Klassische Moderne Pablo Picasso (1881 Malaga - 1973 Mougins)o.T., aus: Six Contes Fantasques. 1944/1953. Radierung auf Richard de Bas-Bütten (m. Wz.). Ca. 30 x 24,5 cm (33 x 24,5 cm). Im Passepartout freigestellt und unter Plexiglas gerahmt (geöffnet). - In Blattkanten stellenweise leicht gebräunt, vereinzelte blassbraune Flecken, insgesamt gut. Ausgezeichneter Druck mit Rand. Bloch 368, Cramer 66. Abweichend von Cramer auf Richard de Bas-Bütten. - Aus der sechsteiligen Folge "Six Contes Fantasques", erschienen 1953 in Paris bei Flammarion. Etching on Richard de Bas laid paper (with watermark). Free-standing in mat and framed under glass (opened). - Lightly spot-browned in edges, isolated faint-brown stains, all in all good. Superb impression with margin.
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Neue Wilde A.R. Penck (d.i. Ralf Winkler) (1939 Dresden - 2017 Zürich)Schmerzblatt II. 1989. Kaltnadelradierung und Pinselätzung auf Velin. 34,6 x 49 cm (53,5 x 67,7 cm). Signiert und nummeriert. - Im Rand vereinzelt minimal fleckig und leicht knickspurig. Verso mit Spuren früherer Montierung. Insgesamt sehr gut erhalten. Prachtvoller, farbsatter Druck mit breitem Rand. Eines von 25 Exemplaren. Drypoint and brush etching on wove paper. Signed and numbered. - In the margin minimally stained and slightly creased. With traces of former mounting on the verso. Altogether in a very good condition. Splendid, colour- rich impression with wide margin. - One of 25 copies.
Spanische Moderne Eduardo Chillida (1924 - 2002 San Sebastian)Antzo II. Proporción. 1985. Serigraphie auf braunem Papier. 9,5 x 19 cm (32,9 x 22 cm). In der Form signiert und mit dem Künstlersignet. Punktuell auf Unterlage montiert und unter Glas gerahmt (geöffnet). Dort verso mit dem Galerieetikett der Galerie Lelong, Zürich, mit typographischen Werk- und Editionsangaben. - Vereinzelt kaum merkliche, oberflächliche Fleckchen. Insgesamt ausgesprochen gut. Prachtvoller, tiefschwarzer und samtener Druck mit Rand. Vgl. van der Koelen 85003 (nach der gleichnamigen Ätzradierung von 1985). - Eines von wohl 1000 Exemplaren, die bei der Galerie Lelong, Zürich für interne Zwecke erschienen. Silk-screen on brown paper. Signed in the form and with the artist's insignia. Spot-mounted to mat and framed under glass (opened). There on the verso with the gallery label of Galerie Lelong, Zurich, with typographical indications of the work and edition. - Isolated barely noticeable superficial stains. At all very good. Splendid, deep-black and velvety impression with margin. - After the etching of the same name from 1985. - One of probably 1000 copies published by Galerie Lelong, Zurich for internal purposes.
![Etching by George Houston along with etching of Charing Cross, Glasgow by Edwin Law.[42x57cm]](https://cdn.globalauctionplatform.com/0f834287-ac03-43ba-aa14-b02300a1e0f8/4e8318a9-8991-4af0-9b32-b02301098e81/468x382.jpg)
Rowland Hilder (British 1905-1993) Rural landscape with farm buildings Signed, dated 1989 and inscribed 'Artist's Proof' in the margin, etching with aquatint.plate size 20 x 25.5cm (framed 41.5 x 46.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The etching is in good, original condition. The ink used for the signature and date has faded slightly. There is some minor creasing to the paper around the plate mark and one or two spots of foxing across the sheet. There is some mould under the glass and across the paper and mount board. The etching is framed and glazed.
