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Lot 123

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "On The Bure Near Acle", 5 ¾" x 8 ½" (some worm damage)

Lot 128

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Submarines Portsmouth, 8 ½" x 14 ¾". Provenance: George Davidson Limited, Glasgow (see label verso)

Lot 131

LEONARD JOHN SMITH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "The Pitcher", (see artist's label verso), 13" x 8"

Lot 133

ROBERT WALKER MACBETH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (PUBLISHED AUGUST 1900 BY W R HOWELL & CO), The Sheep Ferry, 10 ½" x 15"

Lot 138

EDGAR J MAYBERY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Kings Gateway Trinity College Cambridge", 7 ¾" x 5"

Lot 141

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Changing London, The Quadrangle, St Bartholomew's Hospital", 6" x 9 ½"

Lot 144

FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Kings Lynn, Norfolk" (Limited Edition 1/122), (see extensive details verso), 5" x 6 ½"

Lot 148

HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (14/75), BLACK AND WHITE ETCHING, Inscribed "The Grange, East Dereham, Norfolk 1947", 7 ½" x 10 ½"

Lot 149

JOSEPH KIRKPATRICK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Mists of Evening", 5" x 7"; plus ALEX H KIRK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Edinburgh Castle", 9" x 11" (2)

Lot 158

OLIVER HALL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, River Scene with Bridge, 5 ¾" x 7 ¾"

Lot 189

FRED SLOCOMBE, SIGNED AND DATED 1886 TO THE IMAGE, BLACK AND WHITE ETCHING, Rural Street Scene with Figure, Horse and Cart, by Cottages, 13" x 18"; AFTER G SANDERS, ENGRAVED BY J RICHARDSON JACKSON, BLACK AND WHITE MEZZOTINT, PUBLISHED 1848, "Admiral Sir Charles Rowley Bart", 12" x 9" (A/F); and AFTER G WRIGHT, HAND-COLOURED PHOTOGRAVURE, Hunting Scene, 7" x 11" (3)

Lot 206

SIR DOUGLAS YOUNG CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "St Marie", 10" x 5"; together with three further various framed Prints and an unframed Print, various sizes (5)

Lot 213

TWO BOOKS: WILLIAM LARGE, "SKETCHES OF ANCIENT NORWICH IN LINE AND PENCIL"; ALPHONSE LEGROS, "MODERN MASTERS OF ETCHING" (2)

Lot 264

HARRY BECKER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Horse in a Stable, 11 ½" x 15 ½"

Lot 280

CHARDOLLIA, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Lady Seated at a Dressing Table with Fairies, 15" x 11"

Lot 300

CLAIRE ISAAMAN, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed "Norma Jean I", 12" x 8 ½"

Lot 304

ALICE BARWELL, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, "Farm Lane", 12" x 8", mounted but unframed

Lot 380

AFTER FRED SLOCOMBE, ENGRAVED BY CHARLES WHYMPER, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1886, Wildfowler in Landscape, 14" x 21"; DOUGLAS ADAMS, SIGNED IN PENCIL TO MARGIN, TWO BLACK AND WHITE PHOTOGRAVURES, PUBLISHED 1893, Anglers Fishing from a Riverbank, 15" x 26"; Anglers Landing a Salmon, 15" x 25" (A/F) (3)

Lot 391

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION TINTED ETCHING (93/150), A Terrier Dog in Landscape, 8" x 11"

Lot 547

Fred Burridge (1869-1945); original etching entitled verso "The Patriarchs", with Thomas Agnew & Sons label, signed in pencil to border, 20 x 25cm, and E Popple; etching entitled "The Passing Storm", no.39/150, with pencil signature to border, with original label verso, 15 x 24.5cm, framed and glazed (2)

Lot 58

John Hoyland - Banda Oriental circa 1989 an etching and aquatint on paper, signed limited edition print 6/65, 28 1/2" x 22"

Lot 81

Joe Tilson - Artemis & Akalon, Preludes series 1992, a soft ground etching with aquatint and carborundum paper, signed 20/50, 22 1/2" x 26 1/2"

Lot 82

Joe Tilson - Asklepios, Preludes series, 1992, a soft ground etching with aquatint on carborundum paper, signed 3/50, 27" x 22"

Lot 83

Joe Tilson - Flaying of Marsyas, Preludes series, 1992, a soft ground etching with aquatint on carborundum paper, signed 20-50, 26 3/4" x 22"

Lot 427

A framed and glazed original etching: Nude Female in Sand Dunes.

Lot 416

Henry Wilkinson (20th century) Retriever with mallard duck Signed etching, 25x36cm

Lot 483

Graham Murray 'The Yett' (signed etching) barn interior with shire horse, Rue de la Titeranderie (etching) photograph of Cowan Burn Bridge, Alex Herman Haig, A Cavalcade (etching) Sansho Panza (etching) and another etching (7)

Lot 391

Fred Richards 'Waterloo Bridge', drypoint, signed in pencil and dated 1924, 15cm x 22cm also an etching by Ian Strang (2)

Lot 392

Charles Laurie 'Portrait of HRH Edward VII in masonic regalia', etching, signed in pencil by the artist, 53cm x 35cm

Lot 59

F.S., (19th/20th century) a pair of young lovers in a meadow, etching, 19 x 19 cm

Lot 64

Augustus John (1878-1961) 'The Precipice', signed in pencil, only state etching, 14 x 12 cm * Prov. Colnaghi

Lot 65

David Young Cameron (1865-1945), 'Newgate', signed in pencil, etching, 15.5 x 12.5 cm

Lot 71

20th century Continental School, 'A Townscape', indistinctly signed and inscribed in pencil, etching, 31 x 24 cm

Lot 57

C.SHEPPERSON. Signed in pencil etching on paper, study of a woman and dog in parkland setting. 7.1/4" x 11.3/4"

Lot 99

J.H.DOWD. Signed in pencil etching on paper, beach scene with children building a sandcastle. 5.3/4" x 7.3/4"

Lot 276

Johnny Friedlaender (1912 - 1992). An artist's proof aquatint etching of a nude by Johnny Friedlaender, noted and signed in pencil in the margin Epreuve d'artiste" and "Johnny Friedlaender" 23 cm x 44 cm."

