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Samuel Palmer (British, 1805-1881), Moeris and Galatea, '1880/1883', label verso 'Ref:- Lister:- E17 ii/iv', foxed, 9.8 x 15cm (I),13.2 x 18.8cm (plate) (unframed)Mike Hope collection.This etching was designed to accompany Samuel Palmer's translation of....Virgil's verse: Then, to our goats at milking-time return...'Scattered foxing, particularly across bottom right. Mounted but unframed.
Herbert Thomas Dicksee, R.P.E. (British, 1862-1942), 'Thirst', two tigers drinking, signed in pencil in the margin lower left, artist's proof, serpent blindstamp, etching on vellum, 'Copyright 1911 by Frost and Reed Ltd (of Bristol England) in the United States of America', 'Published at 8 Clare Street, Bristol by Frost and Reed Ltd Printsellers of Bristol and London May 1st 1911. Berlin...old & Co No 40...', glazed using conservation glass, 42 x 65.5cm (I), frame 73 x 96cm Lindsey Knapp (Victoria Gallery).Some faint discoloration/staining on the botton of the mount, otherwise ok.
Herbert Thomas Dicksee, R.P.E. (British, 1862-1942), 'Maternal Care', lion and cub drinking from a river, signed in pencil in the margin lower left, artist's proof, 'YC' blindstamp, etching on vellum, published by Frost and Reed, 'Publishers 8 Clare Street, Bristol. Frost & Reed Printsellers of London. Bristol. May 1st 1899', original oak frame and glazing, 40 x 65cm (I), frame 72.2 x 97cmLindsey Knapp (Victoria Gallery)Staining visible on right side of image and all over mount, particulary on the bottom.Frame scratched and with scuff marks. Slip with some marks and lacking 3cm of edge on upper right.Unexamined out of frame.
Herbert Thomas Dicksee, R.P.E. (British, 1862-1942), 'Peace', lioness and two cubs taking a drink, signed in pencil in the margin, artist's proof, 'JO' blindstamp, etching on vellum, 'Published at 8 Clare Street, Bristol by Frost & Reed Printsellers of Bristol, Clifton and London. November 30th. 1906. Berlin...& Co, No 25....Copyright registered', original oak frame and glazing, 32.5 x 54.3cm (I), frame 63.5 x 83.2cmLindsey Knapp (Victoria Gallery)Some small spots of staining on mount.Frame scratched and dented. Most patinated.Unexamined out of frame.
An antique yellow gold mourning brooch. The brooch of curved rectangular form having an unfilled centre panel surrounded by etched foliate design surrounded by a further boarder of hatched etching to a C clasp verso. Unmarked, test indicate gold. Measures approx 2m. Total weight approx 3.7g.
An antique Scottish gold, citrine & antler brooch. The brooch having a thorned antler / horn specimen together with an oval cut fancy prill set citrine, all mounted in gold with scrolling floral etching throughout to a C clasp verso. Unmarked but surface tests as 9ct gold to mount & C clasp. Total weight approx 7.1g. Measures approx 5.5cm.
A .22” BSA Airsporter Mk I underlever air rifle, number G13693 (1948-54), with automatic tap port opening, no telescopic sight groove, and with patent number in front of the trigger guard. GWO & C (no cylinder etching visible, small split in the stock). £80-100 Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction
Signed by Willy Pogany In Fine Binding: Fitzgerald (Edward) Rubaiyat of Omar Khayyam, Lg. 4to Lond. (Geo. C. Harrap & Co.) 1930. Lim. Edn. No. 395 of 750 Copies, Signed, and with orig. frontis etching Signed also by Pogany. With 12 tipped-in cold. plts., other inset illustrations in bl.& white, & text decorations, uncut, in fine full blue mor. with small, tooled gilt and coloured medallion. (1)
THE STUDIO : Modern Masters of Etching. James McNeill Whistler - (second volume), Intro. Malcolm C. Salaman, No. 32. 32 plates, org. paper covered boards with printed paper label on the upper cover, 1932. With 12 others in the same series some with damage to spines. With 7 others on ceramics, 9 other reference works on English Artists, and Snaffles, 'Osses and Obstacles', 1935.(a lot)
Geständnisse einer Dame von gutem Ruf. Aus dem Französischen. München, Eros-Gesellschaft, 1920. W. 10 tipped-in orig. etching, some signed 'G. '19'. Printed in 400 numb. copies for subscribers only. Calf, ribbed spine w. git lettering. Rare. (2) Das Mädchen in dem Porzellanturm. Eine Chinesische Arabeske nach H. de Régnier. Berlin, 1922. W. 8 signed etchings by Martin E. Phillipp. Printed in 60 numb. copies. Dec. boards. Lacks spine. -and 1 more. (total 3)
Various sizes, 9 signed in pencil, all under passepartout, 13 w. stamp "Martin E. Philipp Dresden" and 4 w. same text in pencil on inside passepartout. -and Hanns Heeren. Martin E. Philipp und seine Gebrauchsgraphik. Article of 2 p., "Sonderduck aus: Lachendes Leben IV. Jahrgang, heft 10 (1928)". A few titles: "Prosit 1952. Heitz-Zimmerli Aarburg"; "Juwelen, C. Heisler, Mannheim"; "Else und Martin Philipp haben ein Kind'l Bekommen" (very nice etching of cacti); "Glückauf für 1926! M.E. Philipp und Frau"; "Ex libris Alice Mayer"; "Ex libris Dr. Alfred Bader"; "Menü zum Hochzeitsfeier Dr. Med. P.W. Philipp Dore Blechschmidt Leipzig 27 XI 1909". (total 17)
Etching, 76 x 88 cm. From a set of sixteen etchings in black on etching paper. Framed in glass, 90 x 103 cm. Signed, dated and numbered to lower right 53 /75 Judd 78’. From the intended edition of 75 (according to Schellmann it was never realized) printed by Styria Studio, New York and published by the artist. Literature: Schellmann 105.