REMBRANDT HARMENSZ VAN RIJN (1606-1669)Vieil homme chauve avec une barbe courte, profil à droite eau-forte, vers 1635, sur papier vergé, deuxième et dernier état selon New Hollstein, avec un filet de margeetching, circa 1635, on laid paper, New Hollstein's second, final state, with thread margins planche: 6.6 x 5.7 cm (plate: 2 5/8 x 2 1/4 in);feuille: 6.9 x 5.8 cm (sheet: 2 11/16 x 2 5/16 in)Footnotes:伦勃朗·哈尔曼松·凡·莱因(1606-1669)秃头短胡老人，右侧面蚀刻版画，约1635年ProvenanceRichard Dawnay, 10th Viscount Downe (1903-1965), Scarborough (Lugt 719a).BibliographieBartsch 306, New Hollstein 147.For further information on this lot please visit Bonhams.com
REMBRANDT HARMENSZ VAN RIJN (1606-1669)Buste d'un vieil homme à la longue barbe: la tête inclinée vers l'avant, l'épaule gauche non ombragée eau-forte, 1630, sur papier vergé, une belle impression de cette estampe rare, premier (et seul) état, à filet de margeetching, 1630, on laid paper, a good impression of this scarce print, first (only) state, with narrow to thread marginsplanche: 9 x 7.1 cm (plate: 3 9/16 x 2 3/4 in); feuille: 9.3 x 7.8 cm (sheet: 3 11/16 x 3 1/16 in)Footnotes:伦勃朗·哈尔曼松·凡·莱因(1606-1669)长须老人上身: 头往前倾，左肩无遮光版画，1630年ProvenanceRichard Dawnay, 10th Viscount Downe (1903-1965), Scarborough (Lugt 719a).With Colnaghi & Co. inventory number verso (c. 19233).Alain Delon, France (Lugt 3261).BibliographieBartsch 325; New Hollstein 64.For further information on this lot please visit Bonhams.com
REMBRANDT HARMENSZ VAN RIJN (1606-1669)Joseph racontant ses songes eau-forte, 1638, une belle impression du deuxième état (sur six) selon New Hollstein, impression avec de beaux contrastes et sans usure, coupée juste à l'extérieur de la bordureetching, 1638, a very good impression of the New Hollstein's second state (of six), printing with good contrasts and without wear, trimmed just outside the borderline feuille: 11 x 8.3 cm (sheet: 4 5/16 x 3 1/8 in)Footnotes:伦勃朗·哈尔曼松·凡·莱因(1606-1669)约瑟夫说梦版画，1638年ProvenanceCarl Schlösser (1827-1884), Elberfeld (Lugt 636).Friedrich Andreas Lieberg (Né en 1898), Buenos Aires (Lugt 1681 ter).BibliographieBartsch 37; New Hollstein 167.For further information on this lot please visit Bonhams.com
** Pablo Picasso (1881-1973) after.Nature Morte (Ginestet & Pouillon E652)Etching with aquatint printed in colours, 1927-, signed in pencil, inscribed in the plate "Gravé par Jacques Villon 1927", numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on wove paper, with full margins, sheet 498 x 646mm (19 5/8 x 25 3/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Zoran Antonio Mušič (1909-2005)Suite Byzantine (Schmücking 94)Etching and aquatint printed in colours, 1961, signed and dated in pencil, numbered from the edition of 100, printed and published by Lacourière Editions, Paris, with their blindstamp, on Arches paper, with full margins, sheet 570 x 735mm (22 1/2 x 29in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later impression of New Hollstein's fourth state (of five) on cream laid paper without watermark, platemark 197 x 148 mm (7 3/4 x 5 7/8 in), sheet 205 x 158 mm (8 x 6 1/4 in) (unframed)Literature:Bartsch 276; New Hollstein 293 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Tomma Abts (b.1967)Untitled (12 bits)Etching with aquatint printed in colours, 2009, signed and dated in pencil, numbered from the edition of 20, published by Crown Point Press, San Francisco, on wove paper, with full margins, sheet 590 x 450mm (23 1/4 x 17 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ and the woman of Samaria among ruinsEtching, 1639, a fine early impression of New Hollstein's first state (of five), printing with the fine lines only found on early impressions still visible to the upper and lower edge (the latter only just following being trimmed) with burr to the heads of the figures in the distance, the tower, and on the woman's head, on laid paper without watermark, sheet 122 x 104 mm (5 7/8 x 4 1/8 in), trimmed within the platemark, scattered spotting and light browning to sheet (unframed)Provenance:Carl Schlösser (1827-1884) [Lugt 636]
Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a fine early impression of New Hollstein's second state (of two), printing with little to no wear within the doorway and with burr-like tonal effects printing in the lower right quadrant, on laid paper with partial watermark of the Arms of Amsterdam, sheet 145 x 115 mm (5 3/4 x 4 1/2 in), trimmed to platemark, some fine thread margins (unframed)Provenance:Colnaghi & Co., London [stock number in pencil verso C.29900]Literature:Bartsch 118; New Hollstein 190 ii/ii
