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Lot 224
Portrait of a Girl, etching indistinctly signed Eileen Coe?, Choir Boy, pastel drawing signed by Judy Smith, Donkey Rides, print signed by John S Gibb and Posting a Letter, watercolour unsigned max 53cm x 39cm (4) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1023
David Hockney, 'Fourteen Poems by C P Cavafy chosen and illustrated with twelve etchings by David Hockney...translated by Nikos Stangos and Stephen Spender..' London, Alecto, 1966: large folio, publishers plain purple cloth boards in black slipcase, minor wear and sunning, else VG. Edition A, pencil signed by Hockney and numbered 1 of 500 copies; together with 'Portrait of Cavafy II', signed in pencil and dated '66, etching with aquatint, 35 x 22.5cm, latter framed and glazed. (2)
Lot 1025
Victor Pasmore, '...with a catalogue rainsonne of the paintings, constructions and graphics, 1926-1979', signed in ink 'Victor Pasmore' and numbered 38/100, cloth boards, original transparent outer dust jacket; together with framed dustjacket, monogrammed in pencil, etching with aquatint, 32 x 61.5cm; and Victor Pasmore, 'Metamorphosis, Hear the Sound of a Magic Tune...', from 'Words and Images', monogramed in pencil, colour print, 31 x 55.5cm, also framed. (3)
Lot 521
KLEY (Heinrich): signed etching of frogs and lizards on sledges by Heinrich Kley, pencil numbered 12-25 lower left and signed lower right of image: together with original pen and ink sketch by the artist, 'Fawns at Dinner': together with small quantity of original drawings by Suffolk artist G A Ford. (Small quantity)
Lot 59
FOLIO SOCIETY: SWIFT (Jonathan): 'Travels into Several Remote Nations of the World, by Lemuel Gulliver, newly illustrated by Peter Suart..': Folio Society, 2011, limited to 1000 copies each with an orignal etching, signed and numbered by the artist, this numbered 5, decorative endpapers, teg, quarter vellum and corners, upper board with illustration in colour and gilt, spine gilt lettered, contained in original publishers clam shell box, folio. (1)
![*Paris. Paris en 1860. Vue a Vol d'oiseau prise au dessus du quartier de St Gervais, [1861], hand-coloured lithograph by Mul](https://cdn.globalauctionplatform.com/8bf1a529-a787-46bf-861d-a91c00d38464/4394f5b1-2e20-4d77-dc5e-ab9a3ec3b8d4/468x382.jpg)
Lot 271
*Paris. Paris en 1860. Vue a Vol d'oiseau prise au dessus du quartier de St Gervais, [1861], hand-coloured lithograph by Muller after Felix Benoist, printed by Charpentier, image size 26 x 40 cm (10.25 x 15.75 ins), sheet size 42 x 38.5 cm (12.5 x 16.5 ins), together with Silvestre (Israel), Veue du Palais et des Jardins des Thuilleries, etching on heavy wove paper, thread margins, sheet size 38.5 x 51 cm (15.1 x 20 ins), plus another etched title page by Israel Sylvestre entitled Les plaisirs de l'Isle enchant‚e, ou les festes, et divertissements du Roy, a Versailles, 1664, an early 19th century lithograph view of the Rue de Rivoli, by J. Jacottet, published by Gihaut freres, Paris, a hand-coloured aquatint entitled Vue du Pantheon, after Arnout, a view of the Chateau at Rosny, by A. Maugendre, printed by Auguste Bry, Paris, etc., mostly window-mounted (View of the Pantheon framed and glazed), various sizes (9)
Lot 439
Lewis (Wyndham). Time and Western Man, 1st edition, 1927, title with wood-engraved vignette, some light spotting, original red cloth, slight fading to spine, dust jacket, spine a little rubbed and toned, a few chips, 8vo, together with One-Way Song, 1st edition, 1933, scattered light spotting, original cloth, light toning to spine, dust jacket, spine toned and chipped at ends, 8vo, plus Beyond This Limit, 1935, illustrations, original cloth, dust jacket, a few small chips and tears, light spotting, 4to, with others by Lewis including The Enemy, issues 1 & 2 (2 copies, spines defective), Enemy Pamphlets No. 1, Satire & Fiction, circa 1930, America and the Cosmic Man, 2nd issue, 1948, The Writer and the Absolute, 1952, Self Condemed, 1954 and The Roaring Queen, 1973 (limited edition 29/100, signed by Mrs Wyndham Lewis, Walter Allen and Michael Ayrton, with loose signed etching by Ayrton) From the Collection of Alan and Joan Tucker, Stroud. (31)
Lot 451
AUGUSTUS EDWIN JOHN OM R.A. (1878-1961)Portrait of the artist Wyndham Lewisetching, with some surface browning,with wide marginsPl. 7 x 5 1/2 in (17.8 x 13.9cm)Sold together with an etching with dry point by John depicting a Portrait of Benjamin Evans, circa 1902 , signed in plate, and pencil signed 'A.E. John' lower right, with full margins,with mild surface yellowing, from the edition of 25; a signed etching depicting a Portrait of Charles Felix Slade wearing a hat; an etching depicting Charles McEvoy, with significant foxing; and a pencil signed etching by John depicting Benjamin Waugh; a pencil signed etching depicting a lady holding a Glass of Wine, from the edition of 25 with full margins; a pencil signed etching depicting 'Figures rambling by a lake'; a pencil signed etching by John depicting 'Anne with a lace shawl'; and a further etching by John depicting a 'Portrait of a man', the latter print lacking all margins, trimmed to plate on four sides, all in mixed condition, (sold a/f) ; nine (9)
Lot 452
AFTER GEORGE STUBBS ARA (1724-1806)Shooting (Plates 1-1V)engravings with etching by William Woolett,with engraved inscriptions and publication lines 'Geo Stubbs pinxt, Wm. Woolett sculp'published by Thomas Bradford, 132, Fleet Street, London 1769-1771, all with some foxing and minor defectsPl. 15 x 20 1/2 in; a set of four (4) sold a/f The paintings after which this set of engravings were made were not exhibited as a group in Stubbs' lifetime but rather individually at the Society of Artists in 1767, 1768, 1769 and 1771
Lot 455
JOSEPH WEST OF BATH (1800-1835)'Charlecombe Church near Bath, Somersetshire'signed 'J. West' (centre right), and inscribed as title and dated 1808 on the reversewatercolour,11 1/2 x 15 1/2 on (29.2 x 39.4cm) An inscription on a label on the reverse states 'a gift from Mr West to Miss A. Aspinall' The Anglican Church of St. Mary, Charlcombe was built in 12th century. In 1734 the novelist Henry Fielding married at the church. Joseph West is believed to have been a pupil of Thomas Barker of Bath. His landscapes mostly depict views in the vicinity of Bath, though he is known to have also visited Wales. He is possibly the same J. West who published a volume of instructional drawings of trees and cottages, done in soft ground etching. He exhibited four times at the British Institution.
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78388 item(s)/page