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Roseberys
Lot 488

Richard Beer, British b.1928- "Noto-III"; etching with aquatint printed in colours, signed and titled in pencil, 60x45cm: Eastern European School, mid-late 20th century- Airships and balloons over a cityscape; etching, signed with monogram CA and dated 92 within the plate, signed, inscribed and numbered 1/8 in pencil, 31x50cm: together with reproduction print entitled The Third Winter Palace of Peter the Great at St Petersburgh, 21x27cm., (3) (may be subject to Droit de Suite)

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Roseberys
Lot 525

Charles Williams, British fl.1797-1830- "The Merry Ships Crew or Nautical Philosophers"; etching with hand colouring, 23.5x33cm CONDITION REPORT: mounted in a Hogarth glazed mounting frame the frame with light flaking may or may not be stuck down as is unexamined out of the frame a label from 'the parker gallery' attached on the reverse the page ruckled throughout the edge of the mount has begun to acidify overall in good condition

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Roseberys
Lot 532

J G Wooding, British act.1780-1790- "View of the City Gates as they appeared before they were pulled down, together with the Old Gate at Whitehall & Templebar", illustration to Thornton's History of London, publ. by Alexander Hogg at the Kings Arms, No. Paternoster Row, July 10, 1784; etching, 22x35cm: European School, early 19th century- Christ holding the Gospels; engraving, 39.7x23cm: Robert Wallace Hester, British act.1866-1923- "The Charterhouse"; etching, signed and titled in pencil, 20x26cm, Provenance: with The Claxton Gallery, London, according to label attached to the reverse: Robert Wallace Hester, British act.1866-1923- "Eton"; etching, signed and titled in pencil, 17x27cm: Robert Wallace Hester, British, act.1866-1923- "Cloisters, Eton"; etching, signed and titled in pencil, 17x25cm: Ferdinand Giele, French/British 1867-1929- "Oxford Magdalen College Open Air Pulpit"; etching, signed, titled and numbered 25/75, 25x11.5cm, Provenance: Ryman & Co., Oxford: Ferdinand Giele, French/British 1867-1929- "Oxford Magdalen College the Kitchens"; etching, signed, titled and numbered 24/75, 25x13.5cm: J Shirt, British fl.1796-1808- "St Paul's" from B. Lambert, "The History and Survey of London and its Environs from the Earliest Period" (London: 1805-1806), publ T Hughes, January 1806; engraving, 11.2x16cm: Léopold Robin, French 1877-1939- "Paris, L'egllse St Severin"; etching, 14.5x5.8cm: Haywood Summers, British, late 19th century- "Old Stock Passage"; etching, signed with initials and dated 1880 within the plate, 25x14.5cm: Fasano, French School, 20th century; "La Mason de J F Millet a Barbizon en 1880"; etching with hand colouring, signed within the plate, signed, titled in pencil 21x27cm: Herbert Railton, British 1857-1910- "St Georges, Windsor Castle"; engraving, signed and titled within the plate, 19x24.5cm, (12)

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Roseberys
Lot 548

Andre Albert Marie Dunoyer de Segonzac, French 1884-1974- Trees; drypoint etching, signed with initials within the plate, numbered 17/100 in pencil, 22.5x17.7cm: Jacques Ramondot, French 1928-1999- Abstract composition; etching, signed within the plate and signed beneath the plate in pencil, with Galerie Des Peintres-Graveurs, J Frapier Paris blindstamp to paper, 18x23.5cm, (2) (unframed) (may be subject to Droit de Suite)

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Roseberys
Lot 593

Charles John Watson, British 1846-1927- "La Chapelle du Saint-Esprit de Rue"; etching, artist's proof, signed and dated 1904 within the plate, signed in pencil, bears label for Robert Dunthorne The Rembrandt Gallery 5 Vigo Street London W, 20x22.5cm

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Roseberys
Lot 621

Roger Raveel, Belgian 1921-2013- Untitled Abstract composition; mixed technique etching with lithography printed in colours, signed in pencil, 23x29cm, (may be subject to Droit de Suite)

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Tring Market Auctions
Lot 368

Roland Langmaid - HMS Discovery, a black and white etching, signed and titled in pencil, framed and glazed, 9"" x 6.5"".

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Tring Market Auctions
Lot 369

Roland Langmaid, the Tower Bridge, black and white etching, titled and signed in pencil, framed and glazed, 9"" x 6.5"".

