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Lot 10

Patricia Griffiths (20th Century), 'Blackburn', a fairground, etching, plate size, 8.25" x 5.5" (21 x 14cm).

Lot 24

William Douglas Macleod (1892-1963), 'Marseilles', etching, signed in pen, 10" x 15" (25 x 38cm).

Lot 20

William Douglas Macleod (1892-1963), Boats on a Continental River, etching, signed in pencil, 6.75" x 12.75" (17 x 30cm).

Lot 11

Winifred Marie Louise Austin (1876-1964), 'Goldcrest', etching, signed and inscribed in pencil, plate size 5.5" x 4.5" (14 x 11.5cm).

Lot 16

Leslie Moffat Ward (1888-1978), 'Storm Clouds on a Lakeland River', etching, signed in pencil, 11" x 10.75" (28 x 27cm), along with 'Little Upland Farm', etching, signed and inscribed in pencil, 5" x 7" (12.5 x 18cm), both unframed, (2).

Lot 42

Geoffrey Garnier (1889-1971), 'The Old Mill, Molesworth', etching, signed and inscribed 'Trial' in pencil, 10.5" x 12" (27 x 30cm).

Lot 26

David Young Cameron (1865-1945) Scottish, 'Old Bridge Inn, Partick', etching, signed in pencil, 5" x 7.75" (12.5 x 19.5cm).

Lot 13

Leonard Robert Brightwell (1889-1983), 'The Babes in the Wood', etching, signed and inscribed in pencil, plate size 12" x 8.5" (30 x 22cm).

Lot 23

William Douglas Macleod (1892-1963), 'Ponte Vecchio, Florence', etching, signed in pencil, 9.25" x 12.25" (23.5 x 31cm).

Lot 2

William Lionel Wyllie, fishing boats heading for shore, print, signed in pencil, inscribed 'Proof Etching' verso, 6" x 9.25" (15 x 23.5cm).

Lot 27

David Young Cameron (1865-1945) Scottish, 'Corner of Rottenrow and Taylor Street, Glasgow', etching, signed in pencil, 5" x 6.5" (12.5 x 16.5cm), along with further engraving by William Johnston of figures in a busy town street, 8" x 5.5" (20 x 14cm), (2).

Lot 56

William Lionel Wyllie (1851-1931), Waterloo Bridge, etching, signed in pencil, plate size 7.5" x 13.75" (19 x 35cm), along with a trial proof of London Bridge and Southwark Cathedral by the same hand, plate size 12" x 8.75" (30 x 22cm), both unframed (2).

Lot 43

A collection of four engravings, including a pair by the same hand of 'Somerset House' and 'Blackfriars', each indistinctly signed, plate size 8" x 6" (20 x 15cm), along with an engraving of Admiralty Arch, indistinctly signed, 6" x 8" (15 x 20cm), and a signed etching of Lincoln Cathedral by Margaret Rudge, 3.75" x 5.25" (9.5 x 13.5cm), (4).

Lot 21

William Douglas Macleod (1892-1963), 'Marina di Pisa', etching, signed in pencil, 9" x 12" (23 x 30cm).

Lot 17

Leslie Moffat Ward (1888-1978), 'Houns Tout Hill', etching, signed and inscribed, 6" x 8.75" (15 x 22cm), along with another etching by the same hand of cows resting, signed in pencil, 7" x 7.5" (17 x 19cm), both unframed, (2).

Lot 471

Arthur Joseph Gaskin (1862-1928)Warren Wood, 1923etching on paper, framedsigned AJG titled and dated Xmas 23 in pencil,13.5 x 12cm. (image)

Lot 1199

Brenda Hartill (20th century): Artists proof coloured etching, earth, signed in pencil, 24 x 26 cm. Not available for in-house P&P

Lot 364

Incisione acquerellata su carta in cornice. Cm 23x30Framed watercolor etching on paper. 23x30 cm

Lot 1597

A framed etching of moored barge and low tide in a creek. Signed in pencil 57x48cm- NO RESERVE

Lot 281

Norman Stevens ARA (1937-1988), Clapboard House in Moonlight, etching with aquatint, signed in pencil lower right and dated 73, numbered 26/150, published by Christies Contemporary Arts, London, with their blindstamp to lower right margin, H.37cm W.55cm, full sheet H.58.5cm W.79cm ARR

