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Lot 1
*Paton (Frank, 1856-1909). 'A Deep Dream of Peace', a study of young foxhounds surrounded by eight vignettes showing various sporting activities including polo, shooting, hunting, horse racing, etc., etching, signed in pencil, approx. 210 x 260 mm, together with two similar etchings signed by Paton and two further items of Grand National and shooting interest (5)
Lot 1
*Yorkshire. View of Hornby Castle, Yorkshire, 1849, watercolour, unsigned, approx. , framed and glazed (1) #100-150 62. *English School. Rural landscape with figures and cows by a lake, early to mid-19th c. gouache on paper, unsigned, approx. 205 x 335 mm (8 x 13 ins), framed and glazed, together with a watercolour study of a barn signed Mimpriss, and dated 1946, and an etching of Merton College, Oxford, by Ferdinand Giele (1867-1929), signed, titled and numbered 32/75, both framed and glazed (3)
Lot 1
*Simpson (Edwin, 20th century). The Potting Shed, oil on canvas, signed, approx. 240 x 350 mm, together with Mould (C.J.), Study of a young woman in a feathered hat, pencil, signed and dated 1913, approx. 385 x 255 mm, a sepia etching after Gainsborough, a marine watercolour and other drawings and prints including a Victorian group portrait of the Stafford family, mostly framed and glazed (11)
Lot 1
*Warren (Judith, late 20th c.). The Cockerel, pen, ink & watercolour of a cockerel amongst trees and undergrowth, signed and dated October 94, with artist's inscription to verso, approx. 550 x 420 mm (21.5 x 16.5 ins), framed and glazed, together with Wesselman (Frans, late 20th c.), 'Parrots', colour etching, signed, titled and numbered 18/50 in pencil, plate size approx. 290 x 295 mm (11 x 11.5 ins), framed and glazed, plus Knowland (D. G., 20th c.), Garden landscape with hills beyond, oil on canvas, signed, approx. 500 x 750 mm (19.75 x 29.5 ins), framed, and four others, various, including three small oils and an aquatint of Silkie bantams, all framed (7)
Lot 1
*Piranesi (Giovanni Battista). Joannis Baptistae Piranseii Antiquariorum Regiae Societatis Londinensis Socii Campus Martius Antiquae, Romae, 1762, uncol. etched title page, approx. 50 x 33.5 cm, some minor spotting, mainly to margins, together with Stylobata Columnae cochliodis Imp. Cae. M. Aurelii Antonini... , [1762], uncol. etching, approx. 19 x 29 cm, some minor scattered spotting, plus one other by Piranesi, all framed and glazed Ficacci 483 & 488. (3)
Lot 1
*Badmin (Stanley Roy, 1906-1989). Richmond Bridge, Surrey, etching, signed, titled, numbered 3/50, and additionally inscribed 'With Best Wishes', some light mount staining and a few foxing marks to margins, image size approx. 110 x 162 mm (4.25 x 6.5 ins), sheet size approx. 240 x 305 mm (9.5 x 12 ins), framed and glazed (1)
Lot 1
*Cain (Charles William, 1873-1962). Middle Eastern bazaar, uncol. etching, signed in ink, plate size approx. 250 x 372 mm (10 x 14.75 ins), wide margins, mounted, together with another etching by the same artist, entitled the Date Pickers, signed and titled in pencil, plate size approx. 110 x 215 mm (4.25 x 8.5 ins), with margins (2)
Lot 1
*Cameron (Sir David Young, R.E.). Old Houses on South Side of Rotten Row, Glasgow, 1899, uncol. etching, signed in pencil by the artist, approx. 13 x 16 cm, together with Davis (Phillip W.), The Flower Market, Munich, 1926, uncol. etching, signed in pencil by the artist, approx. 18.5 x 24.5 cm, plus Wilson (Edgar), The Main Street, Kingshead, early 20th c., uncol. etching, signed in pencil by the artist, approx. 13 x 18 cm, and one other (4)
Lot 1
*Cobb (Victor Ernest, 1876-1945). 'The Geelong Grammar School, Corio', 1931, etching, signed, titled and numbered 9/85 in pencil, plate size approx. 190 x 380 mm (7.5 x 15 ins), with margins, framed and glazed Victor Ernest Cobb was born in Melbourne, and studied at the National Gallery School under L. Bernard Hall. His reputation is based on his etchings of the architectural features of Melbourne, including views of the city, as well as coastal and countryside scenes. (1)
Lot 1
*Ditchfield (Arthur, 1842-1888). A collection of approx. eighty-five etchings, mostly landscapes and coastal scenes, etc., including duplicates, printed on various papers, including india paper, some marked in pencil (probably by the artist), with the etching state, a few marked 'printed by Mrs Edwards' or similar, various sizes, approx. 260 x 295 mm (10.25 x 11.5 ins), and smaller (approx. 85)
Lot 1
*Dodd (Francis, 1874-1949). Strand with Sky, uncol. etching, approx. 35 x 25 cm, together with Wright (C. Octavius), Abingdon, 1915, approx. 20 x 30 cm, plus Bentley (Alfred), Morlaix, Brittany, uncol. etching, approx. 19 x 33 cm, and thirteen other various etchings, all but one signed in pencil by the artist, all framed and glazed (16)
Lot 1
*Drury (Paul, 1903-1987). Ruins of St. David's, 1927, etching, signed and dated in pencil, plate size approx. 175 x 220 mm (7 x 8.5 ins), with margins, in good condition, together with an etched portrait of an old man wearing a hat, signed and dated '25, plate size approx. 90 x 90 mm (3.5 x 3.5 ins), with wide margins, in good condition, both mounted (2)
Lot 1
