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Burgersdijk & Niermans
Lot 840

NIEUWENKAMP, Wijnand Otto Jan (1874-1950). "Spelevaren, Benares". (1914-17). Tinted etching on Japanese paper. 100 x 150 mm. Signed by the artist, titled and annotated 'épreuve d'artiste' in pencil. (Margins a bit foxed). -- Added: Id. "Het vertrek". (1914). Etching on Dutch paper. 116 x 116 mm. Signed by the artist, titled and annotated 'épreuve d'artiste' in pencil. (Paper age-toned). NOTE:Braches & Heijbroek, Bouwstoffen W.O.J. Nieuwenkamp, E143 (2nd state) and E148 (first state, only 3 copies on Dutch paper).

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Burgersdijk & Niermans
Lot 12

GUSMAN, P. La villa impériale de Tibur (Villa Hadriana). Préf. de G. Boissier. Par., 1904. xii, 346 pp. W. 1 or. etching, 11 photo-engr. plates & num. text-ill. Fol. Cont. red h. mor. extra w. raised bands & or. gilt dec. wrps. bound up, top edge gilt.

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Burgersdijk & Niermans
Lot 171

HERKOMER, H. Etching and mezzotint engraving. Lectures delivered at Oxford. Lond., 1892. W. front. & 12 etched/mezzotint plates. 4°. Ocl. (Bind. soiled/foxed). -- J. LEISCHING. Schabkunst. Ihre Technik und Geschichte in ihren Hauptwerken vom XVII. b.z. XX. Jh. 1913. Prof. ill. 4°. Or. printed brds. (Spine slightly browned/dam.). Printed in 350 numb. copies. -- A. WHITMAN. Samuel Cousins. Lond., 1904. Prof. ill. 4°. Ocl. Printed in a limited edition of 600 copies. -- (3).

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Burgersdijk & Niermans
Lot 256

(BOS, E. & D. KRAAIJPOEL). Jan van der Kooi, schilder, tekenaar. (2002). 4°. Ocl. In or. slipcase. One of 225 numb. copies w. an or. drawing in black chalk on free endpaper. -- H. BUIJS. Nederlandse Realisten na 1950. (2001). Lge-4°. Ocl. w. dust-j. -- R.J. SWIERS. Theo Voorzaat, De Illusie/The Illusion. (2007). 4°. Ocl. w. dust-j. -- (P.W. EYSTEN & L. FÉLIX-FAURE). Rudolf de Bruyn Ouboter, prins der aquarellisten. (2005). 4°. Obrds. -- DOLF ZWERVER. (1994). Sm-4°. Owrps. In ocl. slipcase. One of 100 numb. copies, signed by the artist and w. or. etching, also signed. -- And 4 o. on Dutch realist painters. (9).

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Duke's Avenue Auctions
Lot 615

PIRANESI: 'VEDUTA DEL TEMPIO DELLA TOSSE....' , ETCHING

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Wallis & Wallis
Lot 402

A Victorian Bowie knife by Manson, spearpoint DE blade 5", traces of floral etching and inscriptions, (possibly “sheath me with honour”), stamped “Manson Sheffield”, GS embossed hilt and crosspiece, (some splitting at seam). In its GS mounted leather covered sheath. (bottom chape missing) £40-50

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Gildings Auctioneers
Lot 340

After Tom Carr, February full dyke, signed, titled and numbered in pencil 51/75, coloured etching, plate 22cm x 33cm, framed 51cm x 75cm.

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Gildings Auctioneers
Lot 362

After Valerie Thornton, Peper Harow, signed, titled, dated '76, and numbered in pencil 32/70, aquatint etching, 40cm x 62cm.

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Gildings Auctioneers
Lot 415

Wallace Hester, Christ's Hospital, signed, monochrome etching 19x26cm; a print of Cambridge from Ely Road, 'Legal Advice' by R O Bright, etc.

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Gildings Auctioneers
Lot 416

John G Mathieson, Old Mill, Stirling, signed in pencil, mono etching, plate 15cm x 22.5cm.

