Artist: Roberto MattaTitle: Je Suis Entact from Une Saison en Enfer Seasons from HellOrigin: Chili 1979Medium: Aquatint Etching on PaperDimension: 25x30inAdditional Information: An abstract etching with an open box. Coming out of the box are crossed tubing in fire red. The bottom is done in green with organic shapes and line work. The top is in yellow with a spiral design, a shell-like figure, and loose line work. White bubbles rise out of the red box. The piece is hand-signed. The edition is 35/100. The etching is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
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Artist: Salvador DaliTitle: MagicianOrigin: Spain, 1969Medium: Etching on PaperDimensions: 19x23inAdditional Information: A black and white print with a pop of pink and yellow of a magician with a tall pink hat and long robe. Magic emerges from his hands and leads the eye to a figure in the yellow spotlight on their hands and knees. A tornado whirls down onto the figure. A loose-lined scribbled sun sets in the sky above the landscape and figures. The landscape is filled with rocks and abstract objects. The piece is energetic and has a sense of darkness. The piece is hand-signed in graphite. The edition number is 64/145. The print is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Artist: Salvador DaliTitle: Les MagiciensOrigin: Spain, 1968Medium: Etching with Hand Color on PaperDimensions: 20x24.5inAdditional Information: A back and white etching with pops of color and a magician holding a long wand. A princess with a tall pointed hat and gown with highlights of pink. A pink rose with a stem and leaves. The magician is highlighted with red and has extremely exaggerated line work coming out of his head, The piece is playful and energetic. The piece is hand-signed in graphite. The edition number is 63/100. The piece includes a Certificate of Authenticity. The print is framed.An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Artist: Salvador DaliTitle: Cellini - Ready for Battle, Etching, 1946Origin: SpainMedium: Etching PrintDimensions: 5 x 8 Inches; Frame 12 x 15 InchesCondition: ExcellentAdditional Information: Salvador Dali, Cellini - Ready for Battle, Etching. Restrike from the 1945 original book plate. The piece shows the body of a strong man who looks like he has been through battle. He has a grey skin-tight armor that shows his muscles. Places of the armor are tattered and his skin underneath is bleeding. Yet the figure stands with his chin held high and a hand on his hip with confidence. The man's face is cut off from the composition making the viewer read his body language. The bottom of the print has the date. The piece is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Artist: Salvador DaliTitle: The AngelsOrigin: Spain, 1946Medium: EtchingPrint Dimensions: 5 x 8 Inches; Frame 12 x 15 InchesCondition: ExcellentAdditional Information: Salvador Dali from the book, Benvenuto Cellini , Etching. 1946 restrike from the original book plate. the etching is of a blurred faced mother and child. Two angels hover around. A face in the sky appears where the moon or sun would be. The piece is framed.An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Artist: Salvador DaliTitle: Space Elephant, Memories of SurrealismOrigin: Spain 1971Medium: Lithograph with Etching on PaperDimension: 28x35inAdditional Information: An elephant with long, multi-jointed skeletal legs with clawed feet. The elephant's body is a stone building cut open with Roman arches. Inside are scenes of different rooms including a figure using the bathroom.?A bell tower connects the elephant's bodybuilding to a structure in a landscape scene. Trees and birds fly around the landscape while figures work in the field. The elephant's trunk is a water spout that has water spitting out. The elephant walks across a lower landscape filled with rocks. The clawed feet grip around the rocky path. A religious figure stands profile facing the elephant. The print is black and white with pops of color around the sun and rocks. The piece is signed. The edition number is 5/175 and is accompanied by an A. The piece is framed. The print does have some fading with the loose etched figure below the elephant. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Folio Society. Rubaiyat of Omar Khayyam. Ltd. ed. 1000. Tipped in col. plates by Niroot Puttapipat with an original etching by the artist numbered 427 & pencil signed. Quarto. Fine gilt brds., parchment backed in solander box. 2009. Condition report:Solander case - large dent and scuff to front cover. Series of dents to reverse.Inner book no obvious condition issues.
HAMERTON, Philip George (editor) The Portfolio. An Artistic Periodical Three volumes in a uniform full two tone blue leather, compartmentalized spine with gilt lettering and tooling, slight wear to joints, staining to front board of 1874, gilt top edge, some minor spotting to margins, generally vg, Seeley, Jackson, and Halliday, London, 1872, 1873 and 1874. (3)Copious good quality etchings, heliogravures, autotype &c. &c., on good quality etching paper, featuring Rembrandt, Rigaud, Sir James Thornhill, Hogarth, Gainsborough, Karl Bodmer, P. G. Hamerton &c, &c.
AFTER AUGUSTUS-CHARLES PUGIN; an early 19th century coloured etching titled 'The Remains of Lord Viscount Nelson Laying in State in the Painted Chamber at Greenwich Hospital', engraved by M. Merigot, published April 1st 1806 by James Cundee, Albion Press, 40 x 50cm, framed and glazed, 58 x 68cm.Condition Report: As expected over the years there is some foxing, some creases and tears, but still a good example.
R. WOOD; watercolour, lake with bridge and castle to the background and trees to the foreground, signed and dated '86 lower right, 38 x 52cm, E. May Scott; watercolour of trees by a river, 23 x 27cm, Charles Louis Houdard; a hand-coloured etching 'Le Marais', signed in pencil lower right, 42.5 x 58cm, and a print titled 'Liverpool', 14 x 20cm, all framed and glazed (4).
