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Lot 37

George Maples ARE (British, 1869-1939). Ducks in flight. Etching. Signed in pencil. Framed and glazed. H.34 W.42cm.

Lot 370

A hand coloured etching. Signed indistinctly and dedicated. Framed and glazed. H.30 W.25cm.

Lot 374

Etching titled 'Summer Day'. From a signed and numbered edition of 100 copies. Signed indistinctly. Framed and glazed. H.26 W.23cm.

Lot 2069

Framed sampler from 1873, framed embroidery of a dog, lithograph of Amersfoort by Brobbel, etching of Culemborg by Roodenburg, engraving by Scherpenzeel, woodcut of pigs at a farm by J Dijkstra, EPNS cutlery with plastic handle and cassette with Gero children's cutlery

Lot 6113

Juan Ripolles (1932-)Guerrero Pequeno (The little warrior), etching on homemade heavy made paper, 13/40, work from 1992, 60x50 cm, outside size is 81x69 cm

Lot 1258

Arend Hendriks (1901-1951)View of Gorinchem, etching 37x55 cm

Lot 186

RICHARD HARRISON LTD EDITION ETCHING - THE MAN

Lot 590

GEORGE ANDERSON SHORT (1856-1945) 'CHANGING THE BUTTS', a hunter and his servant are changing position while a spaniel approaches a downed bird, signed and dated 1914 bottom right, monochrome ink on paper, approximate size 38cm x 26cm, together with GEORGE INNES (1825-1894) 'HOME OF THE HERON', an etching with colours, signed and titled in pencil to lower margin, approximate size 30cm x 37cm including visible margins, Condition Report: Short painting has light foxing to the sky area with a small amount of frame damage, Innes etching is in good condition

Lot 1675

Robert Herdman-Smith (1879-1945), colour etching, 'St Paul's from Bankside', signed in pencil, 25 x 18cm

Lot 103

After James Gillray (1757-1815) hand coloured etching - Very slippy weather, 26 x 19cmAppears to be in good condition, minor defects commensurate with age

Lot 140

After Rembrandt, etching - St Catherine, stuck down, 11 x 9cm

Lot 35

Francis Seymour Haden (1818-1910) drypoint etching - Spain, signed dated 1877 and indistinctly titled, plate 15 x 22cm, mountedL together with a lithograph of Rodin by William Rothenstein. (2)

Lot 6

Balthazar Nebot (act. 1730-1765) etching - 'Foolish Sam, an ideot well known about Leicester Fields, Newport Mkt. etc, Died anno 1773, in his brother is one of the musicians in the Guards', 23 x 17cm, mounted on card

Lot 77

Alfred Kingsley Lawrence (1893-1978) etching - The Subultan (1921), signed, 18 x 17cm

Lot 94

Attributed to Girolamo Francesco Maria Mazzola Parmingianino (1503-1540) etching, untitled, 8 x 5.5cm

Lot 96

Good group of prints, including Cornelius Varley soft ground etching, image 18 x 29cm, lithograph after Ingres, etching after Van der Wyngaerde (1614-1679) two after Salvator Rosa, two others. (7)

Lot 926

Two Russian prints of a Kossak and a lady and an etching of St Basils Cathedral

Lot 428

A group of three pictures, comprising an etching 'Path of the Gunga', by E. Lumsden, 22 by 15cm, mounted, glazed, and framed, 51 by 36cm, 'Storm Brewing', a seascape, 20 by 28cm, mounted, glazed, and framed, 32 by 42.5cm, and 'Portrait of a Young Girl', a print after Old Master Petrus Christos, 27 by 20cm, framed, 37 by 31cm. (3)

Lot 375

A group of thirteen prints and engravings, including after Rembrandt van Rijn: self portrait, a modern etching, inscribed in pencil lower left 'hand printed by Rae Boer', 16 by 20.5cm, mounted, glazed and framed, 35 by 40cm, Edward Jackson Stodart (British, 20th century) after William Hogarth, 'Humours of an Election I' and 'Election Chairing', two coloured stipple engravings, signed in pencil to margin, each 38 by 48cm, mounted, glazed, and framed, 65 by 55cm, Audrey Scovell: 'Geranium & Persian Rug', limited edition lithograph, 52/100, 37 by 50cm, mounted, glazed, and framed, 56 by 71.5cm, 'Taking-in The Natives', by John Fairburn, 1823, 33.5 by 24cm, glazed and framed, 46.5 by 33.5cm, 'Ideas - Got Out but with a poor chance of getting CLEAN', 1830, 27 by 20cm. (13)

