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Lot 1394

Harold Wyllie (1880-1973) - Gunship returning to harbour, etching, signed in pencil to the margin, 16 x 35cm.Framed and glazed.Frame scratched and scuffed.Glass good.Etching very good – no apparent faults.

Lot 1174

A George V silver table cigar box, the hinged cover with colour etching reproducing Frank Henry Mason's 'Cutty Sark in the Trades', opening to reveal cedar lined partitioned interior, maker Mappin & Webb, London 1928, gross weight 35oz, w.16.5cm

Lot 1385

Richard Montague Stack Pearsall (Irish 1891-1971) - The Monastery, Guadalupe, etching, signed, titled and numbered 4/75 in pencil to the margin, 21.5 x 35cm

Lot 1393

William Lionel Wyllie (1851-1931) - Tug boats returning home, etching, signed in pencil to the margin, 14 x 23cm

Lot 1392

William Lionel Wyllie (1851-1931) - Flotilla of sailing boats heading to sea, etching, signed in pencil to the margin, 10 x 35cm.Some browning and staining, but all outside of the etching.Otherwise good.

Lot 248

Modern British School - Surrey St Market, limited edition triptych etching, indistinctly signed, titled, date '78 and numbered 21/35 to lower margin, the full sheet dimensions 50 x 66cm

Lot 249

Louis Icart (French 1888-1950) - Fair Dancer Seated, etching heightened in colours, signed and numbered 267 in pencil to the lower margin, visible sheet dimensions 39 x 50cmCondition:  Framed, mounted and glazed.  Spotted foxing to paper throughout.  Otherwise image is good.  Signature partially obscured to lower edge.  Moulded gilt frame good.  See extra picture.

Lot 250

Elisabeth Frink (1930-1993) - The Prologue, etching with aquatint, signed, titled and numbered 49/50 in pencil to the lower margin, full sheet dimensions 79 x 57cm

Lot 251

D.M. Patterson - Cattle Market at Leyburn, etching in colours, signed, titled and numbered 20/50 in pencil to the lower margin, visible sheet dimensions 32.5 x 45.5cm

Lot 298

Linda Sutton (b.1947) - Leda and the Swan, etching, 4/100; Orpheus and Eurydice, etching, 4/20; Goodbye, etching, artists proof, each signed and titled, further numbered in pencil to the lower margin, each full sheet dimensions 76 x 56cm (3)

Lot 305

John Bulloch Souter (1890-1971) - Standing Woman Dressed in a Ballgown and Holding a Fan, etching, signed and dated 1916 within the etching to lower left, further pencil signed and indistinctly titled to lower margin, visible sheet dimensions 28 x 21.5cm

Lot 897

•ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) GALLOWAY LANDSCAPE Soft ground etching, signed, 19 x 26cm (7 1/2 x 10 1/4") Condition Report: There is discolouration noticeable around the edges of the margins next to the mount.

Lot 872

•KURT MEYER-EBERHARDT (GERMAN 1895-1977) HEAD OF AN AIREDALE; FOAL; FAWN; FOX CUB; KITTENS; SCOTTIE Etching in colours, signed, 27 x 37cm (10 1/2 x 14 1/2") (largest), 28 x 24cm (11 x 9 1/2") (smallest) (6) Labels verso - 'Head of an Airedale', 'Foal', 'Fox Cub', 'Scottie' Condition Report: Generally there is a degree of foxing on all images, the least affected being Foal, Scottie and Fox Cub with foxing more prevalent, including some spots in the margins, affecting Fawn and Kittens and to a heavier degree, Head of an Airedale.,

Lot 935

•JAMES MCINTOSH PATRICK RSA, ROI, ARE, LLD (SCOTTISH 1907-1998) COTTAGE IN THE SNOW Etching, signed, inscribed 'With Best Wishes', 15 x 21cm (6 x 8 1/4") Condition Report: Discolouration evident over the bottom margin but less so in the others as the mount is close to the edges of the image on these ones. There is a small, partially visible due to the mount, circular ring of brownish discolouration, bottom left in the margin. There is very slight brownish discolouration located over roof areas.,

Lot 5068

1845 pattern Victorian Army Officers Sword with fullered, etched, single edged blade 82cm in length. Proof marked. Etching is now very faint. No makers or retailers mark showing. Brass guard. Wire bound grip with some loss of the shagreen binding. Overall length 97cm. No scabbard.