δ Salvador Dalí (1904-1989)Vignette, from 'Petits Nus' from Ronsard (see Field 73-1; see M&L 260)Etching with hand-colouring in watercolour, 1968, signed in pencil, numbered from the edition of 95, published by Editions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 388 x 289mm (15 1/4 x 11 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Augustus John (1878-1961)Maggie, A Village Child (Campbell Dodgson 69)Etching and drypoint, circa 1904, the edition was 25, on laid paper, with full margins, sheet 287 x 225mm (11 1/4 x 8 7/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pierre-Auguste Renoir (1841-1919)Sur la plage, à Berneval Etching with drypoint, circa 1892, from the posthumous edition, on laid paper, with full margins, plate 120 x 708mm (4 3/4 x 3in)The two seated figures are Julie Manet (daughter of Berthe Morisot and Eugene Manet), and her cousin Paulette Gobillard.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Walter Sickert (1860-1942)A Music Hall - The Orchestra PitEtching, circa 1884, an unpublished and unrecorded impression of probably the only state, on laid paper, a Strasbourg Lily watermark, platemark 270 x 230mm (10 1/2 x 9in), sheet 300 x 270 mm (11 3/4 x 10 5/8 in) (unframed)Provenance:Thomas Agnew & Sons., London [stock no. 44052]John Kenworthy-Browne (b. 1931, art historian, specialising in architecture and sculpture, chiefly of the neo-classical period) Exhibited:Agnew's, Centenary Exhibition of Sickert Etchings, 1960, no. 55Literature:Not known to Bomberg, but cf. nos. 32 and 33
** δ Pablo Picasso (1881-1973) L' Atelier (Bloch 80)Etching, 1927, a strong, richly inked impression, signed and numbered from the edition of 150 in red ink, on Japan paper, with full margins, sheet 460 x 560mm (18 1/8 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, but a later impression of New Hollstein's fifth state (of eight) on laid paper with small indistinct watermark, possibly an armorial device, sheet 178 x 130 mm (7 x 5 1/8 in), trimmed within the platemark, two repaired tears in the upper right quadrant, other small nicks and surface dirt (unframed)Literature:Bartsch 194; New Hollstein 233 v/viii
** Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good clear impression of New Hollstein's third state (of five) with Watelet's scratched signature in the lower left printing clearly, before further reworking, sheet 91 x 82 mm (3 5/8 x 3 1/4in) (unframed)Literature:Bartsch 136; New Hollstein 193 iii/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Rembrandt van Rijn (1606-1669)The GoldsmithEtching and drypoint, 1655, a good impression of New Hollstein's first state (of three), well inked and evenly printed on laid paper without watermark, small margins, platemark 78 x 57 mm (3 x 2 1/4 in), sheet 84 x 62 mm (3 1/4 x 2 1/2 in), some careful marginal repairs, notably the upper left corner (unframed)Literature:Bartsch 123; New Hollstein 289 i/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)Beggar with a Wooden LegEtching, circa 1630, a later impression of New Hollstein's final state (of four), on thick ivory wove paper without watermark, platemark 112 x 65 mm (4 1/2 x 2 5/8 in), sheet 164 x 105 mm (4 5/8 x 2 3/4 in), wide margins (unframed)Literature:Bartsch 179; New Hollstein 49 iv/iv
** Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, but a later impression of New Hollstein's third state (of six) on fine laid paper without watermark, sheet 265 x 224 mm (10 3/8 x 8 3/4 in), trimmed on or just within the platemark, some heavy wear retouched with wash, but before reworking to the plate (unframed)Literature:Bartsch 44; New Hollstein 125 iii/vi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Marc Chagall (1887-1985)Colère (Anger) II (Kornfeld 59)Etching printed in red ink, 1925, one of only 16 impressions on Japan paper, and very few in this colour, with full margins, sheet 250 x 190mm (9 7/8 x 7 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on thin wove