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Lot 169
Valerious Saedeleer (1867-1941): The Windmill, woodcut signed inscribed and dated 1939 numbered 31/300 in pencil, 45cm x 52cm; `Vieux Verger en Hiver Etikhove`, etching 60cm x 70cm (also included a small collection of family photos,signed cards and ephemera) Provenance: By decent from the artist
Lot 517
ABRAHAM-LOUIS-RODOLPHE DUCROS (1748-1810) AND GIOVANNI VOLPATO (1732-1801) VUE DU TEMPLE DE JUPITER STATOR A ROME signed Volpato et Ducros and inscribed on the original mount, watercolour over etching in double black line border, 71 x 92cm (78 x 58cm overall) Ducros and Volpato`s Vues de Rome des Des Environs proved a great success with aristocratic grand tourists. Meusel, writing in his Miscellaneen of 1781 stated that "M Ducros of Yverdon, who has gained an excellent reputation in Rome, is working in collaboration with M Volpato on a collection of illuminated views… twelve pieces in the format of the School of Athens are finished, as well as twelve of medium size. M Ducros engraved [sic] the copper plates making only the outline, then, under his and M Volpato`s direction the engravings [sic] are illuminated by young artists with the result that they are barely distinguishable from original drawings". Ducros` fellow Swiss, Peter Birmann (1758-1844) who worked in the studio from 1782 recalled that "Ducros, in collaboration with the celebrated engraver Volpato, had an art business which he ran almost alone, while his associates guided and supervised the engravers and painters in a superb studio." The present example conforms to others, some of which bear a date of between 1780 and 1784 accompanied by the title, either written in ink or printed on a separate piece of paper serving as the mount. See Images of the Grand Tour Louis Ducros 1748-1810, Exhibition Catalogue, London, Manchester and Lausanne, 1985-86, p20.1. ++In a reasonably good state of preservation with some old treated feint spots of foxing the mount slightly misaligned, reframed probably in the early/mid 20th c since when undisturbed. Some mild surface/handling marks and light stains in the margin
Lot 429
†† Henry Alken (British, 1785-1851) The High Mettled Racer-The Foal; In Training; The Racer; The Hunter (H Alken del and H Alken and T Sutherland sculpt) Published March 1, 1821, by S and J Fuller at their Sporting Gallery, 34, Rathbone Place etching with aquatint 24 x 29cm (9.36 x 11.31in) (four, from a series of six)
Lot 442
Heywood Hardy (British, 1842-1933) Head of a Horse; Head of a Lion; and The Village Doctor, 1880; together with A Cockerel, by another hand signed indistinctly published by Messrs Dowdeswell, London, 1882 all signed lower left "Heywood Hardy" and The Village Doctor with a date of 1880 etching 35 x 27cm (13.65 x 10.53in) (4)
Lot 18
John Emms (1843 - 1912) The Hon Ralph P Nevill mounted on a grey hunter with his pack of hounds at foot hand coloured etching signed in pencil by the artist in the margin also inscribed `Presented to Hon Ralph P Nevill by the farmers of the West Kent Hunt after thirty years mastership Nov 1898 54cm x 67cm.
Lot 43
Bernard Dunstan (b.1920) Girl in Bed charcoal drawing signed with initials, inscribed, numbered 9/15 and dated 1972 25 x 38cm, unframed together with a small group of other pictures including an aquatint by R A le Bas, pastel drawing by Gabrielle Belly, etching by Diana M Armfield (b.1920), watercolour of Bawdsley Ferry by Sybil Mullen Glover (fl.1940), oil still life by Rita Greig (b.1920) and two watercolours of South Devon by Donald Greig (1916-2009).
