An Imperial German Naval Sword, the 72.5cm quill back steel blade etched with a fouled anchor, Man o' War and foliage, the ricasso stamped with King's head and visored helmet logos/ W.K. & C., the brass gothic hilt with hinged guard engraved Rehder, with ribbed bone grip, well cast lion head pommel with inset glass eyes and long mane, lacks scabbardBlade with black patching and pitting to surface, particularly towards the tip. Etching is crisp. Bone grip is cracked and chipped. Lacks scabbard.
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A George V 1827 Pattern Indian Service Rifle Regiment Officer's Sword, the 82.5cm steel blade etched with crowned GRI cypher, strung bugle and foliage by Phelps & Co., Calcutta, with Proved poincon, the nickel plated steel gothic hilt pierced with a crowned strung bugle, with wire bound fishskin grip, lacks scabbard; an Indian Service Officer's Mameluke Sword, with plain 82cm curved steel blade, brass hilt with orange painted grip scales, with brass scabbard (2)1 - Blade rust pitted and with black patching, although etching is quite crisp. Hilt dirty. Would clean up. 2 - Black patching to blade, hilt a little wiggly.
†ERNEST HERBERT WHYDLE, ARE (1886-1952) THE ROAD FROM THE PIT OR THE CHURCH PIT etching with margins, signed by the artist in pencil, 25 x 30cm and five other etchings by contemporary artists including George Soper, and Clifford Isaac Addams (1876-1942) (6)++The odd slight mount stain but all in good condition, non examined out of the frame
GEORGE SOPER, RE (1870-1942 BRINGING IN THE CATCH etching with drypoint with margins, signed by the artist in pencil, 18.5 x 27cm and six other contemporary British etchings by Andrew F Affleck, Joseph Gray, John Fullwood, Ralph Bingham and two others, all signed (7)++Several with time staining, otherwise fine
ROBIN TANNER [1904-88]. Wiltshire Roadmaker, 1928. Etching on cream laid paper with full margins. Signed, dated '28 and inscribed XLIX from the edition of 50. Printed by David Strang and published by John Nicholson. 10 x 14.9 cm [plate size], 19.4 x 26 cm [sheet size] hinge mounted to conservation standards, unframed. Ref: Garton 6. [excellent condition - a fine impression]. Buyers premium 20% + Vat payable.
MARIO DUBSKY [1939-85]. Group of Figures, c.1963/4. etching and aquatint. signed. 56 x 40 cm. Framed. Provenance: artist's estate; private collection, UK. Dubsky was a friend and student of Keith Vaughan. His work is included in the Tate Gallery collection. [good condition - unexamined out of frame]. Buyers premium 20% + vat payable.
ROLAND BATCHELOR RWS [1889-1990]. Pub Garden Invaded by Pan, 1936. Etching on cream wove paper. Signed, inscribed with title and numbered in pencil 24/40. 10 x 17 cm [plate size] 28 x 38 cm [sheet size] unframed. Published by New Academy Gallery, London 1986. Provenance: acquired directly from the publisher. [Excellent condition]. buyers premium 20% + vat payable.
LEO ZOGMAYER [born 1949]. Abstract, 1988. etching, edition of 12 [2/12]. signed with initials in pencil. 65 x 49 cm. Unframed. Provenance: private collection, Germany. Zogmayer was quite a major international painter and printmaker in the 1980s, but has since concentrated on minimal sculpture. [very good condition]. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - Full Grown, 1971. etching, edition of 75, artist's proof X/X. signed in pencil by the artist [very few of the edition were signed, most had only the studio stamp signature]. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - As Yearling, 1971. etching, edition of 75 [artist's proof], signed in pencil by the artist - very rare as most of this series only included the studio stamp signature. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks and there are many books on the artist. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
LEONARD BASKIN [1922-2000]. William Shakespeare, 1970. etching, 65/200. Signed in pencil. 51 x 33 cm sheet size [unframed]. Provenance: Leinster Gallery, London; private collection, London. Baskin was a major international sculptor and printmaker, included in most major museum collections, including Tate Gallery and MOMA [New York]. [very good condition]. Buyers premium of 20% + VAT is payable.
