There are 78391 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA FRAMED STIPPLE ENGRAVING IN OVAL MOUNT BEHIND GLASS - A LADY SITTING HANDING OUT MONEY AFTER ANGELICA KAUFFMAN ENGRAVED + A FRAMED ETCHING BEHIND GLASS - PORTRAIT OF LORD LISTER SIGNED IN PENCIL + A FRAMED MEZZOTINT HAND COLOURED BEHIND GLASS - A VISIT TO THE GRANDFATHER' ENGRAVED W WARD (3)
Courtry (Charles). Boutet embeté par Courtry, preface de Leon Maillard, Paris, 1896, 2 drypoint etchings by Boutet, each in 3 states, one etching by Courtry, also in 3 states, partly untrimmed, original printed wrappers with etched full-page design to upper cover by Courtry, in glassine dust wrapper, a little frayed to extremities, 8vo, limited editions of 400 copies, this being one of 50 copies printed on papier imperial du Japon, with the etchings in 3 states, together with Boutet (Henri), Ces Dames!...Orné de cinquante lithographies originales retouchées au pastel, Paris, Lahure, 1912, hand-coloured lithographic illustrations throughout, untrimmed, original pictorial wrappers, a little rubbed and some marks, upper joint partly split at head and foot, large 8vo, limited edition 214/300, initialled by the artist, plus Cramer (Gerald), Catalogue de tres beaux livres et estampes modernes, Catalogue No. 5, Geneva, 1948, & Oeuvres originales de peintres 1867-1950, Catalogue No. 6, Geneva, 1950, monochrome illustrations to each, both original printed wrappers, with original colour design to upper wrapper by Miro and Braque respectively, very light soiling, slim 8vo, both printed in an edition of 1000 copies (4)
Folio Society publication. Gulliver's Travels, by Jonathan Swift, 2011, hand-printed etching, signed and numbered by the artist, seventeen tipped-in colour plates, top edge gilt, vellum spine and tips, blocked gilt and colour illustration to front board, folio, contained in original drop-back box Limited edition 15/1000 copies. (1)
Antiquarian folios, mostly 18th & 19th century, including John Ogilby's Africa, 1670, with all maps and most plates not present, Francis Tallents, A View of Universal History, Cluverius, New General Atlas, 1721, with all maps missing, disbound, an album of engraved plates by Cochin, Monsiau illustrating Rousseau's Heloise, circa 1790s, bound in full maroon morocco, an album of original pen & ink outline drawings after classical sculptures and gems, circa 1800, bound in contemporary marbled wrappers, folio, several scrap albums of engraved portraits and reproductions, two folio volumes of The Riviera News, for 1910-11 & 1911-12, a printed history of the Coldstream Guards, entitled Presentation of Colours to the First Battalion by His Majesty the King at Buckingham Palace, 29th May 1907, with an etching by Captain Nevile R. Wilkinson, and four illustrations, printed in a limited edition of 250 copies, 8vo, etc Sold with all faults. (2 cartons)
A STOURBRIDGE 'ROCK CRYSTAL' ARTE NOUVELLE SILVER-MOUNTED ROSE BOWL FOR THE S.Y. HERSILIA, R.Y.S. 1904, with stylised floral etching and London hallmarked silver collar engraved "Hersilia" R.Y.S. June 1904 -- 5¼ x 10in. (13.5 x 25.5cm.), Hersilia was a 454 ton steam yacht built by Ramage & Ferguson in 1895 for Sir Walpole Greenwell. In 1902 he joined the Royal Yacht Sqadron and retained Hersilia until the outbreak of WW1. In common with most steam yachts, she was hired by the Admiralty, fitted with a single 12pdr gun and sent on anti-submarine patrol in the Stornoway area. She was wrecked on Eilean Chuai, Hebrides on the 6th January, 1916.
WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931), The Q-Boat 'Merope' sinking a U-Boat, Signed in pencil 'W.L. Wyllie' (lower left), Etching, PL. 6¾ x 9in. (17.5 x 23cm.);, Together with another by the same hand, A stranded derelict, Signed in pencil 'W.L. Wyllie' (lower left), Etching, 10 x 15in. (25.5 x 38cm.), -2,
PATRICIA REGNART (LATE 20TH CENTURY ENGLISH SCHOOL) 'Along the road to Wynchcombe', etching/aquatint, signed, inscribed and noted as artists proof in pencil in the margin, 37cm x 55cm together with a further print by the same artist 'The Spirit of Christmas Past', signed, inscribed and numbered 9/50 in pencil in the margin, 51cm x 25cm (2)
A collection of silver napkin rings, to include one pair, hallmarks for London 1912-13, of bulbous formation with etching '3' & '4' marked to front, and six further miscellaneous silver napkin rings, approx 6ozt, together with a set of six plated napkin rings, with foliate decoration, numbered from 1-6 (12)
Robert Bryden (Scottish 1865-1939)'Burns - The Holy Fair 1895' & 'The Devil the Exciseman 1895'Two sepia proofs on vellum, signed and dated lower right, unframed, 21 x 27cm, together with another unsigned original etching thought to be by Bryden for part of his Burns illustrations (3)Footnote: Robet Bryden produced a series of illustrations of scenes from Robert Burns's poems soon after his return to Ayrshire following his studies in London and travels in Spain and Italy.
