We found 78408 price guide item(s) matching your search

John Brunson (1933-2014) -Church-signed coloured etching - 71/100 -framed and glazed with cut card mount -Frame size 20” high by 16 ¼ wide

A 1890s' pattern British infantry sword by J.G. Plumb, Westminster, in steel scabbard, length 102cmPitted Guard and scabbard, very tight in scabbard, some pitting to blade, no movement, etching clear on blade.

British 19th Century Scottish Volunteer Artillery Officer’s Sword, 1821 pattern, with scabbard, length 98cmBlade rubbed but etching visible guard and scabbard pitted, solid condition.

Lepke, Gerda: (1939 Jena - lebt in Wurgwitz u. Gera). Konvolut von 7 hs. Künstlerbriefen mit Tusche- u. Aquarellzeichnungen. Adressiert an Maria und Hans-Peter Müller (Herausgeber d. Butzbacher Künstler Interviews). Je auf Japan o. Papier, 1989-2011. Zw. ca. 20 x 30 u. 38 x 50 cm. - Tls. knittrig, tls. mehrfach gefaltet. ╔Dabei: 2 Künstlerbriefe mit Kaltnadelradierungen╗, 1989. - Convolute of 7 Artist letters from Gerda Lepke to Mr. and Mrs. Müller, 1989-2011. Ink and watercolours on paper. Enclosed 2 artist letters with drypoint etching. D

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Studien des Kopfes von Saskia und anderen. Radierung auf cremefarbenem dicken Bütten, 1636. Plgr. 15,1 x 12,7 cm. Blgr. 16 x 13,2 cm. Bartsch 365. New Hollstein 157 ii/ii. - Späterer Abdruck von New Hollsteins zweitem Zustand (von zweien). - Vereinzelt fleckig und mit leichtem Wasserschaden. - Studies of the Head of Saskia and Others. Etching in thick laid paper, 1636. - A later impression of New Hollstein's second state (of two). - Faint water damage and scattered spotting. R

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Jakob, den Tod Josephs beklagend. Radierung auf feinem dünnem Büttenpapier. 1638. Wie aus den Auflagen von McCreery "200 Etchings"um 1816 üblich. Blgr. 10,3 x 8,1 cm. Unter Passep. mont. New Ho. 122 II. - Obere rechte Ecke unauffällig ergänzt, etwas auslassend. Sonst gut erhalten. - Aus einer unbekannten Sammlung. KB (Lugt 4786.) - Jacob lamenting the death of Joseph. Etching on laid. Mounted under Passep. - Upper right corner inconspicuously added, somewhat omitting. Otherwise well preserved. D

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Männlicher Akt mit ausgestrecktem Bein auf dem Boden sitzend. Radierung und Kaltnadel auf cremefarbenem Bütten, 1646. Plgr. 10 x 16,8 cm, Blgr. 10,8 x 17,8 cm. Bartsch 196. New Hollstein 234 iii/iii. - Späterer Abdruck von New Hollsteins letztem Zustand (von 3). - Nude man seated on the ground with one leg extended. Etching and drypoint, 1646. - A later impression of New Hollstein's final state (of 3). R

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Jacob Haaringh (Junger Haaringh, Pieter Haaringh). Kaltnadelradierung auf dickem cremefarbenem Bütten, 1655. Plgr. 11,8 x 10,5 cm. Blgr. 12,7 x 11,2 cm. Bartsch 275. New Hollstein 292 v/v. - Späterer Abdruck. - New Hollsteins fünfter Zustand (von 5). Verso schwacher Wasserschaden. - Jacob Haaringh ('Young Haaringh') (Pieter Haaringh). Etching with drypoint, 1655. - A later impression from the cut plate, New Hollstein's fifth state (of 5). - Faint water damage visible. R

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Christus vertreibt die Geldwechsler aus dem Tempel. Kaltnadelradierung auf Bütten, 1635. 13,5 x 16,8 cm. Auf Plattenkante beschn. Blgr. 14,8 x 18 cm. Bartsch 69. New Hollstein 139 iv/iv. - Guter, wenngleich später Abdruck von New Hollsteins viertem Zustand. - Leichte Wasserschäden und leichte Tonung. - Christ Driving the Money Changers from the Temple. Etching with drypoint on laid paper, 1635. - A good but later impression of New Hollstein's fourth state (of four).- Some faint water damage and minor toning. R