Lot 432

Paul J Attfield (b. 1950), children playing in a stream, signed lower right, oil on canvas, Certificate of Guarantee verso for Barker Fine Arts Ltd, 29 x 39.5cm, gilt framed and a gilt frame, 51 x 41.5cm together with an abstract illustration of Alice in Wonderland, etching, 25.5 x 31cm, framed and glazed

Lot 117

Framed Etching of London Bridge signed in Pencil by Graham Calverd indistinctly signed

Lot 140

Original etching featuring nude female & male in an embrace. Indistinctly signed bottom right. Framed and glazed. Measures 83cm by 70cm.

Lot 151

FRANK POTTER, THE MONUMENT, etching, signed and titled, framed under glass, 14 x 32

Lot 161

CYRIL HENRY BARRAUD (1877 - 1965) THE GREAT SQUARE YPRES, etching, signed in pencil, framed under glass, 58 x 38cm

Lot 154

W. JOHNSON, etching of an angler casting in the highlands, signed and dated '08, framed under glass, 22 x 17cm

Lot 187

ERNEST STEPHEN LUMSDEN RSA RE (BRITISH 1883 - 1948), TOWER OF THE NOTRE DAME FROM NORTH, etching, pencil signed and titled, framed under glass, 13 x 18cm

Lot 300

Signed etching on paper Kaynitz Street, Vienna

Lot 164

David Austen ( British b. 1960) Study of toddlers, etching, signed in pencil, framed, 13 x 10.5cm, together with a coloured etching titled Reflection Nany y Moch, signed indistinctly in pencil, 24 x 34cm

Lot 2534

Max Beckmann (1884 - 1950), Schlafendes Mädchen im Kornfeld, Radierung, 1922, Druck von der noch ungereinigten Platte auf maschinenbütten mit Wasserzeichen BSB, handsigniert, Auflage wohl 50, 18,3 x 24 cm. Gallwitz 216, Originalrechnung über 7200 DM aus dem Jahr 1981. Max Beckmann (1884 - 1950), Sleeping girl in a cornfield, etching, 1922, print from the still uncleaned plate on laid paper with watermark BSB, signed, edition probably 50, 18.3 x 24 cm. Gallwitz 216, original invoice for 7200 DM from 1981.

Lot 2537

Ernst Fuchs (1930 - 2015), insgesamt 11 Werke. 2 große Radierungen: Ikarus - Hermaphrodit und das Gefängnis des Ikarus, beide 49,5 x 34,5 cm, Aufl. 90/200 sowie VIII/ XX E.A. Eine Radierung: Selbstportrait als Ali Mirza, 20,5 x 16,5 cm, Aufl. 305/1000. Dazu: Mappe mit 8 Radierungen, hrsg. von Richard P. Hartmann, München, Edition Volker Huber, Offenbach: Jakob und sein Kind, Erscheinung im Busch, Mythologische Szene, Soldat und Mädchen, Mars, Aura, Eva eveka, Vogelfresser. Exemplar 355/3000, alle nummeriert und signiert. Ernst Fuchs (1930 - 2015), 11 works in total. 2 large etchings: Icarus - Hermaphrodite and The Prison of Icarus, both 49.5 x 34.5 cm, editions 90/200 and VIII/ XX E.A. One etching: Self-portrait as Ali Mirza, 20.5 x 16.5 cm, edition 305/1000. Also: portfolio with 8 etchings, ed. by Richard P. Hartmann, Munich, Edition Volker Huber, Offenbach: Jacob and his child, Apparition in the bush, Mythological scene, Soldier and girl, Mars, Aura, Eva eveka, Bird eater. Copy 355/3000, all numbered and signed.

Lot 2536

Max Beckmann (1884 Leipzig - 1950 New York), Der Zeichner in Gesellschaft (Rudolf Großmann), eine fünfköpfige Gruppe aus Frauen und Männern steht um einen Mann mit Brille herum, der einen Notizblock mit Stift in der Hand hält, Radierung, Aufl. V/XXV, handsigniert, 32 x 23 cm. Max Beckmann (1884 Leipzig - 1950 New York), The draughtsman in company (Rudolf Großmann), a group of five men and women standing around a man with glasses holding a notepad with a pencil, etching, edition V/XXV, signed by hand, 32 x 50 cm. V/XXV, signed by hand, 32 x 23 cm.

