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Lot 287

Jules De Bruycker (1870-1945): 'Vieille Tourelle Gand', etching, ed. 13/50, (1925)Work: 33,5 x 24 cm Frame: 58,2 x 47,3 cm Ref.: - J.D.B. 179 (link). - L.R. 122.

Lot 295

Jules De Bruycker (1870-1945): 'Le Vieux marche St. Jacques Gand', etching, [1911]Work: 61,5 x 50,8 cm Paper: ca. 64 x 52,5 cm Frame: 82,5 x 73 cm Ref.: - J.D.B. 041 (link). - L.R. 32.

Lot 853

Valerius De Saedeleer (1867-1942): Landscape after the storm, etching and aquatint, ed. 116/125Work: 64,5 x 62 cm Frame: 88,5 x 86,5 cm

Lot 290

Jules De Bruycker (1870-1945): 'Quai', etching, 'epreuve 1r etat', (1928)Work: 31,5 x 23,5 cm Frame: 52 x 42 cm Ref.: - J.D.B. 248 (link). - Le Roy 155.

Lot 335

A signed Drypoint Etching by John Nicolson (1891-1951) A.R.E, R.B.A. With a Victor Waddington Galleries label. 18/50. 20x26cm. Frame 40.5x53cm

Lot 223

Billy Al Bengston (American, 1934-2022). Etching on paper titled either "Composition 1" or "BAB 4" depicting a silhouette of a dog against an abstract background with large celestial-like bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Sight; height: 22 in x width: 30 in. Framed; height: 25 1/2 in x width: 33 1/2 in x depth: 1 1/4 in.Condition:The colors are bold and deep. There are no visible tears, losses, or creases. Along the lower margin there are minute white accretions. There is undulation to the sheet. Framed under plexiglass, not examined out of frame. No signs of restoration under UV light.

Lot 219

Ed Moses (American, 1926-2018). Etching on Guarro paper depicting the intersection of abstract lines, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a minute spot of soiling in the margin of the upper left quadrant. There is also a minute spot of discoloration in the lower left quadrant. There are no signs of restoration under UV light.

Lot 210

Terence David La Noue (American, b. 1941). Etching, aquatint, woodcut, drypoint, and acrylic paint on paper titled "Talking Drums" depicting an abstract composition, partially in black and white and partially in a rainbow of bright colors, 1987. Pencil signed, dated, and numbered A.P. 2/2 along the lower center.Height: 36 in x width: 39 1/2 in.Condition:The colors are bold and deep. The sheet is slightly toned There are light creases throughout inherent to the material. The work is affixed with four plastic corner tabs to a non-acidic backing. The work is shrink-wrapped in plastic. Due to this, the verso has not been inspected.

Lot 220

Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-1" depicting two abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in. Brian Gross Fine Art SF CACondition:The colors are bold and bright. There are no visible tears, creases, or losses. There are no signs of restoration under UV light.

Lot 192

Marc Chagall (Russian/French, 1887-1985). Etching and aquatint from the series "Ce lui qui dit les choses sans rien dire (One who says things without saying anything)" published with poet Louis Aragon, 1975-76. Signed in pencil along the lower right. Published by Maeght Editeur, Paris. Printed on the front of a folded sheet, in which the poem "L'Apocalypse Selon Marc" is printed along the interior.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Cramer 99.Lot Essay:Chagall's paintings are characterized by their lyrical compositions, vibrant colors, and whimsical imagery drawn from his memories of his Jewish upbringing, Russian folklore, and the rural landscapes of his youth. His works often feature floating figures, airborne animals, and dreamy landscapes, imbuing his art with a sense of otherworldly beauty and magic.Throughout his prolific career, Chagall's art remained deeply personal yet universally resonant, transcending cultural and geographical boundaries. His groundbreaking use of color and form influenced generations of artists, while his ability to evoke emotion and evoke a sense of wonder captivated audiences worldwide. In addition to painting, Chagall also explored other mediums such as stained glass, ceramics, and tapestries, leaving a lasting impact on the fields of applied and decorative arts.Chagall's enduring legacy as a master of modern art is marked by his unwavering commitment to creativity, imagination, and the power of love and hope in the face of adversity. His ability to capture the human experience in all its complexity and beauty continues to inspire and enchant, reminding us of the transcendent power of art to illuminate the human spirit and transcend the limitations of time and space. Through his visionary artistry and his profound exploration of the mysteries of existence, Marc Chagall remains a towering figure in the pantheon of great artists.Sight; height: 18 1/2 in x width: 14 in. Framed; height: 27 1/4 in x width: 22 3/4 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no tears, creases, or restorations. There is an undulation to the sheet throughout. Along the verso there are two areas of skimming/residual framer's tape. The work has been removed from its hinges and is currently unframed. The paper backing of the frame has been cut along three edges (not pictured). Frame with plexiglass.