paper without watermark, printing with tone, sheet 152 x 116 mm (6 x 4 1/2 in), thread margins, minor surface dirt (unframed)Literature:Bartsch 72; New Hollstein 206 ii/ii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Roy Lichtenstein (1923-1997)Illustration for "Hüm-Bum!", from La Nouvelle Chute de l'Amérique (Corlett 274)Etching with aquatint printed in colours, 1992, initialled in pencil, numbered from the edition of 80, printed by Atelier Dupont-Visat, published by Les Editions du Solstice, Paris, on Arches paper, with full margins, sheet 481 x 354mm (18 7/8 x 13 7/8in)
δ Walter Sickert (1860-1942)Femme de Lettres (Bromberg 149)Etching, circa 1911/12, the fifth state, on wove paper, with full margins, sheet 241 x 291mm (9 1/2 x 11 3/8in)Provenance:Dominic Winters, Cirencester, 31st July 2020, lot 556Thomas Agnew & Sons label versoδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Adoration of the Shepherds: Night PieceEtching and drypoint, 1652, but a later impression of New Hollstein's eighth state (of eleven), on laid paper with indistinct watermark, sheet 151 x 198 mm (6 x 7 3/4 in), thread margins, the wooden planks behind the Virgin and Child have been lightly scraped of their etched lines, some ink wash in places to heavily worn areas (unframed)Literature:Bartsch 46; New Hollstein 300 viii/xi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Salvador Dalí (1904-1989)La Tauromachie Individuelle (Field 72-11; M&L153b)Etching with aquatint printed in colours, 1966, signed in pencil, numbered from the edition of 250, printed and published by Pierre Argillet, Paris, published, on Arches paper, with full margins, sheet 503 x 660mm (19 3/4 x 26in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth or seventh state (of eight) on laid paper without visible watermark with sheet mounted onto support, with some signs wear to the plate, sheet 543 x 415 mm (21 3/8 x 16 1/4 in), trimmed within the platemark and lacking publisher's imprint, skimming verso to several areas, old handling creases, nicks and minor abrasions, some even toning (unframed)Literature:Bartsch 81; New Hollstein 119 vi-vii/viii
δ David Hockney (b.1937)A Room Full of Straw, from Illustrations for Six Fairy Tales of the Brothers Grimm (MCA Tokyo 101)Etching with aquatint, 1969, signed in pencil, numbered from the edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, on wove paper, with full margins, sheet 450 x 410mm (17 3/4 x 16 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Adriaen Jansz van Ostade (1610-1685)The Backgammon PlayersEtching, circa 1682, a well inked impression of the fifth state (of six) on laid paper without watermark, platemark 83 x 71 mm (3 1/4 x 2 7/8 in), sheet 99 x 85 mm (3 7/8 x 3 1/4 in), some minor spotting and light surface dirt (unframed)Provenance:Unidentified collector's ink stamp [apparently not in Lugt]Literature:Bartsch, Hollstein 39 v/vi
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth state (of eight), on laid paper with text-based watermark that reads 'P S RVE', with some signs wear in the plate, platemark 532 x 412 mm (21 x 16 1/4 in), sheet 544 x 415 mm (21 3/8 x 16 1/4 in), horizontal crease with careful repair to splitting, minor handling creases, some careful small repairs to extremities (unframed)Literature:Bartsch 81; New Hollstein 119 vi/viii
δ Salvador Dalí (1904-1989)Hommage à Dürer, from Hommage à Albrecht Dürer (Field 71-8 M; M&L 508b)Etching with pochoir in colours, 1972, signed in pencil, numbered from the edition of 50 in Roman numerals, published by Vision Nouvelle, on Japon paper, with full margins, sheet 512 x 675mm (20 1/8 x 26 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later impression of New Hollstein's second state (of four), printing with the two dots in the upper right corner but before further rework, on laid paper without watermark, platemark 209 x 158 mm (8 1/4 x 6 1/4 in), sheet 213 x 170 mm (8 3/8 x 6 3/4 in), some signs of wear in the densely hatched areas, small marginal repaired nick to centre right edge, further marginal repair to centre left visible verso (unframed)Literature:Bartsch 280; New Hollstein 286 ii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, but a later impression of New Hollstein's third state (of four) on laid paper without watermark, platemark 118 x 89 mm (4 5/8 x 3 1/2 in), sheet 121 x 91 mm (4 3/4 x 3 5/8 in), some toning and spotting to sheet (unframed)Literature:Hind 148; New Hollstein 165 iii/iv
