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Lot 300
Constance Stubbs (1927-2015) - Waiting, etching, signed, titled and numbered 5/12 in pencil to the lower margin, 28 x 24.5cm; and three others by the artist - Interview, etching, artists proof, signed and titled in pencil to the lower margin, 30 x 22.5cm; A Shower, etching heightened in colour, signed, titled, dated 1986, and numbered 3/20 to the lower margin, 12 x 17cm; and a pencil sketch - Pebble Glass, signed lower right, 20 x 12.5cm (4)
Lot 650
A COLLECTION OF ORIGINAL OILS & PRINTS; Peter L'Estrange "Stately Home" Oil sketch on paper, signed and dated, 20 x 38cm H. Firkray "Autumn River Landscape" Oil, signed, 15 x 19cm 20th century European "Small beached Sail Boat" artist's proof etch ing, signed in pencil, 9 x 8.5cm and After Martin Caulkin - limited edition print and etching of aquatint signed in pencil, all framed (5 total)
Lot 1063
•WILLIAM E C MORGAN (BRITISH 1905 - 1979) ITALIAN COTTAGE Drypoint etching, signed, dated 1928, inscribed with title and numbered 35/78, 18.5 x 15cm (7 1/4 x 6") SIR WILLIAM RUSSELL FLINT PRA, PRWS, RSW, ROI, RE (Scottish 1880 - 1969) The Prison Door, Concarneau Drypoint etching, signed and numbered X, 25.5 x 19.5cm (10 x 7 3/4") (2)
Lot 1112
ERNEST STEPHEN LUMSDEN RSA, RE (BRITISH 1883 - 1945) SRINAGAR Etching, signed and numbered 3/55, 16 x 35cm (6 1/4 x 13 3/4") THE ENTHUSIAST Drypoint etching, signed and numbered 30/50, 15 x 30cm (6 x 11 3/4") THE HOUSE OF THE ABBOT Aquatint etching, signed and numbered 8/50, 25 x 30.5cm (9 3/4 x 12"), (3)
Lot 1117
SIR DAVID YOUNG CAMERON RA, RSA, RWS, RSW, RE (SCOTTISH 1865 - 1945) JOHN KNOX'S HOUSE, EDINBURGH Drypoint etching, signed, 22.25 x 16.5cm (8 3/4 x 6 1/2") THE CANONGATE TOLBOOTH Drypoint etching, signed, 31.5 x 13cm (12 1/2 x 5"), and another ROBERT HOUSTON RSW (Scottish 1891 - 1942) The Tron Steeple Drypoint etching, signed, 14 x 10cm (5 1/2 x 4"), (3)
Lot 927
'Wallis's Picturesque Round Game of the Produce & Manufactures of the Counties of England & Wales', hand-coloured etching and aquatint published c.1830 by Edward Wallis, 42 Skinner Street, London. A decorative map for use as a children's board game; each county featuring a suitable illustration to represent trade/produce. Approx. 69cm x 55cm. Framed & glazed.
Lot 930
James Gillray (1756-1815), satirical Georgian caricature, etching with contemporary hand-colouring , published in London by Hannah Humphrey, April 19th 1797, 'The Gordon-Knot, -or- The Bonny-Duchess hunting the Bedfordshire Bull', showing the Duchess of Gordon (Scottish Tory political hostess and agricultural reformer, renowned for her match-making) pursuing a bull with a ribbon inscribed 'Matrimony'. An original example of 18th-century English satire from the Golden Age of Caricature. Professionally mounted & framed, with 'The Railings' Gallery to verso. Approx. 35cm x 25cm (mount window); 53cm x 43cm (frame).
Lot 933
Edmund Blampied (1886-1996), The Farmer Dentist, drypoint etching signed by the artist in pencil to lower margin. Recorded as dating from 1925 in a limited edition of 100 (Campbell 98, Arnold & Appleby 106), this one signed by the artist but not numbered. Framed with gallery/dealer label to verso: Ernest H. Bennett, London. Approx. 27cm x 19.5cm (mount window); 52cm x 42cm (frame).
Lot 996
British Sporting Art / Horse Racing / Equestrian Interest: 'Riddlesworth, Winner of The Riddlesworth, The Dinner, The Two Thousand Guineas, and The Newmarket Stakes in 1831', hand-coloured aquatint etching, engraved by E. Duncan & J. Webb after a painting by J. Ferneley of Melton Mowbray. Published in London by Rudolph Ackermann Junior at his Eclipse Sporting Gallery, March 1832. Dedicated to the owner of Riddlesworth, Right Hon. Earl of Jersey. Framed & glazed. Approx. 57cm x 46cm.
Lot 307
Piranesi (Giovanni Battista, 1720-1788) Teatro di Marcello, etching and engraving, Hind's fifth state (of seven) with price erased, on laid paper without watermark, platemark 405 x 550 mm. (16 x 21 3/4 in), sheet 520 x 780 mm. (20 1/2 x 30 3/4 in), full margins, minor surface dirt, unframed, circa 1757 and later; together with 'Veduta dell' insigne Basilica Vaticana coll' ampio Portico, e Piazza adjacente' and 'Veduta interna della Basilica di S. Pietro in Vaticano', etchings and engravings, both final states, on wove paper with 'Regia Calcografia di Roma' blindstamp, platemarks 475 x 715 mm. (18 3/4 x 28 1/4 in) and 410 x 605 mm. (16 1/4 x 23 3/4 in), respectively, some spotting and surface dirt, all unframed, [1748-1778 but impressions c. 1870-1945], (3).Literature:Hind 33 v/vii; 120 iii/iii; 4 vi/vi
Lot 308
Piranesi (Giovanni Battista, 1720-1788) Vedute dell' Arco di Costantino e dell' Anfiteatro Flavio, detto il Colosseo, etching, 1760, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), a richly inked and detailed impression, good margins, platemark 405 x 545 mm. (16 x 21 1/2 in), sheet 435 x 580 mm. (17 1/8 x 223/4 in), unframed.Literature:Hind 56 iii/vi
Lot 309
Piranesi (Giovanni Battista, 1720-1788) Veduta del Pantheon d'Agrippa, from: Vedute di Roma, etching and engraving, second state (of five) with price erased, an excellent impression, platemark 470 x 690 mm. (18 1/2 x 27 1/4 in), good margins, [1761]; together with San Paolo Fuori le Mura: Interior, etching and engraving, fourth state (of seven) with price erased, platemark 410 x 615 mm. (16 1/8 x 24 1/4 in), with good margins, [1749], (2).Provenance:Colnaghi, LondonLiterature:Hind 60 ii/v; 7 iv/vii
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