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Lot 326

An Imperial German Naval Sword, the 72.5cm quill back steel blade etched with a fouled anchor, Man o' War and foliage, the ricasso stamped with King's head and visored helmet logos/ W.K. & C., the brass gothic hilt with hinged guard engraved Rehder, with ribbed bone grip, well cast lion head pommel with inset glass eyes and long mane, lacks scabbardBlade with black patching and pitting to surface, particularly towards the tip. Etching is crisp. Bone grip is cracked and chipped. Lacks scabbard.

Lot 364

A George V 1827 Pattern Indian Service Rifle Regiment Officer's Sword, the 82.5cm steel blade etched with crowned GRI cypher, strung bugle and foliage by Phelps & Co., Calcutta, with Proved poincon, the nickel plated steel gothic hilt pierced with a crowned strung bugle, with wire bound fishskin grip, lacks scabbard; an Indian Service Officer's Mameluke Sword, with plain 82cm curved steel blade, brass hilt with orange painted grip scales, with brass scabbard (2)1 - Blade rust pitted and with black patching, although etching is quite crisp. Hilt dirty. Would clean up. 2 - Black patching to blade, hilt a little wiggly.

Lot 388

Prints to include a set of five harbour and town scenes, views of historic buildings, 'Cleopatra and Her Attendants', etching (14)

Lot 362A

An etching of two standing children by South African artist Peter Van Derwesthuisten, 4/100, 12.5cm x 12.5cm

Lot 422

James Abbott McNeil Whistler: a monochrome drypoint etching, "Billingsgate", in gilt frame

Lot 430

D Y G: A pair of late 19th century etchings of Charterhouse, Godalming, together with one other etching

Lot 687

†FRANCIS DODD, RA, RWS (1874-1949) OLD WATERLOO PLACE etching with margins, signed by the artist in pencil, 19.5 x 36.5cm and approx 20 various other mainly 20th c British etchings, sold in portfolio (20 approx)

Lot 691

†ERNEST HERBERT WHYDLE, ARE (1886-1952) THE ROAD FROM THE PIT OR THE CHURCH PIT etching with margins, signed by the artist in pencil, 25 x 30cm and five other etchings by contemporary artists including George Soper, and Clifford Isaac Addams (1876-1942) (6)++The odd slight mount stain but all in good condition, non examined out of the frame

Lot 694

†BREON O'CASEY (1928-2011) UNTITLED etching, full sheet, signed by the artist in pencil, dated '96 and numbered 4/10, 7 x 22.5cm (33 x 50cm)++Fine condition with the label of Print Makers Gallery, St Ives, Cornwall on the backboard

Lot 696

WILLIAM LIONEL WYLLIE, RA, RBA, RE (1851-1931) OLD LIMEHOUSE etching with margins, signed by the artist in pencil, 20 x 25cm++A good impression in apparently good condition, unexamined out of the frame

Lot 697

GEORGE SOPER, RE (1870-1942 BRINGING IN THE CATCH etching with drypoint with margins, signed by the artist in pencil, 18.5 x 27cm and six other contemporary British etchings by Andrew F Affleck, Joseph Gray, John Fullwood, Ralph Bingham and two others, all signed (7)++Several with time staining, otherwise fine

Lot 2

A SIGNED ETCHING AQUATINT BY MARGARET AULTON TOGETHER WITH SIGNED PHOTOGRAPHIC PRINTS BY TINA HOLLEY

Lot 30

A FRAMED AND GLAZED SIGNED ETCHING BY WILLIAM MONK OF A TOWN HALL TYPE BUILDING

Lot 302

CECIL C.W. ALDIN (1870-1935), The End of the Day, etching, limited edition 48/150, signed and inscribed in pencil, 4 3/4" x 6 3/4", stained frame (Est. plus 21% premium inc. VAT)

Lot 303

JULIAN TREVELYAN (1910-1988), Santa Maria Novella, etching aquatint in colours, limited edition 40/100, signed and inscribed in pencil, image size 13 3/4" x 18 1/2", ebonised frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

Lot 305

KENNETH STEEL (1906-1973), "Derelict", etching, signed and inscribed in pencil, plate size 5 3/4" x 7 3/4", stained oak frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

Lot 244

James Priddey (1916-1980). Fair Wind at Stern, coloured etching, artist's proof, signed and titled in pencil, 24cm x 31cm.

Lot 245

J Lewis Stant (British, early 20thC). Old Town Hastings, artist's proof, coloured etching, signed and titled in pencil, 26cm x 36cm.

Lot 122

Alice Maher b.1956 THE MUSIC OF THINGS Etching, paper size 15" x 18" (38 x 46cm), signed and inscribed, artists proof

Lot 162

ROBIN TANNER [1904-88]. Wiltshire Roadmaker, 1928. Etching on cream laid paper with full margins. Signed, dated '28 and inscribed XLIX from the edition of 50. Printed by David Strang and published by John Nicholson. 10 x 14.9 cm [plate size], 19.4 x 26 cm [sheet size] hinge mounted to conservation standards, unframed. Ref: Garton 6. [excellent condition - a fine impression]. Buyers premium 20% + Vat payable.