Roland Green (British, 1896-1976), Mallards in flight, signed in pencil, no:38/55, etching, the plate 27.5cm x 20cm; and Evert Van Muyden (Swiss, 1852 - 1922), Lioness and two cubs, signed in the plate C166, P1891, signed in pencil in the margins, plate 15cm x 21cmA private Bedfordshire estate.Roland Green - Crease or repaired tear to the right bottom side, some light staining to the paper, particularly to the top and bottom borders and down the right side of the image.Evert Van Muyden - Foxing throughout and acid burn from previous mounting clearly evident. Some staining,

Louis Icart (1888-1950) French, 'Thoroughbreds', 1938, etching and aquatint on wove paper, pencil signed with copyright and date in the plate, artist blindstamp, 47.5 cm x 89 cm, unframed, the sheet 56.5 cm x 97 cm.Private collection, purchased in the 1990s, London.Good overall condition, evidence of previous framing to edges of the sheet.

SATIRE: 'The Road to London or the Countryman and the Quakers!': satirical etching by Woodward, pub. Thomas Tegg c.1812, hand colouring, approx 34 x 25cm, mounted framed and glazed. (1)

European School, mid-late 20th century- Untitled, 1966; oil on canvas, 91 x 91 cm: British School, mid 20th century- Untitled; etching printed in colours, signed indistinctly and dated in pencil, 56.8 x 39.2 cm, (2) (part unframed)Please refer to department for condition report

Edgar Chahine, French 1874-1947- L'Italienne, ou Portrait de Madame B, 1900; La Terrasse, 1899; (i) etching with drypoint, cancelled plate, signed, inscribed and dated '19 Mai 1910'(?) within the plate, image: 42.4 x 30.6 cm, (ii) etching with drypoint and aquatint, cancelled plate, signed, inscribed and dated '21 Decembre 1899' in pen and ink within the margin, image: 42.5 x 32.4 cm, (framed) (2)There is some discolouration to the paper, fox marks, most notably to the margins and evidence of light mount burn to the extreme edges.

Paul César Helleu (French 1859-1927) (1 work), Jacques Villon (French 1875-1963) (2 works), Elegante Au Chapeau Et Au Col De Fourrure; La partie de jacquet, 1903; Les cartes ou La reussite, 1903; (i) etching with drypoint on wove, cancelled plate, image: 55.8 x 34.2 cm, (ii) etching with aquatint in sepia, cancelled plate, signed and dated '03' within the plate, with embossed with signature, date and other inscriptions below plate lines, image: 40.5 x 50.9 cm, (iii) etching with aquatint in sepia, cancelled plate, signed and dated '03' within the plate, with embossed signature and other inscriptions below plate lines, image: 41.5 x 49 cm, (framed) (3) Some discolouration to the paper and evidence of mount burn to the margins, very light surface creases, otherwise in good condition for its age.

AMENDMENT: Please note that there is only one Les Deux Gigolos in this lot.Theophile-Alexandre Steinlen, French/Swiss 1859-1923-Two Women of the Street and Their Companions, 1898-1902; Le Bouge, 1902; Les petits chanteurs des rues, 1902; L'Averse, 1898; Sur le seuil, 1902; Les Deux Gigolos, 1898; Les Deux Gigolos, 1898; Untitled, 1902;each etching on wove, cancelled plate, (i) signed within the plate, signed, inscribed and dated in pencil below plate lines, image: 33 x 21.3 cm, (ii) signed, inscribed and dated 'Fevrier 1902' in pencil below plate lines, image: 40.5 x 31.9 cm, (iii) etching on wove, cancelled plate, signed, inscribed and dated 'Fevrier 1902' in pencil below plate lines, image: 40 x 32 cm, (iv) two trial impressions with hand colouring on shared sheet, one plate cancelled, signed in light orange crayon and inscribed in pencil, image: 30.6 x 32.5 cm, (v) signed, dated 'Mars 1902', and inscribed in pencil below plate lines, image: 25.8 x 25.4 cm, (vi) signed in light orange crayon, and inscribed in pencil, image: 36.4 x 22.8 cm, (vii) signed, dated 'Avril 1902' and inscribed in pencil below the plate lines, image: 24.5 x 15.2 cm, (framed) (7)