Lot 222

Billy Al Bengston (American, 1934-2022). Etching with aquatint print on Rives BFK paper depicting a silhouette of a dog against a green and red background with abstracted celestial bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in.Condition:The colors are bold and deep. There are no visible tears, major creases, or losses. There are no signs of restoration under UV light. There is a minute crease along the upper right corner. There is an extremely minute chip to the upper left corner; only noticeable upon close inspection.

Lot 221

Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-2" depicting three abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a green discoloration along the side margin of the lower left quadrant. There is a minute scattering of discoloration throughout the corner of the upper left margin. There are no signs of restoration under UV light.

Lot 193

Marc Chagall (Russian/French, 1887-1985). Etching and aquatint from the series "Ce lui qui dit les choses sans rien dire (One who says things without saying anything)" published with poet Louis Aragon, 1975-76. Signed in pencil along the lower right. Published by Maeght Editeur, Paris.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Cramer 99.Lot Essay:Chagall's paintings are characterized by their lyrical compositions, vibrant colors, and whimsical imagery drawn from his memories of his Jewish upbringing, Russian folklore, and the rural landscapes of his youth. His works often feature floating figures, airborne animals, and dreamy landscapes, imbuing his art with a sense of otherworldly beauty and magic.Throughout his prolific career, Chagall's art remained deeply personal yet universally resonant, transcending cultural and geographical boundaries. His groundbreaking use of color and form influenced generations of artists, while his ability to evoke emotion and evoke a sense of wonder captivated audiences worldwide. In addition to painting, Chagall also explored other mediums such as stained glass, ceramics, and tapestries, leaving a lasting impact on the fields of applied and decorative arts.Chagall's enduring legacy as a master of modern art is marked by his unwavering commitment to creativity, imagination, and the power of love and hope in the face of adversity. His ability to capture the human experience in all its complexity and beauty continues to inspire and enchant, reminding us of the transcendent power of art to illuminate the human spirit and transcend the limitations of time and space. Through his visionary artistry and his profound exploration of the mysteries of existence, Marc Chagall remains a towering figure in the pantheon of great artists.Sight; height: 18 1/2 in x width: 14 in. Framed; height: 27 1/4 in x width: 22 3/4 in x depth: 1 1/2 in.Condition:The colors appear bold and bright. There are no visible tears or restorations. Light wear to the edges. The work is floated in frame. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

Lot 1638

Pablo Picasso (1881-1973) A framed etching circa 1950s portrait Paul Roby. Lage du Soleil.

Lot 1674

A framed 19th century etching study of harbour possible Flanders Belgium. Signed 70x60cm

Lot 1672

A large framed etching a study of the 17th Century bridge at Toulouse Le Pont Neuf. 73x87cm

Lot 13

John Cawse after G M Woodward, 'Jacky Frost !!', hand coloured etching, 13" x 9.25" (33 x 23.5cm), unframed, a/f.

Lot 4

Hubert Andrew Freeth (1912-1986), 'The Stonebreakers', etching, signed with initials, inscribed in pencil and numbered 30/50, plate size 4.5" x 6.75" (11.5 x 17cm), along with 'De Profundis', and etching by Julius Komjati, plate size 4.75" x 6" (12 x 15cm).

Lot 19

Thomas Rowlandson (1757-1827), 'Quarter Day, or clearing the premisses without consulting your landlord', hand coloured etching, circa 1814, 12.5" x 8.75" (32 x 22cm).

