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Lot 290
CHARLES HOLME (ed): MODERN ETCHING AND ENGRAVING, “The Studio” 1902, 1st edn, 4to, orig wraps worn + A P OPPE: THE WATER-COLOUR DRAWINGS OF JOHN SELL COTMAN, “The Studio” 1923, 1st edn, 4to, orig cl gt soiled + MALCOLM C SALAMAN: THE NEW WOODCUT, “The Studio” 1930, 4to, orig cl gt worn + eight other Art (11)
Lot 72
Pablo Picasso - `Le Bain` from the Saltimbanques Suite 1904-1905 (Block 12), monochrome etching produced in an edition of 250 published by Vollard in 1913 following the steel facing of the plate on Van Gelder laid paper, San Francisco Museum of Art Davenport Loan Exhibition label verso, approx 34.5cm x 29cm, within a gilt frame. Provenance: the Very Reverend Hewlett Johnson, a former Dean of Manchester and Canterbury Cathedrals.
Lot 517
ROBERT SAYER, PUBLISHER (1725-1794) PUBLISHER GENERAL GEORGE AUGUSTUS ELIOTT BARON HEATHFIELD OF GIBRALTER mezzotint mounted to or within plate mark, in fresh contemporary colour, unexamined out of the frame, published 14 September 1789, 35.5 x 25cm and a coloured etching of the Rock and town of Gibraltar published by R H Laurie (2) ++Mezzotint with some mushroom coloured stains, in old wormed frame with a few thunder flies beneath the glass, the second print with light overall staining
Lot 519
THOMAS LANDSEER, ARA (1795-1880) AFTER SIR EDWIN HENRY LANDSEER, RA (1802-1873) THE LION DOG FROM MALTA, THE LAST OF HIS TRIBE mixed method intaglio print (etching with mezzotint) signed by the engraver in pencil, a rich impression, lightly creased and stained, mounted to within the plate mark and unexamined out of the frame, 42 x 52cm ++Consigned by executors and purchased by the late owner from John Maggs of Falmouth
Lot 1235
John Martin - Belshazzar`s Feast (First steel plate) 1826, original mezzotint with etching, with artist`s name in the plate, inscribed proof in lower margin (Ref: Campbell-Wees 74), 47cm x 72cm, in glazed ebonised frame Further images and condition reports are available at www.reemandansie.com
Lot 512
AFTER IDA "Still life study of grapes and leaves in a Chinese blue and white pot with mask head handles" and "Still life study of flowers and leaves in a Chinese blue and white pot with mask head handles", a pair of coloured prints, and A M W "Study of three dachshunds in a landscape", black and white etching"
Lot 534
AFTER MALCOLM OSBORNE "Study of a scientist seated in a library with hand resting upon his chin", black and white dry point etching, signed in pencil in margin, AFTER CONSTANCE MARY POTT "On the Medway", black and white etching, AFTER THEODORE ROUSSEL "The Ferry Inn, Bodinick, Fowey", black and white etching, AFTER WILLIAM STRANG "Portrait of W.H. May", black and white etching, two fashion prints, and various other prints
Lot 415
J Lovegrove Holt, British, mid-late 19th century- "A Norwegian Village- Fagerlund near the Sand Fjord"; watercolour, signed, inscribed and dated 30th July 1882, 25x40cm: William Renison, British 1866-c.1940- "Cahir Castle (Tipperary)"; etching printed in colours, signed, titled and dedicated to Frank Welch in pencil, 36.3x58cm: 20th Century- A warrior; oil on unstretchered canvas, signed with monogram `NB`, 36x20.5cm., (3) (unframed)
Lot 419
After Jean-Baptiste Pillement, French 1728-1808- Chinoiserie study; hand-coloured etchings, two, both publ 30th June 1760; 22x29.5cm., ea: Richard Evans, Whites Row, Spitalfields, London, Publ., early 19th century- "Spotted Guinea Pigeon and Marginated Long-Tailed Dove"; hand-coloured engraving with etching,23x18.5cm., (3)
Lot 443
Mortimer Luddington Menpes NEA RBA RE RI ROI, Australian/British 1860-1938- Cathedral Interior; etching, signed in pencil beneath the plate, 31x16cm: together with two other etchings by the same hand depicting ruins and the facade of a cathedral, both signed in pencil, 20x25cm and 19.5x29.5cm respectively, the three in matching frames, (3)
Lot 509
James Alphege Brewer, British act. c1909-1938- "Antwerp, early morning"; hand coloured etching printed in colours, signed and titled in pencil beneath the plate, 45x55cm: together with another hand coloured etching by the same artist entitled "Oxford, Brasenose College and High Street", signed and titled in pencil, 22.5x34.5cm, (2)
Lot 531
* After John Linnell OWS, British 1792-1882- Sheep grazing in Windsor Forest; etching, signed and dated 1818 within the plate, 14x23cm: Gladys Minola Brodribb, British exh 1927-1940- Hay making view from within a barn; etching, signed in pencil, 12.5x17.5cm: Sir Frank Short RA PRE, British 1857-1945- A woodland pond; mezzotint, signed and dedicated to Francis Bate and dated 1908 in pencil, 28x38cm., (3) (unframed)
Lot 542
Berta Molke, Danish b.1938- "The House"; etching in colours, signed, titled and numbered 13/100 in pencil, 45.5x41.5cm: together with two other etchings by the same artist, 37.5x25cm and 24.5x37.3cm (3) (may be subject to Droit de Suite) Note:The Danish graphic artist Berta Moltke trained at Mogens Andersen`s school of art in Copenhagen, at La Grande Chaumière in Paris, and at the Academia de Bellas Artes in Madrid. Her work has been regarded as part of the new wave of Surrealism that arose in Denmark in the 1960s.
Lot 552
19th Century- `St. Andrew and the Winged Serpent`; tinsel print, with die cut embossments on silver foil and fabric, artist unknown, mounted in a 19th century maple veneered frame, 29x23cm: Johann Sebastian Müller, German 1715-1792- `A View of the Temple of Comus & C in Vauxhall Gardens`, after A Canaletto, publ & printed by Robert Sayer in London 1751; etching, 26x39.2cm: Félix Benoist, French b.1818- `Paris en 1860`; lithograph printed in colours, 33x47cm: John Brandard, 1812-1863- `Fairy Revels`, publ by M&N Hanhart; lithograph, 27.5x21.5cm: together with a further quantity of mixed prints, 39x52cm., (max) (a lot)
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71082 item(s)/page