Dario Betti, Italian 1891-1987- Ponte Vechio, France; Dante's House, Florence; Giotto's Tower, Florence; Santa Maria Novella, Florence; each lithograph, each 23 x 16.7 cm: together with an lithograph depicting St Nicholas, Prague and another etching depicting a landscape (unframed) (ARR) (6)Please refer to department for condition report

Henri Matisse, French, 1869-1954, Untitled, from Poesies, 1932; etching in black and white on Japanese wove, inscribed page 35 in pencil on the reverse, edition of 145, sheet: 33 x 25 cm, (framed) (ARR) Note: Poesies was published by Stephane Mallarme featuring 29 etchings by Matisse, of which this piece is page 35Provenance: Alan Cristea Gallery, LondonPlease refer to department for condition report

After Pablo Picasso, Spanish 1881-1973- Le Loup, from Histoire Naturelle (Textes de Buffon), 1942; etching with aquatint on wove, from the edition of 135, sheet: 36.8 x 28 cm, (unframed) Provenance: Alan Cristea Gallery, LondonPlease refer to department for condition report

Robert Fawcett, American 1903-1967- Curtains; etching signed and titled, plate: sheet: 82.3 x 75.2 cm (unframed) ( VAT on the Hammer price)Please refer to department for condition report

Melvyn Petterson RBA NEAC, British b.1947- Cold January Afternoon, 1988; etching, signed, titled, dated, and numbered 12/50 in pencil, 10.5 x 23.2 cm: together with another etching by the same artist entitled Acacia Tree, Letssom Gardens, signed, titled, and dated '86 in pencil, 23.5 x 17 cm (ARR) (2) Please refer to department for condition report

Melvyn Petterson RBA NEAC, British b.1947- Cat Study, 1992; etching, signed, titled and dated in pencil, 25 x 22 cm: together with another etching by the same artist depicting a portrait of a man, 20 x 15.3 cm (ARR) (2) Please refer to department for condition report

Melvyn Petterson RBA NEAC, British b.1947- Lincolnshire Sunset, 1993; etching, signed, titled, and dated in pencil, 9.7 x 12.2 cm (ARR)Please refer to department for condition report

Ben Sunlight, British 1935-2002- Untitled, 1963; etching and aquatint, signed, dated, and inscribed 'Artist's Proof (2)' in pencil, 25.2 x 20.2 cm.: together with four further etchings by the artist, two signed, dated, and inscribed in pencil, 25 x 30 cm. (unframed) (5) (ARR) Provenance: the Estate of the Artist. Spots of foxing to the sheets, alongside general discolouration. Light cockling to the sheets, and light creasing and marks consistent with handling. In fair condition overall.

Ben Sunlight, British 1935-2002- Untitled; etching with aquatint, signed, dated 'Dec '61', and inscribed 'Artist's Proof (3)' in pencil, 17.5 x 15 cm.: together with five further prints by the same artist, four signed, titled, and inscribed in pencil, 20 x 25 cm. and smaller (unframed) (6) (ARR) Provenance: the Estate of the Artist. General foxing and discolouration to the sheets. Light creasing and further marks consistent with handling. Otherwise in fair condition overall.

Donald Wilkinson, British b.1937- Sound of rain/storm clearing; etching and aquatint with embossing, signed, titled, and numbered 129/150 in pencil, bears blindstamp, 40 x 46 cm: Donald Wilkinson, Provencal landscape - midday sun; etching and aquatint, signed, titled, and numbered 45/225 in pencil, 57.5 x 47 cm: Donald Wilkinson, Morning landscape / Provence; etching and aquatint, signed, titled, and numbered 80/225 in pencil, 58 x 47 cm (3) (ARR) Please refer to department for condition report

Kimio Tsuchiya, Japanese b.1955- Untitled abstract; mixed technique collage, etching and aquatint printed in colours, signed and inscribed 'AP' in pencil, 41 x 39.5 cm. Framed and glazed. Unexamined out of frame. General marks and scuffs to the frame. Creases, folds, and light spots of foxing evident to the sheet. Otherwise in good condition overall.

