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Lot 72

Charles Frederick Tonnicliffe (British mid 20th Century British): Farrier's Inspection, limited edition etching signed and numbered 58/75 in pencil 22cm x 27cm and a Racing print on board (2) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Lot 204

* JOHN R GORDON, COASTAL VILLAGE watercolour on paper, signed and dated 1952 22cm x 28cm Mounted, framed and under glass; and AFTER SYDNEY EDWARDS, A PAIR OF PHOTOGRAPHIC PRINTS each 27cm x 33cm Each framed and under glass, along with H ALKEN, THE DEATH etching with aquatint 13cm x 60cm Mounted, framed and under glass (4)

Lot 283

ETCHING BY JOHN S. MATHIESON, framed and under glass

Lot 290

GEORGE SOPER, GOING TO WORK, etching, signed 17cm x 27cm

Lot 63

TWO ETCHINGS BY D Y CAMERON, of Arran and Perth Bridge; along with another etching of a seascape, a 19th century Japanese woodblock print by Kono Bairei (1844-1895), two related prints of a fisherman and fish by Mark Huskinson and another print of a book illustration (7)

Lot 386

An unsigned watercolour of Rockland St Mary, a country lane watercolour plus Aiden Kirkpatrick artists proof etching of Buckenham Ferry

Lot 424

Axel Herman Haig, Pamplona, returning from the fair, signed in pencil, etching, 67cm x 93cm, in a carved oak frame.

Lot 310

A John Daffern copper plate etching and engraving, Emperor Penguins-Huddling, 9/50, signed and dated 2013 to the marginJohn Deffern born 1945 was a principal lecturer at Leeds College of Art and at the Leeds Metropolitan University (faculty of art and design)Image size approx. 45 x 54.5 cm

Lot 383

A James McArdle dry point etching, Ben Lomond (Low Clouds), signed and titled in pencil, two Johnstone Baird etchings, and two others (6)

Lot 1639

After Frans Wesselman 'Grebe' Coloured Etching, limited edition 24/150, graphite signed and titled lower margin (29 x 29.5cm) and a companion piece 'Toucans', 70/150. (2)

Lot 701

AFTER RICHARD BEER (b. 1928-) "Cappelleria Dante Barbetti", colour etching, limited edition No'd. 63/70, signed in pencil lower right, No'd. and titled lower left, impression size 47 cm x 60 cm (ARR)

Lot 748

AFTER DOUGLAS OWEN PORTWAY (1922 - 1993) "Nude with Scarf or Towel", print, artist proof signed in pencil "Nude with Covered Top" etching, limited edition 18/50 signed in pencil, "Nude Tying her Hair" etching, limited edition 18/50 signed in pencil together with five other similar CONDITION REPORTS Some discoloration of the paper on some of the prints. Over all fair condition with general wear and tear commensurate with age and use. See photos for details.

Lot 671

FRANK ARIS "Nude" study in sepia monochrome acrylic signed lower left together with AFTER ALDINO YAN "Pola" a nude study black and white etching titled and signed in pencil together with another by the same hand togehter with another in the same hand

Lot 181

An 18th century French map. 'Cartes des Decouvertes Faites en 1787, dans les mers de chine et de Tartarie...' Copper etching by Bouclet from 'Atlas du Voyage de la Perouse'. Hand coloured. 20' x 28'

Lot 1056

Kurt Meyer-Aberhardt (1895 - 1977), etching, kitten playing with a fly, signed in pencil, plate size 9" x 11.5", unframed

Lot 1087

George Percy Jacomb Hood (1857 - 1929), etching, illustration from the Fairy Queen, signed in the plate, plate size 8" x 6", framed

Lot 1179

Lindy Foss, etching, The Birds, signed in pencil, dated 1974, image size 17" x 23", framed.

Lot 1218

Edvard Munch, drypoint etching, landschaft, unsigned, published 1919, plate size 4" x 5.75", framed

Lot 1252

David Smith RE (1920 - 1998), etching, the Grand Canyon Arizona, artist's proof, signed in pencil, plate size 13" x 20", and desert motif, plate size 14" x 21", unframed (2)

Lot 1005

Paul Drury (1903-1987), etching, memento mori, signed in pencil, 1939, plate size 10" x 11", framed

Lot 1024

Winifred Austen, etching, ducks among the reeds, signed in pencil, plate size 7" x 10", framed

Lot 1029

William Walcot, etching, Thames scene, signed in pencil, plate size 6" x 12", framed

Lot 1030

William Walcot, etching, Thames scene, signed in pencil, plate size 4.5" x 13", framed

Lot 1046

Rowland Langmaid, etching, shipping at Portsmouth, signed in pencil, plate size 7" x 14", mounted

Lot 1047

Rowland Langmaid, etching, shipping at Portsmouth, signed in pencil, plate size 7" x 14", mounted

Lot 1054

William Strang 9859 - 1921), etching, woman and child, signed in the plate, 1884, image size 8.75" x 7", unframed

