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DDS. John Makepeace, OBE (b. 1939) Knot Chair Gravure etching Pencil signed lower lower margin Limited edition 26/100 Image 43.5cm x 28cm This was produced for and exhibited at the Chicago International New Art Forms Exposition, 19th to 22nd September 1991 and is illustrated in the exhibition catalogue as the Exposition Print
AFTER JOHNSTON BAIRD "A mountainous lakescape", black and white dry point etching, signed in pencil in the margin, four various black and white etchings, nine various Punch cartoon prints, AFTER C F TUNNICLIFFE-a set of three bird prints, AFTER WILLIAM DANIELL "Bognor", "Port Patrick, Wigtonshire" and "Hythe"-a set of three coloured engravings, AFTER W HEATH ROBINSON "Seaside crime", a coloured print and various other prints
A Stevengraph "Full Cry" contained within birdseye maple frame, A LE BLOND print "Snowballing", contained within verre eglomise frame, a coloured etching "Rouen Cathedral", 19th CENTURY ENGLISH SCHOOL "Charlotte"-portrait study of a young woman wearing a broad brimmed hat, watercolour, bearing printed card verso "In remembrance of George Challoner and of Charlotte his wife", and a coloured print
Benjamin Lewis Vulliamy & Justin Theodore Vulliamy The Bronze Lamp given by the Prince Regent to the Royal Academy etching with aquatint by H. Moses and F.C. Lewis respectively, published 1813 by the designers, 610 x 510mm (24 x 20 in), unframed. *** Benjamin (1780-1854) and Justin Vulliamy (1781-1870) were the second generation of the family firm of clockmakers, originally of Swiss origin, established in London in the mid 18th century. Benjamin succeeded his father as clockmaker to the king. The plate depicts the 8ft diameter chandelier designed and made by Vulliamy and Sons, Pall Mall, London, in 1812. Condition report: Slight surface dust, soft creasing to upper right corner just affecting image, uneven trimmed on or just within the platemark but well outside the image.
Johann Ulrich Krauss Lamentation of Christ engraving, reverse copy after Albrecht Dürer`s Lamentation from the Small Passion, 85 x 70mm (3 1/4 x 2 3/4 in) § Anton Joseph Prenner. Annunciation, etching, after Annibale Carracci, c.1728, from the series `Theatrum Artis Pictoriae`, trimmed, lacking engraved border, 215 x 145mm (8 1/2 x 5 3/4 in), both unframed. Condition report: The Krauss has some browning, with numerous pin holes in the sheet.

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