John Hoyland RA, British 1934-2011, View, 1979; etching with aquatint in colours on wove, signed, dated and numbered 2/10 A/P in pencil, an Artist's Proof aside from the edition of 50, printed by Kelpra Studios, published by Waddington Gallery, with their blindstamps, sheet 92 x 69 cm, (unframed) (ARR)Please refer to department for condition report

Jean-Michel Folon, Belgian 1934-2005- Untitled; etching and aquatint, signed lower right 'Folon' and numbered lower left 'EA III/X', 23 x 26 cm (ARR) Please refer to department for condition report

Jurgen Gorg, German b.1951- Reflexion IV, 1998; etching with aquatint, signed, dated, titled, and numbered 32/100 in pencil, 31.4 x 27.5 cm: together with two further etchings with aquatints, and lithographs and reproduction prints, variously signed in pencil and within the plate (14) (ARR) Please refer to department for condition report

Keith Scott, British school, mid/late-20th century- Autumn landscape, 1962; etching with aquatint, signed, titled, dated, and numbered 3/10 in pencil, 30 x 40 cm: Louise Pim, British b.1952- The Meeting, 1981; etching with aquatint, signed, titled, dated, and numbered 7/10 in pencil, 9 x 50 cm: Eva Sharf, German/British b.1930- Two Chairs; etching in colours, signed and numbered 1/25 in pencil, 23.5 x 32 cm: June Hicks, British b.1935- Bottles; etching with aquatint, signed, titled, and numbered 23/25 in pencil, 20 x 24.5 cm: Unknown artist, mid/late-20th century- Street scene; etching, 10 x 10 cm (ARR) (5)Please refer to department for condition report

Daniel Sinsel, German b.1976- Untitled, 2010; etching in colours on wove, signed, dated and numbered 2/50 in pencil, sheet 56.5 x 37cm (framed) (ARR) (VAT charged on hammer price)Please refer to department for condition report

Henry Wilkinson: coloured etching of two gun dogs, 6/75, various framed pictures and prints, and an oval gilt framed mirror

‡  REMBRANDT VAN RIJN (DUTCH 1606-1669)THREE ORIENTAL FIGURES (JACOB AND LABAN?)Etching, 1641, a fine early impression of New Hollstein's second state (of two), printing with little to no wear within the doorway and with burr-like tonal effects printing in the lower right quadrant, on laid paper with partial watermark of the Arms of AmsterdamSheet 145 x 115 mm (5 3/4 x 4 1/2 in) (unframed)Provenance:Colnaghi & Co., London [stock number in pencil verso C.29900]Private Collection, NorwayLiterature:Bartsch 118; New Hollstein 190 ii/ii Condition Report: - Minor cockling to sheet, notably upper right quadrant- Faint pencil[?] numbering to lower centre '4/6'- A few small areas of very minor discolouration to paper; see right arm of man in doorway, and blank area in upper rightCondition Report Disclaimer

Acrylic On Canvas By Pooja Shah Abstract Acrylic Painting With Texture From The Etching In Of Marks In The Under Layers On Gallery Wrapped Canvas With A Gloss Varnish 126 x 96cm Pooja Shahs Unique And Fresh Style Uses A Lot Of Colour, Silhouettes, Sometimes Geometric Designs, And A Lot Of Different Art Styles That Range From Street Art To Cubism To Create Absolutely Unique And Fresh Art Pieces

Framed Art Valerie Christmas Titled Fan Tails Limited Edition 10/200 Signed In Wood Glazed Frame 35 x 28cm Valerie Was Born In Surrey. She Studied Drawing And Book Illustration For Four Years At The Wimbledon School Of Art And Gained Entrance To The Royal College Of Art, London From Which She Graduated With An Honours Degree In Painting. After Moving With Her Family To Dorset, Valerie Began Studying Etching At The Bournemouth And Poole School Of Art And Design While Also Working As An Art Teacher. Her Work Was Exhibited At The Royal Academy Summer Exhibition And Because Of The Success She Took Up Etching Full Time.

