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Lot 454

Cameron, The Lookout, pencil signed etching

Lot 520

An etching, C F Tunnicliffe, Birds by Lake, signed and numbered 14/50 8.5 x 14.5"

Lot 546

An etching after Henry G Walker, village scene 11 x 8.5" and an etching, after Barlow, continental town No Estimate

Lot 566

A watercolour Crossfield, `Hawkshead` signed 6 x 9" and a selection of other pictures including watercolours, etching, prints etc No Estimate

Lot 145A

Cameron, Sir D.Y. - Cunninghame Graham, R.B. The district of Menteith. Stirling, 1930. Edition de luxe, folio, number 14 of 250 copies, signed by the author and illustrator, signed etching by Cameron as frontispiece, original quarter calf gilt, dustwrapper, slipcase; Lang, Andrew Essays in little. London, 1891. 8vo, number 80 of 150 copies, later half morocco gilt, some fading, spotting to title; Buchan, John Homilies and recreations. London, 1926. 8vo, number 165 of 200 large paper copies, signed by the author, original quarter cloth, some fading to lower board; [Idem] The northern muse. London, [no date]. 8vo, number 31 of 150 copies, signed by the author, original quarter cloth, some foxing to boards; Crockett, S.R. The stickit minister... London, 1894. 8vo, one of 350 copies, signed by the author, illustrated, original cloth gilt; [Idem] The grey man. London, 1896. 8vo, one of 250 copies signed by the author, illustrated, original blue cloth gilt, some foxing to endpapers, bookplate; Maclaren, Ian Beside the bonnie brier bush. London, 1896. 8vo, number 395 of 415 copies, illustrated by William Hole, original cloth gilt, backstrip slightly faded, some foxing to endpapers; Alexander, William Johnny Gibb of Gushetneuk. Edinburgh, 1880. 8vo, illustrated, later half morocco gilt; Barrie, J.M. Five volumes of "Barrieana", 1924-38, a collection of newspaper cuttings and ephemera relating to J.M Barrie, titled on spines Freedom of Dumfries, Freedom of Jedburgh & Edinburgh, Freedom of Kirriemuir, The boy David and In Memoriam, including a dinner invitation signed by J.M Barrie, 1924; uniformly bound in half red morocco gilt, some foxing to edges; [Idem] Auld licht idylls. London, 1895. 8vo, number 114 of 550 copies, signed by the author, illustrated by William Hole, original blue cloth gilt; [Idem] A window in Thrums. London, 1892. 8vo, number 46 of 560 copies, signed by the author and artist, illustrated by William Hole, original blue cloth gilt, some fading to backstrip (15)

Lot 33

After Herbert Dicksee - Study of a bulldog, etching, initialled, 33 x 26 cm

Lot 39

Chas. H C...? - `The Victory`, dry point etching, indistinctly pencil signed to margin, ltd ed 56/75 print, 26 x 36 cm

Lot 98

T. Ry....? - artist`s proof for `Californian Wine`, etching, fore-edge signed, 18.5 x 22. 5cm; to/w `Space Ghosts`, aboriginal abstract, probably Australian, mixed media, indistinctly signed, 28 x 54 cm (2)

Lot 488

After William Monk, "Edgar Tavern, Chester", etching, label verso, 19cms x 26cms, (7½" x 10").

Lot 1285

David Young Cameron (Scottish, 1865-1945), after, Perth Bridge, etching, 17cm x 26cm

Lot 1301

Louis Icart (1888-1950), by and after, Reflections in the Mirror, signed in pencil, drypoint etching, 22cm x 17cm

Lot 1317

William Strang (1859-1921), The Death of a Sheep, dry point etching, 18.5cm x 12.5cm

Lot 712

A 1796 pattern light cavalry officer`s sword, broad, curved, shallow fullered blade 33", with faint traces of etching overall and a little gilding at forte, regulation steel knucklebow with langets, plain pommel and backstrap with ears, wirebound leather grip, in its steel scabbard (throat mount and one hanging ring missing). Basically GC (dark rust patina to hilt and scabbard)

Lot 588

Alphonse Legros (1837-1911) portrait head, etching. P Depadi, Villa Medica, watercolour. Affleck, archway, etching. Charles Grignion, The Cure of the Soul, etching. Johann Sadeler, Descent into Hell. After Morland, Kiev Cathedral, lithograph. After Philips two lithographs (foxed). After isaac Oliver, portrait. Robert White, Thirlestone, Glamis, Lauder, etchings. Group of engravings of Abbeys

