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Lot 1598
Frank Brangwyn, a collection of eight assorted prints and books; unsigned lithograph, Figures with bridge beyond, 30 x 22cm; etching, Physicians at the bedside, signed in pencil,8 x 9cm; etching, Pigs before a doorway, initialled, 12 x 8.5cm; wood engraving, Shepherds beneath stars, signed, 14 x 17cm; etching of a Rabbi, signed in pencil, 14 x 15cm; wood engraving, Travellers before a village, signed in pencil, 9 x 9cm; etching, Canal barge, signed in pencil, 10 x 20cmBooks: The Spirit of the Age, The Work of Frank Brangwyn 1905 (2 copies); Frank Brangwyn, Catalogue by Marechal; Frank Brangwyn, Masters of Modern Art Essay, lacks front cover; Windmills by Brangwyn and Preston, 1923; Frank Brangwyn and his Work by Shaw-Sparrow, 1910; Brangwyn A Book of Bridges, 1925 reprint; Modern Woodcutters Frank Brangwyn; Bookplates by Frank Brangwyn, 1920; Prints and Drawings by Brangwyn by Shaw-Sparrow, 1919; The Bridge by Brangwyn and Barman, 1926 and The Decorative Art of Frank Brangwyn by Furst, 1924
Lot 16
Sara Lee Revisit AP, 2021 Japanese Woodcut on Paper Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Sara Lee predominantly works with drawing, intaglio and relief prints, including etching and Japanese woodcut in the ukiyo-e tradition, within a studio and site specific practice. Born in Wales in 1956, Sara lives and works in London. She graduated in Fine Art Painting from Ravensbourne in 1979 and went on to take an MA in Fine Art Printmaking at Central School graduating in 1982. She spent most of the following year traveling in the United States, visiting studios and collections, culminating in working for Jay Street Gallery and Studios in NYC. Sara Lee has been part of the fine art print community for more than two decades. Working within Hugh Stoneman's studio for more than ten years, together they developed a gravure practice and co-published, under the imprint Print Centre Publications, including works by Terry Frost RA, Ian McKeever RA and Hamish Fulton. Over the past seven years she has worked on etching and woodcut projects with Eileen Cooper RA, with whom she shares a print studio space and imprint Blackbird Editions. She presently teaches at the Dulwich Picture Gallery, has written for Tate, and advised on print processes for various individuals and institutions including The Art Fund and Tate. Key/ solo exhibitions 2019 Beckoning Lines, Rabley Gallery 2016 Isola (with Pru Ainslie & Meryl Setchell Ainslie), Rabley Drawing Centre 2014 Ley of the Land, Rabley Drawing Centre 2012 Peninsula, Stoneman Gallery, Penzance 2009 Confluence (with Eileen Cooper, Caroline Isgar, Fred Gatley, Annie Turner & Sarah Radstone), APT Gallery, London & Stoneman Gallery, Penzance
Lot 17
Sara Lee Path, 2021 Japanese Woodcut on Paper Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Sara Lee predominantly works with drawing, intaglio and relief prints, including etching and Japanese woodcut in the ukiyo-e tradition, within a studio and site specific practice. Born in Wales in 1956, Sara lives and works in London. She graduated in Fine Art Painting from Ravensbourne in 1979 and went on to take an MA in Fine Art Printmaking at Central School graduating in 1982. She spent most of the following year traveling in the United States, visiting studios and collections, culminating in working for Jay Street Gallery and Studios in NYC. Sara Lee has been part of the fine art print community for more than two decades. Working within Hugh Stoneman's studio for more than ten years, together they developed a gravure practice and co-published, under the imprint Print Centre Publications, including works by Terry Frost RA, Ian McKeever RA and Hamish Fulton. Over the past seven years she has worked on etching and woodcut projects with Eileen Cooper RA, with whom she shares a print studio space and imprint Blackbird Editions. She presently teaches at the Dulwich Picture Gallery, has written for Tate, and advised on print processes for various individuals and institutions including The Art Fund and Tate. Key/ solo exhibitions 2019 Beckoning Lines, Rabley Gallery 2016 Isola (with Pru Ainslie & Meryl Setchell Ainslie), Rabley Drawing Centre 2014 Ley of the Land, Rabley Drawing Centre 2012 Peninsula, Stoneman Gallery, Penzance 2009 Confluence (with Eileen Cooper, Caroline Isgar, Fred Gatley, Annie Turner & Sarah Radstone), APT Gallery, London & Stoneman Gallery, Penzance
Lot 362
Dasha Shishkin Pickle 1, 2021 Ink on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Education Parsons School of Design, NYC Columbia University Selected Exhibitions / Awards NYCbodylines, solo, Neues Museum, Nuremberg, Germany erry icket, solo, Museum of Contemporary Art, Santa Barbara, USA I Surrender, Dear, solo, Contemporary Arts Center, Cincinnati, USA Monanism, Museum of Old and New Art, Tasmania, Australia The More I Draw, Museum fur Gegenwartskunst, Siegen, Germany World Receiver, Hamburger Kunsthalle, Hamburg, Germany The Compulsive Line: Etching 1900 to Now, MoMA, New York, USA Greater New York 2005, PS1, New York, USA Gallery Representation Gio Marconi, Milan, Italy Vielmetter Los Angeles, LA, USA L21, Palma, Spain Nancy Littlejohn Fine Art, Houston, USA
Lot 363
Dasha Shishkin Pickle 3, 2021 Ink on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Education Parsons School of Design, NYC Columbia University Selected Exhibitions / Awards NYCbodylines, solo, Neues Museum, Nuremberg, Germany erry icket, solo, Museum of Contemporary Art, Santa Barbara, USA I Surrender, Dear, solo, Contemporary Arts Center, Cincinnati, USA Monanism, Museum of Old and New Art, Tasmania, Australia The More I Draw, Museum fur Gegenwartskunst, Siegen, Germany World Receiver, Hamburger Kunsthalle, Hamburg, Germany The Compulsive Line: Etching 1900 to Now, MoMA, New York, USA Greater New York 2005, PS1, New York, USA Gallery Representation Gio Marconi, Milan, Italy Vielmetter Los Angeles, LA, USA L21, Palma, Spain Nancy Littlejohn Fine Art, Houston, USA
Lot 364
Dasha Shishkin Pickle 4, 2021 Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Education Parsons School of Design, NYC Columbia University Selected Exhibitions / Awards NYCbodylines, solo, Neues Museum, Nuremberg, Germany erry icket, solo, Museum of Contemporary Art, Santa Barbara, USA I Surrender, Dear, solo, Contemporary Arts Center, Cincinnati, USA Monanism, Museum of Old and New Art, Tasmania, Australia The More I Draw, Museum fur Gegenwartskunst, Siegen, Germany World Receiver, Hamburger Kunsthalle, Hamburg, Germany The Compulsive Line: Etching 1900 to Now, MoMA, New York, USA Greater New York 2005, PS1, New York, USA Gallery Representation Gio Marconi, Milan, Italy Vielmetter Los Angeles, LA, USA L21, Palma, Spain Nancy Littlejohn Fine Art, Houston, USA
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78408 item(s)/page