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Lot 676
Steve Barraclough (Irish b. 1953-1987) - A late 20th Century 1980's etching with screen print on handmade paper abstract painting part of the Circle Series from Barraclough. Framed and glazed with paper labels to the verso and being signed and numbered 7/10 in pencil. Oak frame measures approx; 81cm x 63cm.
Lot 186
TWO MILITARY STYLE SWORDS, both appear to have been hand made in construction, narrow rapier style blades, with lengths of approximately 85cm and 90cm, with short leather belt attachments, one has etching to blade, with ornate cross guards grips etc, possibly Re-enactors pieces, no apparent makers marks evident
Lot 835
James Allen (20th century) - 'The 12th Of May Being My Birthday, I Gave A Party For A Few Of My Friends', signed artist's proof also inscribed with the title and numbered 5/25, black and white etching, 15" x 17.5"; together with a further smaller etching by another hand entitled 'One Of The Town Houses and Magnificent Gardens of The Golden Island', signed with the artist's initials and indistinctly dated possibly 80 (1980) and numbered 8/100, 7" x 7.25" (2)
Lot 837
Bryan Ingham (1936-1997) - 'Vellan', inscribed with the title and the artist's name on an old exhibition label verso, limited edition etching, 3/16, black and brown sepia etching, 8.25" x 7.752, overall size including the artist's original mount and box type frame, 13" x 14"-** Provenance with The Ashgate Gallery, (Elizabeth Naydler) Wagon Yard, Downing Street, Farnham, Surrey-** The artist was born in Preston and raised in Yorkshire's Calder Valley, he studied at St. Martin's School of Art, London and accepted a post-graduate place at The Royal College of Art, he was a close contemporary of David Hockney. His early talent was greatly appreciated by his director Carel Weight. It was at The Royal Society of Artist's that he made his first acquaintance with etching and was later to become one of the most notable etchers of the second half of the 20th century establishing a studio in Fournier Street, which is off Brick lane, he taught part time at Maidestone College of Art and enjoyed the company of Quentin Crisp, he was also a life model there at the time. He later settled on the Lizard in Cornwall and taught etching at Falmouth Art School and Farnham Art College until five years before his death. The Ashgate Gallery which was run by Elizabeth Naydler put on one-man shows by a number of the best known artists of the period, such as John and Jean Bratby, Elizabeth Frink, Julian Trevelyan, Mary Fedden, Sandra Blow, Peter Blake, Sonia Lawson and Willi Soukop. July 1962 The gallery mounted an important and pioneering exhibition entitled 'British Sculpture Today', with work by twenty three leading sculptors, including Lynn Chadwick, Elizabeth Frink, Henry Moore, Barbara Hepworth and others. A copy of Elizabeth Naydler's arbitrary dates 18th August 2006 can be obtained upon request
![Pierre-Etienne Moitte (1722-1780), after Pierre-Antoine Baudouin (1723-1769), [Le Confessionnal], unlettered state, [Paris: 1](https://cdn.globalauctionplatform.com/14209e0e-9825-4424-a4d7-ae55008e537d/df6817ea-7d18-4af7-8173-ae5500eb3bdf/468x382.jpg)
Lot 5384
Pierre-Etienne Moitte (1722-1780), after Pierre-Antoine Baudouin (1723-1769), [Le Confessionnal], unlettered state, [Paris: 1777], etching and engraving, 32.5cm x 42cm, (1); Francesco Bartolozzi RA (1727-1815), after Giovanni Battista Cipriani RA (1727-1785), [The Rape of Dejanira], [London]: Publish'd as the Act directs by F. Bartolozzi 1787], monochrome etching, 26.5cm x 32cm, (1), [2]
Lot 13
PALMER (SAMUEL) AND OTHERSEtchings for the Art-Union of London by the Etching Club, FIRST EDITION, title printed in red and black, 29 etched plates (of 30) by Samuel Palmer (2, lacking his 'Skylark'), John Everett Millais, William Holman Hunt (2), Richard Redgrave (2), Thomas Creswick (3), and others, all on india-proof paper mounted as issued, plates loose (gutta-percha perished), publisher's green cloth, lettered in gilt on upper cover and spine, g.e., folio (375 x 265mm.), 1857Footnotes:Original etchings include; Samuel Palmer ('The Sleeping Shepherd - Early Morning'; 'The Rising Moon'), J.E. Millais ('The Young Mother'), and William Holman Hunt ('The Abundance of Egypt', 'The Desolation of Egypt').This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 69
Horse Accomplishments, Sketch 6: A Time Keepersigned 'H. Bunbury. Del.' (lower left)inscribed 'This is the finest Horse in the World for a calculation–keeps time to a Second! he goes tis true but like the finest wheels of a clock his motion is scarcely perceptible!' watercolour, pen and ink on paper18.5 x 22cmFootnote: The present composition is most likely copied from the etching of this subject by Thomas Rowlandson after George Murgatroyd Woodward, originally published in 1799.Condition report: 28 x 31.5cm (framed)
Lot 71
English School, 18th century A study after an antique bustinscribed in later hand 'from the Kerrich colln. Soc. Antiqu.' (to the mount)with another study of the same subject to the versored and black chalk on laid paper, foolscap watermark18 x 14cm; together with An etching of a rocky river landscape by Jane C Hayles (fl. 1792-1804) dated 1793,inscribed in the plate 'From a Drawing by Gisbert van [sic] Hondecoeter in the possession of Mr Kerrich' 11 x 16cm (two)Provenance:By repute from the collection of Thomas Kerrich (1748-1828) Footnote: Thomas Kerrich (1748-1828) was a clergyman, amateur artist, collector and principal librarian at Cambridge University. He was a fellow of both the Society of Antiquaries and Magdalene College, Cambridge.