Lot 2517

Ernst Fries, Joseph Thürmer. Fries, Ernst. "Nord-Westliche Uebersicht von Rom, genommen von dem Thurme des Capitols" (Blick über das Forum Romanum, im Mittelgrund das Kolosseum). Radierung hinter Glas. 53 x 71 cm. "E. F. e J. Th. dis. / inc. in Roma 1824". Thieme/Becker XII S. 478 u. XXXIII S. 108. Ernst Fries reiste 1823 über München und Venedig nach Rom, wo er sich niederlässt. 1824 entstehen verschiedene Modellstudien und Zeichnungen in der Campagna und von den Ruinen Roms. Das bis in Einzelheiten ungewöhnlich sorgfältig durchgeführte Blatt entstand in einer Gemeinschaftsarbeit von Ernst Fries mit Joseph Thürmer, die auf eine der Zeichnungen von Fries zurückgeht. Topographisch bedeutend sind nicht nur die bekannten antiken Monumente, sondern auch Details wie etwa ein exakt dargestelltes Häuserviertel am Rande des Forums, das heute nicht mehr existiert. Ernst Fries, Joseph Thürmer. Fries, Ernst. "Nord-Westliche Uebersicht von Rom, genommen von dem Thurme des Capitols" (View over the Forum Romanum, in the middle ground the Colosseum). Etching. 53 x 71 cm. "E. F. e J. Th. dis. / inc. in Roma 1824". Thieme/Becker XII p. 478 u. XXXIII p. 108. Ernst Fries traveled via Munich and Venice to Rome in 1823, where he settled. In 1824 he made various model studies and drawings in the Campagna and of the ruins of Rome. The sheet, which is unusually meticulous in every detail, was created in a joint effort between Ernst Fries and Joseph Thürmer, based on one of Fries' drawings. Topographically significant are not only the known ancient monuments, but also details such as a precisely depicted quarter of houses on the edge of the Forum, which no longer exists today.

Lot 2502

Emil Nolde (1867 – 1956), Schriftgelehrte: vier Männer, die sich im Gespräch ereifern, 1911, handsigniert, Radierung, Motiv 26,5 x 29,5 cm, Schiefler/Mosel/Urban R 154. Emil Nolde (1867 - 1956), Scholars: four men engaged in conversation, 1911, signed, etching, motif 26.5 x 29.5 cm, Schiefler/Mosel/Urban R 154.

Lot 2551

Konvolut aus 8 Graphiken: "Vestale", Johann Gottschick, Dresden, 1799, Kupferstich, 24 x 17 cm (Druck); Johann Wilhelm Meil, 1778, Probedruck für ein Titelblatt, Ca. 14 x 12 cm (ganzes Blatt); C. Holdermann, Radierung, Landschaft mit Brücke und Staffagefiguren, 10,5 x 15,5 cm (Druck); Wilhelm Busch, Figürliche Szene, Druck, 26,5 x 20 cm; Zeichnung Feder und Tuschepinsel, grau laviert, verso bez. "Kopiert nach dem von Lambert gezeichneten und von D. Chodowiecke radierten Original (welches in ... befindlich) von mir Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein im Januar 1788 zu Gräfenberg.", 28,5 x 33 cm (ganzes Blatt); Landschaft in BraunDruck, 10,2 x 14,3 cm; "Vue des Environs de Thoun", kolor. Lithographie, 15,8 x 23,2 cm. Alle Altersspuren. / Group of prints: "Vestale," Johann Gottschick, Dresden, 1799, copperplate engraving, 24 x 17 cm (print); Johann Wilhelm Meil, 1778, proof for a title page, approx. 14 x 12 cm (whole sheet); C. Holdermann, etching, Landscape with Bridge and Staffage Figures, 10.5 x 15.5 cm (print); Wilhelm Busch, Figurative Scene, print, 26.5 x 20 cm; drawing pen and ink brush, gray wash, verso inscribed "Copied from the original drawn by Lambert and etched by D. Chodowiecke etched original (which is in ...) by me Chr.Jak.Wilh.Carl Freiherr Haller von Haller von Hallerstein in January 1788 at Gräfenberg.", 28,5 x 33 cm (whole sheet); landscape in brown print, 10,2 x 14,3 cm; "Vue des Environs de Thoun", col. Lithograph, 15,8 x 23,2 cm. All signs of age.