Lot 2119

Eight various 18/19th century miniature portraits and an etching after Rembrandt of his mother (9). .

Lot 295

ISLWYN WATKINS. WELSH 1938-2018 Fruitland. Signed, inscribed and dated '73. Etching with collage. 7' x 6'. Artist's proof. Prov: Estate of Islwyn Watkins

Lot 323

ISLWYN WATKINS. WELSH 1938-2018 Stuck in the fifties. Signed, inscribed, dated '73 and numbered 9/15. Etching and aquatint. 6¾' x 8¾'. Prov: Estate of Islwyn Watkins

Lot 324

ISLWYN WATKINS. WELSH 1938-2018 Blue Day. Signed, inscribed and dated '86. Etching and aquatint. 3¼' x 4½'. Prov: Estate of Islwyn Watkins

Lot 325

ISLWYN WATKINS. WELSH 1938-2018 Black & Ochre. Signed, inscribed, dated '81 and numbered 5/15. Etching and aquatint. 6¾' x 8½'. Prov: Estate of Islwyn Watkins

Lot 326

ISLWYN WATKINS. WELSH 1938-2018 Untitled. Signed, dated 1962 and numbered 13/19. Etching. 10½' x 12½'. Prov: Estate of Islwyn Watkins

Lot 327

ISLWYN WATKINS. WELSH 1938-2018 Where's the Blue Rays Peter. Signed, inscribed, dated '87. Artist's proof. Etching. 7¾' x 8¾'. Prov: Estate of Islwyn Watkins

Lot 330

ISLWYN WATKINS. WELSH 1938-2018 Black & Ochre. Signed, inscribed, dated '81 and numbered 6/15. Etching and aquatint. 6½' x 8½'. Prov: Estate of Islwyn Watkins

Lot 333

ISLWYN WATKINS. WELSH 1938-2018 Plastic Engraving, Orange & Ochre. Signed, inscribed, dated '88 and numbered 6/8. Etching and aquatint 8' x 14¾' Prov: Estate of Islwyn Watkins

Lot 466

HANS FIGURA. AUSTRIAN 1898-1978 Oberammerga. Signed. Etching 14' x 17'

Lot 587

PAUL BISSON. BRITISH Bn. 1938 Shalford Mill. Signed, inscribed and numbered 4/350 in pencil. Etching with aquatint 10¼' x 12'. Christies label verso

Lot 588

PAUL KOSOWICZ. BRITISH 20TH CENTURY On the Edge. Signed, inscribed and numbered 1/6 in pencil. Etching and drypoint 16' x 12'

Lot 12

A Leica IIIf Rangefinder Body,chrome, serial no. 626613, shutter sticking, hand-made etching to top and rear of top plate

Lot 198

•MARK MILLMORE (b. 1956) 'Crucian Carp' signed and numbered limited edition of 100 three plate colour etching printed on Fabriano Mould-made acid free cotton paper, the image 30cm x 25cm (unframed)Mark Millmore is a fine artist, theatre designer, writer, web designer, art director, and conservationist. His company, Eyelid Productions, has designed software products and computer graphics for major film production companies and other clientsProvenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 209

•RICHARD CLARK (contemporary) 'Interior, Fish and Chip Shop - Blackheath, 1987, signed and dated, four colour etching, the image 42cm x 56cm; together with the companion work 'Decorative Facade, Lowestoft, 1987' the image 43cm x 51.5cm (both unframed)Birmingham based artist Richard Clark took his inspiration from the elaborately designed stained glass found in the windows and behind the bars in local pubs, many of which are sadly no longer in existence.Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 210

•RICHARD CLARK (contemporary) 'See Breeze, 1987' signed and dated, four colour etching, the image 40.5cm x 43.5cm; together with the companion work 'Devonshire Works, Digbeth, 1987', the image 35cm x 45cmBirmingham based artist Richard Clark took his inspiration from the elaborately designed stained glass found in the windows and behind the bars in local pubs, many of which are sadly no longer in existence.Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 231

