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Lot 296
A 1796 Pattern Heavy Cavalry Officer`s Dress Sword, the 81cm double edge steel blade with a narrow fuller running half way down its length and bearing traces of foliate etching and maker`s name Hawkes and Moseley, the gilt brass stirrup hilt with folding double heart shape guard, copper strip wire bound grip and ovoid vase pommel, with brass mounted leather scabbard
Lot 706
AFTER JOHN LISTER, JNR (FL EARLY 19TH C) CONWAY TUBULAR BRIDGE hand coloured lithograph by Newman & Co, published by William Bridge of Conway, 1848, 26 x 43cm, three other contemporary hand coloured lithographs of railway bridges comprising a pair by W Spreat after W Dawson, View over the Valley of the Erme at Ivy Bridge and The Slade Viaduct and J Fagan after S Hughes, The Wonders of the Menai and its Suspension and Tubular Bridges and a hand coloured etching of An Elevation of a Suspension Bridge erected over the river Avon at Tiverton near Bath in 1837, 1842, sold in portfolio (5) ++The pair of prints after Dawson and the plan with slight time staining and handling marks, mount residues, minor corner loss and marginal tear but acceptable, the others very good. Three laid down in card window mounts
Lot 763
CHARLES SMITH A NEW MAP OF THE COUNTY OF WESTMORELAND double page engraving from Smith`s New English Atlas, hand coloured, 1801 [or later], 52 x 62cm, Robert Whitworth, A Plan of the Proposed Navigable Canal from the Leeds & Liverpool Canal near Eccleston.... to Kendal, engraving, coloured, 1772 and Alexander Dalrymple, Both Hemispheres and the Great Pacific Ocean, etching from Historical Collection of the Several Voyages and Discoveries in the South Pacific Ocean, 1769 [1770] (3) ++An attractive group all in apparently very good condition unexamined out of the frames
Lot 776
GIOVANNI BATTISTA PIRANESI (1720-1778) AVANZI DI UN ANTICO SEPOLCRO OGGI DETTA LA CONOCCHIA.... (HIND 130) FROM THE SERIES VEDUTE DI ROMA etching 1776, 74 x 49cm, an aquatint of The Lincolnshire Ox by George Townley Stubbs after George Stubbs and an engraving of The Dead Soldier by James Heath after Joseph Wright of Derby state VI, May 4 1797 (unframed 3) ++Corner or marginal tears and stains, the last with marginal loss. The Stubb`s print laid down, all acceptable. The Prannesi etching reasonably good
Lot 778
VARIOUS, MAINLY BRITISH, ARTISTS, 18TH - 20TH CENTURY MISCELLANEOUS DECORATIVE SUBJECTS including a series of etched plates for the Calendarium Londinensis 1917-36 by William Monk, RE (1863-1937), all signed in pencil, unframed (50 approx) ++The Monk etching in good condition with some light staining to several. Most of the other prints also in satisfactory or very good condition, some in card window mounts
Lot 793
FRANCESSCO BARTOLOZZI, RA (1727-1815) AFTER ANTONIO POGGI (FL C1769-1803) GEORGE AUGUSTUS ELLIOT LORD HEATHFIELD GOVERNOR OF GIBRALTAR etching, 1788, 55 x 44cm and a small collection of other mainly 18th c English male portraits including General Wolfe, N Wood gamekeeper to Lord Mulgrave, Blake, Archbishop Laud, Robert Forfeit huntsman, Garrick, Pitt, Locke and royalty, unframed (19) ++The Elliot print with loss on lower margin, tears and creasing from handling, the others also with faults, some minor but an interesting group
Lot 794
ROBERT HENRY SMITH (EXH 1906-1909) THE CONVOY drypoint, 26 x 38cm, a colour woodcut of Home by John Hall Thorpe and an etching of black geese by Winifred Marie Louise Austen, RE, RI, sold in portfolio (3) ++The Smith print not laid down being hinged in a window mount. The Hall Thorpe print not laid down or mounted. The Austen print paper taped to a card backing