Framed Art Valerie Christmas Titled Puffins Artist Proof In A Distressed Wood Glazed Frame 25 x 25cm Valerie Was Born In Surrey. She Studied Drawing And Book Illustration For Four Years At The Wimbledon School Of Art And Gained Entrance To The Royal College Of Art, London From Which She Graduated With An Honours Degree In Painting. After Moving With Her Family To Dorset, Valerie Began Studying Etching At The Bournemouth And Poole School Of Art And Design While Also Working As An Art Teacher. Her Work Was Exhibited At The Royal Academy Summer Exhibition And Because Of The Success She Took Up Etching Full Time.

A Pair Of Framed Black And White Print Of Antique Etchings Of A Pheasant Shoot And A Fishing Etching In Glazed Dark Wood Frames 32 x 27cm And 30 x 24cm

Acrylic On Canvas By Pooja Shah Abstract Acrylic Painting With Texture From The Etching In Of Marks In The Under Layers On Gallery Wrapped Canvas With A Gloss Varnish Signed Verso 125 x 65cm Pooja Shahs Unique And Fresh Style Uses A Lot Of Colour, Silhouettes, Sometimes Geometric Designs, And A Lot Of Different Art Styles That Range From Street Art To Cubism To Create Absolutely Unique And Fresh Art Pieces

An etching by Henry G Walker - Brixham (An October Morning) signed and titled by the artist, 15cm x 17.5cm; a pair of signed etchings by Henry G Walker - Landing Fish at Brixham and The Inner Harbour Brixham and a pair of signed etchings by E Sharland of Polperro and Brixham

A Limited-Edition etching "Manhattan" by Margaret Lowergrund (1902-1957). Signed and inscribed.

Castle Gorth Newcastle C. Manning etching pencil signed at bottom 48x33cm plus a map of Northumberland

William Lionel Wyllie (1851-1931), HMS President anchored on the Thames, with St. Paul's beyond, etching, 32cm x 22cm, signed in pencil by the artist within the margin

William Lee Hankey (1869-1952), Sur le Terrain, drypoint etching, signed by the artist to the margin

Richard Smith (British, 1931-2016)IV from Proscenium Suite, 1971 Signed, dated and inscribed 'AP 4/10, for Terence for your birthday'EtchingSheet 77.5 x 58.5cm (30 1/2 x 23 1/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)The Glass Mountain Shattered, from Illustrations for Six Fairy Tales from the Brothers Grimm (M.C.A Tokyo 98; S.A.C 101) Etching and aquatint, 1969, on Hodgkinson handmade paper, signed in pencil, a proof aside from the edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with wide margins, pale light staining, in overall good condition, framedPlate 23 x 27cm (9 x 10 5/8in.); Sheet 42.5 x 40.1cm. (16 3/4 x 15 3/4in.)Footnotes:Provenance: Christie's, 20th Century Prints, London, 15 June 2000, Lot 122.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ben Nicholson O.M. (British, 1894-1982)Still Life in Blue, 1968 Signed and dated in pencilEtching in coloursPlate 26.5 x 12.5cm (10 7/16 x 4 15/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Richard Smith (British, 1931-2016)VII, from 'Butterfly Suite' Etching and aquatint printed in colours, 1972, on wove paper, signed, dated and numbered 2/40 in pencil, printed by White Ink Studio, London, published by Waddingtons, London, the full sheet, 64 x 92cm (25 1/4 x 36 1/4in)(SH)(framed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

* Military Pictures & Prints. A collection of military prints and watercolours, mainly later 19th and early 20th century, including two original watercolours of WWI battle cruisers by l. Lake (H.M.S.Cameleon and H.M.S. Cochrane, the first signed to lower right corner, 12.5 x 18 cm (5 x 8 ins) and slightly smaller, both framed and glazed, a large tin advertising chromolithograph or the N.Y.K. Far East to Europe-America-Australia, chromolithograph printed on tin after Charles Dixon, printed by Sir Joseph Couston & Sons, circa 1920s, rubbed and some marks, with art deco outer border design, 72 x 96.5 cm (28 1/4 x 38 ins), Horse Artillery in Action, by W. Simpson after Captain G. F. Atkinson, circa 1850s, colour lithograph, etching with drypoint by Maurice Milliere depicting studies of the heads of Indian soldiers, signed, and numbered 36 to lower left corner (some toning), a late 19th-century oil portrait of an Officer in blue uniform (possibly painted over a photograph), three framed pictures of silk samples of orders, decorations and medals of the British Empire, early to mid-20th century, mostly framed and glazedQTY: (24)