Lot 723
James Gilray, an etching "Delicious Dreams-Castles in the Air-Glorious Prospects". 34 cm x 24 cm, dated 1808, mounted. CONDITION REPORT: The image for this print has been cropped, so the writing to the top edge of the etching is not visible online. The writing on the top margin reads “Published April 1808 by H. Humphrey, 27, St. James, Street”
![HENRY SHEPPARD DALE [1852-1921] A PENCIL SIGNED ETCHING OF A STREET SCENETOGETHER WITH FIVE OTHER ORIGINAL PENCIL SIGNED ETCH](https://cdn.globalauctionplatform.com/8ff86fa7-60d5-4159-bf0d-ae5a00c5f6aa/ed686a89-3963-4c9e-94f8-ae5c0110a011/468x382.jpg)
Lot 461
A Daum cameo glass Violet goblet, late 19th or early 20th century, the body overlaid, acid-etched and enamelled with flowers and foliage, with Daum Nancy devil tail mark extending to the cross of Lorraine, 9cm high, with a Daum cameo glass Cornflower vase of small proportions, with Daum Nancy mark and cross of Lorraine, 5cm high (2) (at fault) CONDITION REPORT:The goblet show a chip to the rim approximately 9mm wide, and some wear to the unetched areas of the foot, but is in otherwise good condition. The joint between the bowl and the foot is somewhat uneven, including a small depression, and there is some variation to the etching in this area. The vase shows wear to the enamel of the flowers and two small areas of white residue ingrained in the etched surface.
![MICHAEL AYRTON [1921-75]. Not to Disturb, 1971. ink drawing; studio stamp signature on the reverse. 20 x 14 cm - overall incl](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/29859286-5e28-424b-8cb2-ae3d00f2eee0/468x382.jpg)
Lot 123
MICHAEL AYRTON [1921-75]. Not to Disturb, 1971. ink drawing; studio stamp signature on the reverse. 20 x 14 cm - overall including frame 34 x 28 cm. Provenance: the artist; private collection, UK. Final drawing for the Murial Spark book etching - a wonderful drawing. [very good condition - unexamined out of frame]. Buyers premium of 20% + vat is payable.
![LEO ZOGMAYER [1949 - ]. 4 Figures, 1984. etching, edition of 50, 31/50. signed in pencil. 46 x 35 cm sheet size [overall inc](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/04b94753-3ac4-497c-874e-ae3d00f33204/468x382.jpg)
![FREDERICK AUSTIN [1902-90]. Tenements of Flat Street; 1925. etching, signed and dated in pencil. 19 x 14 cm image - sheet siz](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/29f95590-b51d-4a2a-8f6f-ae3d00f37503/468x382.jpg)
Lot 177
FREDERICK AUSTIN [1902-90]. Tenements of Flat Street; 1925. etching, signed and dated in pencil. 19 x 14 cm image - sheet size 28 x 23 cm - mounted, but unframed - mount size 38 x 28 cm. Provenance: the artist; private collection, London. He studied at the Royal College of Art. [image in overall good condition - slight soft crease near top left corner and centre bottom edge of image - stuck to paper mount at top, bottom and sides, outside image - reverse slightly dirty in places]. Buyers premium 20% + vat payable.
