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Lot 527

Victor Allwood, study of cottage backs, watercolour, signed and dated '31, together with a similar study of uncoloured etching. Framed and glazed. (2)

Lot 537

Eleanor Partridge, 'In the Springtime of the Year, Friesians in the Barn II', limited edition, uncoloured etching no.: 25 of 50. Framed and glazed.

Lot 554

Hanger,'Concrete Desert', a limited edition coloured etching, no. 5 of 50, signed in pencil. Framed and glazed. ***

Lot 560

After David Carpanini, 'The Brothers', a limited edition uncoloured etching no. 18 of 20, signed in pencil. Hogarth frame and glazed.

Lot 567

After Linnell, harvesting scene, uncoloured etching. Framed and glazed.

Lot 90

BRITISH GUIANA - 1850-51 4c lemon-yellow "Cotton-reel" on thin paper, cut round (SG 3.II) signed E.D.W(ight), used, ink etching at the initials (causing splits in the paper) and minor soiling, RPS (1966) and Brandon (2014) Certs, cat £24,000

Lot 267A

After James Gillray (1756-1815) 'A broad hint of not meaning to Dance' coloured etching, originally published 1804 by Hannah Humphrey 24.5 x 37.5 cm (9 1/2 x 14 3/4 in) together with 'Modern Elegance - a Portrait' (2)

Lot 272

John Brangwyn (20th century) A flock of sheep beneath a tree etching, signed in pencil 15 x 22 cm (6 x 8 1/2 in) together with another 20th century etching of a rural scene, indistinctly signed (2)

Lot 274

John O'Connor (living) 'William Lawes' etching, artist's proof, signed and dated 1974, from the 'In Nomine Domini' suite (early English composers) 36 x 26 cm (14 x10 in)

Lot 287

SIR JOHN EVERETT MILLAIS - The Baby House, etching, for "Art Union" edition 1872, 13.5cms x 17.5cms in modern frame

Lot 290

E PIPER - Two etchings of churches - St Andrew, Mells and St Mary the Virgin, Chard; both signed by the artist together with another etching of a town scene and an etching by M Hutchinson "The Chapel" (4)

Lot 746

E G Hesler (fl 1930-1970) - Heza study of a steer, etching, pencil signed in the margin, 16.5 x 13.5 cm Prov: Col JWS Buller, Sherborne, Dorset

Lot 819A

David Robertson ARA (c 1854-1925) - 'The Salute, Venice', dry-point etching, signed and numbered 41/75 in margin, 18 x 28 cm Prov: Col. JWS Buller, Sherborne, Dorset

Lot 504

Charles Méryon, French 1821-1868- "La Galerie Notre-Dame"; etching, signed in plate and dated 1853, fourth state, 33.5x21.5cm (mounted, unframed) (VAT charged on hammer price) CONDITION REPORT: Unframed, mounted stuck down on card full sheet size beyond plate mark 36x23.5cm Discolouration of paper throughout - brown/yellow, shadows from mount handling marks round the edges otherwise in good general condition

Lot 117

LOUIS ICART An early 20th century colour etching on a female figures, signed and numbered 222, 45cm x 32cm

Lot 118

LOUIS ICART An early 20th century coloured etching of a female figure amongst doves, signed and numbered 68, 38cm x 35cm

Lot 294

PETER DOWNING, 20TH CENTURY ENGLISH SCHOOL A figural form study, etching, signed, numbered and dated in the margin 2/5 1972, 60cm x 42cm

Lot 431

G WARD, 20TH CENTURY ENGLISH SCHOOL 'Summer Showers', etching, signed and dated 1954 in the margin, 25cm x 33cm

Lot 212

A 19th century oak Charles Oliver Murray etching depicting 'A Kentish Village'.