Lot 315

JOSEPH KIRKPATRICK (BRITISH, 1872-1930)Harrowing the Uplandssigned in pencil 'Joseph Kirkpatrick' (in lower margin)etching with aquatint10 x 17.5cmProvenanceAbbey Gallery, Victoria Street, Westminster, London;Private collection, UK

Lot 453

WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931)Moored boats on the Thames, St Paul's beyond signed in pencil 'W L Wyllie' (in lower margin) etching 18.5 x 28cm

Lot 318

AFTER PABLO PICASSO (10)Matador, a pairreproduction printseach 19 x 26cmARRtogether with an etching of people outside a building, indistinctly signed, 30 x 13.5cm; A print of Joseph Joachim, 34 x 28cm; four red chalk sketches of faces and two sketches of eyes by Nicholas Egon (unframed)(10)ProvenanceThe Estate of the late Professor Jonathan & Mrs Deanna Brostoff, (See Bellmans website article for further details)

Lot 365

ROWLAND LANGMAID (BRITISH, 1897-1956) (2)Running Up Channel signed in pencil 'Rowland Langmaid' (in lower margin) etching 19.5 x 34.5cm together with another etching by the same hand, 'Hove to for the Pilot, signed in pencil, 21.5 x 32.5cm ARR Provenance W. R Deighton & Sons, Charing Cross, London; Private collection, UK (2)

Lot 474

LOUIS ICART (FRENCH, 1888-1950)Woman in Repose signed 'Louis Icart' (lower left) etching 43 x 54cm Provenance Christies London, 15th May 2003, lot 240; where acquired by the present owner

Lot 27

William Lionel Wyllie [1851-1931]- 'Sunshine on the Solent'::- etching, signed in pencil image size 17 x 21.5cm

Lot 28

William Lionel Wyllie [1851-1931]- 'The Shot Tower and London Bridge:, drypoint etching, signed in pencil to margin image size 8.7 x 35cm

Lot 5

* William Ashton [1881-1965]-'The Gateway to the East',:-etching, signed in pencil lower right, with typed inscription ' To the Captain and Officers of HMS Vanguard from the British Community on the occasion of their visit to Port -Said in June 1949', framed and glazed, subject size 14 x 29.5cm*Notes- Formerly from the anteroom on HMS Vanguard.

Lot 123

Dickens, Charles, A Christmas Carol in prose being a ghost story of Christmas, Bernh. Tauchnitz Jun. Leipzig, 1843, with a single coloured etching of Marley's Ghost,Condition report:Cloth binding, generally good, the corners of the boards slightly bent. Discoloured boards and spine, traces of gilt to title on spine. Internally, no immediate issues, certainly in a presentable state.

Lot 1049

A folio of Old Master and later prints, 16th c and later, approx. 40, loose or pasted-in, including Marcantonio (c. 1470/82 - c. 1534) after Baccio Bandinelli (1493 - 1560), The Martyrdom of St Lawrence, second state, with the standing executioner's second stick partially-erased, n.d. [1520-30], mounted, creased, former repairs and losses, 42 x 55.5cm, by and after Thomas Frye (1710-1762), portrait of a man, from the 'Life-sized Heads series', [London, 1760], mezzotint, trimmed with loss of all lettering, further defects and losses, mounted and tipped-in, 44.5 x 33cm, by and after John Miller (1715-1790), A View of the Ruins of the City of Pæstum, s.l., n.d., engraving, trimmed and tipped-in, 33 x 43cm, Jan Sadeler I (1550-1600) after Hans Bol (1534-1593), landscape, n.d. [c. 1700], etching and engraving, mounted with some losses, 19.5 x 27cm, further engravings after Carracci, Rubens, Bartolozzi, Wilkie, etc., mounted named-views of Oxford, others, 19th calf over marbled boards, rubbed and scuffed losses Mixed condition: each sheet affected by a degree of wear, damage, loss &/or repair. Sold not subject to return.

Lot 1091

John Barnicoat (1924-2013) - Untitled, signed and dated 1994 verso, oil on chipboard, 39 x 40cm and Stephen Farthing RA (1950 - ) - Trussed Gazelle 2009, etching, signed by the artist in pencil, 35.5 x 25.5cm (2) Good condition

Lot 1088

Adrien Etienne Drian (1885-1961) – Woman in Fur, etching with drypoint, signed by the artist in pencil and numbered 33/100, 73 x 52cm (sheet) A good rich velvety impression, water stain extreme bottom right of sheet well clear of image

Lot 1089

Alexandre Louis Gravier (1835-1905) after Edmund Caldwell (1852-1930) - Pigs, etching, signed in pencil by the artist and engraver, 33 x 42cm Border stained from an earlier window mount, condition otherwise good

Lot 171

HERBERT THOMAS DICKSEE (1862-1942); etching, ‘The Flight into Egypt’, after S H Vedder, signed in pencil to the margin, 45 x 69cm, framed and glazed.