![WILHELMINA BARNS-GRAHAM [1912-2004]. Six Lines, 2002. etching; edition of 70, proof; signed in pencil. Image 20 x 27 cm - 38](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/aa3aa769-abd1-4cf1-9050-ae3d00f38723/468x382.jpg)
![BEN NICHOLSON OM [1894-1982]. Turkish Form, 1967. Etching with blue crayon on cream wove paper with full margins. Printed by](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/85e90b17-046c-40c4-aab6-ae3d00f3a145/468x382.jpg)
Lot 190
BEN NICHOLSON OM [1894-1982]. Turkish Form, 1967. Etching with blue crayon on cream wove paper with full margins. Printed by Lafranca, Locarno with the Lafranca blindstamp lower left corner. 26.8 x 14.6cm [image size, irregular], 37.5 x 25.3cm [sheet size]. Unframed. Reference: Lafranca 67. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![JOHN BELLANY RA RSA [1942-2013]. Sea Cat, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in p](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/576b060b-147f-4a52-b697-ae3d00f3b0b2/468x382.jpg)
Lot 197
JOHN BELLANY RA RSA [1942-2013]. Sea Cat, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Small stain in left margin away from the plate, otherwise good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![JOHN BELLANY RA RSA [1942-2013]. Fourtunatous, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/c504ea2c-e1fa-49b9-a4e1-ae3d00f3b34b/468x382.jpg)
Lot 198
JOHN BELLANY RA RSA [1942-2013]. Fourtunatous, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![JOHN BELLANY RA RSA [1942-2013]. Song to the Mermaid, 1984. Etching on wove paper with full margins. Signed, dated and inscri](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/31ea7a7d-ddf6-4dc3-9cde-ae3d00f3b5c1/468x382.jpg)
Lot 199
JOHN BELLANY RA RSA [1942-2013]. Song to the Mermaid, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Small stain in left margin away from the plate, otherwise good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![JOHN BELLANY RA RSA [1942-2013]. The Ventilequist, 1984. Etching on wove paper with full margins. Signed, dated and inscribed](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/3ae124cb-8883-49f0-82dd-ae3d00f3bc7e/468x382.jpg)
Lot 200
JOHN BELLANY RA RSA [1942-2013]. The Ventilequist, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![JOHN BELLANY RA RSA [1942-2013]. Who Shall Win the Halibut, 1984. Etching on wove paper with full margins. Signed, dated and](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/56bf1416-0df4-460c-9de5-ae3d00f3bdef/468x382.jpg)
Lot 201
JOHN BELLANY RA RSA [1942-2013]. Who Shall Win the Halibut, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![ENRICO BAJ [1924-2003]. The Swinging General, 1976. Etching and aquatint with collage. Signed and numbered in pencil IV/XXV f](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/064bf687-d7e7-481b-bbaa-ae3d00f3f8fa/468x382.jpg)
Lot 219
ENRICO BAJ [1924-2003]. The Swinging General, 1976. Etching and aquatint with collage. Signed and numbered in pencil IV/XXV from the special edition with collaged eyes. 49 x 39cm [plate size], 65 x 50cm [sheet size]. Mounted, unframed. [One small stain in top left margin away from the plate, otherwise very good condition]. Buyers premium 20% + VAT payable. This lot is stored in London and can be collected or shipped from there.
![ANTHONY GROSS [1905-1984]. Near Angmering, Sussex, 1924. Drypoint etching on cream laid F J Head & Co. paper with full ma](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/d606a628-ed42-4cd4-a944-ae3d00f40fbc/468x382.jpg)
Lot 3
ANTHONY GROSS [1905-1984]. Near Angmering, Sussex, 1924. Drypoint etching on cream laid F J Head & Co. paper with full margins. Signed, dated and titled in pencil from the unnumbered edition of 60. 13.9 x 17.7cm [plate size], 23 x 27.5 [sheet size]. Unframed. Literature: The Prints of Anthony Gross Herdman 2411. [Very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![WILLIAM STRANG RA [1859-1921]. Selfridges Toy Window, 1911. Drypoint etching on cream laid F J Head & Co. paper with full](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/fc07721b-8c4b-4f1d-ae1d-ae3d00f473ca/468x382.jpg)
Lot 6
WILLIAM STRANG RA [1859-1921]. Selfridges Toy Window, 1911. Drypoint etching on cream laid F J Head & Co. paper with full margins. Signed in pencil. 35.3 x 44.9cm [plate size], 45.5 x 57 [sheet size]. Unframed. Collection: Scottish National Gallery of Modern Art P2333.84. [Very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
![LEON UNDERWOOD [1890-1975]. The Banjoist, 1921. etching, edition of 35, artist's proof; signed in pencil. 22 x 18 cm - overal](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/ab2d8d97-e761-4b2c-98b4-ae3d00f4787e/468x382.jpg)
Lot 60
LEON UNDERWOOD [1890-1975]. The Banjoist, 1921. etching, edition of 35, artist's proof; signed in pencil. 22 x 18 cm - overall including frame 45 x 36 cm. Provenance:Wolseley Fine Art, 2006 [£1000]; private collection, UK. See lot 51 for cv. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
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