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Lot 1

Stanley William Hayter, (British 1901-1988) Le Couple, 1952, signed lower right, S W Hayter 52, titled and numbered and dated in pencil, and on Japon paper, original engraving and soft ground etching with scorper work, signed proof aside from the normal edition, printed in black, pinkish orange, lime green, and bistre on smooth Japon paper, 46 x 31cm. Literature: Black and Moorhead, No.206

Lot 1

David Hockney (British b.1937) Two boys in a Bed, aged 23 and 24, signed lower right, David Hockney 66 and numbered 1/75, etching, 38 x 25cm. Provenance:Private collection, Cambridgeshire

Lot 246

William Lionel Wyllie RA (1851-1931), Glasgow , etching, signed in pencil, 22cm x 37.5cm

Lot 247

William Lionel Wyllie RA (1851-1931), HMS Victory , etching, signed in pencil, bears The Graves Gallery, Birmingham label on reverse, 27cm x 19.5cm

Lot 248

William Lionel Wyllie RA (1851-1931), Newcastle upon Tyne , etching, signed in pencil, 22cm x 37cm

Lot 250

Robert Henry Smith (ex. 1906-1909), The British Fleet in action , etching, signed in pencil, 21cm x 27cm

Lot 256

Herbert Dicksee (1862-1942), The timber wagon , etching, signed in pencil, signed with initials and dated 1911 in the plate, published by Frost and Reed Ltd, Bristol 1911, 40cm x 67cm

Lot 217

A RARE ETCHED PARTISAN OF THE GUARD OF THE ELECTOR FRIEDRICH AUGUST I OF SAXONY, 'THE STRONG', CIRCA 1694-97 with central blade of flattened-diamond section, broad base formed of a pair of flat notched flukes, etched at the base with a pattern of scrolling foliage on each side and surmounted on the respective faces with the crowned electoral arms and the initials CFA for Friedrich August Churfürst, moulded collar, faceted socket and a pair of long straps, on a wooden haft painted with an inventory number 61.2cm; 24 1/8in head PROVENANCE The Saxon Electoral Armoury, Dresden Friedrich August I ruled as Elector of Saxony (1694-1733) and twice as King August II of Poland (1697-1704 and 1709-1733). Similar partisans are preserved in the Wartburg (inv.no. 461) and the Wallace Collection (inv. Nos. A1002 & A1003). Another partisan from this group with the same notable style of etching is preserved in the Museum für Deutsche Geschichte, Berlin. See H. Müller and H. Kölling1981, p.311 no. 395.

Lot 295

AN ETCHED GERMAN COMB-MORION, NUREMBERG, CIRCA 1580 formed in one piece with a hemispherical crown rising to a high roped medial comb, and an integral brim turned down at each side, rising to an obtuse point at the front and rear (the front one slightly bruised), decorated around its edge with a file-roped inward turn, the front struck with the quality-control mark of the city of Nuremberg (the rear and sides each pierced with later wiring-holes), the base of the crown encircled by twelve round-headed lining-rivets with rosette-washers of iron (one washer missing), finely etched on each side of the crown with a circular cartouche enclosing, on the right, a representation of the Sacrifice of Isaac, and on the left, a mounted huntsman carrying a spear, in each case overlaying a pattern of alternating vertical bands respectively comprised of arabesque interlace and scrolling foliage inhabited by birds of prey, the latter design repeated on the comb and the brim and involving in the case of the former, oval cartouches enclosing, on the right, a soldier holding a banner, and on the left, a drummer, each in contemporary dress, the etching executed throughout on a blackened and stippled ground (light wear and patination overall) 29.1cm; 11 1/2in high The decoration of the helmet anticipates that found on a distinctive group of Nuremburg morions of the early 17th century formerly preserved in the armoury of the Dukes of Saxe-Coburg in the Wartburg, Thuringia. The scrolling foliage and birds are similar in execution to those found on a series of morions of about 1570 made for the Schurff family, hereditary huntsmen of the Tyrol, examples of which are to be found in the Royal Armouries Museum, Leeds, and the Musée de l'Armée, Paris. See J-P. Reverseau 1982, p. 50, fig. 2. A morion of similar form decorated with arabesque interlace is preserved in the Historisches Museum, Dresden (Schöbel 1976, fig. 40)

Lot 1

Etching of a cathedral, signed indistinctly in pencil

Lot 1

Flemish school early 19thC etching, figures by a canal in Winter time, signed

Lot 1

Kurt Meyer-Eberhardt, etching, 'A study of three Terriers', inscribed in pencil

Lot 87

George Fothergill-"The L & S Factor", foxhounds, black and white etching, signed and inscribed, one of fifty proofs.