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John Taylors Auction Rooms
Lot 478

Framed etching by Seymour Haden (1818-1910) dated 1877 51 cm x 44 cm (size including frame)

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Woolley & Wallis
Lot 196

‡Anthony Gross CBE, RA (1905-1984) Goat Herds Signed and inscribed Trial goat Herds Final & 4th State anty gross (in pencil to margin) Etching 24 x 32.5cm Unframed

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Woolley & Wallis
Lot 197

‡Anthony Gross CBE, RA (1905-1984) Girl's School Signed, inscribed and numbered 33/50 girl's school anty gross (in pencil to margin) Etching 16.5 x 24.4cm (plate) Unframed

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Woolley & Wallis
Lot 207

‡Gerald Brockhurst RA (1890-1978) Study for a tempera painting (Wright 1) Signed and inscribed GL Brockhurst./Study for a tempera painting (first Etching) (in pencil to margin) Etching, 1914, one of five or six impressions 16.6 x 24cm (plate) Unframed

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Woolley & Wallis
Lot 23

‡Alison Milner-Gulland (Contemporary) Broody Hen Signed and inscribed Broody Hen A/P A Milner-Gullard (in pencil to margin) Etching 20 x 26.5cm (plate) Provenance: 5D Gallery, Chepstow; The Collection of Sir Alan and Lady Cox

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Woolley & Wallis
Lot 242

‡Joan Miró (Spanish 1893-1983) Sonatine II (Dupin 419) Signed and inscribed H.C. Miró. in pencil to margin Etching and aquatint, 1968, an hors commerce impression in addition to the edition of 3031 x 24.4cm (plate)

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Woolley & Wallis
Lot 261

‡Michael Ayrton (1921-1975) Revealed Signed and inscribed Proof 2nd state michael ayrton (in pencil to margin) Etching, 1971, from the Minotaur suite 39.8 x 54.4 (plate) Unframed Literature: Arnold L. Haskell, Michael Ayrton: Graphics (Somerset, Bruton Gallery, 1977) (illustrated)

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Woolley & Wallis
Lot 263

‡Michael Ayrton (1921-1975) Epode; Eclipse; Beast Fable I; Beast Fable II Four each with Ayrton estate stamp and numbered 67/75; 75/75; 68/75; and 74/75 respectively (in pencil to margin) Each etching, 1975, from the Archilochos suite Each 30 x 25.3cm (plate) Unframed Together with Michael Ayrton; Kore; with Ayrton estate stamp and numbered 6/75 (in pencil to margin); aquatint, 1975, originally conceived as part of the Archilochos series but subsequently excluded; 30 x 25.3cm; unframed (5) Literature: Arnold L. Haskell, Michael Ayrton: Graphics (Somerset, Bruton Gallery, 1977) (each illustrated)

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Woolley & Wallis
Lot 323

‡Patrick Procktor RA (1936-2003) The Rime of the Ancient Mariner: Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit's fellow daemons; I pass, like night, from land to land Four, each signed and inscribed APII Patrick Procktor (in pencil to margin) Two etching and aquatint; two aquatint Three approx. 22.2 x 15cm; one 14.9 x 22.5cm (plate) Unframed (4)

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Woolley & Wallis
Lot 325

‡David Hockney RA (b.1937)The Haunted Castle (S.A.C 92; M.C.A.T 89)Etching and aquatint, 1969, page 11 of 'Six Fairy Tales from the Brothers Grimm', Edition A no. 65/100 (according to label)34.9 x 21cm (plate)

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Woolley & Wallis
Lot 326

‡David Hockney RA (b.1937)A Black Cat Leaping (S.A.C 94; M.C.A.T 91)Etching and aquatint, 1969, page 13 of 'Six Fairy Tales from the Brothers Grimm', Edition A no. 65/100 (according to label)23.3 x 26.9cm (plate)

