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Cameron, Sir D.Y. - Cunninghame Graham, R.B. The district of Menteith. Stirling, 1930. Edition de luxe, folio, number 14 of 250 copies, signed by the author and illustrator, signed etching by Cameron as frontispiece, original quarter calf gilt, dustwrapper, slipcase; Lang, Andrew Essays in little. London, 1891. 8vo, number 80 of 150 copies, later half morocco gilt, some fading, spotting to title; Buchan, John Homilies and recreations. London, 1926. 8vo, number 165 of 200 large paper copies, signed by the author, original quarter cloth, some fading to lower board; [Idem] The northern muse. London, [no date]. 8vo, number 31 of 150 copies, signed by the author, original quarter cloth, some foxing to boards; Crockett, S.R. The stickit minister... London, 1894. 8vo, one of 350 copies, signed by the author, illustrated, original cloth gilt; [Idem] The grey man. London, 1896. 8vo, one of 250 copies signed by the author, illustrated, original blue cloth gilt, some foxing to endpapers, bookplate; Maclaren, Ian Beside the bonnie brier bush. London, 1896. 8vo, number 395 of 415 copies, illustrated by William Hole, original cloth gilt, backstrip slightly faded, some foxing to endpapers; Alexander, William Johnny Gibb of Gushetneuk. Edinburgh, 1880. 8vo, illustrated, later half morocco gilt; Barrie, J.M. Five volumes of "Barrieana", 1924-38, a collection of newspaper cuttings and ephemera relating to J.M Barrie, titled on spines Freedom of Dumfries, Freedom of Jedburgh & Edinburgh, Freedom of Kirriemuir, The boy David and In Memoriam, including a dinner invitation signed by J.M Barrie, 1924; uniformly bound in half red morocco gilt, some foxing to edges; [Idem] Auld licht idylls. London, 1895. 8vo, number 114 of 550 copies, signed by the author, illustrated by William Hole, original blue cloth gilt; [Idem] A window in Thrums. London, 1892. 8vo, number 46 of 560 copies, signed by the author and artist, illustrated by William Hole, original blue cloth gilt, some fading to backstrip (15)
A 1796 pattern light cavalry officer`s sword, broad, curved, shallow fullered blade 33", with faint traces of etching overall and a little gilding at forte, regulation steel knucklebow with langets, plain pommel and backstrap with ears, wirebound leather grip, in its steel scabbard (throat mount and one hanging ring missing). Basically GC (dark rust patina to hilt and scabbard)
Alphonse Legros (1837-1911) portrait head, etching. P Depadi, Villa Medica, watercolour. Affleck, archway, etching. Charles Grignion, The Cure of the Soul, etching. Johann Sadeler, Descent into Hell. After Morland, Kiev Cathedral, lithograph. After Philips two lithographs (foxed). After isaac Oliver, portrait. Robert White, Thirlestone, Glamis, Lauder, etchings. Group of engravings of Abbeys
AFTER JEAN ETIENNE LIOTARD La Chocolatier, coloured lithograph, published by Zolmmer of Dresden, 16" x 10 3/4"; after Paul Gavarni, `Petite Servante` from the Physionomies Parisiennes, published by Le Mercier of Paris, 11 1/4" x 7 1/2", another Gavarni lithograph, `Therese`, from Etudes d`Enfant, 8 x 6 1/4"; after Felicine Rops, `Beurre d`Isiguy aux Halles`, signed in the margin and dated November `75, etching, 6 3/4" x 5"; and nine further prints (13)
AFTER L F PENET `Young Maiden and a Cherub`, engraving, 4 1/4 x 2 1/4", Folio Society label verso; after Claude Gillot, `Bacchus`, etching, 11" x 6 3/4", two etchings after Maxime Lalanne, one of Paris the other Bordeaux, together with further prints and seven Chinese watercolours, all unframed
FRANK GREENWOOD (British, 20th Century) Market Place, Manchester, first stage etching with blank spaces left for re-etching marked with an X, 15 3/4" x 11 1/2", `Gossips`, signed in pencil in margin, 5" x 6 1/2"; another trial proof of a young child and a dog outside a grand stone building; `Whalley Abbey`, etching, 11 1/4" x 8" and `Russell School`, 13 1/2" x 13 1/4", and five further etchings including views of Whalley Abbey and Chateau Gaillard, all unframed (10)
E.A. ABBEY, An Afternoon Bout At Tennis, hand-coloured etching, central crease mark, 19 x 24in. (48.2 x 62.2cm) overall, framed and glazed, FRENCH SCHOOL, Figure study of a tennis player, signed lower right, watercolour, 25 x 6.1/2in. (63.5 x 16.5cm); and thirteen modern tennis related prints, 37 x 22in. (94 x 55.8cm) overall and smaller, all framed and glazed (15)
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71174 item(s)/page