Lot 114

PERCY LANCASTER (BRITISH 1878 - 1951), GIRL WITH GRANDMOTHER drypoint etching, numbered 6.30 and signed in pencil, 26cm x 19cm Mounted, framed and under glass

Lot 314

A. P. THOMSON, UNDER THE OLD STONE BRIDGE etching, signed in pencil image size 19cm x 26.5cm Mounted, framed and under glass CONDITION REPORT: very good

Lot 862

•JAMES McBEY LLD, (Scottish 1883 - 1959) ALBERT Etching, signed and numbered XXXI, 15.5 x 25.5cm (6 x 10") George Davidson Limited label verso

Lot 863

•JAMES McBEY LLD, (Scottish 1883 - 1959) ROUEN Etching, signed and numbered XXI, 17 x 37cm (6 3/4 x 14 1/2")

Lot 869

WILLIAM LIONEL WYLLIE RA, RE, RBA, RI, NEA (British 1851 - 1931) NEWCASTLE UPON TYNE Drypoint etching, signed, 22 x 37.5cm (8 3/4 x 14 3/4") W. B. Simpson label verso

Lot 885

•STANLEY WILLIAM HAYTER CBE (British 1901 - 1988) INDOOR SWIMMER Soft ground etching in colours, signed, dated (19)81 and numbered 2/50, 59 x 49cm (23 1/4 x 19 1/4")

Lot 903

•SIR WILLIAM RUSSELL FLINT PRA, PRWS, RSW, ROI, RE (Scottish 1880 - 1969) SPANISH VILLAGE SQUARE Etching, signed, 22 x 34cm (8 3/4 x 13 1/4")

Lot 981

WILLIAM LIONEL WYLLIE RA, RE, RBA, RI, NEA (British 1851 - 1931) THE FORTH BRIDGE Drypoint etching, signed, 22.5 x 38cm (8 3/4 x 15") Davidson, Kay & Co., label verso

Lot 989

WILLIAM WALCOT RE, RBA (British 1874 - 1943) 'THE THAMES', 'THE MERSEY' Etching, signed, 11 x 32.5cm (4 1/4 x 12 3/4")

Lot 293

Rembrandt van Rijn (Dutch, 1606-1669) Etching of a mounted cavalryman and a prophet blessing kneeling figures, signed and dated 1641 lower right, framed, mounted and glazed 20 x 22cm

Lot 260

Peter C Warden Gethsemane, signed and dated 1976, titled, artist proof fifth state, etching, 41cm x 47cm

Lot 165

W L Wyllie, black and white etching, The River Tyne, 9.5ins x 15.5ins

Lot 166

W L Wyllie, black and white etching, St Mary's Island Northumberland, 7.5ins x 15.5ins

Lot 167

William Walcot, black and white etching, Newcastle, signed in pencil, unframed, 4.25ins x 6.25ins

Lot 170

Miles Sharp, etching of Bath Abbey, signed, 11ins x 10ins, together with Gyrth Russell, etching of a fisherman's cove, and a group of other etchings

Lot 188

Hilda Cowham, pastel, a Woodland elf, 14ins x 9ins, together with Hilda Cowham, dry point etching, girl holding bouquet of flowers, 11ins x 8.5ins, Hilda Cowham, pencil drawing, Semur, Burgundy, 13.5ins x 9ins, and two Ring-a-roses series, no.27, The Dandelion, and no.31 The Band, illustrated by Hilda Cowham

Lot 101

AFTER ALBRECHT DURER (1471-1528) "The Harrowing of Hell", a study after Jan Baptiste Goossens from "The Engraved Passion", in reverse, monogrammed within the image and dated 1512, etching, 4.5" x 3" (plate)

Lot 102

SALOMON KONINCK (1609-1656) Bust of an old man with a beard, printed signature within the plate and dated 1628, etching, 5" x 3.25". See illustration. Provenance: Private collection, Somerset.

Lot 104

DOMINIQUE VIVANT DENON (1747-1825) Portrait of an old maid wearing a cloth bonnet, printed signature and date 1782 within the plate, etching, 1,75" x 1.5" (trimmed). Provenance: Private collection, Somerset.

Lot 109

•HARRY ROUNTREE (1878-1950) A study of six sparrows on a branch, printed signature within the image, etching, 6.25" x 10.5" (plate)

Lot 110

•WILLIAM RUSSELL FLINT (1880-1969) "Acrobats at Lorca Fair", signed in ink to the margin, with further pencil annotations, title and date 22.1.35 "I think this was final trial ....", sepia etching, 7.75" x 13.5" (plate). See illustration. Provenance: Private collection, Somerset.