Lot 157

PERCY ROBERTSON (1869-1934), PICCADILLY, signed in pencil to the margin, etching, framed. 20cm by 28cm

Lot 892

M P S: watercolour, estuary scene with seagulls, initialled lower right, in strip frame, and a hand-coloured etching, street scene, indistinctly signed, in strip frame

Lot 209

4 Coloured Fashion Prints depicting various ladies and garments, a black and white etching depicting continental gentleman, in black frame, and an oriental print on silk depicting perched bird (6)

Lot 116

Continental School (19th century), 'Landing the Catch', etching, 13 x 23 cm, and another by the same hand, a pair

Lot 59

AMELIA M.BAUERLE. Signed in pencil (Bowerley) etching on paper, beach scene with children playing `Ring-A-Ring-A-Roses`. 7" x 9.3/4"

Lot 520

Charles Potter (British, 1904-2002), Study of a Gargoyle, signed lower right with initials "CP", etching, 12 x 8cm (4.68 x 3.12in)

Lot 392

Henry Wilkinson (b1921). Coloured etching. Lapwings in a meadow. 105/150. Signed in pencil. 27 x 36cm.

Lot 386

A late 19th Century etching, figures outside cottage, indistinctly signed, in oak frame

Lot 405

Etching, `The Break of Day`, signed in pencil Rowbotham.

Lot 363

Etching by Paul Morgan Clark `Still life on a shelf`. Sepia ink by Gary Sergeant `Tree study`. Acrylic by James Williamson Bell `Eider duck`. , Silk screen print by James Williamson Bell `Pumpkins`.

Lot 781

Coloured etching, Wedgwood miniature vase, silver napkin ring and doll.

Lot 810

A black and white etching, Miners Hall, unframed.

Lot 255

AFTER SAMUEL HOWITT `A Pig and Poultry` and `Pig in Sty`, etching, each with Folio Fine Art labels verso, together with six further similar engravings to include studies of dogs, goats and horses (8)

Lot 256

AFTER DANTE GABRIEL ROSSETTI `A Christmas Carol`, published by Robert Dunthorne, October 1, 1891, sepia etching, 11 3/4" x 9 3/4" (see illustration)

Lot 257

AFTER JEAN ETIENNE LIOTARD La Chocolatier, coloured lithograph, published by Zolmmer of Dresden, 16" x 10 3/4"; after Paul Gavarni, `Petite Servante` from the Physionomies Parisiennes, published by Le Mercier of Paris, 11 1/4" x 7 1/2", another Gavarni lithograph, `Therese`, from Etudes d`Enfant, 8 x 6 1/4"; after Felicine Rops, `Beurre d`Isiguy aux Halles`, signed in the margin and dated November `75, etching, 6 3/4" x 5"; and nine further prints (13)

Lot 260

AFTER L F PENET `Young Maiden and a Cherub`, engraving, 4 1/4 x 2 1/4", Folio Society label verso; after Claude Gillot, `Bacchus`, etching, 11" x 6 3/4", two etchings after Maxime Lalanne, one of Paris the other Bordeaux, together with further prints and seven Chinese watercolours, all unframed

Lot 274

FRANK GREENWOOD (British, 20th Century) Market Place, Manchester, first stage etching with blank spaces left for re-etching marked with an X, 15 3/4" x 11 1/2", `Gossips`, signed in pencil in margin, 5" x 6 1/2"; another trial proof of a young child and a dog outside a grand stone building; `Whalley Abbey`, etching, 11 1/4" x 8" and `Russell School`, 13 1/2" x 13 1/4", and five further etchings including views of Whalley Abbey and Chateau Gaillard, all unframed (10)

Lot 207

HOWARD HODGKIN (Born 1932) Original end paper etching with hand colouring, No. 14/200, together with signed justification page, 11" x 16.5", framed.

Lot 213

MARCEL JEAN (1900-1994) A proof soft ground etching, Surrealist cockerel design, signed in pencil Circa. 1960, 15" x 12", framed.

Lot 265

JONKIND Etching, Rotterdam Canal scene, signed in the plate, 5.25" x 7.5", framed.

Lot 285

SIR HENRY GEORGE RUSHBURY (1889-1968) Etching, London Bridge, signed in pencil, 8.5" x 11", framed.

Lot 397

CHRISTOPHER HUGHES Etching, High Street Marlborough, signed in pencil, 7" x 10", framed.

Lot 119

SIDNEY TUSHINGHAM (1884-1968) Etching, "The Sandpit", signed in pencil, 10.5" x 8", framed.

Lot 131

HENRY WILKINSON Coloured etching, Gun dog flushing out a mallard in the reeds, signed in pencil, No. 29/75, 10.5" x 14.5", mounted.

