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Lot 3032
George V 1897 pattern Infantry officers sword, the 82cm single fullered blade with traces of etched detail and George V crown cipher, the ricasso marked Hawksworth Sheffield, pierced half basket hilt with George V cypher, wire-bound fish-skin grip with brass pommel and backstrap; in leather scabbard L102cm overall; together with two sectional gun cleaning rods; swagger stick made of leather strips etcCondition Report:Sword - extensive rusting to blade and hilt obliterating most etching. Generally quite poor condition. Scabbard sound but well used and rubbed.Other items in reasonable condition consistent with age and use.
Lot 117
ARTHUR MILES RI (British, 1905-1987) watercolour - lane through woodland, entitled verso 'Lane to the Garth Mountain', signed and dated '74, 27 x 37cms, watercolour - view across Cardiff towards the Bristol Channel, entitled verso 'View From Little Garth, Pentyrch', signed and dated '78, 26 x 36cms and a coloured etching - view across farmland, entitled 'Llantrithyd', dated '74, 27 x 37cms (3)
Lot 80
SIR FRANK SHORT AFTER J M W TURNER two mezzotints - view along a valley and bridge across a gorge, published by Robert Dunthorne and signed 'Frank Short', 22 x 30cms together with an etching of cattle by M DE GUOISEILLIEZ, 20 x 27cms and an 18th Century satirical etching, entitled 'A Just View of the British Stage, All Three Heads are Better Than One, Scene Newgate', by M D-V, 23 x 23cms (4)Comments: all mounted but unframed, cattle print is laid down, all have some tinting and foxing to some extent.Cattle: laid down, foxing and tinting, unable to tell if cattle print has been trimmed A Just View: foxing and tinting, not laid down, trimmedLittle Devil's Bridge: not laid down, waterstain in top margin, not trimmed, other waterstains to margins Alpine View: not trimmed, foxing and staining present Provenance: Estate of Prof. Ritchie Ovendale, Aberystwyth.
![Percival Gaskell E (1868-1934)Etching titled 'Sunset Ardgour' [44x54cm]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/1a5e1300-c10c-47fe-a590-afa70165dd10/468x382.jpg)
![G.D.Armoud Etching ''The Thrusters Dream'' The end of a great run: only two in it. [38x46cm]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/a9b4ae86-c2da-4f75-afb7-afa701670265/468x382.jpg)
![W.L.Wyllie A Brighton Gale original etching, signed. [43x58cm]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/2af78041-9eb7-4842-a433-afa900c6351b/468x382.jpg)
![Original etching ''Cock up Cock up'' by Henry Wilkinson 35/75 depicting a dog hunting a pheasant [47x58cm]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/b5c42fb3-d671-4822-b9b6-afa900dcb3d9/468x382.jpg)
![Etching ''Church at Ronda'' by William Douglas Mcleod [43x58cm]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/e5cce874-212c-42d8-8a93-afa7015c679b/468x382.jpg)
![NO RESERVE Lewis (Wyndham) The Roaring Queen, numbered 8 of 100 copies signed by G.A. Lewis [Mrs Wyndham Lewis], Walter Allen](https://cdn.globalauctionplatform.com/8b5917c8-6f65-4910-befc-af9e01004842/7c10a56a-8eb2-41ee-86c6-af9e0113236b/468x382.jpg)
Lot 299
NO RESERVE Lewis (Wyndham) The Roaring Queen, numbered 8 of 100 copies signed by G.A. Lewis [Mrs Wyndham Lewis], Walter Allen and Michael Ayrton with a frontispiece etching by Ayrton, this also numbered 8 and signed by him, original boards, slip-case, 8vo, 1973.⁂ The Roaring Queen was originally written in 1936, but not published until 1973.
Lot 448
Three Very Large Unusual Stone Set White Metal Rings, all inset with large, round cornelians, the huge, hand made, unmarked, white metal settings and shanks have filigree style decoration or etching, with shoulders set with cornelian and lapis blue stones; approx. sizes Q, Q/R and R (with wide shanks)
Lot 3060
George Cruikshank (1792 - 1878), hand-coloured engraving - Old Bumblehead the 18th trying on the Napoleon Boots, or Preparing for the Spanish Campaign, published February 17th 1823, in glazed frame, 24cm x 33 cm together with a Tegg`s Caricatures No.283. `Boney Bothered or an Unexpected Meeting`, hand coloured etching, published by Thomas Tegg, July 9th 1808, 33cm x 22cm (damage & tear to top right section), both framed (2)
Lot 104
* Philips (Jan Caspar). Vuurwerk, by gelegentheid van de Plechtige en Heerlyke Inhalinge van Syne Doorluchtige Hoogheid den Heere Prince van Oranje en Nassauw..., ende Haare Koningkle: Hoogheid den Croon Princesse van Groot Britt..., binnen Leeuwardn: 11 May 1734 afgestoken, Leeuwarden: Timon van Dessel, fine early 18th century copper engraving by Jan Caspar Philips after Rienk Keyert, some minor marks and sl. creases, plate size 40.5 x 48 cm (16 x 19 ins), black and gilt frame, glazed (60 x 67 cm), together with Allard (Abraham). Vrede-Vreugd Spigel, vereewigende de Zinnebeelde en Wapens, aan't State Generaals Vuur Werk (Sejour de la Paix consideré dans les Emblemes, Armoires &c: appliqués au Feu d'Artifice des Etats Generaux), & Vereewinging der Vrede Zinnebeelden, Wapens enz aan't Hollands Vuurwerk te zamegesteld door a. allard (Miroir Emblematiq de la Paix, ou sont les Tableaux, Images, Devises &c appliqués au Feu d'Artifice d'Hollande dessiné par A. Allard, Amsterdam: A. Allard, [1713], etching, a very good impression, plate size 39 x 45.5 cm (15.25 x 18 ins), black and gilt frame, glazedQTY: (2 )NOTE:
Lot 119
* Strang (William, 1859-1921). Dr. Hans Richter, 1912, etching on pale cream wove paper, printed with plate tone, the final state (of 4), signed lower right, additionally marked in pencil by David Strang 'Final State (of 4) D.S.', plate size 40 cm x 27.7 cm (15.7 x 10.9 ins), sheet size 45.2 x 30.7 cm (17.8 x 12 ins), framed and glazedQTY: (1)
Lot 127
* Wilkinson (Henry, 1921 - 2011). Dry Point Etching of a Shooting Scene, uncoloured etching of a man loading a shotgun with a terrier and a Springer Spaniel seated at his feet, signed by the artist in pencil below the image to the lower right, annotated "Artist's Proof" to the lower left, 195 x 150 mm, mounted, framed and glazed, together with Wilkinson (Norman, 1878 - 1931). Landfall, etching, signed in pencil below the image by the artist to the lower right, 210 x 305 mm, mounted, framed and glazedQTY: (2)
Lot 279
Hardy (Thomas). Far From The Madding Crowd, London: Osgood, McIlvaine and Co., 1895, etching frontispiece, map of Wessex to the rear, some toning & light wear, later endpapers, rebound retaining original gilt decorated green cloth boards & spine, spine slightly rubbed, 8vo, plus other works by Thomas Hardy, together with:Harris (Stanley), Old Coaching Days, London: Richard Bentley & Son, 1882, 12 illustrations by John Sturgess, some light spotting & toning, original illustrated brown cloth, spine slightly rubbed to head & foot, 8vo, plus other miscellaneous literature, including publications from the New Naturalist series, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQTY: (3 shelves)
Lot 66
* Bauer (Marius 1867-1932). In Stamboul, etching, signed in pencil 'MB' lower right, numbered 43, image size 38.4 x 49.5 cm (15 1/8 x 19 1/2 ins), framed and glazed (50.6 x 63.4 cm), together with Israels (Jozef 1824-1911). The Fisherman, drypoint etching, published by Arnold and Cripp, Paris, signed in pencil to lower left, printed caption: Publiè par Arnold et Cripp, 8, rue St Georges à Paris, to lower margin, Printsellers Association blindstamp, image size 38 x 26.5 cm (15 x 10 1/2 ins), framed and glazed (65 x 49.5 cm)QTY: (2)
Lot 257
STANLEY ROY BADMIN (BRITISH 1906-1989) 'THE STROUD CANAL', an etching depicting a figure opening a lock gate to allow a barge to pass through, initialled and dated '31 to the plate, signed and titled in pencil to lower margin, approximate size 14cm x 19cm including visible margins, mounted framed and glazed (Condition Report: the etching is in very good condition, small chips to the frame corners) (Artist resale rights apply)
Lot 47
Porque EsconderlosCirca 1799. Third edition before beveling to the plate, aquatint and etching on cream wove paper, with full marginsPlate size: 8 1/2 x 5 7/8 in. (21.6 x 14.9cm)Sheet size: 12 3/4 x 9 7/16 in. (32.4 x 24cm)[Delteil 67, Harris 65]In a Robert Kulicke frame.El Amor y la Muerte from 'Los Caprichos' (Plate 10)Circa 1799. Third edition before beveling to the plate, aquatint and etching on cream wove paper, with full marginsPlate size: 8 3/8 x 5 15/16 in. (21.3 x 15.1cm)Sheet size: 12 3/8 x 8 3/16 in. (31.4 x 20.8cm)[Delteil 47, Harris 45]In a Robert Kulicke frame.Buen Viage from 'Los Caprichos' (Plate 64)1799. Third edition before beveling to the plate, aquatint and etching on cream wove paperPlate size: 8 1/2 x 5 7/8 in. (21.6 x 14.9cm)Sheet size: 12 3/4 x 9 7/16 in. (32.4 x 24cm)[Delteil 101, Harris 99]In a Robert Kulicke frame. Quien lo Creyera! from 'Los Caprichos' (Plate 62)1799. Third edition before beveling to the plate, aquatint and etching on cream wove paperPlate size: 8 1/16 x 5 15/16 in. (20.5 x 15.1cm)Sheet size: 11 15/16 x 7 7/8 in. (30.3 x 20cm)[Delteil 99, Harris 97]In a Robert Kulicke frame.(4)Qty: (4)ProvenancePrivate Collection, Philadelphia, Pennsylvania.Frames: 15 x 12 1/2 x 3/4 in. (4)To request a condition report, or for any additional information, please email Raphael Chatroux at rchatroux@freemansauction.com.
Lot 773
A 19th century print "London from Greenwich, 28x43cm, framed and glazed; an etching of a London church framed and glazed; a reproduction print of London; 2 vintage maps of London; 2 monochrome prints "Putney Bridge" & "Dunvegan Castle", all framed and glazed; 3 19th century prints of children; a miniature print of a young sailor all framed and glazed
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71174 item(s)/page