Lot 31

AFTER HEYWOOD HARDY, ENGRAVED BY A GRAVIER, AND SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING DATED 1885, The Loose Horseshoe, 16” x 23”; and a further similar ENGRAVING, Published 1885 “Stand and Deliver”, 13” x 19” (2)

Lot 50

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (also signed by the engraver) DATED 1895, Published 1895, The Lawyers Office, 13” x 18”

Lot 51

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published 1889, Gentleman in Morning Suit with Cat in attendance by a cottage door, 10” x 6”

Lot 52

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published in 1913, Huntsman and Cottage Interior, 11” x 8”

Lot 53

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published in 1889, The After Dinner Conversation, 11” x 16”

Lot 60

AFTER REMBRANDT, BLACK AND WHITE ETCHING, Portrait of a Lady seated, 6” x 4 ½”; and AFTER C SCHUT, PAIR OF ANTIQUE BLACK AND WHITE ENGRAVINGS, Madonna and Child, 3” x 2 ½” (3)

Lot 180

M GUPTE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Toilet” (two wading birds), 5” x 8”

Lot 207

HERBERT DICKSEE, INITIALLED TO THE IMAGE, COLOURED ETCHING, Published 1899, “Anxious Hearts”, 26” x 19”

Lot 208

HEDLEY FITTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Amborise”, 16” x 9”

Lot 209

ALFRED HARTLEY, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, A lakeside promenade, 12” x 15”

Lot 224

MORTIMER MENPES RI RBA RE, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, DATED 1884, Portrait of an Old Lady with Cloth Headress; and 19TH CENTURY BLACK AND WHITE ETCHING, A Brigand, 10” x 7” and 8” x 5” (2). 225. JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, A FOLDER OF LIMITED EDITION COLOURED PRINTS, (FOR THE NORFOLK NATURALISTS TRUST), Published 1981, “Brent Goose”, “Shoveler”, “Shelduck”, “Pintail”, 10” x 6” (4)

Lot 226

AFTER W JOY, BLACK AND WHITE LITHOGRAPH, “The Killarney Steamer”, 8” x 12” (A/F); and JOHN SELL COTMAN, BLACK AND WHITE ETCHING, St Benet’s Abbey, 9” x 14” (A/F) (2)

Lot 227

INDISTINCTLY SIGNED TO MARGIN, COLOURED ETCHING, “Indian Sarode”, 11” x 9”

Lot 266

AFTER J M W TURNER, ENGRAVED BY FRANK SHORT, SEPIA ETCHING, (SIGNED IN PENCIL TO MARGIN BY FRANK SHORT), ‘Sheep washing, Windsor’, 7” x 10”

Lot 271

THOMAS DANIEL, BLACK AND WHITE ETCHING, “Norwich Castle”, 13” x 19”; AFTER DAVID HODGSON, ENGRAVED BY D GAUCI, BLACK AND WHITE LITHOGRAPH, “Norwich Cathedral”; and AFTER H NINHAM, ENGRAVED BY L HAGHE, BLACK AND WHITE LITHOGRAPH, “Norwich Cathedral”, 10” x 7” (3)

Lot 317

FRANCIS KELLY, LIMITED EDITION BLACK AND WHITE ETCHING (5/15) ‘Triptych’, 15” x 19”

Lot 334

E HERBERT WHYDALE, SIGNED IN PENCIL TO MARGIN, ETCHING, Nearing the Hilltop, 8” x 10” (unframed)

Lot 335

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, ETCHING, Inscribed “Near Stalham”, 5” x 9” (unframed)

Lot 336

WILLIAM PALMER ROBINS, SIGNED AND DATED 1922 IN PENCIL TO MARGIN, ETCHING, Inscribed “Stokesby”, 4 ½” x 7 ½” (unframed)