Lot 1055

James Morgan Dennis (1892 - 1960), etching, stick together fellers, 1930, signed in pencil, image size 4" x 5.5", unframed

Lot 983

AFTER GEORGE MORLAND; a coloured engraving, a family burning bracken, 58 x 44cm, and another similar hand coloured etching after Morland, both framed and glazed (2),

Lot 260

Pamela Townshend (British, b. 1920) 'In Petty Cury Lane', mixed media, 50 x 36cm; 'A View in Cambridge', signed, mixed media, 35 x 49cm; Richard Sell (British, 1922 - 2008) 'King's Parade From Senate House', numbered 20/68, lithograph, 36 x 40cm; Pamela Hughes (British, 1918 - 2002) 'Edge of the Wood, Holkham', numbered 9/25, etching (4)

Lot 896

AFTER FRANK GREENWOOD; a black and white etching 'Manchester Grammar School', signed in pencil to the margin, 40 x 25cm, framed and glazed.

Lot 906

PERCY LANCASTER (1878-1951); watercolour, Continental harbour scene, signed lower right, 24 x 16cm, framed and glazed, and an etching 'View of the Castle' by the same hand (2).

Lot 236

Limited Edition etching 'Nude I' pencil signed (1/70)

Lot 237

Limited Edition etching 'Nude II' pencil signed (29/70)

Lot 111

"Louviers", etching, 4/6, signed and dated, framed, 17 X 25 cm

Lot 68

"Etching", etching, signed with initials and dated, framed, 22 X 17cm

Lot 76

"Beckett", etching, signed, framed, 22.5 X 17.5 cm

Lot 8

"Je veuve d'Artiste", black and white etching, 41 X 26 cm

Lot 1

Solesio (Faustino, publisher) Four sheets of uncut playing cards, with full-length figure cards, coins, swords, clubs, and a decorative publisher's cartouche, each numbered, etching and engraving, on wove paper, each platemark approx. 405 x 360 mm. (16 x 14 1/4 in), with wide margins, light surface dirt, unframed, San Francesco D'Albaro, [20th century impressions], (4).

Lot 10

Solesio (Faustino, publisher) Seven sheets of uncut playing cards, with full-length figure cards, coins, swords, clubs, antique vases, and a decorative publisher's cartouche, each numbered, three duplictaes, etching and engraving, on wove paper, each platemark approx. 410 x 310 mm. (16 1/8 x 12 1/4 in), with good margins, light surface dirt, unframed, San Francesco D'Albaro, [20th century impressions], (7).

Lot 2

Solesio (Faustino, publisher) Three sheets of uncut playing cards, with full-length figure cards, coins, vases, swords, batons, and a decorative publisher's cartouche, each numbered, etching and engraving, on wove paper, each platemark approx. 405 x 360 mm. (16 x 14 1/4 in), with good margins, light surface dirt, unframed, San Francesco D'Albaro, [20th century impressions]; together with two sheets of uncut double-ended court cards, working proof plates lacking suits, etching and engraving, platemarks approx. 405 x 360 mm. (16 x 14 1/4 in), unframed, probably Faustino Solesio, [20th century impressions], (6).

Lot 25

Anonymous (possibly Italian, late 19th century) Six duplicate uncut sheets with double-ended court cards, 12 cards per sheet, working proof plates without suits, engraving and etching, well inked impressions, on various machine-made wove papers, without watermarks, each platemark approx. 395 x 190 mm. (15 1/2 x 7 1/2 in), sheets approx. 420 x 300 mm. (16 1/2 x 11 3/4 in), light cockling to edges, minor spotting and surface dirt, all unframed, [20th century impressions], (6).

Lot 27

Liberty & Beef (publisher) Four uncut sheets of playing cards, 8 cards per sheet, with double-ended court cards, and decorative publisher's cartouche, working proof plates without suits, two duplicate sheets, etching and engravings, with plate tone, on machine-made wove paper, without watermarks, each platemark approx. 200 x 270 mm. (7 7/8 x 10 5/8 in), good margins, minor handling creases, all unframed, [20th century impressions]; together with two further sheets of double-ended court cards in the same format, all unframed (6).

Lot 75

Anonymous (18th century) The Times. Pl. 2, broadside satirising Lord Bute, blaming him for the murder of William Allen, etching of a satirical allegory showing Lord Bute riding a zebra which has the head of King George III, with three columns of text below, sheet 320 x 240 mm. (12 1/2 x 9 1/2 in), trimmed in places within the platemark, some small nicks and tears to extremities, minor spotting and surface dirt, unframed, [1768].Literature:BM Satires 4243

Lot 83

Cock fighting.- Fielding (After Newton, 1799-1856) A suite of six stages of a cock fight, the set, etching and aquatints with hand-colouring, each approx. 185 x 215 mm. (7 1/4 x 8 1/2 in), uniformly framed and glazed, published by Ackermann, 1853 (6).