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Woolley & Wallis
Lot 328

‡Sir Eduardo Paolozzi CBE RA (Scottish 1924-2005) Study for Bruckner; On the Moon; Untitled Three, each signed, dated and inscribed A/P Eduardo Paolozzi 1984 (in pencil to margin) Each etching Largest 49.3 x 36.6cm; Smallest 23.6 x 28cm (plate) Unframed (3) Provenance: Given by the artist to the previous owner; And by descent

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Woolley & Wallis
Lot 331

‡Penwith Society of Arts Penwith Print Room Portfolio: A Spring Collection 10 prints plus title comprising Helen Feiler (b.1952), Reflections, screenprint; Michael Foreman (b. 1938) , Cuckoo, etching; Rose Hilton (1931-2019), The Window, etching; Patrick Hughes (b. 1939), Rainbow's End, screenprint; Bryan Ingham (1936-1997), Spring Evening, etching; Sheila Oliner (1934-2020), Janet, etching and drypoint with hand colouring; Bryan Pearce (1929-2007), Parish Church & Harbour, etching; Lieke Ritman (b.1942), Jollytown Barn, screenprint; Alyson Stoneman (b.1948), Lamorna Spring, etching; Roy Walker (1936-2001), Storm Moon, etching Each signed and numbered 12/75, and variously inscribed and dated Each 52 x 38.5cm (sheet), unbound in a portfolio (10)

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Woolley & Wallis
Lot 431

‡Charles Bartlett (1921-2014) Ships at Anchor; Evening Anchorage Two, the former signed, numbered and inscribed 42/60 "Ships at Anchor" Charles Bartlett (in pencil to margin), and with Gorner & Millard blindstamp; the latter signed and inscribed Artist's Proof Evening Anchorage Charles Bartlett (in pencil to margin) Both etching and aquatint 41.2 x 55.4cm; 40.2 x 45.2cm (plate) Unframed Together with Didier Moreau (French 20th Century); L'amour angélique; signed Didier Moreau (in pencil); lithograph; 47.6 x 64.7cm; unframed (3)

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Woolley & Wallis
Lot 435

‡Julian Trevelyan RA (1910-1988) Self-Portrait Signed, numbered and inscribed 98/100 Self-Portrait Julian Trevelyan (in pencil to margin) Etching and aquatint, from the Florentine suite, 1965-6 47.7 x 35.1cm Unframed

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Woolley & Wallis
Lot 475

‡Julian Williams (b.1953) Geese Signed and numbered 54/100 (in pencil to margin) Etching and aquatint 19.4 x 64.1cm (plate)

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Woolley & Wallis
Lot 570

‡Rachael Kantaris (b.1967) Heartland Signed, numbered and inscribed 1/10 "Heartland" Rachael Kantaris (in pencil to margin) Etching 39.5 x 39.5cm (plate)

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Woolley & Wallis
Lot 638

‡Anthony Farrell (b.1945) Falling Signed, dated and inscribed A/P A Farrell 1976 (in pencil to margin) Etching and aquatint 42.4 x 29.3cm (plate)

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Thomas N. Miller
Lot 627

A dry point etching depicting figures in symmetry, indistinctly signed in pencil, 74 cm x 52 cm, framed.

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Adam Partridge Auctioneers & Valuers
Lot 2012

AFTER REMBRANDT; a black and white etching, a profile portrait of a gentleman, 14.25 x 11.75cm, inscribed in pencil verso, unframed.Additional InformationVery light brown hue throughout but no obvious signs of any damage.

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Adam Partridge Auctioneers & Valuers
Lot 2156

DAVID WILD(E); a signed limited edition black and white etching 'Bronte Waterfall', signed, titled and numbered 3/75, inscribed with artist's biographical details verso and with photocopied cutting of the artist at a gallery opening, image 22.5 x 30.5cm, framed and glazed. (D)Provenance: Private collection, Devon.Additional InformationSome foxing and brown staining to the mount. A few scuffs to the frame. The image itself appears OK.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

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Adam Partridge Auctioneers & Valuers
Lot 2176