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Tring Market Auctions
Lot 370

Roland Langmaid, St Paul`s, black and white etching, signed and titled in pencil, framed and glazed, 5.5"" x 9.75"".

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Morton Auctioneers & Appraisers
Lot 22

EVELINE JACKSON (20th century) Marketplace Scene with Mother and Child, 1962 Etching, #1 Signed and dated lower left, numbered lower right H 13¼ x W 10½ inches.

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Morton Auctioneers & Appraisers
Lot 39

LEON DANCHIN (French, 1887-1939) Woodcock in Flight Etching Signed lower right H 18 x W 26 inches.

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Morton Auctioneers & Appraisers
Lot 103

MARC CHAGALL (French/Russian, 1887-1985) Le Violiniste Blue Etching, 84/500 Signed lower right H 31½ x W 20½ inches.

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Morton Auctioneers & Appraisers
Lot 105

MARC CHAGALL (French/Russian, 1887-1985) La Creation de l`Homme, 1956-58 Bible Series, image from 1931-36 Etching, hand colored on Arches paper, 42/500 Signed lower right H 31½ x W 20½ inches.

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Morton Auctioneers & Appraisers
Lot 108

PABLO PICASSO (Spanish, 1881-1973) Minotaure Vaincu, 1933, From the Vollard suite Etching Vollard watermark Catalogue Raisonne Bloch, 197 Signed lower right #89 lower right #359 lower left Unframed H 7½ x W 10½ inches.

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Morton Auctioneers & Appraisers
Lot 136

MARTIN BAROOSHIAN (American, born 1929) Bull Rider, 1975 Colored etching with embossing on Arches paper, 47/60 Signed, numbered and titled lower center H 9 x W 7½ inches.

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Morton Auctioneers & Appraisers
Lot 138

BARBARA NEWCOMB (American/British, 20th century) Deck Chairs III, 1982 Colored etching with embossing, 33/150 Signed and dated lower right, titled and numbered lower left H 23½ x W 16¼ inches.

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Morton Auctioneers & Appraisers
Lot 139

JAYNE COOKSON (American, 20th century) Le Midi Colored etching with embossing, 11/20 Signed lower right, titled lower center, and numbered lower left H 11 x W 13¼ inches.

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Addisons Auctioneers
Lot 366

Landseer (Sir Edwin) The Works of Sir Edwin Landseer R.A. `Library Edition` published Henry Graves & Company, c. 1870, (incomplete) with 14 steel engravings, stamped with print seller`s association stamp in margin, a/f together with F. Seymour Haden etching of Cowdray with ducks and cattle in the foreground (unframed)

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Addisons Auctioneers
Lot 382

A limited edition etching by Leon Verdier together with group of framed coloured prints after Sir Thomas Lawrence, Yeames and other artists.

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Addisons Auctioneers
Lot 392

Claude H. Rowbotham, "Evening, Whitby", a coloured etching, framed; together with a watercolour of a Woodland Clearing. (2)

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Peter Wilson
Lot 10

Framed overpainted print "oriental bazaar" and an etching of "Loch Katrine"; "Ben Nevis"; "Pittenween" and John M. Aiken of Snowy Hillside. Condition report: see terms and conditions

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Clarke and Simpson
Lot 348

Roland Langmaid, pencil signed etching of the Thames at Westminster, 14cm x 21.5cm

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Clarke and Simpson
Lot 375

Winifred Austen, pencil signed etching of grouse in flight, 23cm x 29cm

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Sworders
Lot 221

Rosamund C Jones (20th century), `Janes Cockerel` and `Rougemont Cockerel`, two coloured etchings, signed and inscribed with titles and numbered AP and 18/75 respectively in pencil, plate 27 x 43.5cm and 24.5 x 39.5cm, and Sally Winter (20th century), `Fowl Play`, a coloured etching, signed and numbered 58/150 in pencil, 20 x 15cm

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McTear's
Lot 538

HENRY WILKINSON (BRITISH b.1921), BLACK RETRIEVER limited edition colour etching, signed and numbered 19/250 in pencil 19cm x 24cm

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High Road Auctions W4
Lot 184

John Brunsdon (Contemporary British school), 'Green Harbour', abstract study of forms in space, signed lower right in pencil, limited edition etching on paper, numbered 23/50. H.56cm W.72cm

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High Road Auctions W4
Lot 334

Brian Organ (Late 20th century British school), 'The Cactus Cart',a study of objects in the Surrealist manner, signed lower right, dated 72, limited edition etching on paper, numbered 10/25. H.14cm W.22cm

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Duke's Grove Auctions
Lot 610

George Chapman: An evening street scene, etching No. 5/100

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Cottees Auctions Limited
Lot 115

Piers Browne: framed and glazed Limited Edition etching in colours; Towards Central Sicily from Foothills of Mount Etna (signed and dated to margin).

