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Louis Icart (French 1888-1950) - Fair Dancer Seated, etching heightened in colours, signed and numbered 267 in pencil to the lower margin, visible sheet dimensions 39 x 50cmCondition: Framed, mounted and glazed. Spotted foxing to paper throughout. Otherwise image is good. Signature partially obscured to lower edge. Moulded gilt frame good. See extra picture.
•KURT MEYER-EBERHARDT (GERMAN 1895-1977) HEAD OF AN AIREDALE; FOAL; FAWN; FOX CUB; KITTENS; SCOTTIE Etching in colours, signed, 27 x 37cm (10 1/2 x 14 1/2") (largest), 28 x 24cm (11 x 9 1/2") (smallest) (6) Labels verso - 'Head of an Airedale', 'Foal', 'Fox Cub', 'Scottie' Condition Report: Generally there is a degree of foxing on all images, the least affected being Foal, Scottie and Fox Cub with foxing more prevalent, including some spots in the margins, affecting Fawn and Kittens and to a heavier degree, Head of an Airedale.,
•JAMES MCINTOSH PATRICK RSA, ROI, ARE, LLD (SCOTTISH 1907-1998) COTTAGE IN THE SNOW Etching, signed, inscribed 'With Best Wishes', 15 x 21cm (6 x 8 1/4") Condition Report: Discolouration evident over the bottom margin but less so in the others as the mount is close to the edges of the image on these ones. There is a small, partially visible due to the mount, circular ring of brownish discolouration, bottom left in the margin. There is very slight brownish discolouration located over roof areas.,
•MARK MILLMORE (b. 1956) 'Crucian Carp' signed and numbered limited edition of 100 three plate colour etching printed on Fabriano Mould-made acid free cotton paper, the image 30cm x 25cm (unframed)Mark Millmore is a fine artist, theatre designer, writer, web designer, art director, and conservationist. His company, Eyelid Productions, has designed software products and computer graphics for major film production companies and other clientsProvenance: The Bob Cosford Collection of Contemporary and Street Art​
•RICHARD CLARK (contemporary) 'Interior, Fish and Chip Shop - Blackheath, 1987, signed and dated, four colour etching, the image 42cm x 56cm; together with the companion work 'Decorative Facade, Lowestoft, 1987' the image 43cm x 51.5cm (both unframed)Birmingham based artist Richard Clark took his inspiration from the elaborately designed stained glass found in the windows and behind the bars in local pubs, many of which are sadly no longer in existence.Provenance: The Bob Cosford Collection of Contemporary and Street Art​
•RICHARD CLARK (contemporary) 'See Breeze, 1987' signed and dated, four colour etching, the image 40.5cm x 43.5cm; together with the companion work 'Devonshire Works, Digbeth, 1987', the image 35cm x 45cmBirmingham based artist Richard Clark took his inspiration from the elaborately designed stained glass found in the windows and behind the bars in local pubs, many of which are sadly no longer in existence.Provenance: The Bob Cosford Collection of Contemporary and Street Art​
•PURE GOLD (aka Bob Cosford) 'Chrome Girl' signed, titled and blind stamped, further labelled and stamped verso, printer's proof, giclee print on 310gsm German etching paper, the image 56cm x 41cm (unframed)Pure Gold is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Chrome Girl' was originally a hand drawn figure that developed over a period of years whilst moving between North London, Buckinghamshire and eventually Bournemouth where the figure became clockwork, being heavily influenced by the 'Steam Punk' movement.Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​
•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - POTA' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 62cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​
•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - SUICIDE' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​
•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - VADER' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 61.5cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​
•BOB COSFORD (Contemporary) 'Some Girls' 2012, a portrait of Mick Jagger, signed limited edition of 25, blind-stamped and with certificate of authenticity, giclee print on 310gsm German etching paper, the image 50cm x 37cm (unframed)Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​
Herbert Dicksee Pencil Signed Etching 'The Old Garden' circa 1921, published by Frost & Reed of London. Lebel verso: 'An original etching by Herbert Dicksee, RE, an Artist's signed proof impression upon Japanese vellum. Price £8-8-0 net. Edition strictly limited'. Framed and Glazed Size 28'' x 21''.
Uzo Egonu (Nigerian, 1931-1996)Woman with a glass of wine signed and dated 'Uzo Egonu/ 79' (lower right)oil on canvas 150.5 x 122.5cm (59 1/4 x 48 1/4in).Footnotes:Uzo Egonu moved from Nigeria to England in 1945. He stayed in the UK, moving to London to study at Camberwell School of Art and later taking evening classes at St Martin's School of Art. Egonu first explored painting, later taking up printmaking which he took seriously in the late 1960s and early 1970s. Unfortunately printmaking was both his rise and fall. A lack of protective eyewear when etching, which creates seriously harmful fumes, affected the artist's eyesight. Egonu did continued to paint with the present lot being an exceptional example. Woman with a glass of wine is not only the first of the artist's works as his sight was beginning to fade, but also part of a wider body of work focusing on women in a domestic setting.IllustratedO. Oguibe, Uzo Egonu: An African Artist in the West, (London 1995), p.141BibliographyO. Oguibe, Uzo Egonu: An African Artist in the West, (London 1995), p.131For further information on this lot please visit Bonhams.com
Gillray (James) Search-Night; or State-Watchmen, mistaking Honest-Men for Conspirators, Vide State Arrests, H..Humphrey, March 20th 1798, hand-coloured etching, 260mm x 365mm, mounted, framed and glazed [BMSat 9189] No obvious defects. Image clean, colours reasonably bright, margins slightly tanned, rear frame board loose. Reverse blank, not examined out of frame.
[Gillray (James)] French Generals retiring on account of their Health; - with Lepaux presiding in the Directorial Dispensary, H..Humphrey, June 20th 1799, hand-coloured etching, 260mm x 365mm, mounted, framed and glazed [BMSat 9403] No obvious defects. Image clean, colours reasonably bright, minor tanning to margins. Not examined out of frame.
Gillray (James) Meeting of the Monied Interest; - Constitutional Opposition to e/y 10 pr Cent: _i.e:_ John Bull's Friends alarm'd by the New Tax, H..Humphrey, Dec. 13th 1798, hand-coloured etching, 260mm x 365mm, mounted, framed and glazed [BMSat 9282]No obvious defects. Image clean, margins a little tanned, colours reasonably bright, rear frame board a little loose. Not examined out of frame.
Gillray (James) Buonaparte hearing of Nelson's Victory, swears by his Sword to Extirpate the English from off the Earth ...., H..Humphrey, Dec. 8th 1798, hand-coloured etching, 350mm x 260mm, mounted, framed and glazed [BMSat 9278]No obvious defects. Image clean, colours reasonably bright, rear frame board a little loose. Not examined out of frame.
Gillray (James) The Daily Advertiser; Vide Dundas's Speech in the House of Commons. '' For a dozen Years past ...., H..Humphrey, Jan. 23rd 1797, hand-coloured etching, 365mm x 260mm, mounted, framed and glazed [BMSat 8981]No obvious defects. Minor crease to lower right corner. Image clean, colours reasonably bright, lighter areas to middle left side, top corner left side and to left of knee, rear frame board a little loose. Not examined out of frame.
Gillray (James) A Voluptuary under the Horrors of Digestion, H. Humphrey, July 2nd 1792, hand-coloured etching, impression 370mm x 295mm, framed and glazed [BMSat 8112]No obvious defects. Colours a little dull, patches of deeper colour below wall candles, paper tanned. Some creasing in corners. Frame chipped and worn with loss of gilt detailing. Not examined out of frame.
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71174 item(s)/page