ETHELBERT WHITE; a black and white woodblock print, 'The Woodland Path', signed, titled and numbered 10/50, 21.5 x 17cm, unframed and a further limited edition black and white etching by Evelyn Gibbs dated 1929, 10 x 12cm, the first mounted but unframed, the second framed and glazed (2). (D)Additional InformationThe first print is in basically good condition. Some wear to the mount but the image is good. The second image has some surface wear, some browning and light spots of staining.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

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Adam Partridge Auctioneers & Valuers
Lot 2227

MAX ERNST (1891-1976); a signed limited edition etching, 'Espace Vert', signed and numbered 11 of 100 from the series produced in 1970, the plate 24.5 x 20cm, framed and glazed. (D) Provenance: private collection in North West.Additional InformationPresented in good conditionThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

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Adam Partridge Auctioneers & Valuers
Lot 3185

SACKVILLE-WEST (E), THE RESCUE, limited edition, 74/850, illustrated by Henry Moore, with six colour plates as per list, un-clipped d.j., blue cloth (sun faded), Secker and Warburg, 1945; GRIERSON (F), HAUNTING EDINBURGH, limited edition 10/110 signed by the author, with an original etching by Katherine Cameron, 1/4 cloth with patterned boards, London, Bodley Head, 1929 (2)

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Adam Partridge Auctioneers & Valuers
Lot 3187

FITZGERALD (E), RUBAIYAT OF OMAR KHAYYAM, The Astronomer-Poet of Persia, limited edition 450/1000, with original etching signed by Niroot Puttapipat, tipped in colour plates, patterned front board, London, Folio Society, 2009, in hard cover case with title to the spine (1)Additional InformationGood condition

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NL Auction Rooms
Lot 214

A framed etching 'The Coll' monogrammed

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Gorringes
Lot 575

Robert Houston, drypoint etching, Portrait of Burns?, signed in pencil, 14 x 10cm signed in pencil, 5.5 x 4 ins.

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Keys Fine Art Auctioneers
Lot 638

BOX OF MIXED BOOKS - GREEK MYTHS, ETCHING AND ENGRAVING ETC

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Bishop & Miller Auctioneers Ltd
Lot 265

S.R. Brightwell, black and white etching 'A Spot of Scotch', pencil signed to margin, housed within an ebonised and glazed frame, 17.5cm wide x 23cm high

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Halls Fine Art Auctioneers
Lot 117

David Hockney (British Contemporary) An Erotic Etching, artists proof B, from The Erotic Arts, signed below right, measurements 15 x 11 cm (PL), frame 46 x 39.5 cm Provenance: Private local collection, purchased from the Goldmark Gallery

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Halls Fine Art Auctioneers
Lot 147

David Hockney (British b.1937) In the Dull Village, etching and aquatint, 1967, from the Illustrations for Fourteen Poems by C.P. Cavafy, measurements 34.5 x 22 cm, frame 61 x 47 cm Provenance: from a private local collection who purchased from the Goldmark Gallery Hockney found inspiration as a teenager in the writings of Greek-Egyptian poet Constantine Cavafy (1863-1933) and created a suite of thirteen very intimate etchings reflecting Cavafy's powerful reflections on homosexual desire.

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Halls Fine Art Auctioneers
Lot 187

David Tindle (b.1932) The Garden, monotype etching, blind stamped on wove paper, signed bottom right, measurements 34 x 44 cm (PL), frame 54 x 63 cm Provenance: private collection southern England

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Halls Fine Art Auctioneers
Lot 218

Eric Hesketh Hubbard (British, 1892-1947), The Round-About', signed and titled in pencil in the margin and 'trial proof', etching, 17.5cm x 17.5cm (I), frame 37.5 x 36 cm Part of a Herefordshire Country House EstateCondition report: Ok.