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David Duggleby Scarborough
Lot 44

'Sunrise Newlyn Harbour', John Michaux early 20th Century blue etching signed and titled in pencil

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David Duggleby Scarborough
Lot 98

Whitby Abbey 19th Century engraving and a coloured etching of Tin Ghaut Whitby

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Charles Ross Fine Art Auctioneers & Valuers
Lot 351

A pair of Regency silk woven pictures, a young shepherd and shepherdess, each in a landscape in a verre eglomise frame, 11 x 13cm, oval, together with a reproduction dry point etching after Claud Lorraine, 13 x 18cm.

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Roseberys
Lot 388

Tom Phillips, British b.1937- “A Humument”; screenprint in colours, signed and numbered in pencil, 65x42cm: Tom Phillips, British b.1937- “The Composer Schoenberg”; lithograph with screenprint in colours, signed and numbered 4/75 in pencil, 47.5x52.5cm: Anthony Deigan, Irish b.1945- “III”; dry point etching with aquatint printed in colours, signed, dated '69 and numbered 47/75 in pencil, 9x25.5cm (oval plate): Riko Debenjak, Slovenian 1908-1987- Untitled abstract; etching with aquatint printed in colours, signed, dated '61 and numbered 57/95 in pencil, 31x49cm: Terry Wilson, British b. 1948- “Torso and Progressive States”; mezzotint printed in colours, signed, titled and numbered 4/20 in pencil, 45x33cm: together with two further etchings with aquatints by the same hand entitled “Dance Position I” and “Dance Position II”, ea. signed and numbered 47/50, ea.61.5x36cm, (7), (may be subject to Droit de Suite)

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Roseberys
Lot 390

Robyn Denny, British 1930-2014- “Graffiti 12”; etching printed in colours, signed, dated '77 and numbered 18/18 in pencil, 45.5x40.5cm, (unframed), (may be subject to Droit de Suite) CONDITION REPORT: full sheet with margins stuck down on corners to mount support some superficial scuffs centre left some mottling to the lower centre there is a dent to the reverse of the card support which has an associate raised area lower centre right within the centre of the lowest rectangular L-shaped motif some slight grubby marks within the margins otherwise overall very good condition

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Roseberys
Lot 397

Virgil Nevjestic, Serbian 1935-2009- Untitled; etching with aquatint printed in colours, signed and numbered 33/40 in pencil, 31x24cm (may be subject to Droit de Suite)

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Roseberys
Lot 402

John Prideaux Selby, British 1788-1867- 'Common Cormorant' from 'Illustrations of British Ornithology: British Birds in their full natural size', publ. 1819-34; hand coloured etching, 55x40cm

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Roseberys
Lot 403

Tiffany McNab RE, Australian 1964-2010- "Leopard"; etching with aquatint printed in colours, signed, titled and numbered 6/50 in pencil, 9.5x27.5cm: together with fifteen further etchings with aquatints printed in colours by the same hand entitled, "Barn Owl", "Two of a Kind", "Orang-utan", "Head Above the Rest", "Night Owl", "Sunflowers", "Benseiken Warriors", "Norse Wardens", "Benseiken Warriors", "Clerical Effigies", "Effigy of an Armed Figure", "Put Away Childish Things- Sea", "Put Away Childish Things", "Isnik Mugs", "Isnik Jugs", ea. signed, titled and numbered in pencil, various sizes, (unframed), (15) Note: Tiffany McNab was born in the rural, Western District of Victoria. She completed a Bachelor of Arts in Painting and Printmaking and a Graduate Diploma in Printmaking at the Royal Melbourne Institute of Technology during 1982 to 1985 before leaving Australia to work overseas. In 1987, Tiffany moved to England with a view to gaining greater knowledge of her field. She acquired considerable experience as a freelance etching editioner, working primarily for the artist Brenda Hartill between 1988 and 1993. Tiffany then established her own studio in a Victoria warehouse in Southwark, South London, working exclusively on her own prints and watercolours. At the end of 1996, Tiffany returned to Melbourne. McNab has exhibited at the Royal Academy of Arts’ summer exhibition, the Royal Society of Painter-Printmakers open print exhibition, the Royal West of England Academy autumn show and the Federation of British Artists’ national print exhibition. In 1999, she was elected a fellow of the Royal Society of Painter-Printmakers.