Lot 974
RUBENS ARTHUR MOORE (1860-1933) SCENE ON THE NOTTINGHAM CANAL signed and dated `98, signed again (incised) verso, copper, 8 x 12cm, unframed ++In well preserved original condition. The varnish in need of cleaning, executed on prepared plate for etching stamped on the reverse HUGHES & KIMBER LIMITED MANUFACTURERS LONDON EC
Lot 446
* Royal Opera House. Royal Opera House Covent Garden, by Andrew Ingamells (1956-),1993, aquatint on paper, signed and dated in pencil lower right, 41 x 55cm (16 x 21.5ins), framed and glazed, limited edition 44/150, together with Le Theatre de lÂ’Opera, Paris, by the same artist, 1994, signed and dated in pencil lower right, 46 x 64cm (18 x 25ins), framed and glazed, limited edition 9/150, plus a coloured etching of Teatro Regio, Parma, by Ferrari Fabrizio, 2000, limited edition 6/55, 29 x 39cm (11.5 x 15.5ins) -3
Lot 848
A signed coloured limited edition etching by Annie Williams of an interior scene, signed bottom right Annie Williams and dated 88, inscribed Summer Table, edition 7/50, 32 x 25 cm together with a further signed coloured limited edition print of an interior setting with church and landscape viewed through large arched window, signed bottom right Graham Bannister and dated 84, edition 193/200, 58 x 43 cm (both framed)
![OTTO H. BACHER [AMERICAN, 1856-1909], ETCHINGS OF VENICE, C. 1881-90, ELEVEN: Bound book of 11 etchings of Venice by Otto Hen](http://lot-images.atgmedia.com/SR/33875/2913619/10-2014820134542_468x382.jpg)
Lot 10
OTTO H. BACHER [AMERICAN, 1856-1909], ETCHINGS OF VENICE, C. 1881-90, ELEVEN: Bound book of 11 etchings of Venice by Otto Henry Bacher, addressed to: Mr. W. Lewis Fraser, with New Year`s Greetings, dated 1890, book no. 19. Each etching is signed in blue ink at the lower left. Etchings include: "Geovanni", signed in plate at the upper right, "To Mrs E.R.D and Miss M.F., in memory of many happy days - Otto H. Bacher, Venice `81", H. 14 1/4" x 9"; "Ponte Sospiri", H. 14 1/4" x 6 1/2"; "Ponte Del Pistor", H. 12 3/4" x 6"; "San Marco", H. 13" x 6"; "Perleria", H. 13" x 8 3/4"; "Merlatrice", H. 13" x 9"; "Reteria", H. 11 3/4" x 8 1/4", dated in plate 1881; "Belvedere", H. 11 3/4" x 8 1/4", dated in plate 1882; "Lavanderia", H. 13" x 8 3/4", dated in plate 1881; "Castello", H. 8 3/4" x 13 1/2"; "Pozzo San Vio", dated in plate 1882, H. 7 1/2" x 13"; and "Traghetto San Felice", H. 8 1/4" x 11 3/4".
![AL HIRSCHFELD US 1903-03], ETCHING, H 20", W 13", "MARILYN MONROE WITH PARASOL": 19 5/8" x 12 5/8&qu](http://lot-images.atgmedia.com/SR/33875/2913619/2114-2014820141829_468x382.jpg)
Lot 181
Valerie Thornton (1931-1991) - Kersey, etching with aquatint printed in colours, signed, dated '85, and numbered 70/70 in pencil to the margin, 36 x 24cm; and one other by the artist - The Story of Jonah Moscato, signed, titled and dated '88 in pencil to the margin, and numbered 74/90, 29 x 23cm (2)
Lot 1418
John Wolseley (Australian/British b.1938), CYCLE OF LOVE, NO IV - ETCHING FOR WILLIAM & THOMAS; NO I(B) - WAITING Two lithographs, signed and numbered artist's proof l.r. (2) CONDITION REPORT: Sheet size 59 x 78cm - Etching for William 51.5 x 76cm - Waiting Not viewed out of glazed frames. Thunderbugs under glass, paper discoloured yellow and 'Etching for William' stained especially to right of margin. Top left corner of glass broken in 'Waiting'.
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