Lot 778

Andrew Fairbairn Affleck (1874/5-1935/6) Etching Chartres Cathedral, signed in pencil lower right, framed and glazed, 35cm x 56.5cm 

Lot 1502

Antique Etching-By William Monk depicting the Grand Entrance and Gates of a stately home 1901 Monk on Thick Card size 38 x 30cm a little foxing

Lot 282

Henry Walker, soft ground coloured etching 'Fishing boat Devon coast', signed in pencil bottom right and monogram, framed and glazed, 22cm x 14cm

Lot 1465

Etching w. a few handcol. details, 12 x 10 cm, w. 8-line letterpress verse below, sheet size 30 x 21 cm, ca. 1785. Foxed and w. some folds/ creases. Rare and nice print depicting Kaat Mossel, whose real name was Catharina (Caetje) Mulder (1723-98), known as the "Helleveeg van Rotterdam". She was a fierce Orangist and opponent of the patriots. (2) "'T Oranjegraeuw schiet hier den prinsevlieger op, beplakt met juk en hoed (...)". Etching, 15.7 x 19 cm, w. "Verklaring der bovenstaende prent" in 2 columns below, sheet size 30 x 22.5 cm, (1784). Waterst., fold on lower plate-edge. Muller, Hist. prints 4579. -and 1 other similar ("Den door list en geweld aangevallen leeuw"), dated 1780. (total 3)

Lot 1468

Iron engr./ etching, 31 x 45 cm, monogrammed in the plate, ca. 1525. Manuscript text of former owner, Adolph Theodor Gerstäcker, verso (d. 1857). Formerly mounted at upper corners and left margin, sm. piece of the upper right corner detached, but attached to the mount, left upper corner w. piece of tape verso, visible recto, left margin w. 2 attached pieces of tape verso and a sm. tear, smoothed-out central vertical fold, occas. foxing. Still a very good impression on fine laid paper w. unidentified watermark and narrow margins. The mount indicates that this is the 2nd state ("1" in lower margin). Hollstein 20 and Bartsch 15 (the state before the "1" added in lower margin).

Lot 1473

16th-19th cent., var. techniques and sizes. Incl. both portraits and historical prints. Incl. a.o.: a woodcut portrait in fine decorative borders after Tobias Stimmer (1539-84), publ. ca. 1575; an etching and an engr. by Theodor de Bry (1528-98), the etching dep. the arrival of Columbus in America; 6 portraits of Amerigo Vespucci; and 3 prints on Ferdinand Magellan. (total 30)

Lot 1483

Col. gouache, sheet size 29.5 x 23 cm. Manuscript caption in Latin below, 2nd half 19th cent., under passepartout. (2) "Il pellicano d'America". Etching, 25 x 18 cm, signed "V. Vanni sc." in the plate, publ. in 1763. (3-11) François Nicolas Martinet (1730-ca. 1790). 9 lvs. w. handcol. etched birds. From Buffon, Histoire naturelle des oiseaux and Les planches enluminées, London, 1786. Sheet sizes 31 x 23.5 cm, lvs. 125, 206, 398, 487, 558, 599, 730, 738 (2x). 6x signed "Martinet" in the plate. Frayed in blank left margins. -and 14 others. (total 25)

Lot 1489

Etching and engr., 21.5 x 17.5 cm, w. letterpress caption at the top and columns of text on the left and right, from Het groote tafereel der dwaasheid, ca. 1721. Vertical fold, sm. tear in left margin. (2) "Junggeselle willst du in die Welt hinein? Die Welt ist ja schon voller Schneiderlein." Handcol. lithogr., 31 x 36 cm incl. text in verse below. Present in 2 differently col. copies, 1 of them numb. 575 in the stone. Marginal tears, sl. frayed. (3) "Alter Käss und ranzige Butter". Lithogr., 29 x 37 cm incl. caption and text in 4 columns below, numb. 616 in the stone. Present in 2 copies, both w. marginal defects/ imperfections, 1 sl. creased, the other one waterst. -and 16 others, incl. 1 other from Het groote tafereel der dwaasheid and a nice aquatint depicting a disorderly classroom. (total 19)

