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Lot 171

Chas H. Clark - A View of Harrow School, with the Town beyond, sepia etching, signed and editioned 57/200 in pencil, together with another print of Harrow School and a watercolour.

Lot 102

F. Haagensen - `Water Falls`, ltd ed etching, 3/75, pencil signed to margin, 32.5 x 23 cm

Lot 127

After Terence Cuneo - `Duchess of Hamilton`, ltd ed 361/850 print, pencil signed to margin, 56 x 77 cm to/w after Walter Kershaw, ltd ed 18/750 print `The Conversion of Bury`, pencil signed and dated 1991, 54 x 74 cm, and Eggil A. Eggebaken etching `Somernatt` pencil signed to margin, ltd ed 141/188, 12.5 x 17 cm (3)

Lot 523

A framed etching of St Pauls and the Thames, signed in pencil View on staceyauction.com

Lot 1353

A good etching after Rembrandt of the Old Man with beard , fur cap and velvet cloak. A strong but possibly late impression of the final state on warm cream asiatic (Japan) wove paper. Provenance: The Beer family Vienna.

Lot 2133

An etching Proof, The Fall to Pandemonium series 6, c 1980 by Terry Shave

Lot 200

18th century etching Giovanni Battista Piranesi "Verduta del Tempio de Bacco...", 42 x 62cm

Lot 202

Etching Norman Wilkinson Salmon jumping out of river in hilly landscape, entitled on verso, "Berrifched Pool on the Orchy", signed in pencil, 24 x 30cm

Lot 203

Etching Norman Wilkinson Men fishing in river, inscribed on reverse "The Island Pool, River Orchy", signed in pencil

Lot 232

Quantity of prints and pictures including:- etching after Monk (4)

Lot 272

Four Various Napoleonic Prints consisting black and white etching of Napoleon on his charger. Red seal to front with pencil signature. The rear with Limited Proof label 1 of 150. Framed ... Black and white print of Napoleonic Officers in a winter landscape. Signed to the base. Framed with retailer’s rear label ... Coloured print `Decisive Charge of the Life Guards at Waterloo`. Modern framing ... Coloured print `The 23rd Royal Welsh Fusiliers.` Modern framing. 4 items.

Lot 537

Victorian Naval Officer’s Sword single edged blade with large central fuller. Floral etching with Victorian crowned anchor. Cast brass guard with Victorian Naval cartouche. Folding back guard flap absent. Lion mask backstrap pommel. Shagreen covered grip wit twist wire binding. Contained in its brass mounted leather scabbard. Minor pitting to blade.

Lot 539

Wilkinson 1912 Officer Pattern Cavalry Sword long straight single edged blade with central fuller. Foliage and KC GRV cypher etching. The forte with Wilkinson maker’s details and number `536699`. Chrome plated bowl guard with heavy foliage etching. Heavy pommel. Shagreen covered grip with twist wire binding. Some service wear with minor plating absent.

Lot 544

Late 19th Century Cavalry Officer’s Sword single edged blade with central fuller. Traces of floral and panel etching. Chrome plated honeysuckle hilt. Checkered backstrap with plain pommel. Shagreen covered grip with twist wire binding. Contained in its leather covered field scabbard complete with Sam Browne sword frog. Brown leather sword knot. Minor rusting to blade.

Lot 335

William Lionel Wyllie (1851-1931), A River Scene, etching

Lot 1375

Jan Both (Dutch, 1610-1652) etching, The Ponte Molle, 7.5 x 10.5in. and four other etchings including Zeeman and Hollar.

Lot 1425

Phillips after Drummond & Basebe coloured etching, The Cricket Match between Sussex and Kent, at Brighton 1849, 23.5 x 36in. with key.

Lot 1453

Herbert Dicksee (1862-1942) etching on parchment, The Destroyers, signed in pencil, 15.75 x 27in.

Lot 1455

Herbert Dicksee (1862-1942) etching on parchment, `Girl and Aylesbury Ducks`, signed in pencil, 18 x 12.75in.

Lot 1458

Edward Julian Detmold (1883-1957) etching, The Captive, signed in pencil, 13.5 x 11in.

Lot 1477

Pierre Auguste Renoir (1841-1919) etching, Le Chapeau Épinglé., signed in the plate, 4.5 x 3.25in.

Lot 1535

Louis Icart (French, 1888-1950) etching, drypoint and aquatint, Vitesse (Speed II), signed in pencil, 15 x 24.5in.

Lot 1549

William Lionel Wyllie (1851-1931) etching, `Unloading a leaky tender ship`, signed in pencil, 9 x 14in.

Lot 1550

Sir Frank Brangwyn (1864-1956) etching, La Boucherie, Antwerp, signed in pencil, Unframed, 15.5 x 12in.

Lot 1551

Sir Frank Brangwyn (1864-1956) etching, Alpine bridge, signed in pencil, Unframed, 12 x 17in.

Lot 1552

Sir Frank Brangwyn (1864-1956) etching, Street in Puy, signed in pencil, Unframed, 16 x 12in.

Lot 1553

Sir Frank Brangwyn (1864-1956) etching, One man band and crowd before an old house, Ditchling, signed in pencil, Unframed, 12 x 15.5in.

Lot 1555

Sir Frank Brangwyn (1864-1956) etching, Buttress, Pont Neuf, signed in pencil, Unframed, 16 x 11.5in.

Lot 1558

Sir Frank Brangwyn (1864-1956) etching, Portrait of Dr Barnes, 14 x 10in., a signed photograph of Brangwyn sent to Barnes, an oil sketch of Brangwyn by William Barribal, a sketch of Brangwyn and Barnes by Barribal and other ephemera.