LEON UNDERWOOD [1890-1975]. St. Sebastian, 1921. etching [early state], artist's proof [very few known to exist]. Signed in the plate. 13 x 9 cm [overall including frame 29 x 23 cm]. Provenance: Private collection, UK. [good condition - probably some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
LEON UNDERWOOD [1890-1975]. Goat, 1921. etching, edition of 50 [10/50]. A rare print, so unlikely the whole edition was printed. Signed by Mary Underwood [the artist's wife] on the reverse of the etching and marked 'This is the work of my husband Leon Underwood'. 13 x 18 cm image size [overall including frame 33 x 43 cm]. Provenance: artist's family; private collection, UK. [very good condition - paper slightly wavy top right - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
ROBERT CLATWORTHY R.A. [1928-2015]. Figures, 1952. etching, edition of 50, artist's proof [very few of the edition were printed]. Signed and dated. 15 x 19 cm [overall including frame 42 x 52 cm]. Provenance: private collection, UK [acquired directly from the artist]. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
GEOFFREY CLARKE R.A. [1924-2014]. Blue Head, 1951. etching, edition of 50 [10/50], this is one of the 21 early etchings printed in 1951, signed in pencil. 45 x 22 cm [overall including frame 66 x 41 cm]. Provenance: Redfern Gallery, London, 1953 [label on reverse]; private collection, UK. Literature: 'Geoffrey Clarke - a Sculptors prints', J. LeGrove, 2012, Sansom, p.145, pl.114. [good condition - some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
After William Fisk A pair of monochrome engravings by James Scott 'The Last Moments of King Charles The First', and 'Cromwell's Family Interceding for the Life of King Charles The First', together with Arthur Suker, 'Near The Lizard' watercolour, 27 x 17cm a 19th century Alice in Wonderland etching, an early 20th century Chinese rice paper watercolour study of a fishmonger and five other pictures and prints (10)
A good .22” BSA “Standard” underlever air rifle, number S17626 (1923), 45½” overall, the air chamber with clear complete etching with patents to “Gr Brit. Rd. No 479972”, the breech stamped “2 Load”, the walnut butt with pistol grip and impressed chequered panels. Near VGWO & C for age, retaining most original blued finish (the etching protected by a strip of cellophane). Plate 11
A .177” BSA “Standard” underlever air rifle, number S73869, 43½” overall, the air chamber deeply etched “The BSA Standard Air Rifle, .177 bore, The Birmingham Small Arms Co Ltd England, Sole Makers” and BSA logo, the breech stamped with logo and “Load”, the underside of the barrel stamped “Rd No 479972” and serial number 73969, the side catch cocking lever stamped “BSA Patents 8761-04, 25783-10 Rd 479972”, the walnut butt having pistol grip, hand chequered panels, and folding aperture sight. GWO & C (lightly refinished, etching worn, patch of pitting on left of air chamber). The “S” prefix should denote .22”, the serial number and side catch cocking lever appear to be from the “Improved Model D” series. Plate 11
*DAVID HOCKNEY (B. 1937) "HOME" an illustration from "Six Fairy Tales from the Brothers Grimm", published 1970, etching, 42.5cm x 30.5cm Provenance: Acquired from Goldmark Gallery Note: In the 1960s David Hockney was hired to illustrate the British Royal Academy of Arts' book Six Fairy Tales from the Brothers Grimm. From over 350 Grimm fairytales, Hockney selected 6: "The Little Sea Hare", "Fundevogel", "Rapunzel", "The Boy who left Home to learn Fear", "Old Rink Rank" and "Rumpelstiltzhen". The above lot features in the story "The Boy who left Home to learn Fear"
A box of assorted posters, programmes and tickets for the 2012 Paralympics, Motor Sport posters, assorted theatre and show programmes, etc, together with AFTER ROBERT MORDEN "Dorsetshire", hand-coloured engraving and PHILIP PIMLOTT "Secluded street scene with arch building in the foreground leading down through a courtyard with buildings on either side and trees in centre", etching, together with a box of assorted prints and pictures

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78408 item(s)/page