Lot 10

Paul Bisson (b. 1938), 'Aquatint Box', colour etching, signed in pencil and numbered 8/200, plate size 20" x 14" (51 x 36cm).

Lot 8

John Hoyland (1934-2011), '1969', Circa 2006, etching and aquatint in colours, signed in pencil and numbered 21/200, plate size 8.5" x 16" (21.5 x 41cm).

Lot 9

Callum Innes (b. 1962), Untitled, etching (photopolymer), signed in pencil and numbered 13/140, plate size 10.5" x 10.25 (27 x 26cm).

Lot 273

"Cricket in India", etching by J. Elliot R.A. and W. Fred Lee, Jan. 26th, 1896. Image size 20.5cm x 27cm.

Lot 102

William Payne (1760-1830) VIEW ACROSS ST NICHOLAS ISLAND TO MOUNT EDGCUMBE Watercolour with etching, 28.5 x 39cm, (fading and staining).

Lot 124

After James Abbott McNeill Whistler RBA (1834-1903), "Figures on a quayside with moored barges and ships", etching, 10 x 12.5cm.

Lot 120

After James Abbott McNeill Whistler RBA (1834-1903), "Thames Police" (Wapping Wharf), etching, 16 x 33cm.

Lot 99

William Payne (1760-1830) VIEW ON THE TERRACE AT MOUNT EDGCUMBE Watercolour with etching, 28 x 38cm.

Lot 118

After James Abbott McNeill Whistler RBA (1834-1903), "Eagle Wharfe", etching, 15.5 x 23cm.

Lot 98

William Payne (1760-1830) VIEW FROM MOUNT EDGCUMBE LOOKING AT BATTERY DOCK, WITH FIGURES IN THE FOREGROUND Watercolour with etching, 27.5 x 38cm.

Lot 101

William Payne (1760-1830) VIEW FROM MOUNT EDGCUMBE WITH FIGURES ON A TRACK Watercolour with etching, 29 x 39.5cm.

Lot 121

After James Abbott McNeill Whistler RBA (1834-1903), "The Forge", etching, 20 x 32.5cm.

Lot 119

After James Abbott McNeill Whistler RBA (1834-1903), "Billingsgate", etching, 15.5 x 23cm.

Lot 122

After James Abbott McNeill Whistler RBA (1834-1903), "The Pool", etching, 14 x 21.5cm.

Lot 133

After Herbert Dicksee, etching, head of a wolfhound, pub: Frost & Reed, signed in pencil on the mount, 43 x 41cm, within rosewood frame, titled "Ye Old Hound" on gallery label verso, with a companion, "Study of a Terrier", (damage to frame), a pair, (2).

Lot 123

After James Abbott McNeill Whistler RBA (1834-1903), "Chelsea Bridge & Church", etching, 10 x 17cm.

Lot 265

GEORGE CHAPMAN (1908-1993) “Terraced Houses, Swansea”, black & white etching; signed in pencil & numbered 5 from an edition of 50. 50cm x 74cm (image); framed & glazed. (77cm x 99.5cm over-all).

Lot 260

A. L. WYLLIE (20th century) “Shifting State”, abstract coloured etching, 25cm x 76cm, framed & glazed (93cm x 123cm overall).

Lot 231

William Lionel Wyllie, Fishing boats off shore, signed, etching, 21 x 16cm; three etchings of Eton by William Monk and an engraving. (5)

Lot 145

‡ FRANK BRANGWYN RA RWS RBA copper plate etching - "Bridge at Subacio - 1924", signed in pencil, 40.5 x 40.5cmsProvenance: private collection WirralComments: framed and glazed

Lot 841

21cm blade with clipped back point, etched to one side with an eagle and variously THE UNITED STATES LAND OF THE FREE and AMERICANS ASK FOR NOTHING BUT WHAT IS RIGHT AND SUBMIT TO NOTHING THAT IS WRONG, etching very worn and illegible in places, stamped EDWARD BARNES & SON at the forte, cutlery type handle with American eagle over foliage, contained in its white metal mounted tooled brown leather scabbard.

Lot 32

Etching, signed to the margin 'E J Dutmold'.37 x 18cm to the plate markQty: 1In generally good condition. With some light foxing, particularly notable in the lower left.

