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Lot 472
PATRICIA REGNART (LATE 20TH CENTURY ENGLISH SCHOOL) 'Along the road to Wynchcombe', etching/aquatint, signed, inscribed and noted as artists proof in pencil in the margin, 37cm x 55cm together with a further print by the same artist 'The Spirit of Christmas Past', signed, inscribed and numbered 9/50 in pencil in the margin, 51cm x 25cm (2)
Lot 28
A collection of silver napkin rings, to include one pair, hallmarks for London 1912-13, of bulbous formation with etching '3' & '4' marked to front, and six further miscellaneous silver napkin rings, approx 6ozt, together with a set of six plated napkin rings, with foliate decoration, numbered from 1-6 (12)
Lot 371
Robert Bryden (Scottish 1865-1939)'Burns - The Holy Fair 1895' & 'The Devil the Exciseman 1895'Two sepia proofs on vellum, signed and dated lower right, unframed, 21 x 27cm, together with another unsigned original etching thought to be by Bryden for part of his Burns illustrations (3)Footnote: Robet Bryden produced a series of illustrations of scenes from Robert Burns's poems soon after his return to Ayrshire following his studies in London and travels in Spain and Italy.
Lot 108
A COLLECTION OF BOOKS OF ENGRAVING AND ILLUSTRATION INTEREST, including Willshire 'Ancient Prints' 1877, Jessie Wilcox Smith 'Water Babies', Birket Foster 'Poems', Dilke 'French Engravers & Draughtsmen of the Eighteenth Century', John Leech's Pictures of Life and Character' three vols., 'Modern Masters of Etching', five vols. (12) Condition Report: Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information
Lot 1026
PAUL FERNANDEZ NOTARIO (born 1970); a signed limited edition coloured etching, surreal images including a bird, a cat, a figure, etc, titled, signed and numbered 19/75, with biographical details on label verso, 28 x 28cm, and UNATTRIBUTED; a signed limited edition sepia oval etching, waterside scene, signed indistinctly and dated 87, no.102/300, 31.5 x 37cm, both framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
Lot 910
AFTER J. ALPHEGE BREWER; black and white etching of the interior of York Minster, signed and titled, 27 x 13.5cm, AFTER FRANK HARDING; black and white etching of Horwich, signed and titled, 13 x 32.5cm, AFTER FRED G. FARRELL; black and white etching of the interior of a church, signed, 29 x 19cm, and AFTER JOHN BANGAY; a colour print of Lincoln Cathedral, signed, 28 x 33cm, a black and white of Newstead Abbey, signed, 26 x 33cm, and a colour print of the High Bridge, Lincoln, 28 x 34cm, all framed and glazed (6).
Lot 264
A quantity of pictures including a St Micheals, Paternoster Royal, College Street, pen ink and pastel on paper signed K. Marina Bates 1975, a watercolour of a pastoral landscape with straw bales and an etching of a church with a spire indistinctly signed lower right Fred Sloemaker, remark etching to the base of a memorial stone and inscribed 'The curfew tells the knell of parting day', all framed (3)
Lot 340
Charles J Watson (19th / 20th century), landscape with shepherd herding his flock and distant cathedral, 'old Sarum was built on a dry barren hill', etching, signed in pencil, 23cm by 27cm and Sir Frank Short RA (1857-1945), waterside scene with two men in a boat next to a country house, etching, signed in pencil, 27cm by 36.5cm
Lot 861
Victorian Infantry Officer’s Levee Pattern Sword. A regulation example, with narrow blade, this etched with a crowned VR cypher. This repeated to the regulation pattern guard. The shagreen grip with twist wire binding. Complete with steel scabbard with two loose rings. Some age wear, etching faint.
Lot 205
Robert Spence - 'Taking Boat, I went down to Kingston, and from thence went toward Hampton Court, to speak with the Protector about the Sufferings of Friends. I met him Riding into the Park and as he rode in the Head of his Lifeguard I saw and felt a Waft (or Apparition) of Death go forth against him: and when I came to him, he look'd like a dead Man', monochrome etching, signed in pencil, approx 29.5cm x 35.5cm, together with four other etchings.
Lot 507
CHARLES MOTTRAM (1806-1876)AFTER HENRY COURT SELOUS'Jerusalem in her Grandeur' and 'Jerusalem in her Fall'engravings with etching, printed in colours, hand finishedon wove india paper, laid on linen,published by George, Lord Beeforth, Scarborough, and Hayward & Leggatt, 72, Cornhill, London, April 10th 1860, both prints with general surface browning25 1/2 x 38 in (64.7 x 96.5cm); a pair (2)Both prospects in these prints are from the same spot in the hills above the city of Jerusalem. In the foreground of the first is Jesus on his donkey, riding down to enter the city, which has the temple of Solomon in the middle of the Roman area. An Arab encampment fills the foreground of the second, with the Dome of the Rock dominating the skyline of mosques and lesser buildings
Lot 506
GERARD LESLIE BROCKHURST RE RA RP (1890-1978)Portrait of the artist Henry Rushbury RA REetching, pencil signed, Pl. 9 x 7 in (22.8 x 17.8cm); sold with another (earlier state) impression of the same etching; an etching by Ian Strang depicting The Rue de Mont Cenis, Montmartre; and an etching of a Beggar by William Fairclough; four (4)
Lot 80
COLLECTION OF ETCHINGS AND A WATERCOLOUR including C Campbell (Scottish, early 20th century), 'Craigie's Stane, Lerwick' and 'Glasgow Cathedral (Crypt)', etchings, signed, and a period Tom Maxwell print on textured paper titled 'Glasgow Academy First Latin Class Dinner 1873-74' bearing 'John Gibson, Glasgow' label to verso, sizes vary; A H Geyer (Austrian, 1857-1931), Heidelberg Castle, etching, signed and dated 1913, 21.5cm x 16.5cm; Stuart Johnston (Scottish, circa 1930), Temple of Ceres, Borghese Gardens, Rome, etching, signed, 30cm x 19cm and E P Sorooshian, 'Sanna Storm', watercolour, signed, 35cm x 45cm, bearing 'Kelvin Gallery, Glasgow' label to verso
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71174 item(s)/page