Friedrich Meckseper, German b.1936- "Haus" 1972 (Cramer 141); etching with aquatint printed in colours, signed, dated '72 and numbered 4/100 in pencil, 49x59cm: together with two further etchings with aquatints printed in colours by the same hand entitled "Drei Kilometersteine" 1972 (Cramer 140) and "Fabrik" 1971 (Cramer 133), ea. signed, dated 72 and 71 and numbered IX/XXV and 5/100 in pencil, 47x58.5cm and 56x47cm, (3) (may be subject to Droit de Suite) Note: Two exhibition posters from Galerie Gérald Cramer, 13, Rue De Chantepoulet, Genéve, and Galerie Niepel Düsseldorf, Graben Strasse 11, for exhibitions entitled "Meckseper, Gravures Originales 1956-1973", May-September, 1973 and "Oelbilder + Graphik Meckseper", 13 October-15 November, 1964, accompany this lot.
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Paul Cézanne, French 1839-1906- "Guillaumin au Pendu", 1873, (Leymarie/Melot 2); etching on laid, 15.5x11.5cm, (unframed) CONDITION REPORT: unframed hinge mounted from the reverse on the right side onto thin card which has been folded with window mount the mount is grubby the printed sheet is ruckled around the sheet edge with margins: lower 9.5cm and 7.5cm top, left & right overall in good condition
Charles William Cain, British, 1893-1962- "An Indian Silversmith"; etching, signed with monogram within the plate, signed and inscribed '31. 75.' in pen, 22.5x27.5cm, (may be subject to Droit de Suite) Note: Cain was a student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia until Armistice, and entered the Royal College of Art under Frank Short 1920-1.
James Gillray Counsellor OP - defender of our Theatric Liberties! hand coloured etching, published 1809 by Humphrey, 34 x 24cm (max); John Martin `Satan contemplating Adam and Eve in Paradise` Book 4, Line 502 mezzotint marked `proof` to lower right corner margin, 22 x 29.5cm including margins (2) 34 x 25cm (13 x 10in) A little browned.
Admiral Lord Nelson Interest, to include framed memorial etching, Trafalgar battle plan, three Nelson related picture postcards, Edwardian period, glass etched with Nelson & HMS Victory, large resin Scrimshaw style ornament depicting ""HMS VICTORY"" approx 18cm long, boxed Nelson commemorative medal and a Spode plate ""The Cunard Steam Ship Company Ltd.
Admiral Lord Nelson Interest, to include framed memorial etching, Trafalgar battle plan, three Nelson related picture postcards, Edwardian period, glass etched with Nelson & HMS Victory, large resin Scrimshaw style ornament depicting ""HMS VICTORY"" approx 18cm long, boxed Nelson commemorative medal and a Spode plate ""The Cunard Steam Ship Company Ltd.
After Jean-François Millet (1814-75, French), `Two Cows`, etching, info verso, 8.6 x 14.5cm, a 19th Century engraving, `La Vue de Venise` (Venice), 12.5 x 33cm, Cruikshank, 19th Century etching, `Public Bathing at Bath, or Steaming Alive`, 9.4 x 18.4cm and an 18th Century coloured print `Comforts of Bath`, 12.6 x 19cm. (4)
Five small containers holding a selection of early fishing flies of varying composition together with a pewter Cut Cast box with hinged lid, a copy of A Handy Guide to Fish Culture or Fish Culture Made Easy by J J Armistead, published by The Angler Limited and dated 1897, also together with a framed and glazed humorous hand coloured etching of a perplexed young fisherman
An 18th century black and white engraving showing a section of St Paul`s Cathedral decorated according to the original intention of Sir Christopher Wren and dedicated to His Royal Highness George Prince of Wales, by Sam Wale Junior and indistinctly dated, 85 x 52 cm in pine frame with gilt slip together with a signed coloured etching showing the Statue of Liberty, indistinctly signed bottom right Andrew Ingamells and dated 1996, 132 x 49 cm approx in gilt frame with distressed finish
A collection of three 18th and 19th century engravings relating to culinary subjects including example after Gabriel Metzu showing La Cuisiniere Hollandoise, a study (probably after Morland) of butter churning and a study of a Newhaven fish woman selling oysters, various sizes, 40 x 30 cm maximum together with three further pictures including a black and white etching of Minehead by Nora M Parker, signed bottom left and a black and white engraving of an 18th century pastoral landscape after P Bril (all framed)
A limited edition coloured signed etching of a misty river scene with single arched bridge, signed bottom right M Ware and titled Bridge, edition 99/180, 41 x 49 cm together with a further signed limited edition coloured etching of a country landscape with oast house, signed bottom right P Bisson and inscribed Uddles Green, artist`s proof 35/35, 33 x 42 cm, both framed
A FOLIO OF ASSORTED PRINTS to include a tinted lithograph of `Nelson, New Zealand` by J. Needham, poor condition; a tinted lithograph of `The Little Lucy` by T. G. Dutton; eight wood engravings of `The Drunkard`s Children`after George Cruikshank, signed and dedicated by the artist on the cover, tears; engravings of `Portrait d`Hassan Pacha` and `Aborde de la Ville d`Alexandrette` by Miger after L. F. Cassas; a mezzotint of `Pointers` by W. Ward after J. N. Sartorius [see illus.]; an etching of `The Earl of Crawford and Balcarres` by G. L. Brockhurst, signed; four etchings by or after C. Meryon, M. Lalanne (inscribed), J. B. Jongkind; and a few others (a lot) ++ Very mixed conditionCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
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