•PURE GOLD (aka Bob Cosford) 'Chrome Girl' signed, titled and blind stamped, further labelled and stamped verso, printer's proof, giclee print on 310gsm German etching paper, the image 56cm x 41cm (unframed)Pure Gold is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Chrome Girl' was originally a hand drawn figure that developed over a period of years whilst moving between North London, Buckinghamshire and eventually Bournemouth where the figure became clockwork, being heavily influenced by the 'Steam Punk' movement.Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 234

•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - POTA' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 62cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 237

•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - SUICIDE' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 238

•DIABLO (aka Bob Cosford) 'Buy Me And Stop One - VADER' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 61.5cm (unframed)DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertisingBob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 241

•BOB COSFORD (Contemporary) 'Some Girls' 2012, a portrait of Mick Jagger, signed limited edition of 25, blind-stamped and with certificate of authenticity, giclee print on 310gsm German etching paper, the image 50cm x 37cm (unframed)Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"Provenance: The Bob Cosford Collection of Contemporary and Street Art​ 

Lot 46

ARTHUR BRISCOE (1873-1943) 'Make Fast' plate 2, signed and numbered 35/75 in pencil to the margin, etching, the image 36.5cm x 24.75cm

Lot 118

Patrick Procktor (British 1936-2003) Untitled Etching Signed in pencil Plate 15 x 20cm (5¾ x 7¾ in.)

Lot 38

Marc Chagall (French 1887-1985) Ane et le chien, from Les fables de la Fontaine Etching, 1952 Signed in pencil and inscribed 86 29.5 x 23.5cm (11½ x 9¼ in.) Provenance: Galleria Nuovo Sagittario, Milan

Lot 54

David Hockney (British b.1937) Corpses On Fire from 'Illustrations for Six Fairy Tales from the Brothers Grimm' Etching with drypoint and aquatint, 1969 Signed in pencil, an unnumbered example aside from the edition of 100 Plate: 26 x 24.5cm (10 x 9½ in.)

Lot 464

GILT FRAMED ORIGINAL COLOUR ETCHING BY KURT MEYER EBERHARDTS FOX

Lot 930

Herbert Dicksee Pencil Signed Etching 'The Old Garden' circa 1921, published by Frost & Reed of London. Lebel verso: 'An original etching by Herbert Dicksee, RE, an Artist's signed proof impression upon Japanese vellum. Price £8-8-0 net. Edition strictly limited'. Framed and Glazed Size 28'' x 21''.

Lot 968

Frank Dicksee Pencil Signed Etching on Vellum Paper, Signed 1888 - Titled ' Love Locked Out ' Published by Thomas Agnew London. 20.5 x 14.5 Inches, with Blind Stamp.

Lot 980A

W. Rerrison Etching Street Scene with Figures, France Pencil Signed to the Margins. Published by W.R. Howell June 1917, Unframed. Size 22 x 16 Inches.

Lot 983A

Axel H. Haig Etching Pencil Signed Published In 1917 by W.R. Howell, London. Titled ' A Street Scene In Lisierix ' Normandy, Unframed. 23 x 17 Inches.

Lot 1231

William Lionel Wyllie (British, 1851-1931), etching The Forth Bridge, 23cm x 37cm .

Lot 1248

William Lionel Wyllie, R.A, (British, 1851-1931), 'Blackwall Reach on the Thames', etching, signed in pencil, 18.5cm x 33 cm. .

Lot 2

Uzo Egonu (Nigerian, 1931-1996)Woman with a glass of wine signed and dated 'Uzo Egonu/ 79' (lower right)oil on canvas 150.5 x 122.5cm (59 1/4 x 48 1/4in).Footnotes:Uzo Egonu moved from Nigeria to England in 1945. He stayed in the UK, moving to London to study at Camberwell School of Art and later taking evening classes at St Martin's School of Art. Egonu first explored painting, later taking up printmaking which he took seriously in the late 1960s and early 1970s. Unfortunately printmaking was both his rise and fall. A lack of protective eyewear when etching, which creates seriously harmful fumes, affected the artist's eyesight. Egonu did continued to paint with the present lot being an exceptional example. Woman with a glass of wine is not only the first of the artist's works as his sight was beginning to fade, but also part of a wider body of work focusing on women in a domestic setting.IllustratedO. Oguibe, Uzo Egonu: An African Artist in the West, (London 1995), p.141BibliographyO. Oguibe, Uzo Egonu: An African Artist in the West, (London 1995), p.131For further information on this lot please visit Bonhams.com