Lot 1501

in G: Brittanien. Door S.K.H. Met wegvluchten van het Hof ende familie van de k: Iacob de II en koningin van Engeland. etc." Large etching consisting of 11 separate images in front of a background image, 48 x 55 cm, w. address of I. Tangena, (1688). Fold., a few central foxed spots, some sm. holes, sl. creased and some other defects/ imperfections. Landwehr, Romeyn de Hooghe the Etcher p.152, first state (of 2), before "R. de Hooge fec" in lower right corner; F.M. 2751a. Fine, large print on occasion of the Glorious Revolution in England, in 1688, during which King James II was deposed and fled to France.

Lot 1510

Handcol. mezzotint w. etching by Richard Purcell after Petrus Staverenus and publ. by Robert Sayer. Ca. 1746-66. Approx. 37 x 26.5 cm. Under glass, in (broken) frame. Lettered below the image w. the title and "Cha.s Corbet fecit. / London, Printed for Rob.t Sayer, No. 53 Fleet Street." Print of a young man (perhaps a sailor) w. a pile of gold coins in his hands stands grinning towards the viewer. To the left, a woman stands at a counter, stirring a bowl of punch. Not inspected outside frame. Rare, only 1 copy at the British Museum traced.

Lot 1519

17th-19th cent., var. techniques and sizes, some handcol. A diverse collection, incl. a.o.: (1) "Vaisseaux et jachts de plaisir chez les Chinois etc. Scheepen en speeljachten." Etching, 21 x 29 cm (incl. extensive legend in French and Dutch in top margin). Leyden, P. van der Aa, ca. 1700. Under passepartout (central fold as publ.). (2) "Zee slach voor Duynkercken door Marten H. Tromp anno 1638". Engr., 27.5 x 35 cm, from Commelin, Frederick Hendrick van Nassauw Prince van Orangien: zyn leven en bedryf (Amst., Janssonius, 1651). Under passepartout. Central fold as publ., narrow margins, sm. portion of lower blank right corner torn off. Muller, Historical prints, 1796-a; Atlas van Stolk 1933-25. (3) "Het op stapel staande oorlog-ship de Hercules, gebouwd door den scheeps timmerman I. Spaan op de nieuwe werf buiten Dordrecht MDCCLXXXII". Handcol. engr. by J. Schoenmakers, 21 x 29 cm, publ. by H. de Haas, (1782). Muller, Historical prints 4479-1; Atlas van Stolk 4422. -and 32 others, incl. a fine etched sea battle w. the city of Allegona on Gran Canaria in the background. Sold as a collection of prints, not subject to return. (total 35)

Lot 1524

Circular etching, diameter 17.4 cm (square plate mark 18 x 18.4 cm), signed "S.D. Bella. F." and "Cum Privil. Regis" in the plate below the image, under passepartout. A good impression w. narrow margins, minimal imperfections. De Vesme 270.

Lot 1525

Etching and engr., 20.4 x 24.4 cm, from the series depicting the ages of man, 1572. Very fine early impression, w. good margins. New Hollstein Dutch 18.

