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Lot 444
WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892-1963, TWO ETCHINGS HARVESTING KINTYRE and CARTS, MACHRIHANISHetching on paper, each signed and titledeach mounted and framed overall size 37cm x 54cm each Qty: 2Overall good condition, some foxing present to the main image, minor stains to border, scratches and chips to frame, second picture has some stains to the border at the top by frame, spec of foxing starting to appear to the etching, scratches and chips also present to frame.
Lot 1320
Five antique engravings. Etching, watercolor, drawing. 17th - 18th - 19th Century. Among other; Guido Reni by Ferdinand Gregori, 17th century. Watercolor + drawing, 18th century, religious scene etching, 17th century, with Russian inscription in Holy Cross (work in good condition, border soiled). Etching of monk, 19th century, unclear. Size: 14 - 67 cm. In fair/good condition.
Lot 308
A quantity of hardback and softback books to include Aldous Huxley 'Brave New World' early American edition, Harper & Brothers 1946; Oliver Goldsmith 'The Deserted Village' illus. Etching Club, pub. London, Joseph Cundell 1855; 'The Progress of Sin or the Travels of Ungodliness...... by Benjamin Keach, printed by M Brown 1789, leather bound; early editions of 'Alice in Wonderland' and 'Through the Looking Glass', Hogarth Illustrated, 'The Wind in the Willows', and others Location:
Lot 214
De Jong: a signed limited edition print, "Regatta", in aluminium strip frame, a pair of signed limited edition colour prints, sailing boat scenes, in aluminium strip frames, another signed limited edition etching, Asthall Leigh, 45/150, in aluminium strip frame, a colour print after Matisse Le Poissons Rouge 1911, in strip frame, a similar Impressionist poster and a colour photograph, downhill skiing, in strip frame
Lot 226
PAULA REGO TOOTLES SHOOTS WENDY, FROM 'THE PETER PAN SERIES' (ROSENTHAL 85) - 1992 Etching and aquatint, 33/50, signed and numbered in pencil to margin, published by the artist and Marlborough Graphics, London, printed by Culford Press, London, with their blindstamp Collection of the Late Dr. Tom Scott, sold to benefit the National Trust for Scotland. plate size 28cm x 20cm (11in x 8in)
Lot 231
GRAHAM SUTHERLAND STANDING FORM (SUTHERLAND SKETCHBOOK), (TASSI 138) - 1973 Etching and aquatint, H.C., signed and editioned in pencil to margin, published by Marlborough Fine Art and 2RC Editrice, with their blindstamp as well as the artist's Collection of the Late Dr. Tom Scott, sold to benefit the National Trust for Scotland. the sheet 23cm x 18cm (9in x 7in)
Lot 232
KUNITO NAGAOKA TWO PRINTS FROM THE 'HORIZONTE' SERIES - 1973/74 UNTITLED - 1973, Etching and aquatint, 18/35, signed, dated and numbered in pencil to margin;UNTITLED - 1974, Etching and aquatint, 32/35, signed, dated and numbered in pencil to margin (2) Collection of the Late Dr. Tom Scott, sold to benefit the National Trust for Scotland. image size 49cm x 64cm (19.25in x 25.25in)
Lot 250
DIETER ROTH ÜTVEGSBANKI ISLANDS (DOBKE 302) - 1973 Etching, 11/100, signed, dated and numbered in pencil to margin, printed by Birgit Skiöld, London, published by Bernard Jacobson Gallery, London Bernard Jacobson Gallery, London, where acquired by the present owner the sheet 15cm x 21cm (6in x 8.25in)
Lot 267
Richard Hamilton MAN WALKING (AFTER MUYBRIDGE), (LULLIN 44) - 1953 Etching and aquatint, 5/10, signed and numbered in pencil to margin, printed and published by the Artist The current owner's mother was tutored by Hamilton while attending art school in Newcastle in the 1950s, and the family believe these were gifted to her by the artist at that time. plate size 25cm x 17.2cm (9.75in x 6.75in), the sheet 30.4cm x 20.8cm (12in x 8.25in)
Lot 105
Alfred Bentley (1879-1923) 'Landscape with buildings', etching, signed in pencil lower right, 15.5cm x 26cm and a 20th Century English School 'Old Stoke Bridge, Ipswich', etching, indistinctly signed in pencil lower right, 17cm x 20cm (2) Both with overall wear to the frame. Ipswich study with foreign items under the glass. Minimal foxing to the mount in places.
