figures. - With artists as mentioned above. - Addendum as mentioned above.

Braque, George - - Paul-Pierre Roux('Saint-Pol-Roux'). Aout. Mit 4 (2 farbigen) Original-Radierungen von Georges Braque. 47 S. 3 Bll. Paris, Louis Broder, 1958. Folio. Lose Bogen in OUmschlag und -Leinenkassette. (Nur die Kasette minimal fleckig). Collection Ecrits et Gravures, Band 7. The Artist and the Book 41. Hofmann XXIV. Vallier 135. - Eines von 120 nummerierten Exemplaren auf schwerem Büttenkarton (Auvergne Bütten). Der Druckvermerk von Braque eigenhändig signiert. Frontispiz mit Umrahmung in Bister, die Radierung auf Seite 31 in Blau. Enthält die 6 Gedichte von Saint-Pol-Roux. - Wenige Bll. am Außenrand minimal fleckig, sonst tadelloses Exemplar. Fresh and exceptionally good copy. - With 4 (2 color) original etchings by Georges Braque. Collection Ecrits et Gravures, Volume 7. the Artist and the Book 41. Hofmann XXIV. Vallier 135. - One of 120 numbered copies on heavy handmade cardboard (Auvergne handmade paper). The printing note signed by Braque himself. Frontispiece framed in brown ink, the etching on page 31 in blue. Contains the 6 poems by Saint-Pol-Roux. - Only the box minimally stained. Few leaves minimally spotted at outer margin, otherwise impeccable copy.

Large collection of pictures and prints to include Chinese mountain scenes, Golden eagle birds of America print, June Dutch still life print, Henry Wilkinson fishing etching etc. 21 pictures in total.

Hampton Court, a Royal Palace built by Cardinal Thomas Wolsey, enlarged, finished and erected into an Honor by King Henry VIIIth, engraving, J Pye after Wenceslaus Hollar, 39.5 x 78.5cm, Jan, en. Casper Luiken, De Moort van Parys gepleegt Anno 1572 op St Bartholomeus Dag en volgende Dagen, engraving, 30 x 77cm, Paul Sandby (1731-1809), Eton College from Crown Corner, etching with aquatint, 45.5 x 62cm, Le Retour de L'Ile D'Elbe, hand-coloured print, 47 x 62cm, G H Jalland, Scottish cartoon scene, pen and ink, signed and monogrammed lower left and dated 97, extensively inscribed below, together with another by the same artist, a pair, each 18.5 x 26.5cm, all framed and glazed

Fred Newman (British, mid-20th century) - 'Westminster Bridge', etching, signed and titled in pencil, 19.3 x 27.3cm., gilt frame (21.2 x 29.2cm.)

An etching of The Harvest Moon by George Mason