Lot 113

•FRANK BRANGWYN (1867-1956) Figures seated around a table with wine ewer and dog at their ankles, signed in pencil to the margin, etching, 3" x 3.75" (plate)

Lot 131

•FRANK AUERBACH (b.1931-) 'Bill (William Feaver)', signed, titled and numbered artist's proof 3/10 in pencil to the margin, etching, 7" x 5.75". This lot is accompanied by an original signed letter from the artist detailing this etching as a contribution to the fundraising for the Willow Tree Group, Blandford.

Lot 37

•ARTHUR BELL (1897-1995) "St. Alban's Street, Weymouth", etching, 6.5" x 4.25", and two similar works by the same artist "Trinity Street, Weymouth" and "Worbarrow Bay" (3)

Lot 38

•ARTHUR BELL (1897-1995) "The Cobb, Lyme Regis", etching, 4.75" x 6.75" and two similar works by the same artist "Weymouth College" and "A Medieval Hall Interior" (3)

Lot 92

•ELISABETH FRINK (1930-1993) "Viszla", signed in pencil to the margin and numbered 68/75, etching and aquatint in colour, 21.25" x 27". See illustration

Lot 489

An ebonised framed and glazed early 20th Century monochrome Etching "White Wing" signed in pencil lower left in the margin by the Artist W L (William Lionel) Wyllie RA, labels and other information verso including Arthur Ackermann & Son Limited, 19cm x 23cm, together with one further similar sized monochrome Etching (paper rippled) original gallery label verso, also signed bottom right in the pencil in the margin by a different Artist, 19cm x 30cm (2)

Lot 496

Dorsey Potter Tyson (American 1891-1969), a late 1920's gilt framed and glazed colour Limited Edition Orientalist Etching (12/100), seated lady with peacock plumage, signed in pencil in the margin by the Artist lower right, 28cm x 22.5cm, Joseph Wilson (South Molton Street, London W1 label verso)

Lot 2379

***AMENDED DESCRIPTION***C E Holloway, signed etching of Lynn Regis.

Lot 2150

Harold Thornton (British, 1892-1958) 'Kilchurn Castle' A tinted etching signed and titled, framed, 19x30cm.

Lot 2

Karl Schutz (1745-1800) Austrian. ‘View of The Schottenkirche, Vienna’, Hand Coloured Etching, overall 13.5” x 18.75”.

Lot 28

Paul Cesar Helleu (1859-1927) French. “La Lecon de Piano” (Hellen et sa grand-mere), Drypoint Etching, Signed in Pencil, overall 16.5” x 12.5”.

Lot 32

Louis Icart (1888-1950) French. “Smoke (Fumee)”, Coloured Etching, with Paris Blind Stamp, Signed in Pencil, overall 15” x 20”.

Lot 4

H… W… (20th Century) British. ‘Ovis Aries Dollia’, Study of a Sheep, Etching, Signed with Initials and Dated 3/7, overall 10” x 12.25”.

Lot 6

Sherwood (20th Century) American. A Busy Street Scene, Coloured Etching, Signed in Pencil, also with Stamp, overall 15.5” x 12.75”. Provenance; The Parker Gallery - Collection of Astaire.

Lot 471

Käthe Kollwitz, German 20th century: etching, Zertretene - Arme Familie, c. 1901, unsigned, 9½" x 8", framed and glazed

Lot 503

Damien Hirst (1965-), "My Way" from In a Spin, The Action of the World on Things, Volume I, 2002, from the edition of 68, signed in pencil in the margin, published by C. Booth-Clibborn and the Paragon Press, London, etching and aquatint in colours, plate size 60.5 x 40cm.; 23.75 x 15.75in, sheet size 91 x 70.5cm.; 35.75 x 27.75in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 522

Jean Cocteau (1889-1963), Head, signed and numbered 93/180 in pencil in the margin, etching, plate size 12 x 9cm.; 4.75 x 3.5in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 523

Roberto Matta (1911-2002), Abstract, signed and numbered 74/100 in pencil in the margin, etching, plate size 27.5 x 17.5cm.; 11 x 7in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 524

Man Ray (American, 1890-1976), "Donna" from La Ballade Des Dames Hors Du Temps, signed and inscribed E.A. in pencil in the margin, 1970, from an edition of 75, aquatint etching, plate size 38 x 49cm.; 15 x 19.25in.

Lot 525

Man Ray (1890-1976), L'A, signed and numbered 3/100 in pencil in the margin, 1971, etching and aquatint, plate size 39.5 x 49.5cm.; 15.5 x 19.5in.

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