Vue de la Ville de Haerlem du coté de la Riviere du Noorder Spaarne. Copper engr. view by A. Cardon after an etching by A. Claterbos, ca. 1790. 25.9 x 36.2 cm. Sl. soiled. In passe-partout under glass. In the background from left to right the Bakenessertoren, windmill De Adriaan, the Catharijnebrug w. the Klokhuistoren in the back and the Grote Kerk or Sint-Bavokerk.
Col. silkscreen on very thin paper, leaf size 65 x 48.5 cm, signed, titled, dated 1982 and numbered 5/XII in pencil in lower blank margin, mounted at upper margin.(2) 'Aurel'. Etching and aquatint, 10.5 x 26 cm, signed, titled, dated 1974 and numbered 10/10 in pencil in lower blank margin. Sl. superficial dam. Remnants from former passepartout and some creases in blank margins. -and a watercolour landscape by the same. (total 3)
A SMALL COLLECTION OF ILLUSTRATIONS PRODUCED FOR THE CECIL D. NOTELY ADVERTISING COMPANY, comprising gouache sketches of a Naval Seaman and a pilot in a cockpit, six ink on board sketches depicting a sailor, tennis players, an engineer, female playing a piano, carpenter and interier of a cathedral restoration, together with watercolours and pencil sketches depicting ladies fashion and nude female figure studies, some signed Barbara Aston with dates for late 1930's and a etching of a Roe Deer signed by Kurt Meyer Eberhardt
A GROUP OF SUNDRIES comprising a framed etching by Pierre Bonnard 'Jeune Fille Lisant', two small WHW Hagenauer bronze figures, a silverplate cream jug, a silverplate 'Queen Anne' style Ronson table lighter, a leather cigar case, a small brass alarm clock (clock works but cannot move hands), a Parker fountain pen, a Lee Guinness technical, drafting, drawing instrument set (9)
JAMES PRIDDY (BRITISH 1916-1980) A QUANTITY OF FRAMED AND UNFRAMED ETCHINGS AND PRINTS, to include 'King Edwards School - Five Ways Birmingham', 'High Street - Broadway' and 'Lichfield Cathedral', unframed include various views of Brimingham city centre, London views and landscapes, some pencil signed, some signed within the plate, together with a Piers Browne aquatint etching 'Spring Orchard, Shropshire' framed and glazed, largest size including frame 44cm x 58cm
AFTER NICOLAES DE BRUYN (1571-1652) ABIGALE KNEELS BEFORE DAVID AND HIS SOLDIERS ON HORSEBACK, a religious text in Latin beneath the image from 1 Samuel 24.4, approximate visible size 39cm x 52cm, together with a David Loggan engraving print 'Collegium Regale' Kings College Cambridge, paper discoloured, separated along the fold and an etching after Parmegiano by Captain William Baillie published 1769 (3)
A QUANTITY OF PAINTINGS AND LIMITED EDITION PRINTS ETC, to include Joyce Johnson watercolour depicting the village of Painswick, Peter Hesp pastel drawing 'Evening light Luccombe, Exmoor', a gardening scene with a female figure collecting flowers, oil on canvas signed Forrester, pastel garden view by Daphne Pilgrim, etching with colours 'Barbizon - Rue de Artistes' indistinctly signed, label verso reads Purchased at the villa of Jean Francois Millet 1947, limited editions include Rosie Smith 'Leaving Steep Holm', John Instance 'Evening walk Bewdley', Cora Stock etching with colours 'Peat moor I', Julie Roberts 'Porth Wen, Anglesey', three Maurice Bishop prints signed to the mounts, Brain Fletcher hand written Gertrude Stein motto, etc
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71174 item(s)/page