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Roseberys
Lot 406

Arati Reddy-Devlin, Croatian, late 20th century- "In the Pit"; linocut printed in colours, signed, titled, dated '8/18 in pencil, 23x18cm: together with six further linocuts printed in colours entitled "Power", "Neighbours", "A BLind Man's Wisdom", "Exhibitionist", "Bear Dance" and "Motherhood", ea. signed, titled, dated and numbered in pencil, various sizes: Linda Hill, British, late 20th/early 21st century- "Love at First Sight..."; screenprint in colours, signed, titled and numbered 57/175 in pencil, 37.5x44cm: together with five further screenprints in colours, entitled "Love at First Sight...", "One in a Million", "Feng Shui Fish", "One in a Million" and "Love at First Sight...", ea. signed, titled and numbered in pencil, ea. 57x175cm: Harriet Brigdale, Dutch/British, late 20th/early 21st century- "The Put"; etching with aquatint printed in colours, signed, titled and numbered 62/100 in pencil, 4.3x4.7cm: together with ten further etchings printed in colours by the same hand entitled "Bowled Out", "No Fishing", "Squash", "Special Day", "Slimmer of the Year", "The Heart Throb", "Mixed Doubles", "The Streaker", "Wavin Goodbye" and "Only Two Can Play", ea. signed, titled and numbered in pencil, various sizes, (24), (unframed), (may be subject to Droit de Suite)

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Roseberys
Lot 408

Paul Drury PRE, British 1903-1987- "Carel Weight" 1938, one of six etchings from The Paul Drury Portfolio, publ. Garton & Co, Roundway House, Devizes, Wiltshire, May, 1994, printed posthumously; etching, signed within the plate and numbered A6/25 in pencil, with publishers blindstamp, with letterpress titled wrap and accompanying letterpress booklet with biographical information by Michael Blaker, 7.2x12cm, (unframed), (may be subject to Droit de Suite)

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Roseberys
Lot 409

Kevin Wright, British, late 20th/early 21st century- "Side Canal Venice"; etching printed in colours, signed, titled and numbered 11/30 in pencil, 24.5x14.5cm: together with fourteen further 20th/early 21st century prints by various hands, examples to include works by Kevin Wight, Richard Wardle, Paul Bisson, Rob Roberts, Ashly Bolch and D Wilkinson, various techniques, various sizes, (unframed), (14), (may be subject to Droit de Suite)

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Roseberys
Lot 417

M C Scholten, German School, early 20th Century- Bride and Groom; etching with aquatint, signed, dated 54' and numbered 3/20 in pencil, 30x35.5cm: together a quantity of prints, watercolours and drawings by various hands, examples to include works by B Goodwin, June Berry, Peter Standen, W J Collins, P Adlington, Lewis, Amelia, Muriel Rose, P B Renninson, J M Kenna, Joyce Spencer, various sizes, (part unframed), (alot)

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Roseberys
Lot 430

Eileen Cooper RA, British b.1953- "Private View"; etching with aquatint printed in pink, signed, titled, dated '05 and numbered 26/100 in pencil, 19.7x12.3cm, (may be subject to Droit de Suite) note: This lot is being sold on behalf of Paintings in Hospitals

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Roseberys
Lot 434

Mortimer Luddington Menpes NEA RBA RE RI ROI, Australian/British 1855-1938- Venetian Canal; etching, 29x18cm: William Renison, Scottish 1866-c.1940- "Maison Jeane d'Arc, Rouen"; etching, signed with initials within the plate, signed in pencil, 27.5x18.5cm., (2)

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Roseberys
Lot 438

European School, late 20th century- Figure walking along a path; acrylic on board, signed, 22x27cm: Maurice Jacque, French, late 19th/early 20th century- "Maison et Atelier de Theodore Rousseau"; hand-coloured etching, signed and titled in pen, 19x26.5cm, (2)