Lot 197

A collection of various glassware comprising a Edinburgh Crystal pitcher with thistle etching and thumb cut/cross base, (h-15.5cm), a set of six twisted stem with etched decoration wine glasses (h-18cm), a set of six wine glasses with etched decoration (h-15.5cm), a set of eight tumblers with cut cross body (h-8.5cm), a set of five tumblers (h-9cm). (26)

Lot 254

Ernst Geissendorfer (German 1908-1993)?, German Riverbank view with houses to background, coloured etching, signed bottom right, framed. (26.5cmx17cm)

Lot 205

Paul Geissler (German 1881-1965), A Rottenburg snowy townscape scene, coloured etching, signed and titled below, framed. (25cmx18cm)

Lot 202

Judy Woodborne (South African 1966-) , View of Lions Head from Table Mountains, coloured plate etching, signed, titled and dated 1999 below, framed. (9.5cmx29cm)

Lot 117

A collection of various glassware comprising a Rowland Ward African Safari Range etched bowl (h-16.5cm w-22cm), set of three twisted stem tall champagnes flutes (h-22cm), a set of five thumb cut tall champagne flutes (h-18cm), a glass vase with a thumb cut base with grapevine etching to rim (h-22cm). (10)

Lot 232

Margaret Aulton (19thc/20thc), Palais De Jacques Coeur, coloured etching, signed pencil bottom left, artist label verso, framed. (30cmx17.5cm)

Lot 6576

Frederick George Austin (British 1902-1990): ‘A Woodman Resting’, drypoint etching signed titled and dated 1926 in pencil 16cm x 15cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6577

Frederick George Austin (British 1902-1990): 'The Little Household', drypoint etching signed titled dated 1929 and numbered 11/50 in pencil 14cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6578

Frederick George Austin (British 1902-1990): Figures Dining, drypoint etching signed and dated 1926 in pencil 18cm x 17cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6579

Frederick George Austin (British 1902-1990): 'Haystacks - Roman Campagna', drypoint etching signed titled dated 1927 and numbered 5/50 in pencil 11cm x 14cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6580

Frederick George Austin (British 1902-1990): Nuns and Gentlemen in Prayer at Doorway, drypoint etching signed and dated '29 in the plate, inscribed '2nd state' in pencil 16cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6581

Frederick George Austin (British 1902-1990): Fishing from the Bridge, drypoint etching signed dated 1926 and inscribed '2nd state' in pencil 16cm x 15cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6582

Frederick George Austin (British 1902-1990): Figures and Donkeys in a Continental Town, drypoint etching signed dated 1928 and inscribed '1st state' in pencil 16cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6583

Frederick George Austin (British 1902-1990): The Stone Bridge, drypoint etching inscribed 'int. trial state' in pencil 13cm x 10cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6666

Jenny Devereux (British 1945-): 'Peony', hand-coloured etching on Japanese paper signed titled and numbered 95/250 in pencil 38cm x 26cm

Lot 875

John Brunsdon (1933-2014), 'Virginianum', etching, 'signed titled and numbered 19/100, the plate 30x22cm

Lot 1040

Edward Twohig (b.1969), dry point etching, man beside pond. Signed in pencil. 22x16cm.

Lot 1043

20th century coloured etching, 'Wicklow Evening Light', signed and numbered 15/25, signed V M Hannan(?), 14x20cm

Lot 1074

Stoimen Stoilov, 'Cosmogony', triptych etching, signed and titled, overall 34x52cm (frame af)

Lot 876

John Brunsdon (1933-2014), etching on paper, 'Rose', 'signed titled and numbered 42/75, the plate 30x22cm

Lot 873

Lucy Dawson (1870-1954), drypoint etching of terriers, 18x23cm; together with a further engraving of a wire haired terrier, 24.5x20cm

Lot 182

A cast metal winged 'Morgan' sign. Width 72cm together with two enamel car badges, a Morgan Aeromax 76/100 brochure, a Morgan Hubolt Watch Brochure and a limited edition 44/75 Man and Morgan coloured etching by Richard Wade. (6)

Lot 236

A Malachite small rectangular trinket box. Width 6.1cm, together with other items, including a turquoise glass small double inkwell, a small etching, a quartz sample, etc (box).

Lot 125

A black and white etching of shipping on the Thames, signed in pencil W. L. Wyllie No. 28/150, framed and glazed

Lot 175

A coloured limited-edition etching of Whitstable Harbour, signed in pencil D. Bunt, framed and glazed

Lot 180

A black and white etching depicting British warships, motor-boat and an airship, signed in pencil W. L. Wyllie No. 8/150, framed and glazed

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