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After CHARLES WILLIAMS (fl. 1796 - 1830) Framed, coloured etching on paper, 'The pattern or dignity and grace, opening the wedding ball', published by Walker and Knight, 1812, satirical print, together with after WILLIAM HEATH (1794 - 1840) Three framed, coloured etchings on paper, 'An Election Ball', 'La Finale' and 'The Galoppade', published by McLean, 24cm x 35.5cm, 24cm x 35cm, 25cm x 36.5cm and 25cm x 36cm, (4).
AFTER J FERNELEY "Count Sandor's Exploits in Leicestershire", three colour engraved plates by E. Duncan, together with AFTER TOM CARR BUCCLEUCH "At Ciseford", limited edition colour etching 46/75, together with one other (five) CONDITION REPORTS J. FERNELEY : Plate II "Shivering the Timbers" basically sound, though with some discolouration to the mount particularly, Plate VI "Smooth Glides the Water Where the Brookis Deep" in similar condition, and Plate I "A Flora Pick Up the Pieces" in similar condition, though glass broken, all frames with minor damage throughout. TOM CARR - both in sound condition, though with some rippling and browning to the edges where the mount meets the image.
Alexander Handcock (1853 - 1932) A Colston Street scene Watercolour Unsigned 24.5cm x 19cm; Robert Hills (1769 - 1832) Two children with barrel Watercolour Unsigned; A watercolour of a Railway track at New Haven, with label to reverse indicating by Sir Hugh Casson and an etching by Jenifer Caplan (4)
Box of assorted mainly china to include modern Gwili pottery floral baluster table lamp, pair of Fenton blue and white baluster vases, other Blue and white items to include Masons pouch shaped jug, Chinese blue and white cylinder vase, other blue and white plates etc, together with coloured etching of Carmarthen etc.

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78411 item(s)/page