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Roseberys
Lot 547

Thomas George Cooper, British 1836-1901- Goats grazing; etching, signed within the plate, 18x22.2cm: together with two etchings of sheep by the same or similar artist: Theophile Narcisse Cheuval, French 1831-1910- "La hutte, forêt de Fontainebleau", after Theodore Rousseau, printed Francois Lienard, published in 'L'Art', 1876; etching, 25x30cm, (4) (unframed)

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Roseberys
Lot 550

Edward Julius Detmold, British 1883-1957- "Spirit of the East"; drpoint etching, signed in pencil, 25x22cm, (may be subject to Droit de Suite) Provenance: with Aitken Dott & Son, Edinburgh, according to label attached to the reverse

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Roseberys
Lot 600

Graham Evernden, British b.1947- "The Roller Hill"; etching with aquatint printed in colours, signed, titled and numbered 136/200 in pencil, 39.5x29.5cm: together with a quantity of further etchings with aquatint by the same artist, including "Hayfield", "Barras Nose", "Forgotten Lane", "Shaded Pool", "Winters Track", "Church Bells", Waters Edge", "Millers Ford", "The Roller Hill", "Rabbit Wood", "Daisy Lake", "Field Poppies", some multiples, various sizes, (17), (unframed) (may be subject to Droit de Suite)

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Roseberys
Lot 605

William Walker, British 1729-1793- "Lions at Play";, after Peter Paul Rubens, publ June 1st 1782 by John Boydell, Cheapside, London; etching with engraving, 41.5x50.5cm

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Roseberys
Lot 620

Boris O'Klein, French 1893-1985- "'Zut!... ils nous l'ont Grillagé"; etching with hand colouring, signed and titled in pencil, 20.5x33.5cm: Boris O'Klein, French 1893-1985- "Chacun son Tour"; etching with hand colouring, signed and titled in pencil, 17x44.5cm, (2), (part unframed), (may be subject to Droit de Suite)

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Roseberys
Lot 627

Graham Evernden, British b.1947- "Cloud Lilies"; etching with aquatint printed in colours, signed, titled and numbered 232/350 in pencil, 30x40cm: together with a quantity of further etchings with aquatint by the same artist, including "Hayfield", "The Roller Hill", "Dappled Way", "Church Bells", "Millers Ford", "The Roller Hill", "Summer Meadow", "Daisy Lake", "Field Poppies", some multiples, various sizes, (15), (unframed) (may be subject to Droit de Suite)

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Roseberys
Lot 637

Chris Orr RA, British b.1943- "Colysandra Hits New York" 1971; etching with aquatint printed in colours, signed, titled, dated and inscribed 'printers proof 1/11', 17.5x68cm, (may be subject to Droit de Suite)

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Roseberys
Lot 638

Chris Orr RA, British b.1943- "Sixty-Six (66) lost pets & their Problems" 1980; etching with aquatint printed in colours, signed, dated and numbered 47/50 in pencil, 42x26.5cm, (may be subject to Droit de Suite)

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Roseberys
Lot 938

A pair of doors from an altarpiece, depicting the Saints, 19th century, 28 x 20.5cm, together with an etching of a Saint, possibly one of the Evangelists, 20th century(2)

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DuMouchelles
Lot 2092

LOUIS ICART [1888-1950], ETCHING & AQUATINT, 1929, 16" X 21", `LES HORTENSIAS`: Or "Hydrangeas", pencil signed lower right; inscribed upper left margin "Copyright 1929 L. Icart, Paris", with windmill blind stamp, under glass, matted and framed. Louis Icart, French, 1888-1950. 16 1/2" X 21".

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Smiths Newent Auctions
Lot 555

J A Brewer - etching The Rose Window at Rheims Cathedral, signed - 56 x 39cm

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Smiths Newent Auctions
Lot 629

W L Wylie - etching `London`s River 1900` - 35 x 51cm

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Smiths Newent Auctions
Lot 634

An etching Egyptian scene, a coloured engraving of Cowes and a Leblond print

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Ewbank's
Lot 667

James Scott after Sir Noel Paton - `Truth and Reason`, etching

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Ewbank's
Lot 709

19th century dry print etching of windmill and four watercolours

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Toovey's
Lot 49

William Walcot - View of the North-west Corner of the West Front of St Paul`s Cathedral, London, monochrome etching, circa 1914, signed in pencil, approx 19cm x 22.5cm.

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