* Duclos (Antoine Jean, 1745-1801). L’Événement au Bal (from the series Monuments du Costume Physique et Morale de la fin du dix-huitième siècle), after Sigmund Freudenberger, 1774-1776, etching, completed with the burin by Ingouf, on wove paper, laid onto a support sheet, retaining the decorative border at right and bottom, trimmed to the image at top and left; together with Le Coucher, trimmed to the subject on three sides, retaining text at bottom, plus Lingée (Charles-Louis, 1748-1819), L’Occupation, retaining a decorative border to the right and text at bottom, the latter two unexamined out of the frames, averaging sheet size 34.5 x 23.5 cm (13 1/2 x 9 1/4ins), in gilt frames, 52 x 38.5 cm, and 7 others including: two mezzotints by J.M.W. Turner, from the Liber Studiorum: Peat Bog, Scotland, & The Leader, Sea Piece (with long closed tear extending 12mm into image, neatly repaired on verso), and two modern re-strikes of etchings by Piranesi: Veduta interna della Basilica di S. Pietro in Vaticano & Veduta dell' esterno della Gran Basilica di S. Pietro in Vaticano, etc., sheet sizes 51.6 x 71.9 cm and smallerQTY: (6)

* Squirrell (Leonard Russell, 1893 - 1979). Grain Store, uncoloured etching, signed in pencil by the artist to the lower right, 280 x 280 mm, mounted, plus another etching by the same artist of a harbour scene, together with Nicolson (John, 1891 - 1951). The Retriever, uncoloured etching, signed in pencil by the artist to the lower left, and a further eight etchings by the same artist of rural scenes and domestic animals, plus one other signed marine etching, various sizes, good conditionQTY: (12)

* Havell (Daniel). Mucculla in Abyssinia [and] The Town of Abha in Abyssinia, William Miller 1809, a pair of aquatints after Henry Salt, both with contemporary hand colouring, 'The Town of Abha' mount stained and toned overall, each approximately 465 x 615 mm, together with Merke (H.). Thebet Mountains, Edward Orme, 1804, aquatint after W. Daniell with contemporary hand-colouring, some marginal staining, occasional marginal closed tears, but not affecting image, 340 x 445 mm, with Aglio (A.). Exterior View of the Two Temples at Ybsambul, John Murray, 1820, etching after G. Belzoni, with contemporary hand colouring, one long closed tear affecting the printed image, the whole laid down on to later card, slight mount staining, 430 x 560 mmQTY: (4)NOTE:The first two engravings were originally published in 'Twenty-four Views in St. Helena, The Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt'. Abbey Travel II, 515 numbers 18 & 19.

* Hogarth (William, 1697-1764). Hudibras, the full set of 12 plates, circa 1735, twelve uncoloured engraved & etched plates, the second state, published by P. Overton, near St. Dunstans Church in Fleet Street, each print laid on later card, slight staining, some restoration to the image and margins of plate 8, some restoration to the image on plate 9, some restoration to the upper right margin of plate 10, smaller plates 260 x 350 mm, larger plates 265 x 505 mm, uniformly mounted, together with Cruikshank (George). Monstrosities of 1825, Thos. McLean, August 1st 1835 [but slightly later], hand-coloured etching, 255 x 395 mm, mountedQTY: (13)NOTE:Paulson, 73 - 84, state 2. The second state of this work is identifiable by the retention of P. Overton as the publisher but the removal of J. Cooper on the publication line. A few plates show the 'ghosting' where Cooper's name has been removed.