** Rembrandt van Rijn (1606-1669)The Angel departing from the Family of TobiasEtching, 1641, but a later slightly grey-black impression of New Hollstein's fifth state (of nine), on fine laid paper without watermark, sheet 105 x 156 mm (4 1/8 in x 6 in), thread margins, repaired tear lower centre (unframed)Literature:Bartsch 43; New Hollstein 189 v/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ David Hockney (b.1937)French Shop (MCA Tokyo 112)Etching with aquatint, 1971, signed and dated in pencil, numbered from the edition of 500, printed by Shirley Clement Print Shop, Amsterdam, published by Observer, London, on BFK Rives paper, with full margins, sheet 625 x 535mm (24 1/2 x 21in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a very good but later impression of New Hollstein's sixth state (of nine) on laid paper with slightly indistinct text-based watermark, platemark 373 x 256 mm (14 3/4 x 10 1/8 in), good margins, some marginal nicks to extremities, faint vertical abrasion along the right quadrant of image, minor spotting (unframed)Literature:Bartsch 73; New Hollstein 113 vi/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with touches of drypoint, 1635, but a later impression of New Hollstein's third state (of four), on laid paper without watermark, platemark 137 x 171 mm (5 3/8 x 6 3/4 in), sheet 161 x 188 mm (6 3/8 x 7 3/8 in) (unframed)Literature:Bartsch 69; New Hollstein 139 iii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Three impressions of the etching, 1873, from the posthumous edition, printed after 1906, on laid paper, with full margins, each 250 x 165mm (9 7/8 x 6in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Jerome Praying: ArchedEtching, 1632, a fine delicate impression of New Hollstein's first state (of five) on laid paper without watermark, platemark 107 x 81 mm (4 1/4 x 3 1/4 in), sheet 114 x 86 mm (4 1/2 x 3 3/8 in), small spot just below the lion, small expert repairs to the upper margin, minor marginal nick to the lower right corner (unframed) Literature:Bartsch 101; New Hollstein 112** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a later impression of New Hollstein's fourth state (of five), on laid paper mounted onto conservation support, total sheet 399 x 318 mm (15 3/4 x 12 1/2 in), trimmed to or within the borderline, re-margined, some careful repairs to old splits and small losses (unframed)Literature:Bartsch 99; New Hollstein 173 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), printing before Watelet's scratched signature and subsequent rework to the farmhouse, on fine ivory laid paper without watermark, platemark 102 x 127 mm (4 x 5 in), sheet 110 x 134 mm (4 1/8 x 5 1/8 in), some uneven thread margins (unframed)Literature:Bartsch 237; New Hollstein 251 ii/v
δ Salvador Dalí (1904-1989)Memorabilia, from Aurelia (Field 72-5C; M&L563b)Drypoint with etching and aquatint printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Aterliers Rigal, published by Editions d'Art de Francony, Paris, on Auvergne Richard de Bas paper, with full margins, sheet 577 x 796mm (22 7/8 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Bald Headed Man in Profile Right: the Artist's Father (?)Etching, 1630, a good impression of New Hollstein's final state (of five) on laid paper without watermark, sheet 71 x 59 mm (2 7/8 x 2 1/4 in), showing some signs of wear in the heavily cross hatched areas, trimmed to or on the platemark, laid onto conservation tissue support, crease and repair to upper left corner (unframed)Literature:Bartsch 292; New Hollstein 62 v/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, a dark impression of New Hollstein's first state (of two), printing with the rust marks along the upper plate edge but before later rework, on laid paper with Arms of Amsterdam watermark with letters 'A.I.' [cf. Hinterding D-d-a], platemark 125 x 214 mm (4 7/8 x 8 3/8 in), sheet 130 x 217 mm (5 1/8 x 8 1/2 in), rust spot in the upper left quadrant (unframed) Literature:Bartsch 65; New Hollstein 267 i/ii
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71174 item(s)/page