Lot 133

ROBERT R GREENHALF RBA Coloured etching, "The black Cockerel," signed and titled in pencil, No. 31/40, 7" x 6.5", framed.

Lot 182

JULIAN TREVELYAN (1910-1988) - `Camels`, etching with aquatint, pencil signed in the margin and numbered 6/65, 13 1/2" x 18 1/2" (see illustration).

Lot 184

HEATHER CRAGG (1953-1980) - Interior with monk and various objects, etching, signed in the plate and dated 2nd May 1976, 10 1/2" x 12 1/4"; and FRANCIA TURNER (fl. 1970s), Mountain landscape, signed charcoals, 12 1/4" x 16" (2).

Lot 185

WALTER SICKERT (1860-1942) `Red Cross`, etching, inscribed to label verso, `Third State, Before Letters`, 10 3/4" x 14 1/2", Thomas Agnew & Sons Ltd., label verso, number 22746 (see illustration).

Lot 186

WALTER SICKERT (1860-1942) `A Weak Defence`, etching, 5 3/4" x 3 1/4", Thomas Agnew & Sons label verso, number 22707.

Lot 191

JULIAN TREVELYAN (20TH CENTURY) `Activated Sludge`, etching with aquatint, pencil signed, titled and numbered 63/75 in the margin, 13 1/2" x 18 3/4".

Lot 220

GRAHAM CLARKE (b. 1941) - `Garlez Arkham` (exhibition proof), etching in colours, pencil, signed, titled and numbered 13/50, 21" x 27" and one further `Notte todaye` numbered 224/400, similarly mounted and framed, 21" x 27" (2) (see illustration).

Lot 221

GRAHAM CLARKE (b. 1941) - `Piece de resistance`, etching in colours, pencil signed, titled and numbered 245/400, 21" x 27"; and one further similar `Rue de Wakening`, pencil signed, titled and numbered 31/400, 21" x 27" (2) (see illustration).

Lot 817

A PABLO PICASSO "Goldfinch" etching & aquatint-for Buffon`s Histoire Naturelle 1942

Lot 406

JAMES MCBEY Tetuan, 1913 etching, signed on mount 12cm x 25cm

Lot 409

JAMES MCBEY The Ford, 1913 etching, signed 15.5cm x 25cm

Lot 487

AN ED BURROW ETCHING, The Old Archway Repton, and other pictures and prints (box)

Lot 90

A COLOURED ETCHING " PIGTAILS AND POWDER " BY FRANK DODD EXHIBITED AT THE ROYAL INSTITUTE OF PAINTERS

Lot 91

A COLOURED ETCHING BEHIND GLASS PUBLISHED 1804 BY JOHN P. THOMPSON, NEWPORT STREET

Lot 94

A FRAMED COLOURED ETCHING ENTITLED " THE LAST DITCH - DIFFICULTY, DANGER AND DOUBT " McQUEENS STEEPLE CHASINGS ENGRAVED BY W SUMMERS, PAINTED BY A W NEVITTE

Lot 118

A FRAMED COLOURED ETCHING ENTITLED " THE HEYTHROP HUNT" ENGRAVED BY JAMES SCOTT, PAINTED BY STEPHEN PEARCE

Lot 119

A FRAMED COLOURED ETCHING ENTITLED " OUR LEADING JOCKEYS OF THE DAY " - McQUEENS RACINGS - SIGNED BY THE JOCKEYS - ENGRAVED BY E G HESTER - PUBLISHED MAY 1st 1885 - 181 TOTTENHAM COURT ROAD

Lot 494

MARIUS BAUER Amiens Cathedral Etching, pencil, signed with initial

Lot 375

Hideo Furuta; Collection of 12 etchings including:- Christmas Pudding, Etching Cone, and Wing and Triangle

Lot 412

Hideo Furuta; East to West, Lithography (four copies) and Hideo Furuta; Pulling, Etching (16 copies)

Lot 413

Hideo Furuta; East to West, Lithography (four copies) and Hideo Furuta; Pulling, Etching (16 copies)

Lot 50

E.A. ABBEY, An Afternoon Bout At Tennis, hand-coloured etching, central crease mark, 19 x 24in. (48.2 x 62.2cm) overall, framed and glazed, FRENCH SCHOOL, Figure study of a tennis player, signed lower right, watercolour, 25 x 6.1/2in. (63.5 x 16.5cm); and thirteen modern tennis related prints, 37 x 22in. (94 x 55.8cm) overall and smaller, all framed and glazed (15)

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