Claude H Rowbotham, 'St Pauls from Southwark', signed, coloured etching

Salvator Rosa, Italian 1615-1673- Men talking; etching, with artist's monogram within the plate, 14.8 x 19.4 cm.: After Dante Gabriel Rossetti, British 1828-1882- Study of a woman with flowers; lithograph, 33.5 x 24.5 cm.: John Cousen, British 1804-1880- Evening in the meadows, after Thomas Sidney Cooper; engraving, 18.5 x 25.3 cm.: British School, mid/late 19th century- Design for a stained glass window; pen and black ink, watercolour, and bodycolour on paper, inscribed 'Lavers Westlake / London' to the reverse of the card, 25.7 x 15.3 cm.: Italian School, 17th century- Allegorical figure; woodcut, 15.7 x 12.1 cm. (5) (part unframed) Rosa: Framed, mounted, and glazed. Unexamined out of frame. General scuffs and marks to the frame. Marks of surface dirt and possible very light foxing to the sheet. Rossetti: Browning and foxing to the sheet. Evening in the meadows: The print has been cut down and stuck onto card. Spots of foxing throughout the sheet. General dirty marks to the sheet. Stained glass window: The sheet is stuck down on card. Discolouration, foxing, and general dirty marks to the sheet. Allegorical figure: The sheet is stuck onto card at the upper corners. Discolouration to the sheet, alongside spots of foxing and possible light creasing. Otherwise in fair condition overall.

Giovanni Battista Piranesi, Italian 1720-1778- Veduta del Ponte Ferrato; etching, 39.5 x 60 cm. Framed and glazed. Unexamined out of frame. General marks and scuffs to the frame. The sheet appears to be cockling slightly within the frame. Evidence of creases and spots of foxing to the sheet in areas. A significant vertical crease in the centre of the sheet. Evidence of a possible tear to the sheet towards the upper edge. Otherwise in fair to poor condition overall.

John Sell Cotman, British 1782-1842- Part of East Barsham House; and Thorp Chapel St Michael's Church in Coslany, Norwich; etchings, 30.5 x 22.8 cm. and 30 x 43 cm. respectively: Joseph Constantine Sadler, British 1780-1812- Cambridge from the Ely Road; and Prison and Castle from the Huntingdon Road; etching and aquatints with hand-colouring, each 25 x 30 cm.: Edward Goodall, British 1795-1870- Norwich, from Butter Hills; hand-coloured engraving, 12.6 x 15.2 cm.: George Walter Hagreen, British 1811-1866- King Street Gate, Outside; hand-coloured engraving, 12.8 x 16 cm.: Paul Gauci, British c.1800-c.1855- Norwich Cathedral; hand-coloured lithograph, 31 x 22 cm.: Charles Joseph Hullmandel, British 1789-1850- Cartmel Priory; lithograph, 20 x 30.4 cm. (8) All framed and glazed, all unexamined out of frame. Chips, marks, and scuffs to the frames. East Barsham House: Significant browning to the sheet generally, alongside spots of foxing. Thorp Chapel: Discolouration/damage to the sheet - possible water damage. Evidence of light foxing. Cambridge from the Ely Road: Significant browning/discolouration to the sheet, and spots of foxing. Prison and Castle: Significant browning/discolouration to the sheet, and spots of foxing. Norwich, from Butter Hills: Evidence of discolouration/browning to the sheet, particularly towards the edges. Possible light dirty marks/spots of foxing in areas. King Street Gate: Possible very light spots of foxing in areas. Norwich Cathedral: The sheet appears to be firmly stuck down. Spots of foxing to the sheet generally. Cartmel Priory: Spots of foxing across the sheet. Evidence of water damage to the edges. Otherwise in fair to poor condition overall.

Hans am Ende, German 1864-1918- River landscape with trees; etching, signed and indistinctly inscribed in pencil, 40.7 x 57.5 cm. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Evidence of water damage to the outer corners of the mount. Signs of browning/discolouration to the sheet. Evidence of foxing in areas across the sheet. Small areas of abrasions and very small losses in places. Marks and surface dirt generally. Otherwise in fair condition overall.

Eugene James Tily, British 1870-1937- St James's Park, after Edward King; etching printed in colours, signed by the printmaker and the artist in pencil within the plate, published in 1925 by the Museum Galleries, London, bears publisher's blindstamp, bears inscribed label from the Museum Galleries to the reverse of the frame, 27.5 x 37.5 cm Please refer to department for condition report

Cecil Aldin (1870-1935) For What We Are About to Receive Signed and numbered 89/100 Cecil Aldin (in pencil to margin) Etching 24.2 x 16.7cm (plate)