Sir Frank Brangwyn R.A. (1867-1956) Trees and factory, Hammersmith Signed Etching 33 x 40cm; 13 x 15¾in ++Paper rippled, some discolouration to paper, some staining right margin, tears upper left corner (margin) and down left margin, two small tears lower left corner one in edge of image, 2 small white specks by factory chimney possibly bloom
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Norman Lindsay (Australian 1879-1969) Land of the Sylphs Signed, titled and numbered 11, in pencil Etching, unframed 25 x 30cm; 9¾ x 11¾in (plate size) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent ++Untrimmed, strong old mount stain, some time staining, some peripheral marks where the print was previously spot fixed and has been removed, some slight creases and blemishes, otherwise in good condition
GRAHAM VIVIAN SUTHERLAND A.R.E, OM (1903-1980)Michaelmasoriginal etching, unframedpencil signed 'Graham Sutherland' in lower marginPl 3 1/2 x 3 in (8.9 x 7.7cm)Dateable to 1928Michaelmas is the celebration in the Roman Catholic Church of the feast of Saints Michael,Gabriel and Raphael (the archangels) which falls on 29th September each year. Graham Sutherland had converted to Roman Catholicism early in 1926 .Throughout the nineteen twenties, including his student years at Goldsmith's College, Sutherland produced a series of pastoral etchings including this deeply spiritual work, worked in the tradition of Samuel Palmer. By 1935 Sutherland had turned towards Surrealism
PAUL DAROU DRURY PRE (1903-1987)Head of a young Womanoriginal etching, unframed pencil signed in marginPl. 6 x 4 1/2 in (15.3 x 11.4cm)Paul Drury was a friend and fellow student of Graham Sutherland at Goldsmith's College, 1920-1925. he later became a visiting teacher at various London art schools. Between 1948-1974 he was a member of the Faculty of Engraving of the British School in Rome
CHARLES WILLIAM TAYLOR (1878-1960)Before Burfordoriginal line engraving and etching, unframedpencil signed 'C.W. Taylor' in lower marginPl. 8 1/2 x 6 1/2 in (21.5 x 6.5cm) Taylor studied at Wolverhampton School of Art and the RCA. His print making came to the attention of the public in the mid 1920's when he produced a small but interesting group of works, mostly wood engravings of unspoilt areas in the Midlands & the South of England
NOEL ROOKE ARE (1881-1953)Sun and Shadeoriginal wood engraving, unframedsigned with initials' N.R.' in plate,unframedPl. 5 x 6 in (12.7 x 15.3cm)Noel Rooke was the son of the painter Thomas Matthews Rooke. He studied at the Slade School from 1899-1903 under P. Wilson Steer and Henry TonksSold together with a 1984 etching and aquatint by Ronald Best inscribed 'Untitled'; and a 1968 wood engraving by Robert Bates titled 'All in the Spring' ( Provenance: Lumley Cazalet, London), three (3)
ROBERT SARGEANT AUSTIN RA (1895-1973)The Letteroriginal line engraving,unframed pencil signed and dated 'Robert Austin 1938' in lower right marginPl. 4 1/4 x 3 3/4 in (10.8 x 19.6 cm) Austin began to introduce engraving into his etchings in 1924, and produced his first pure line engraving in 1925. His appointment as tutor of engraving at the Royal college in 1927 promoted a revival of interest in the technique The sitter in this etching is Mrs Berhard Smith , owner of the Twenty One Gallery and publisher of Austin's prints for many years.She is depicted here in her cottage ar St Nicholas at Wade, near Birchington, in Kent
E. HEBER THOMPSON R.E. (1891-1971))The Ballerinaoriginal etching, unframedsigned 'Heber Thompson' in lower margin (lower right)Pl. 6 3/4 x 9 in (17.2 x 22.8cm) Thompson received his early artistic training in New Zealand. After serving in the New Zealand Army in WW1, he received an Army scholarship in 1919 to study at the Slade School of Art, and later studied etching with Frank Short at The Royal College of Art.
UK PUNK - Great selection of 33 x cracking 7" and EPs. Artits/titles will include Swell Maps (x4) inc. Read About Seymour (1st 'READ ALL ABOUT IT BOYS' etching) and Dresden Style, The Boys - Brickfield Night/Teachers Pet, Chelsea, Hollywood Brats, 999, Nightrider, The Now, The Panik, Llygod Ffyrnig, Josef K., The Kursaals, The Genocides, Those Naughty Lumps, Suburban Studs, Jonny Rubbish, The Four Kings and The Lurkeers. Condition is generally Ex to Ex+ with the majority of the collection having been stored safely out of the sleeve in plastic wallets.
One Limited Edition volume ' Rubaiyat of Omar Khayyam ', the First and Fourth renderings in English verse by Edward Fitzgerald with illustrations by Willy Pogany, printed by George Harrap, London, 1930, Limited Edition No. 229 of 750, signed by Willy Pogany inside the cover and including a black and white etching, complete with original box
MICHAEL SANDLE R.A. (b. 1936) Framed, signed, dated '1986' and numbered '26/35' in pencil to margin, etching on paper, titled 'Rank' on label verso. Sandle created this etching as an interpretation of the symbol shown on cinema screens indicating films produced by the J. Arthur Rank Organisation, a strong male form hitting a gong, 24.2cm x 19.6cm. (ARR).

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