Lot 1574

Edmund Blampied (1886-1966) etching, Chef and maid, signed, 82/100, 10 x 7.75in.

Lot 1627

Julian Trevelyan (1910-1988) etching and aquatint, `Thames`, signed in pencil, 57/150, 14 x 19in.

Lot 427

PABLO PICASSO (1881-1973), `Trois Tetes D`Hommes`, original etching on BFK Rives paper, 45cm x 34cm, published by Albert Skira, printed by Roger Lacouriere Paris, framed.

Lot 48

Albany E Howarth (1872-1936) Etching, circa 1925 `New College Oxford` Signed in pencil under 7 3/4 x 11 3/4"

Lot 15

UNSIGNED, BLACK AND WHITE ETCHING, Figure Group, 8” x 5”

Lot 88

JOHN CROME, ANTIQUE BLACK AND WHITE SOFT GROUND ETCHING, “Three Trees” (First Edition Published by Mrs Crome), 9” x 7”, Provenance: William Weston Gallery, 10 Albemarle Street, London (see gallery label verso); together with one further NORWICH SCHOOL PRINT (2)

Lot 99

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Scottish Loch, 9” x 14”

Lot 103

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, Inscribed “On The Bure near Acle”, 6” x 8”

Lot 106

HENRY JOHN STARLING, SIGNED AND DATED ’80 IN PENCIL TO MARGIN, LIMITED EDITION (32/100) BLACK AND WHITE ETCHING, Inscribed “Maddermarket Theatre”, 7 ½” x 5 ½”

Lot 110

BRIAN SOWERBY, SIGNED AND DATED 1988 IN PENCIL TO MARGIN, LIMITED EDITION (1/75) BLACK AND WHITE ETCHING, Inscribed “Homeward Bound”, 5” x 9 ½”

Lot 112

ANDERS NAVIN, SIGNED AND DATED 1923 IN PENCIL TO MARGIN, TWO BLACK AND WHITE ETCHINGS, Harbour Scene, and Langside; plus J A JONES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “The Old Boathouse, Bosham, Sussex”, assorted sizes (3)

Lot 115

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Pierre Lisieux”, 12” x 8 ½”; ERNEST LABOWE, SIGNED TO MARGIN, DATED 1911 TO IMAGE, BLACK AND WHITE ETCHING, “A La Petite Chaise”, 4” x 5”; ALC, INITIALLED TO IMAGE, BLACK AND WHITE ETCHING, “Thorpe”, 3 ½” x 2 ½”; and one other (4)

Lot 116

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (4/60) COLOURED ETCHING, Inscribed “Pugs”, 8” x 6”; plus BAXTER PRINT, Bridge of Sighs (2)

Lot 118

EINER HANSEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “New York Skyline”, 5” x 7”

Lot 120

A SIMES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Exterior of Lady Chapel, St Bartholomew’s Church”, 4” x 5 ½”; plus four further ETCHINGS by different artists (5)

Lot 123

J LEO ALMOND, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, “Mozart”, 6 ½” x 5”

Lot 124

JAMES MACINTYRE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene, 8” x 10” (mounted but unframed); together with four further ETCHINGS by different artists (5)

Lot 125

E M SYNGE, BLACK AND WHITE SECOND STATE ETCHING, “St Petersburg” (see further information verso), 3 ½” x 5”

Lot 130

DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, GROUP OF FOUR BLACK AND WHITE ETCHINGS, Town and Coastal Views; plus INITIALLED PROOF ETCHING, Cathedral, assorted sizes, all unframed (5)

Lot 134

VERA DOWN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Sir Winston Churchill, 9” x 7”

Lot 135

FRED A FARRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Rialto Bridge, Venice”, 12” x 19”

Lot 136

H P EVANS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, West Country Harbour Scene, 10” x 14”

Lot 139

WILLIAM PALMER ROBINS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Barn Interior, 14” x 12”

Lot 143

PERCY LANCASTER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE TRIAL PROOF ETCHING, The Loving Couple, 7” x 10”

Lot 145

REUBEN MORING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Leeds Castle, Kent, 9” x 14 ½”; plus CHARLES WILLIAM TAYLOR, SIGNED IN PENCIL TO MARGIN, WOOD ENGRAVING, “A Sussex Farm”, 6” x 8” (2)

Lot 147

DAVID YOUNG CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Castle Moyle”, 7” x 10 ½”

Lot 148

HENRY RAYNER, SIGNED IN PENCIL TO MARGIN, DRYPOINT ETCHING, Portrait of King George VI, 7” x 5”

Lot 150

JAMES ABBOTT McNEILL WHISTLER, SIGNED AND DATED 1859 IN THE PLATE, GROUP OF THREE BLACK AND WHITE DRYPOINT ETCHINGS, Three Plates from the Series of 16 Etchings – The Thames Set: “The Pool” 5 ½” x 8 ½”; “Lime House” 5” x 8” and “Thames Police or Wapping Wharf” 6” x 8 ¾”, all etched 1859 then printed and published 1871, all laid down; together with JAMES ABBOTT McNEILL WHISTLER, SIGNED AND DATED 1859 IN PLATE, BLACK AND WHITE DRYPOINT ETCHING, “Old Westminster Bridge”, 3” x 8” (4)

Lot 151

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Street Scene, 6 ½” x 8” (mounted but unframed)

Lot 153

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Cleopatra’s Needle”, 9” x 12”

Lot 155

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Windy Day, Cowes Week, Isle of Wight”, 6” x 14 ½”

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