*Dunoyer de Segonzac (Andre, 1884-1974). Paysage, etching, signed and numbered 14/50 in pencil, plate size approx. 100 x 142 mm (4 x 5.5 ins), with margins sheet size approx. 250 x 325 mm, (10 x 13 ins), one or two minor marks to margins, framed and glazed Provenance: From the collection of Roger Fry; given by S. M. Fry to Mary Fisher, with inscription in ink to verso 'Segonzac Paysage from S. M. Fry, a memory of Roger Fry to whom it belonged, Xmas 1936'. (1)
Lot 1
*Fitton (Hedley, R.E., 1859-1929). Rialto Bridge, Venice, etching, signed and titled in pencil to lower margin, plate size approx. 365 x 335 mm (14.25 x 13.25 ins), mounted Hedley Fitton was an etcher who specialised in architectural views and street scenes in London, Florence, Venice and elsewhere. He was awarded a gold medal by the Société des Artistes Francais. (1)
Lot 1
*Fitton (Hedley, R.E., 1859-1929). Cour du Corbeau, Strasbourg, pub. Robert Dunthorne, December 1st 1919, etching, first state, signed in pencil to lower margin, plate size approx. 485 x 310 mm (19 x 12.25 ins), period stained wood frame, glazed, with orig. publisher's partly-handwritten label to verso (1)
Lot 1
*Gross (Anthony, 1905-84). Meadow with building and belltower beyond, etching, signed in pencil, plate size approx. 210 x 140 mm (8.25 x 5.5 ins), framed and glazed, together with two additional signed etchings by Anthony Gross, entitled Polyphenus, and Bucoliastae [from Theocritus, Sixe Idyllia, pub. Clover Hill Editions, 1971], plate size approx. 210 x 145 mm (8.25 x 5.75 ins), both mounted (3)
Lot 1
*Gunn (David W., 20th c.). Boats in the harbour, linocut, signed and dated 25, image size approx. 130 x 180 mm (5 x 7 ins), mounted, together with seven other various etchings, including a few of the Pont Neuf, Toulouse by Arthur Yvon (?), dated 1929, an etching of French first world war soldiers in a trench, unsigned, a woodcut illustration by Jane Muus for Jules Romain's Paris, 1949, and a linocut by A. Abramavitz, entitled 'Residences, Hollywood', dated 1933 (8)
Lot 1
*Hankey (William Lee, 1869-1952). 'Sur la Plage', etching with drypoint, signed in pencil, and marked 'To Pay off Derby' a unique unnumbered proof, in excellent condition, plate size approx. 455 x 550 mm (18 x 21.5 ins) William Lee-Hankey, R.E., studied at the Royal College of Art. He lived in France for part of his career and produced etchings of French scenery and breton peasants. Provenance: Purchased in Penzance in 1970, at the sale of house contents belonging to Gerald du Maurier. This unique proof was apparently produced in payment for a set of Crown Derby china. (1)
Lot 1
*Howarth (Albany E., A.R.E., 1872-1936). The Market, Spain, etching, signed in pencil, plate size approx. 250 x 165 mm (10 x 6.5 ins), framed and glazed, together with another similar etching of a Spanish street scene by the same artist, signed in pencil, plate size approx. 165 x 165 mm (6.5 x 6.5 ins), framed and glazed, plus an etching of the gardens at the Villa d'Este, signature indistinct, plate size approx. 303 x 206 mm (12 x 8 ins), framed (3)
Lot 1
*Mackenzie (James Hamilton, A.R.S.A., A.R.E., 1875-1926). Figures working by a windmill, etching, signed in pencil, plate size approx. 255 x 290 mm (10 x 7.5 ins), some light mount staining, together with Steinlen (Theophile Alexandre, 1851-1923), Calvaire Serbe: Premier Episode, 1916, uncol. lithograph, signed, titled in pencil in another hand, image size approx. 250 x 440 mm (9.75 x 17.25 ins), with margins, some marks, and light foxing, plus Davis (Philip W., 20th c.), Dresden, 1930, uncol. etching showing a stone bridge with paddle steamer and baroque church, signed, titled and dated in pencil, plate size approx. 187 x 340 mm (7.5 x 13.5 ins), mount stained, and other various etchings, mostly continental scenes (11)
Lot 1
*Maclaughlan (Donald Shaw, 1876-1938). Sussex Landscape, 1920, etching, signed in pencil, plate size approx. 150 x 270 mm (6 x 10.5 ins), some light overall toning, mounted, with label of Albert Roullier Art Gallery, Chicago to verso Regarded as one of America's finest etchers of the early twentieth century, although he lived and worked mostly in France and Italy. (1)
Lot 1
*Morgan (William Evan Charles, born 1903). Nymphs Bathing, 1928, etching with drypoint, signed, dated, titled and numbered 75/83, plate size approx. 200 x 280 mm (8 x 11 ins), in very good condition, framed and glazed William E. C. Morgan studied at the Slade School of Art, and took the 1924 Prix de Rome for engraving. See Guichard, British Etchers 1850-1940, page 51. (1)
Lot 1
*Nevinson (Christopher Richard Wynne, (1889-1946)). The Willows, etching, signed in pencil, plate size approx. 175 x 140 mm (6.75 x 5.5 ins), with margins, some minor surface marks and traces of damp to extrems., some discol. to upper outer corners where previously hinged, sheet size approx. 320 x 230 mm (12.75 x 9 ins) (1)
Lot 1
*Pott (Constance Mary, 1862-c.1930). On the Medway, etching, signed, titled and inscribed 'To Alice with much love from Constance M. Pott', plate size approx. 247 x 373 mm (9.75 x 14.5 ins), some light mount staining, small portion to right hand margin torn and missing, just touching plate border, mounted (1)
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78408 item(s)/page