Lot 88

Playing cards.- Rowlandson (Thomas, 1756-1827) How to pluck a goose, etching with hand-colouring on wove paper, platemark 255 x 320 mm. (10 x 12 1/2 in), sheet 267 x 408 mm. (10 1/2 x 16 in), publisher's details and date have been scraped form the sheet, otherwise minor handling creases to margins, some light spotting and browning, [originally published by Thomas Williamson, 1802].Literature:Grego II 36, 397⁂ The British Museum does not appear to hold a copy, but one can be found in The Met, New York.

Lot 89

NO RESERVE James Christie.- Dighton (Robert, 1752-1814) The specious orator./ Will your ladyship do me the honor to say £50-000 \ - a mere trifle - a brilliant of the first water. \ an unheard of price for such a lot, surely', etching with hand-colouring on wove paper without watermark, platemark 205 x 155 mm. (8 1/8 x 6 1/8 in), sheet 350 x 250 mm. (13 3/4 x 9 7/8 in), minor spotting and surface dirt, unframed, 1794.Literature:BM Satires 8526

Lot 778

ETCHING, FRAUENKIRCHE DRESDEN, SIGNED MARGIN RUDOLF (?VORTY) WITH BLINDSTAMP

Lot 315

ETCHING BY W.HOLE AFTER H.CAMERON CALLED 'THE NEW ARRIVAL' AND ENGRAVING CALLED 'LA VISITE INATTENDUE' (38 X 48 CM )

Lot 329

FRAMED ETCHING OF 'ELIZABETH DUCHESS OF HAMILTON' POSSIBLY BY SAMUEL WILLIAM REYNOLDS

Lot 722

FRAMED AND COLOURED ETCHING SIGNED BY CARMILLE FONCE? 1927 OF TOWN AND CATHEDRAL

Lot 419

Louis Icart (1888-1950) Les Masques (Masks), 1926 dry-point etching and aquatint on paper with hand colouring, framed signed in pencil lower right, numbered 225, embossed artist blindstamp, 46 x 36.5cm. (image)

Lot 420

Louis Icart (1888-1950) Fair Dancer, 1939 etching and aquatint on paper with hand colouring, framed signed in pencil lower right, embossed artists blindstamp, 56 x 47cm (image)

Lot 324

An 1828 Pattern Scottish Basket Hilt Broadsword by Henry Wilkinson, Pall Mall, London, the 89cm double edge steel blade with later silver plating, bearing traces of etching and maker's mark, the back edge numbered 34313, with HW poincon, the nickel-plated hilt with wire bound fishskin grip, cushion fluted pommel with remains of red tassel, with scarlet baize and buckskin liner, the plated scabbard with twin ring suspensions, 108.5cm. The later silver plating to the blade has partially obscured the etched decoration and the maker's mark, there is slight wear in parts. Otherwise good.

Lot 295

A First Pattern Fairburn Sykes ''F-S'' Fighting Knife by Wilkinson Sword Ltd., the 18cm double edge steel blade with raised medial ridge to each side, each side of the ricasso with a recessed panel, one side faintly etched with maker's name, the opposing side etched THE F~S FIGHTING KNIFE, with nickel plated brass recurving crossguard and diamond cut grip, lacks scabbard . Blade with overall rusting and pitting. Plated crossguard with slight flaking. Plated grip with some flaking and rusting. Scabbard lacking. Etching very faint.

Lot 296

A First Pattern Fairburn Sykes ''F-S'' Fighting Knife by Wilkinson Sword Ltd., the 18cm double edge steel blade with raised medial ridge to each side, each side of the ricasso with a recessed panel, one side faintly etched with maker's name, the opposing side etched THE F~S FIGHTING KNIFE, with nickel plated brass recurving crossguard and diamond cut grip, lacks scabbard. Blade with overall rusting and pitting. Plated crossguard with slight flaking. Plated grip with some flaking and rusting. Scabbard lacking. Etching very faint.

Lot 488

After Piranesi (Giovanni Battista, 1720-1778) 'A View of St.Andrews Church della Valle at Rome' hand-coloured etching in carved gilt frame, 26 x 41cm, together with 'A View of Panfilius's Palace, Spain', after 'Le Geuy Del'? hand-coloured etching in matching gilt frame, 26 x 41cm (both trimmed)

Lot 495

Camille Pissarro (1830-1903), 'Port De Rouen,' with figures unloading boats at a quayside with buildings beyond, etching and aquatint on paper, mounted glazed and framed. Believed to be one of less than 20 original unpublished pulls before the plate was destroyed, mounted , glazed and framed, 11x13cm, With original gallery purchase receipt.

Lot 363

Martin Hardie, '06: a signed etching, Kentish village with bridge and oast house, an aerial view of Henley and a map of Oxfordshire

Lot 329

H VerniesMarcote, Switzerlandsigned etching; others, William Hole; Adrian Hill (3)

Lot 262

Henry Wilkinson (1921-2011) British. Two Salukis Standing in a Landscape, Etching, Signed and numbered 12/250 in Pencil, 9.25" x 13.25".

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