Lot 301

Ring binder w. title on spine. Contains 54 plastic folders w. miscell. items collected by Herman Hannink, officer of the Zwolle Branch of the Dickens Fellowship. Incl. a.o. (aside from the aforementioned subjects): newspaper clippings on collecting autographs and letters; documentation accompanying the orig. manuscripts and photogr. of (mostly Dutch) literary figures. A varied collection. Some of the most important items: (1) Etching w. 4 portraits of Simon Carmiggelt on 1 plate by Peter van Straaten, signed and dated '79 in pencil. (2) Photographic portrait of Carmiggelt in Café Hoppe, Spui Amsterdam, 25.4 x 17 cm, by Eddy Posthuma de Boer, w. his stamp verso. (3) Manuscript note signed by Antoon van Duinkerken dated 1940 accompanied by a photographic picture postcard portrait of the author. (4) Typescript letter signed "Hella S. Haasse" in pen w. stamped addressed envelope (1982). (5-6) Signature in pen "Felix Timmermans" on title-p. of De pastoor uit den bloeyenden Wijngaerdt and photographic picture postcard portrait of Timmermans at home, signed "Felix Timmermans Lier 20 juli 1931". (7) Annotation in pen by Hendrik Marsman, monogrammed "H", on both sides of a sm. slip of paper about the creation of the poem "Heerscher". (8) Postcard w. short signed letter by Simon Vestdijk to Ida Gerhardt, dated 26-3-1947. (9) Typescript invitation for a meeting of the Dickens Fellowship, w. extensive corrections in pen by Godfried Bomans, in stamped addressed envelope (1959). (10) Photogr. portrait of Marga Minco by Ewoud de Kat. (11) Photogr. portrait of Heinrich Böll, 23.7 x 7.7 cm, by Klaus Eschen, 1954, w. his stamp verso. (12) Photogr. portrait of Gerrit Komrij and Jan Cremer, signed Herman Vrijhoff (?) and dated '98. (13-14) 2 signatures in pen of Gertrud von le Fort on a short letter and a printed card. (15-16) Letter in pen signed by Jan Greshoff (1955), and a large photogr. portrait of the author. (17) Sm. card w. annotation in pen "Met oprechten dank van (signed) Theun de Vries. Najaar 1941". (18-20) Offset photogr. portrait of Antoon Coolen w. signed dedication in pen to Hans Roest, and 2 letters signed by Antoon Coolen on his personal stationary (dated 1936 and 1942). (21) Photogr. portrait of "Fritzi" (Harmsen van Beek) by Eddy Posthuma de Boer, w. his stamp verso. (22) Large anonymous photogr. portrait of Midas Dekkers, signed by him in pen. (23) Large, anonymous photogr. portrait of Jean Cocteau, Romy Schneider and her mother. (24) Photogr. of a drawn portrait of Gerard Walschap by his son. W. manuscript annotation verso. (25) Manuscript vellum bifolium, dated "12 janvier" 1744.

Lot 797

Etching, 25 x 38.5 cm, by Theodorus de Roode (1736-93) after Pieter van Cuyck (II) (1720-87), signed and titled in the plate, under passepartout. Very rare.

Lot 2270

Michael Blacker RE born 1928, "Secluded Cottage" original etching with aquatint and colour wash, plate signed in pencil No.22/175, 13.5cm x 18.5cm

Lot 2269

Michael Blacker RE born 1928, "Garden Musings" original etching with aquatint and colour wash, signed in pencil No. 3/275, 15.5cm x 12.2cm

Lot 2268

Michael Blacker RE born 1928, "Before The Start" original etching with aquatint and colour wash, plate signed in pencil, No.6/175, 15cm x 19.7cm

Lot 2271

Michael Blacker RE born 1928, "Garden Corner" original etching with aquatint and colour wash, plate signed in pencil No. 53/175, 13.5 x 10.7cm

Lot 193

MOLLY DICKER, ETCHING/AQUATINT- EVEREST AND HIMALAYAS, 1990, APPROX 27 x 50cm

Lot 2226

Collection of framed and glazed prints and paintings including a Victorian etching of a portrait of a lady and a 19th century coloured engraving of Venus and Cupid with trophies and two stained glass panels 

Lot 1083

Salvador DALI (1904-1989)Etching Cavalier a la Rose, signed and numbered EA.Ets Cavalier à la Rose, getekend en genummerd EA.58.5 x 40.5 cm

Lot 314

Félicien ROPS (1833-1898)Coloured etching on filigree paper 'Satan semant l'ivrae', monogrammed G. Pellet, numbered in ink and initialed Gustave Pellet in ink.Gekleurde ets op gefiligraneerd papier 'Satan semant l'ivrae', monogram G. Pellet, genummerd in inkt en paraaf Gustave Pellet in inkt.25.5 x 18 cm

Lot 357

Jules DE BRUYCKER (1870-1945)Etching Cathédrale de Rouen, numbered 26/125 and signed.Ets Cathédrale de Rouen, genummerd 26/125 en getekend.60 x 49 cm

Lot 358

Jules DE BRUYCKER (1870-1945)Etching Sint-Niklaaskerk at Ghent, numbered 145/260 and signed.Ets Sint-Niklaaskerk te Gent, genummerd 145/260 en getekend.18 x 22 cm

Lot 359

Jules DE BRUYCKER (1870-1945)Etching Mr Slimvogel, signed.Ets Mijnheer Slimvogel, getekend.35.5 x 23 cm

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