A COLLECTION OF BOOKS OF ENGRAVING AND ILLUSTRATION INTEREST, including Willshire 'Ancient Prints' 1877, Jessie Wilcox Smith 'Water Babies', Birket Foster 'Poems', Dilke 'French Engravers & Draughtsmen of the Eighteenth Century', John Leech's Pictures of Life and Character' three vols., 'Modern Masters of Etching', five vols. (12) Condition Report: Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information
PAUL FERNANDEZ NOTARIO (born 1970); a signed limited edition coloured etching, surreal images including a bird, a cat, a figure, etc, titled, signed and numbered 19/75, with biographical details on label verso, 28 x 28cm, and UNATTRIBUTED; a signed limited edition sepia oval etching, waterside scene, signed indistinctly and dated 87, no.102/300, 31.5 x 37cm, both framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
AFTER J. ALPHEGE BREWER; black and white etching of the interior of York Minster, signed and titled, 27 x 13.5cm, AFTER FRANK HARDING; black and white etching of Horwich, signed and titled, 13 x 32.5cm, AFTER FRED G. FARRELL; black and white etching of the interior of a church, signed, 29 x 19cm, and AFTER JOHN BANGAY; a colour print of Lincoln Cathedral, signed, 28 x 33cm, a black and white of Newstead Abbey, signed, 26 x 33cm, and a colour print of the High Bridge, Lincoln, 28 x 34cm, all framed and glazed (6).
A quantity of pictures including a St Micheals, Paternoster Royal, College Street, pen ink and pastel on paper signed K. Marina Bates 1975, a watercolour of a pastoral landscape with straw bales and an etching of a church with a spire indistinctly signed lower right Fred Sloemaker, remark etching to the base of a memorial stone and inscribed 'The curfew tells the knell of parting day', all framed (3)
Charles J Watson (19th / 20th century), landscape with shepherd herding his flock and distant cathedral, 'old Sarum was built on a dry barren hill', etching, signed in pencil, 23cm by 27cm and Sir Frank Short RA (1857-1945), waterside scene with two men in a boat next to a country house, etching, signed in pencil, 27cm by 36.5cm
Victorian Infantry Officer’s Levee Pattern Sword. A regulation example, with narrow blade, this etched with a crowned VR cypher. This repeated to the regulation pattern guard. The shagreen grip with twist wire binding. Complete with steel scabbard with two loose rings. Some age wear, etching faint.
Robert Spence - 'Taking Boat, I went down to Kingston, and from thence went toward Hampton Court, to speak with the Protector about the Sufferings of Friends. I met him Riding into the Park and as he rode in the Head of his Lifeguard I saw and felt a Waft (or Apparition) of Death go forth against him: and when I came to him, he look'd like a dead Man', monochrome etching, signed in pencil, approx 29.5cm x 35.5cm, together with four other etchings.
CHARLES MOTTRAM (1806-1876)AFTER HENRY COURT SELOUS'Jerusalem in her Grandeur' and 'Jerusalem in her Fall'engravings with etching, printed in colours, hand finishedon wove india paper, laid on linen,published by George, Lord Beeforth, Scarborough, and Hayward & Leggatt, 72, Cornhill, London, April 10th 1860, both prints with general surface browning25 1/2 x 38 in (64.7 x 96.5cm); a pair (2)Both prospects in these prints are from the same spot in the hills above the city of Jerusalem. In the foreground of the first is Jesus on his donkey, riding down to enter the city, which has the temple of Solomon in the middle of the Roman area. An Arab encampment fills the foreground of the second, with the Dome of the Rock dominating the skyline of mosques and lesser buildings
GERARD LESLIE BROCKHURST RE RA RP (1890-1978)Portrait of the artist Henry Rushbury RA REetching, pencil signed, Pl. 9 x 7 in (22.8 x 17.8cm); sold with another (earlier state) impression of the same etching; an etching by Ian Strang depicting The Rue de Mont Cenis, Montmartre; and an etching of a Beggar by William Fairclough; four (4)
Loading...