Lot 185

MARIO DUBSKY [1939-85]. Two Figures, c.1964. etching and aquatint. signed. 30 x 22 cm. Framed. Provenance: artist's estate; private collection, UK. [good condition - unexamined out of frame]. Buyers premium 20% + vat payable.

Lot 186

MARIO DUBSKY [1939-85]. Group of Figures, c.1963/4. etching and aquatint. signed. 56 x 40 cm. Framed. Provenance: artist's estate; private collection, UK. Dubsky was a friend and student of Keith Vaughan. His work is included in the Tate Gallery collection. [good condition - unexamined out of frame]. Buyers premium 20% + vat payable.

Lot 204

HEIDI KONIG [b.1964]. Arisaig, 1996. Etching with aquatint and hand colouring on wove paper. Signed and inscribed as an artist's proof aside from the edition. 49.5 60.5 cm [image size] 66.5 x 74 cm [sheet size] unframed. [Excellent condition]. Buyers premium 20% + vat payable.

Lot 206

ROLAND BATCHELOR RWS [1889-1990]. Pub Garden Invaded by Pan, 1936. Etching on cream wove paper. Signed, inscribed with title and numbered in pencil 24/40. 10 x 17 cm [plate size] 28 x 38 cm [sheet size] unframed. Published by New Academy Gallery, London 1986. Provenance: acquired directly from the publisher. [Excellent condition]. buyers premium 20% + vat payable.

Lot 59

LEO ZOGMAYER [born 1949]. Abstract, 1988. etching, edition of 12 [2/12]. signed with initials in pencil. 65 x 49 cm. Unframed. Provenance: private collection, Germany. Zogmayer was quite a major international painter and printmaker in the 1980s, but has since concentrated on minimal sculpture. [very good condition]. Buyers premium of 20% + VAT is payable.

Lot 63

MICHAEL AYRTON [1921-75]. Minotaur - Full Grown, 1971. etching, edition of 75, artist's proof X/X. signed in pencil by the artist [very few of the edition were signed, most had only the studio stamp signature]. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 64

MICHAEL AYRTON [1921-75]. Minotaur - As Yearling, 1971. etching, edition of 75 [artist's proof], signed in pencil by the artist - very rare as most of this series only included the studio stamp signature. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks and there are many books on the artist. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 67

LEONARD BASKIN [1922-2000]. William Shakespeare, 1970. etching, 65/200. Signed in pencil. 51 x 33 cm sheet size [unframed]. Provenance: Leinster Gallery, London; private collection, London. Baskin was a major international sculptor and printmaker, included in most major museum collections, including Tate Gallery and MOMA [New York]. [very good condition]. Buyers premium of 20% + VAT is payable.

Lot 72

LEON UNDERWOOD [1890-1975]. St. Sebastian, 1921. etching [early state], artist's proof [very few known to exist]. Signed in the plate. 13 x 9 cm [overall including frame 29 x 23 cm]. Provenance: Private collection, UK. [good condition - probably some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 73

LEON UNDERWOOD [1890-1975]. Goat, 1921. etching, edition of 50 [10/50]. A rare print, so unlikely the whole edition was printed. Signed by Mary Underwood [the artist's wife] on the reverse of the etching and marked 'This is the work of my husband Leon Underwood'. 13 x 18 cm image size [overall including frame 33 x 43 cm]. Provenance: artist's family; private collection, UK. [very good condition - paper slightly wavy top right - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 90

ROBERT CLATWORTHY R.A. [1928-2015]. Figures, 1952. etching, edition of 50, artist's proof [very few of the edition were printed]. Signed and dated. 15 x 19 cm [overall including frame 42 x 52 cm]. Provenance: private collection, UK [acquired directly from the artist]. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 91

GEOFFREY CLARKE R.A. [1924-2014]. Blue Head, 1951. etching, edition of 50 [10/50], this is one of the 21 early etchings printed in 1951, signed in pencil. 45 x 22 cm [overall including frame 66 x 41 cm]. Provenance: Redfern Gallery, London, 1953 [label on reverse]; private collection, UK. Literature: 'Geoffrey Clarke - a Sculptors prints', J. LeGrove, 2012, Sansom, p.145, pl.114. [good condition - some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 397

A gilt framed antiquarian black and white etching - Veduta Del Ponte Salario

Lot 342

AN IVORY FAN, a bone handled ink pen, a small etching and a carved bone letter opener

Lot 582

After George Soper, Team of Horses pulling a cart, drypoint etching, signed in margin; and another similar (2)

Lot 433

Two black and white photographs of the great fire Bury Street Stowmarket July 1868, an etching of a figure, horse and dogs outside a country house, two prints the Ancient House and St Mary-Le-Tower Ipswich, (5)

Lot 564

After William Fisk A pair of monochrome engravings by James Scott 'The Last Moments of King Charles The First', and 'Cromwell's Family Interceding for the Life of King Charles The First', together with Arthur Suker, 'Near The Lizard' watercolour, 27 x 17cm a 19th century Alice in Wonderland etching, an early 20th century Chinese rice paper watercolour study of a fishmonger and five other pictures and prints (10)

Lot 362

ANDRE BICAT (1909-1996) ARTIST SIGNED COLOURED ETCHING Berkshire Downs, (65/150) 13 ¼" x 17 ¾" (33.7cm x 45.1cm)

Lot 833

A .177” BSA Cadet Major break action air rifle, number CC11558 (1955-57), with clear air chamber etching. GWO & C (slightly worn blued finish overall).