Lot 626
AN EARLY 20TH CENTURY LIMITED EDITION ETCHING of Victor Gilsoul indistinctly signed, numbered 18/90 and bearing date 1913 9 3/4" square together with an engraving of Nelson, a print of Chateau de Blois, an etching after Claude le Lorrain and a print of Alexader Innes esq after D Alexander (5)
Lot 666
AFTER M C ROBINSON "A London street scene with St. Paul`s rising in the distance", signed artist`s proof, black and white etching, AFTER ROWLES "A Thames scene with shipping", black and white etching, signed artist`s proof, AFTER SARAH YOUNG "Penberth Cove", a blue and white wood cut signed artist`s limited edition proof no`d. 26/300 and various other pictures
Lot 700
19th CENTURY CONTINENTAL SCHOOL "Portrait study of a young woman wearing a blue dress", oil on canvas, AFTER MAURICE DUPUIS "Work labourers pushing a sack trolley", black and white dry point etching, AFTER K B DAVIS "Rabbit shooting" and "Retour de chasse", a pair of black and white prints, AFTER PATEL "An 18th Century rural mountainous landscape with classical ruins, figures in the foreground", engraved by Vivares and various other pictures and prints
Lot 715
AFTER A G GOW "Vive l`Empereur", black and white etching, signed in pencil in the margin with remarque, also bears signature "A Nungry (?)", published by Tooth & Sons and Messrs Salmon and Ardait, Berlin, Published Graves and Co. "A naked young woman with mandolin strapped to her back crouched under the root of a tree, coloured print, Published Thomas McLean, "Four semi-clad ladies in a Classical interior", black and white engraved print and three further prints
Lot 415
WWI – Marshal Joffre Memoires du Marechal Joffre Paris 1932 first edition one of 75 copies produced on Japon paper 2 vols half morocco marbled boards fine condition. Containing a number of tipped in items including an autograph letter signed by Joffre dated December 13th 1915 to Mon cher Hugnet discussing the changes in command of the British forces. This was shortly after the resignation of Sir John French and his replacement by Douglas Haig. Also tipped in is an original etching signed by the artist (2 of 15) showing two French soldiers in a trench; a ms letter on military matters to Joffre dated 1909; a fine letter identified as having been written to General Petain and dated August 1915 discussing the situation of the war almost certainly judging from the date at the height of Verdun; an original photograph showing a high ranking French officer and man in the trenches; a letter identified as having been sent to General Bonnal dated May 12th 1916; an autograph letter signed of Field Marshal Sir John French dated January 8th 1915 thanking the Central Committee of France and Belgium for the award to him of a medal; a typewritten letter signed by Joffre dated 1921 and an autograph letter signed by General de Castelnau dated 1920.
Lot 12
ROBERT WALKER MACBETH (1848-1910) Ploughing pencil signed in lower right margin etching, published Jan 1st 1887, by Thomas Agnew Pl. 22 1/2 x 34in; sold together with a portfolio of unframed eighteenth century mezzotints (including a number of duplicates) after Raeburn and others. Sitters include The Honourable Henry Erskine, Sir David Baird and The Right Hon Charles Hope(qty)
Lot 869
A painted miniature c 1850, of John Searle, RN (1788 - 1852), head and shoulders, wearing Naval General Service medal with clasp, black lacquered frame, 6¾” x 5½” with gilt inner, GC; together wtih his 1805 pattern sword, straight fullered blade 28”, with traces of etching, regulation brass stirrup hilt, the langets engraved with fouled anchor, plain pommel and grooved backstrap, wirerbound fishskin grip, in its brass mounted leather scabbard, QGC; with vendor’s note showing family descent of picture and sword. Note: This item requires further research; it is sold with a family tree. A John Searle commanded HMS Victory from 28th January 1808 to 22nd March 1808 and 20th November 1808 to 3rd February 1809
Lot 948
A 1796 pattern infantry officer’s sword, straight shallow fullered blade 32”, with traces of etching, copper gilt hilt with double shell guard, the inner turning down (spring AF), knucklebow, urn shaped pommel, simulated copper wirebound grip. Basically GC for age, the hilt retaining a little gilt (blade worn and cleaned over pitting)
Lot 155
Carriage Print 20"x10", BRUGES VIA HARWICH from an original etching by Frank Mason R.I. from the LNER original etching series issued in 1936. This unframed print has its original mount and is in mint condition. An extremely rare print with none being recorded as being sold before at a Railwayana auction.
Lot 199
Carriage Print 20"x10", THE RHINE VIA HARWICH from an original etching by Frank Mason R.I. from the LNER original etching series issued in 1936. This unframed print has its original mount and is in mint condition. An extremely rare print with only one being recorded as being sold before at a Railwayana auction.
Lot 378
*St. Helena. Van Linscoten (Jan Huygen), Insula D. Helenae sacra coeli clementia et aequabilitate......, Amsterdam, 1589 [or slightly later], uncoloured engraved profile of the island, three highly elaborate cartouches, decorative compass rose and sailing ships in the foreground, old folds, 365 x 500mm, mounted, framed and glazed, together with, Hollar (Wenceslas), A True Relation of Capt. Kempthorn’s Engagement in the Mary-Rose with Seven Algier Men of War, 1669, uncoloured etching, descriptive text below image, toned overall, closed tears, central fold restored and discoloured, 360 x 400mm, mounted, framed and glazed (2)
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71174 item(s)/page