Lot 144
Anthonie Waterloo (circa 1610-1690) Three etchings of Dutch landscapes, scenes from Utrecht, the first inscribed 'AW f 4', 12cm x 14.5cm, the second inscribed 'AW f 5', 12cm x 14.5cm and the third inscribed 'AW ex 6', 11cm x 14.5cm With signs of wear consistent with age and use. The third etching with small holes. With discolouration. Some foxing. With potential smudging. The frame with chips. Old labels and tape are attached to the back of the frame. The back of the frame has been written on.
Lot 155
Two etchings of castlesWindsor Castle and Dunster Castle, both signed lower right, each 13.5cm x 24.5cm (2) With signs of wear consistent with age and use. Both with discolouration/time/UV fade. With foxing and marks. With folds/creasing.Slightly cockled paper. Unidentifiable foreign objects behind glass. Dunster Castle etching with very minor loss. Some water damage/staining to the back of the frame. Both frames with looseness. Would benefit from re-framing.
Lot 130
J Alphedge Brewer (British 1882 - 1938), study of a Cathedral; interior, coloured etching. 68x43cm approx. together with a facsimilie map after John Speed of the British Isles and a coloured print Travelling 1840 Old Station and Derby, North Midland Railway after C Hamilton Ellis. (3) (B.P. 21% + VAT)
Lot 142
After Van Rijn Rembrant, (1606-1669), Jesus Christ performing a miracle in the mouth of a cave, signed in the plate and dated 1645. Uncoloured etching. 19x14cm approx. Together with another uncoloured etching depicting deer in woodland, signed Maurice Jacques. 18x13cm approx. Framed. (2) (B.P. 21% + VAT)
Lot 219
Sir Frank Short (British, 1857-1945),'Strand Gate, Winchelsea',Etching on paper,Signed in pencil to lower margin, monogrammed in the plate,Brogyntyn Estate label and R. Gutekunst gallery label verso,The plate 18.5cm x 31.5cm,The sheet 20.5cm x 33cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 220
Frederick Landseer Griggs (British, 1876-1938),Ragdale Hall,Etching on paper,Initialled and dated 1931 in the plate, named and titled to applied label verso, partial Brogyntyn Estate label verso,The plate 17.5cm x 25cm,The sheet 18.5cm x 26cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 221
Giovanni Battista Piranesi (Italian, 1720–1778),'Vue interieure du temple de Neptune' [View of the interior of the Temple of Neptune],Etching on paper,Plate XII from Piranesi's 'Differentes Vues De Quelques Restes De Trois Grandes Edifices Qui Subsistent Encore Dans Le Milieu De L'Ancienne Ville De Pesto Autrement Possidonia Qui Est Située Dans La Luganie' published 1778,The plate 48cm x 68cm,The sheet 50cm x 75cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 222
Giovanni Battista Piranesi (Italian, 1720–1778),'Vue des restes de la celle du Temple de Neptune' [View of the Remains of the Cella of the Temple of Neptune],Etching on paper, from Piranesi's 'Differentes Vues De Quelques Restes De Trois Grandes Edifices Qui Subsistent Encore Dans Le Milieu De L'Ancienne Ville De Pesto Autrement Possidonia Qui Est Située Dans La Luganie' published 1778,The plate 50cm x 68cm,The sheet 52cm x 75cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 223
Giovanni Battista Piranesi (Italian, 1720–1778),'Vue des restes de la celle du Temple de Neptune' [View of the Remains of the Cella of the Temple of Neptune],Etching on paper,Plate XVII from Piranesi's 'Differentes Vues De Quelques Restes De Trois Grandes Edifices Qui Subsistent Encore Dans Le Milieu De L'Ancienne Ville De Pesto Autrement Possidonia Qui Est Située Dans La Luganie' published 1778,Brogyntyn Estate label verso,The plate 47.5cm x 67.5cm,The sheet 52cm x 75cm, Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 225
Giovanni Battista Piranesi, (Italian, 1720-1778),'Veduta del Ponte Lugano su l'Anione', Etching on paper, published Rome 1763,Brogyntyn Estate label verso,The plate 46cm x 66.5cm,The sheet 54.5cm x 75.5cm,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
Lot 232
'Tableau Des Papiers Et Monnoyes Avec L'echelle de Proportion de leur valeur pendant leurs cours adopte par le conseil des Anciens [Table of Papers and Coins with the scale of proportion of their value during their courses adopted by the council of Elders], Hand-coloured etching on laid paper, published c1797, 55cm x 67cm, Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates
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71174 item(s)/page