Jessica Jane Charleston – ‘Woman with Book’, 21st century etching, signed and editioned A/P in pencil recto, title verso, 33cm x 23.5cm, within an ebonized frame, together with another etching by the same hand, ‘The Lion Hunters’, and three other etchings by different hands, including Peter Wareham and Olivia Krimpas.
Renold or Reginold Elstrack – King Richard III, 17th century engraving with etching, 17cm x 11cm, within an ebonized wood frame, together with nine 17th and 18th century portrait engravings by different hands, including three examples by Paulus Pontius after Anthony van Dyck from the ‘Iconographie’ series.
Ryohei Tanaka – ‘Roof in Snow’, 20th century etching, signed, dated ’88 and editioned 52/150 in pencil, 11cm x 14cm, within a stained wood frame, together with an etching with aquatint by Shigeki Kuroda, ‘The Golden Way’, a mezzotint by Shigeki Kuroda, ‘Red Head’, one further mezzotint by Tatsumasa Watanabe, ‘Coffee Beans I’, and five other works of Japanese interest.
Salvador Dali – ‘Le Triomphe de Venus’ (The Triumph of Venus), etching with drypoint in colours on Arches wove paper, signed and editioned 110/150 in pencil recto, from ‘Mythologie Nouvelle’ published by Vision Nouvelle 1971, William Weston Gallery label verso, 68.5cm x 43.5cm, within a gilt frame.
James Gillray – ‘French Generals retiring, on account of their health; with Lepaux presiding in the Directorial Dispensary’, etching with engraving and hand-colouring, from the Mclean edition circa 1830, sheet size 29cm x 42cm, together with six other 19th century satirical engravings and lithographs.
Lucien Margelidon, after Jean Francois Millet - The Angelus, 19th century etching on wove paper, signed in pencil, sheet size 26.5cm x 34cm, together with eleven other etchings by different hands, including examples by Wilfred Ball, Gertrude Hayes, Arthur James Turrell, David Young Cameron, John Henry Millspaugh, Paul Geissler and Albert Lamm.
Circle of Jacobus Houbraken – ‘Sir Henry Morgan Governor of Jamaica’, 17th century etching on laid paper, 35cm x 24cm, within an ebonized frame. Note: Sir Henry Morgan was a Welsh privateer, plantation owner and, later, Lieutenant Governor of Jamaica. This scarce portrait engraving (of which we can find no other examples), includes a depiction of the 1669 sacking of Maracaibo, Venezuela, by Morgan (whose name was later adopted to advertise a popular brand of rum).
Glynis Porter – ‘In the Mirror’, 21st century mixed media screenprint with embossing on wove paper, signed and editioned 1/4 in pencil, sheet size 35cm x 43cm, within a limed wood frame, together with a screenprint by Liz Varrall, a limited-edition colour print by Jenny Osbiton, a screenprint by Felicity Lywood, and an etching.
Trevor Price – ‘Cerne Abbas Giant II’, 21st century photographic etching, signed, titled and editioned 6/75 in pencil, 19.5cm x 23.5cm, within an ebonized wood frame, together with seven other contemporary artworks by different hands, including Paul Watson, Orsi Cowell-Lehoczky, Angelique Hartigan and Chuck Elliot.
Sibelius – ‘A larger View (by another Artist) of that celebrated Natural Curiosity, the Perforated Rock, in Tolaga Bay, in New Zealand', 18th century etching with engraving on laid paper, sheet size 23cm x 35cm, together with a large quantity of 17th, 18th and 19th century prints, the majority topographical and portrait engravings.
William Heath – ‘The Beau Monde’, etching with later hand-colouring, published by Thomas Mclean circa 1829, sheet size 43.5cm x 30cm, together with three other satirical etchings by the same hand, ‘Showing the difference between Beasts & Babies’, ‘Bearing & Forbearing’ and ‘A Dream of Retrospection and Ambition’.
Clementine Neild – ‘Otosan’, 21st century etching with aquatint, signed, titled and editioned 9/10 in pencil, 21.5cm x 25.5cm, within a stained wood frame, together with five further etchings by the same hand, ‘When we would Fly’, ‘9 to 5 in Dreamland’ and ‘Bonbori’, ‘Delinquent’ and ‘Kaguya-hime no monogatari’.
Kit Boyd – ‘For Rupert Brooke’, 21st century etching with aquatint, signed, titled and editioned 3/100 in pencil, 113cm x 112cm, within an ebonized frame, together with four further etchings by the same hand, ‘The Nesting Ground’, ‘The Island Retreat’, ‘Bacchus’ and ‘The Crossroads’, and a linocut ‘Dusk’.
Alex Johnson – ‘Wild Pansy’, 21st century etching with aquatint, signed with initials, titled and editioned 17/50 in pencil, 11cm x 9.5cm, within an ebonized wood frame, together with eleven other contemporary prints by different hands, including examples by Stephen Grover, Michelle Maiden, Mu Beini, Monica Rhys, Peter Wareham, Josephine Summer, Peg Morris, Hideki Arichi and Sarah Ross-Thompson.
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78408 item(s)/page