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Halls Fine Art Auctioneers
Lot 237

Shoichi Hasegawa (Japanese b.1929),L'arbore Enchante, coloured etching, signed in pencil bottom right, numbered 36/110 bottom left, measurements 59 x 49 cm (PL), frame 82 x 67 cm, together with a further etching titled Monvement Celeste, signed pencil bottom right, numbered 74/110 bottom left (2) Provenance: consigned from a corporate collection Please Note- this lot is subject to VAT on the hammer price

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Halls Fine Art Auctioneers
Lot 242

David Hockney (British b.1938) Beautiful and White Flowers, Etching, artists proof XII/XXV, from the Illustrations for Fourteen Poems from C.P. Cavafy, signed bottom right and dated '66, measurements 34 x 22 cm (PL), frame 68.5 x 53.5 cm Provenance: private local collection, purchased from the Goldmark Gallery Hockney found inspiration as a teenager in the writings of Greek-Egyptian poet Constantine Cavafy (1863-1933) and created a suite of thirteen very intimate etchings reflecting Cavafy's powerful reflections on homosexual desire.Condition report: The etching is a work on paper, framed under glazing, not examined external to the frame. The paper has slipped in the mount, has full margins and visible platemark. There are no visible signs of rips, creasing or folds. There is foxing throughout the plate. The frame has general wear and tear

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Halls Fine Art Auctioneers
Lot 243

David Hockney (British b.1937) The Beginning, Etching and Aquatint 1966, from the Illustrations for Fourteen Poems from C.P. Cavafy, measurements 35 x 22 cm, frame 61 x 47 cm Provenance: private local collector who purchased from the Goldmark Gallery Hockney found inspiration as a teenager in the writings of Greek-Egyptian poet Constantine Cavafy (1863-1933) and created a suite of thirteen very intimate etchings reflecting Cavafy's powerful reflections on homosexual desire.

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Halls Fine Art Auctioneers
Lot 25

David Hockney (British b.1937) The Older Rapunzel, etching and aquatint, 1969, from Rapunzel for Six Fairy Tales from the Brothers Grimm, measurements 22 x 25 cm, frame 48 x 49 cm Provenance: consigned from a private, local collector who purchased from the Goldmark Gallery In 1969 Hockney created a series of etchings to illustrate six of his favourite stories from the Brothers Grimms Fairy Tales. He chose to use the clear lines of etching to reflect the simple, direct style of language used in these childhood stories and really explore the supernatural and psychological aspects of the tales.Condition report: The etching is a work on paper framed under glazing, not examined external to the frame. It has full margins and visible platemark. There is some minor cockling and one small isolated spot of foxing in the centre- to the left of Rapunzel's rump (please refer to photographs). There are some grey spots in the background which do not appear to be damaging the print. General wear and tear to the frame.

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Halls Fine Art Auctioneers
Lot 26

David Hockney (British b.1937) The Tower Had One Window, etching and aquatint, 1969, from Rapunzel, Six Fairy Tales from the Brothers Grimm, edition of 400, measurements 34 x 15.5 cm (PL), frame 59 x 39 cm Provenance: private local collection who purchased from the Goldmark Gallery In 1969 Hockney created a series of etchings to illustrate six of his favourite stories from the Brothers Grimms Fairy Tales. He chose to use the clear lines of etching to reflect the simple, direct style of language used in these childhood stories and explore the supernatural and psychological aspects of the tales.Condition report: Lot 26: The etching is a work on paper framed under glazing, not examined external to the frame. It has full margins and visible platemark. There are no visible rips, creases or folds to the paper and no obvious signs of deterioration. The frame is in good condition, minor general wear and tear. There is one dark spot to the upper-centre-left which could be part of the paper.

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Halls Fine Art Auctioneers
Lot 27

David Hockney (British b.1937) Rapunzel, Rapunzel, Let Down Your Hair, etching and aquatint, 1969, from Rapunzel, for Six Fairy Tales from the Brothers Grimm, edition of 400, measurements 26 x 25 cm (PL), frame 52 x 49 cm Provenance: private, local collector who purchased from the Goldmark Gallery In 1969 Hockney created a series of etchings to illustrate six of his favourite stories from the Brothers Grimms Fairy Tales. He chose to use the clear lines of etching to reflect the simple, direct style of language used in these childhood stories.Condition report: The etching is a work on paper, framed under glazing, not examined external to the frame. It has full margins and a visible platemark. There is some minor cockling at the bottom of the paper. The paper is well preserved and does not show obvious signs of deterioration and does not show visible evidence of any rips, creases or folds. Frame has general wear and tear.