Lot 94

LYNDSAY THWAITES, sigd limited edn 3/20 col’d etching "Dorothy’s Big Adventure", approximately 8" x 11", f/g

Lot 752

‡ WRIGHT (HAROLD J L) - ETCHINGS AND DRYPOINTS BY SIR WILLIAM RUSSELL FLINT... CATALOGUE RAISONNÉ, 77 from the 135 copies signed by the artist, illustrated and with signed drypoint of Manolita [frontispiece], blue cloth gilt, London: P & D Colnaghi & Co Ltd, 1957; The Studio - Modern Masters of Etching No 27 W Russell Flint ARA, 1931; Sir William Russell Flint RA RWS A Precis of Appreciations During Half a Century, 1963 (3)

Lot 68

Elizabeth Frink, 'Tawny Owl' (from the 'Six Owls' series 1977), limited edition etching and aquatint 23/75, signed in pencil, 53.5 x 45 cm (21 x 17 3/4 in.)

Lot 71

Frank Paton, 'Cheapside by Night', etching, signed in pencil and dated on plate 1884, 18.5 x 25.5 cm (7 1/4 x 10 in.)

Lot 77

A Georgian naval Lieutenant's sword, c 1810, almost straight, fullered blade 27", marked "Osborn & Gunby's Warranted" (faint) at forte with traces of gilt etching, copper stirrup hilt with traces of gilt, langets engraved with fouled anchor, lion's head pommel and facetted backstrap, wirebound fishskin grip. Good Condition (blade heavily cleaned) Plate 27

Lot 662

A Highland officer's broadsword, claymore blade 32", with faint traces of etching, regulation plated basket hilt, the guard with panels of pierced hearts, wirebound fishskin grip, unusual gilt pommel, buff and red liner with blue edging, in its plated scabbard (2 small dents). Basically GC (blade cleaned bright over pitting)

Lot 685

A 1796 pattern light cavalry officer's sword, curved, shallow fullered blade 32½", with faint traces of blued and gilt etching, steel stirrup hilt with langets and unusual reinforcing to the inside and outside of the knucklebow, facetted pommel and backstrap with ears, wirebound fishskin grip, in its steel scabbard with 2 hanging rings. Basically GC (blade worn, pitted and reseated, few scabbard dents)

Lot 768

A 19th century partizan, iron head of traditional form, 20", with faint traces of etching, on socket to wooden haft, 7'8" overall. Basically GC (worn)

Lot 13

ALBANY E HOWARTH (1872-1936) Etching, Ely Cathedral 1928, signed in pencil, 15" x 7.75", framed.

Lot 17

ELEANOR HUGHES (1882-1959) Etching, Tavistock Viaduct, unsigned, 10" x 11", framed.

Lot 25

ANDREW F AFFLECK (1874-1935) Etching, "Zaandam Zaw Mill", signed in pencil, 9" x 14", framed.

Lot 58

KATHLEEN CROZIER Etching, Hastings Harbour arm, signed in pencil No. 8/20, 8" x 15", framed.

Lot 61

GRAHAM CLARKE (Born 1941) Coloured etching, "Waterloo Volunteers", from the History of England series, signed and titled in pencil No. 7/200, 17" x 13.5", framed.

Lot 174

URSULA LIVETT Etching, Farmer by hay carts, signed in pencil, 6" x 8.75", framed.

Lot 175

T C PATERSON Etching, "The Tam O' Shanter Arms", signed, 8.25" x 5.75", and engraving "The Organist," signed with initials R S, 7.5" x 4.75", (2), framed.

Lot 224

TATTON WINTER Etching, "Ave Maria", signed and titled in pencil, 11.75" x 9.75", framed.

Lot 225

WILLIAM LIONEL WYLLIE Etching, Busy shipping scene, signed in the plate, 4.75" x 11", mounted.

Lot 239

WILLIAM STRANG First State etching, Shakespearian scene, signed in pencil, 8.5" x 7.25", framed.

Lot 268

HOWARD HODGKIN (Born 1932) Original etching end paper with hand colouring by Jack Sherriff, artist proof no. 14/25, 11.5" x 16.5", framed.

Lot 271

LEON KOSSOFF (Born 1926) Rejected trial proof etching, Classical figure studies, unsigned, 6.5" x 9", framed.

Lot 272

LEON KOSSOFF (Born 1926) Rejected trial proof etching, Classical figure studies, unsigned, 6.5" x 10", framed.

Lot 423

William Lionel Wyllie, RA (1851-1931) - The Royal Albert Dock, River Thames. Etching, signed in pencil. 14.5 x 35 cms.

Lot 894

W L Wyllie (1851-1931) signed etching - view of London from above with River Thames, signed in pencil in glazed frame - plate size 16cm x 37.5cm

Lot 895

W L Wyllie (1851-1931) signed etching - view of London from Greenwich Park, signed in pencil in glazed frame - plate size 16cm x 38cm

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