Lot 133

NEALE WORLEY (B.1962): A MONOTYPE ETCHING 'A PAUSE FOR THOUGHT', Signed by the artist in pencil and dated 98 45cm x 37cmMounted in a frame and glazed.

Lot 134

NEALE WORLEY (B.1962): A MONOTYPE ETCHING DEPICTING TWO NUDES, Signed by the artist in pencil and dated 99. 45cm x 37cm Mounted in a frame and glazed.

Lot 206

A GEORGE V SCOTTISH REGIMENTAL OFFICER'S DRESS SWORD FOR THE SCOTTISH BORDERERS, early 20th Century, with 32 1/2in. double-edged plated steel blade with two narrow fullers on each side, etched on both sides with Royal cypher to one side and 'KING'S / OWN / SCOTTISH BORDERERS' and regimental crest over, ricasso with proved plug to one side and Edinburgh retailer's details over, plated cross-guard, wire-bound fish-skin grip and steel pommel, together with its field scabbard with plated steel fittings, etching thinned with a little staining to the blade, fish skin thinned in places, some plating lifted on pommel and chape, 40 1/4in. overall. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

Lot 335A

Georges Braque (1882 - 1963) French artist and printmaker, 'Les deux Oiseaux' 1956, coloured etching and aquatint, label and framing details verso, image size 19 x 15cm, F & G

Lot 396

George Rose 1912, pencil signed etching

Lot 590

A coloured print of an oyster catcher; a print of a Thames river barge; a coloured etching "Migration II" and a print of Rhubarb

Lot 377

Penny Bhadresa, "Birds and Berries" limited edition etching 65/300

Lot 64

Ann Rea, pencil signed limited edition etching of a blackbird 4/16

Lot 406

Helen Brown, pencil signed etching "Goddess I" 1/30

Lot 765

Harold Wyllie (1880-1973) etching, River boats and sailing ship, pencil signed and numbered XXI together with Robert William Arthur Rouse (1867-1951) colour etching, Tower Bridge, pencil signed, largest 16 x 31cm

Lot 770

Edward Sharland (1884-1967), coloured etching, Rheims Cathedral, signed in pencil, 52 x 31cm

Lot 769

Graham Clarke (b. 1941) colour etching, 'Steamers', signed in pencil, limited edition, 93/200, details verso, 48 x 38cm

Lot 589

FIVE BOXES AND LOOSE PRINTS AND PICTURE FRAMES ETC, to include a faded John Gregory King print with a pencil drawn remarque to the lower margin depicting a male figure and a pack of dogs, approximate print size 43cm x 56cm, Cecil Aldin hunting prints, an indistinctly signed early 20th century North Devon coastal landscape, a Camille Fonce river landscape print published by Henry Graves 1897, 19th Century topographical prints of Birmingham, an etching of Winchester Cathedral signed and dated Gertrude 1927, a print of St John's Hospital by Rev Stebbing Shaw, sixteen framed paintings on silk depicting a variety of birds approximate size of each image 8.5cm x 6.5cm, together with other assorted prints etc

Lot 464

J. LEWIS STANT (1905-1964) 'ABBOTS BROMLEY, STAFFORDSHIRE', an etching with colours depicting a Staffordshire village, signed and titled to lower margin, approximate size 24cm x 31cm, together with two framed prints 'A fairy tale' by Carlton Smith and an unidentified genre style print

Lot 31

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered LXXV mounted, framed and under glass Wright's to catalogue 45 image size 22cm x 30ccm

Lot 17

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered mounted, framed and under glass Wright's to catalogue 27 image sizw 14cm x 7cm

Lot 15

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered II mounted, framed and under glass Wright's to catalogue 22 image size 12cm x 15cm

Lot 25

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and numbered LXIV mounted, framed and under glass Wright's to catalogue 35 image size 19cm x 9cm

Lot 23

* Sir William Russell Flint RA PRSW (Scottish 1880 - 1969) drypoint etching on paper, signed and inscribed; 1 of 2 proofs mounted, framed and under glass Wright's to catalogue 33 image size 15cm x 7cm

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