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Halls Fine Art Auctioneers
Lot 3

David Hockney (British b.1937) C.P. Cavafy in Alexandria, etching, artist proof XXII / XXV, signed in pencil and dated 1966 bottom right, measurements 35 x 22.5 cm, frame 68.5 x 54 cm Provenance: private, local collector, purchased from the Goldmark Gallery Hockney found inspiration as a teenager in the writings of Greek-Egyptian poet Constantine Cavafy (1863-1933) and created a suite of thirteen very intimate etchings reflecting Cavafy's powerful reflections on homosexual desire.Condition report: The etching is a work on paper, framed under glazing, not examined external to the frame. The print has full margins, being numbered in pencil XII/XXV bottom left and signed with date bottom right. There are no obvious signs of any tears, folds or creasing to the paper. There is some ageing to the paper and foxing spots present throughout (please refer to additional images) The frame has general wear and tear including a loose joint top right.

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Halls Fine Art Auctioneers
Lot 46

Trevor Price (British b.1966) Showering I, etching in colours, numbered 14/150 bottom left, signed bottom right, measurements 43 x 35 cm (PL), frame 67 x 57 cm together with Showering II, numbered 13/150, signed bottom right, measurements 43 x 35 cm (PL) and St. Ives Couple II, etching in colours, numbered 97/100 bottom left, signed bottom right, measurements 30 x 35.5 cm (PL), frame 53 x 57 cm (3) Labels verso for The Real Art Gallery, Shrewsbury. Provenance: from the private collection of an art therapist

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Halls Fine Art Auctioneers
Lot 57

David Hockney (British b.1938) One Night, etching from the Illustrations for Fourteen Poems from C.P. Cavafy 1966, measurements 34.5 x 32 cm (PL), frame 61 x 47 cm Provenance: private local collection, purchased from the Goldmark gallery Hockney found inspiration as a teenager in the writings of Greek-Egyptian poet Constantine Cavafy (1863-1933) and created a suite of thirteen very intimate etchings reflecting Cavafy's powerful reflections on homosexual desire.

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McTear's
Lot 651

* PETER HOWSON OBE (SCOTTISH B. 1958) OLD MAN 1990 etching on paper, titled and numbered artist's proof no. III verso 28cm x 22.5cm Framed and under glass.

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McTear's
Lot 693

* ELEANOR SYMMS, SWISH coloured etching on paper, signed, titled, and numbered 10/30 22cm x 22cm Mounted, framed and under glass. Label verso: Stenton Gallery.

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Lots Road Auctions
Lot 64

FRED WILLIAMS (1927-1982, Australia), 'Girl on a Sofa', etching and engraving, 32cm x 32cm, framed.

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Rowley's Fine Art Auctioneers & Valuers
Lot 305

SIMON WINCH, Off The Needles, etching, framed and glazed. 28 x 21 cm.

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Rowley's Fine Art Auctioneers & Valuers
Lot 849

SALVADOR DALI (1904-1989) Spanish, Leonardo Da Vinci, etching, reverse with authentication label, framed and glazed. 42 x 48.5 cm overall.

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Rowley's Fine Art Auctioneers & Valuers
Lot 850

SALVADOR DALI (1904-1989) Spanish, Rembrandt, etching, reverse with authentication label, framed and glazed. 42 x 48.5 cm overall.

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Rowley's Fine Art Auctioneers & Valuers
Lot 851

SALVADOR DALI (1904-1989) Spanish, Michelangelo, etching, reverse with authentication label, framed and glazed. 42 x 48.5 cm overall.

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Rowley's Fine Art Auctioneers & Valuers
Lot 852

SALVADOR DALI (1904-1989) Spanish, Toulouse-Lautrec, etching, reverse with authentication label, framed and glazed. 42 x 48.5 cm overall.

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