Lot 524

Tower Bridge: Late 19th century etching by Leonard Squirrell; another etching by R.A. Riseley 'Sandbach Brossers' and two dock prints all framed and glazed

Lot 143

SIDNEY MACKENZIE LITTEN, FRAMED PENCIL SIGNED MONOCHROME ETCHING DEPICTING PETER PAN, FROM THE STATUE IN KENSINGTON GARDENS, APPROXIMATELY 27cm x 19cm

Lot 36

W L WYLLIE, PENCIL SIGNED ETCHING- THERYDE, ISLE OF WIGHT, APPROXIMATELY 10cm x 35cm

Lot 60G

WL WYLLIE, FRAMED PENCIL SIGNED ETCHING- THE BRITISH FLEET AT SEA, APPROXIMATELY 19cm 43cm

Lot 60J

WL WYLLIE, FRAMED PENCIL SIGNED ETCHING OF BOATS WITHIN A HARBOUR SCENE, APPROXIMATELY 19cm x 31cm

Lot 435

Gilt framed pictures, prints and mirror - Langley Priory, woodland scene, hand coloured etching, etc

Lot 2033

Gillray (James) Search-Night; or State-Watchmen, mistaking Honest-Men for Conspirators, Vide State Arrests, H..Humphrey, March 20th 1798, hand-coloured etching, 260mm x 365mm, mounted, framed and glazed [BMSat 9189] No obvious defects. Image clean, colours reasonably bright, margins slightly tanned, rear frame board loose. Reverse blank, not examined out of frame.

Lot 2034

[Gillray (James)] French Generals retiring on account of their Health; - with Lepaux presiding in the Directorial Dispensary, H..Humphrey, June 20th 1799, hand-coloured etching, 260mm x 365mm, mounted, framed and glazed [BMSat 9403] No obvious defects. Image clean, colours reasonably bright, minor tanning to margins. Not examined out of frame. 

Lot 2035

Gillray (James) Meeting of the Monied Interest; - Constitutional Opposition to e/y 10 pr Cent: _i.e:_ John Bull's Friends alarm'd by the New Tax, H..Humphrey, Dec. 13th 1798, hand-coloured etching, 260mm x 365mm, mounted, framed and glazed [BMSat 9282]No obvious defects. Image clean, margins a little tanned, colours reasonably bright, rear frame board a little loose. Not examined out of frame. 

Lot 2036

Gillray (James) Buonaparte hearing of Nelson's Victory, swears by his Sword to Extirpate the English from off the Earth ...., H..Humphrey, Dec. 8th 1798, hand-coloured etching, 350mm x 260mm, mounted, framed and glazed [BMSat 9278]No obvious defects. Image clean, colours reasonably bright, rear frame board a little loose. Not examined out of frame. 

Lot 2037

Gillray (James) The Daily Advertiser; Vide Dundas's Speech in the House of Commons. '' For a dozen Years past ...., H..Humphrey, Jan. 23rd 1797, hand-coloured etching, 365mm x 260mm, mounted, framed and glazed [BMSat 8981]No obvious defects. Minor crease to lower right corner. Image clean, colours reasonably bright, lighter areas to middle left side, top corner left side and to left of knee, rear frame board a little loose. Not examined out of frame.  

Lot 2039

Gillray (James) A Voluptuary under the Horrors of Digestion, H. Humphrey, July 2nd 1792, hand-coloured etching, impression 370mm x 295mm, framed and glazed [BMSat 8112]No obvious defects. Colours a little dull, patches of deeper colour below wall candles, paper tanned. Some creasing in corners. Frame chipped and worn with loss of gilt detailing. Not examined out of frame.

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