Lot 337

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, ETCHING, Inscribed “Haymaking on the Waveney”, 7 ½” x 13” (unframed)

Lot 338

WILLIAM PALMER ROBINS, DATED 1920 IN PLATE, ETCHING, Haystack by a Windmill (inscribed in pencil to margin “4th State”), 9” x 14” (unframed)

Lot 339

WILLIAM PALMER ROBINS, SIGNED AND DATED 1919 IN PENCIL TO MARGIN, ETCHING, Flatford Lock, 5” x 8” (unframed)

Lot 340

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Walberswick Pier September 1890”, 6” x 9” (unframed)

Lot 341

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, ETCHING, Hotel De La Poste 1913, 8” x 9” (unframed)

Lot 342

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Arles 1894”, 7” x 9 ½” (unframed)

Lot 344

CHAS CHAPLIN, SIGNED AND DATED 1963 IN PENCIL TO MARGIN, ETCHING, Inscribed “New Forest Glade 45”, 7” x 10”

Lot 347

CATHERINE MAUD NICHOLLS, SIGNED IN PENCIL TO MARGIN, ETCHING, Vicarage Hill, Alton, Hants, 6” x 9 ½” (unframed)

Lot 351

MARTIN HARDIE, SIGNED IN PEN TO MARGIN, TRIAL PROOF ETCHING, Port Manchin, 7 ½” x 6 ½” (unframed)

Lot 352

TOM MAXWELL, SIGNED IN PENCIL TO MARGIN, ETCHING, The Scottish Provident Building, 11” x 10”; and E M PAIGE, SIGNED IN PENCIL TO MARGIN, ETCHING, A Fortified Town, 5 ½” x 9 ½” (2) (unframed)

Lot 358

REVEREND EDWARD THOMAS DANIELL, BLACK AND WHITE ETCHING, A Continental River Scene with Bridge and Castle, 5” x 7 ½”

Lot 361

FRANK HENRY MASON, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Scarborough, 6” x 16”

Lot 363

CONSTANCE MARY POTT, SIGNED IN PENCIL TO MARGIN, ETCHING, The Stand October 1905, 7 ½” x 9”

Lot 364

WILLIAM PALMER ROBINS, SIGNED IN PENCIL TO MARGIN, ETCHING, Mercury Lane, Canterbury, 9” x 6”

Lot 365

W LAIDLAW, SIGNED IN PENCIL TO MARGIN, FOUR ETCHING, Bake House Close; St Giles Cathedral; Hollywood Palace; Advocates Close (all Edinburgh), assorted sizes (4)

Lot 369

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Old London Bridge, 6 ½” x 12; plus S FORDWAY, SIGNED IN PENCIL TO MARGIN, ETCHING, Unicorn Inn, Shrewsbury, 8” x 7 ½” (2)

Lot 371

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, ETCHING, HMS Orion, 10 ¾” x 7 ¾”

Lot 375

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, ETCHING, Waterloo Bridge, 6” x 14”

Lot 379

ROWLAND LANGMAID, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Spit Head”, 3 ½” x 12” (unframed)

Lot 380

EILEEN A SOPER, SIGNED IN PENCIL TO MARGIN, ETCHING, Young Children freeing a Bird from its Cage, 4” x 7”

Lot 381

ARTHUR BRISCOE, SIGNED IN INK TO MARGIN, LIMITED EDITION (53/75), ETCHING, The Fore Gallant Sail, 9” x 13 ½” (unframed)

Lot 382

LOUIS WHIRTER, SIGNED IN PENCIL TO MARGIN, ETCHING, ‘Durham Cathedral’, 9” x 11 ½”

Lot 387

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Horstead Mill, Norfolk, 8” x 10”

Lot 388

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Rackham Court, Norwich, 7 ½” x 5”

Lot 389

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, George IV Yard, Burr Street, Norwich, 9” x 8”

Lot 390

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Cow Gate, Norwich, 12” x 10”

Lot 392

LEONARD R SQUIRRELL, SIGNED IN PENCIL TO MARGIN, ETCHING, ‘Dover Castle’, 7 ¼” x 13”

Lot 394

EDWARD MILLINGTON SINGE ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Venetian Landscape, 6” x 6”

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