Lot 834

A .177” BSA Cadet Major break action air rifle, number CC26512 (1955-57), GWO & Clean Condition the etching clean, the blueing good.

Lot 835

A .177” BSA Cadet break action air rifle, number B47464 (1946-49). GWO & generally Clean Condition, retaining much original blued finish with some surface rust, air chamber etching legible.

Lot 840

A good .22” BSA “Standard” underlever air rifle, number S17626 (1923), 45½” overall, the air chamber with clear complete etching with patents to “Gr Brit. Rd. No 479972”, the breech stamped “2 Load”, the walnut butt with pistol grip and impressed chequered panels.  Near VGWO & C for age, retaining most original blued finish (the etching protected by a strip of cellophane). Plate 11

Lot 841

A similar air rifle to lot 840, number S52690 (1934), with similarly clear and complete air chamber etching, the breech stamped “2”, the walnut butt with pistol grip, impressed chequered panels, and folding aperture rearsight. Near VGWO & C, retaining much original blued finish. Plate 11

Lot 842

A .177” BSA “Standard” underlever air rifle, number S73869, 43½” overall, the air chamber deeply etched “The BSA Standard Air Rifle, .177 bore, The Birmingham Small Arms Co Ltd England, Sole Makers” and BSA logo, the breech stamped with logo and “Load”, the underside of the barrel stamped “Rd No 479972” and serial number 73969, the side catch cocking lever stamped “BSA Patents 8761-04, 25783-10 Rd 479972”, the walnut butt having pistol grip, hand chequered panels, and folding aperture sight. GWO & C (lightly refinished, etching worn, patch of pitting on left of air chamber). The “S” prefix should denote .22”, the serial number and side catch cocking lever appear to be from the “Improved Model D” series. Plate 11

Lot 816

A wicker basket and contents of swing handled copper pots; CD storage unit; rear lights for a Ford Focus; roll of etching

Lot 400

Louis Icart, drypoint etching, beauties beside a tree, signed in pencil, 36 x 48cm

Lot 102

ROBERT QUIJADA 'Sienna screen', 1979, aquatint etching, hand signed Artist Proof n.3, 63cm x 75cm, framed and glazed.

Lot 133

J. Lewis Stant, framed coloured etching signed in pencil. Titled Welsh farmyard evening, Warwick artist proof stamp.

Lot 134

William Lionel Wyllie (British 1851-1931) framed dry point etching signed in pencil, eight and twelve meter yachts off Cowes. Condition Report. To be used as a guide only. Image clean, heavily stained mount.

Lot 155

Sue Haywood framed coloured etching titled 4th State, signed in pencil.

Lot 205

TIMOTHY PONT (1565 - 1614)'The Steuartrie of Kircudbright'Coloured etching map, 43cm x 54cm.

Lot 302

Jean Whitley, Porlock Weir, etching aquatint, limited edition 1/6, signed and dated 1988 in pencil, 63cm x 56.5cm

Lot 318

S R Brightwell, 'What a World', etching, signed lower right and titled, 31cm x 21cm

Lot 305

A 20th Century fine framed and glazed etching of a waterside mountain landscape at dusk, signed and inscribed

Lot 189

Two early twentieth century prints and similar etching of Ashley church (3)

Lot 321

Victorian walnut decorative barometer and pair of continental ceramic figures and early metal etching sheet

Lot 609

A framed etching & signed receipt by George Bernard Shaw

Lot 222

*HENRY MOORE (1898-1986) "TWO RECLINING FIGURES" signed and numbered 10/60 in pencil to the margin, etching, (Cramer 206), the image 24cm x 14cm

Lot 225

*DAVID HOCKNEY (B. 1937) "HOME" an illustration from "Six Fairy Tales from the Brothers Grimm", published 1970, etching, 42.5cm x 30.5cm Provenance: Acquired from Goldmark Gallery Note: In the 1960s David Hockney was hired to illustrate the British Royal Academy of Arts' book Six Fairy Tales from the Brothers Grimm. From over 350 Grimm fairytales, Hockney selected 6: "The Little Sea Hare", "Fundevogel", "Rapunzel", "The Boy who left Home to learn Fear", "Old Rink Rank" and "Rumpelstiltzhen". The above lot features in the story "The Boy who left Home to learn Fear"

Lot 213

A box of assorted posters, programmes and tickets for the 2012 Paralympics, Motor Sport posters, assorted theatre and show programmes, etc, together with AFTER ROBERT MORDEN "Dorsetshire", hand-coloured engraving and PHILIP PIMLOTT "Secluded street scene with arch building in the foreground leading down through a courtyard with buildings on either side and trees in centre", etching, together with a box of assorted prints and pictures

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