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A Meissen figure of the Merchant's Wife, 19th century, after the model by Kändler, seated at a small table and writing in a ledger, with a second one open in her lap, a pounce pot in her left hand, a basket of bottles to one side and tied parcels at her feet, blue crossed swords mark, incised 2654, a little restoration, 14.5cm. Kändler's original model was based on the etching L'économe by Jacques-Philippe Le Bas, after the painting of the same name by Jean Siméon Chardin.
View from Mont St. Jean of The Battle of Waterloo at the commencement of the grand charge made on the French about 7 O'clock on the evening of the 18th June 1815 Coloured etching Published by R. Bowyer, Pall Mall, 1816 57 x 32 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight staining/foxing, crease mark.
After HENRICUS HONDIUS (1587-1638) Dutch A General Plot and Description of the Fens and Surrounded Grounds with Six Counties of Norfolk, Suffolk, Cambridge Within the Isle of Ely, Huntingdon, Northampton and Lincoln, etc. 17th century coloured etching 56.5 x 45 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some staining, fold creases.
* PHILIP REEVES RSA PPRSW RGI RE, ACADEMY etching, signed in pencil and numbered 3/14 38cm x 76cm Mounted, framed and under glass Note: Philip Reeves studied at the Cheltenham School of Art and at the Royal College of Art, London before being appointed lecturer at Glasgow School of Art in 1954. In 1967 he founded the Edinburgh Printmakers, and was made Head of Printmaking at Glasgow School of Art in 1970, during which time he honed his skill, and expanded his media to include collage and construction. He has been extensively exhibited nationally with collections in the City Art Centre, the Royal Scottish Academy and the V&A Museum. His work can be found in many public and private collections in the UK.
Harry Morley (BRITISH, 1881-1943) - 20th century etching depicting a mother and child, signed in pencil to margin, framed and glazed (image size: 17.5cm x 12.5cm, frame size: 43cm x 35.5cm). Provenance: Purchased from Christie's, London 2010. From a private collection. Has not been removed from frame, condition appears good. No copies of previous receipts available.
Alexandra Nechita (American/Romanian, b. 1985). 'A New Tomorrow'. Gold leaf embossed etching. Limited edition aquatint, 2011. Signed 29cm x 23cm (overall: 76cm x 57cm). Alexandra Nechita: A child prodigy Alexandra Nechita began drawing at two and working with oils and acrylics aged seven. Nechita's first exhibit was held at a Los Angeles-area public library when she was eight years old. Her talent and popularity grew and she became labelled as the "petite Picasso" by the media. PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions Minor creases throughout, has been rolled. Overall condition good.

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78388 item(s)/page