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Lot 2089
Robert Hennell, London 1775, a George III silver mustard pot, reticulated cylindrical form, bright cut decorated with pierced bands of honeysuckle within heart form cartouches alternating with foliate batons, between beaded borders, in the Etruscan style, the flat lid with cast shell thumb piece and concentric ring etching, ear handle, 8cm high, 3.56ozt
Lot 484
CAMILLE ARTHUR FONCE (1867-1937), RIVER SCENES, a pair, etching and drypoint in colour on Japon, signed by the artist in pencil, published by Arthur Tooth & Sons 1907, 49 x 64cm (2)++Good condition undisturbed in the original good quality Edwardian and gilt frames with the printed label of the publisher Arthur Tooth & Sons on the boackboard
Lot 503
An early 19th century tinsel print picture of Madame Auriol as Columbine, cut-felt, foil and glitter with hand-coloured etching, published by J. Redington, 73 Hoxton Street, London, Formerly called 208, Hoxton Old Town, 20.8 x 15.7cm, in a glazed bird's eye maple frame, together with another tinsel print depicting 'THE SAILOR'S FAREWELL' and a hand-coloured etching of the 'THE SAILOR'S FAREWELL'. (3) Provenance: 'A Lifetime of Collecting'-The property of a gentleman. Tinsel prints were created from etched portraits of theatrical stars in popular roles they played on the London stage. They were hand-coloured and decorated with scraps of material and tinsel additions. They were popular during the first half of the 19th century and were considered an adult, rather than a child's hobby. By the 1830s it was possible to buy the tinsel, leather and feather ornaments to go with each image.
Lot 351
Laver (James) . A complete catalogue of the etchings and dry-points of Arthur Briscoe , limited edition 230/250, 1930, 151 monochrome illustrations plus an original etching frontispiece signed by Arthur Briscoe, some light spotting & toning, original blue cloth, boards & spine slightly faded & marked, large 4to, together with Robins (W.P.) , Etching Craft, a guide for students and collectors, 1922, 192 black & white illustrations plus an original etching frontispiece signed by the author, some minor spotting, original quarter vellum, boards & spine marked & slightly rubbed, large 4to, and Bone (Muirhead) , Etchings & Dry Points, limited edition 98/275, 1909, Orach & Co., original etching frontispiece signed by the author, light marks to the endpapers, original green quarter calf, spine slightly faded & rubbed to head & foot, large 4to, plus Comstock (Francis Adams) , A Gothic Vision: F.L. Griggs and his work, 2nd printing, limited edition of 500 copies, 1978, Boston, numerous black & white plates, minor spotting to the text block, original black cloth, large 8vo. (Qty: 4)
Lot 228
* Lifesaving. An exact representation of Mr F. C. Daniels Life Preserver, as exhibited on 21st July 1806, passing through London Bridge to Gun Dock Wapping, circa 1806 , etching with contemporary hand colouring, trimmed to image, 250 x 355 mm, framed and glazed (Qty: 1)NOTESAn uncommon image depicting the use of early life jackets .
Lot 355
Schneidermann (Richard S.). A Catalogue Raisonne of the Prints of Sir Francis Seymour Haden, 1st edition, Robin Garton 1983, numerous monochrome plates and illustrations, original cloth gilt in dust wrapper, with slipcase, large 4to, limited edition of 500 copies, together with Garton (Robin). British Printmakers 1855-1955, A century of printmaking from the Etching Revival to St. Ives, Garton & Co, in association with Scolar Press, 1992, numerous monochrome illustrations, original cloth gilt in dust wrapper, 4to, VG, plus Muncaster (Martin), The Wind in the Oak, The Life, Work and Philosophy of the Marine and Landscape Artist Claude Muncaster, Robin Garton, 1978, some colour and many monochrome illustrations, original cloth in dust wrapper, 4to, VG (Qty: 3)
Lot 207
* Bunbury (Henry William, 1750-1811). A Long Minuet as Danced at Bath, Longa Tysonum Minuit Quid velit & possit rerum concordia discors. Horace, published William Dickinson, [1787], large uncoloured etching on four conjoined sheets, occasional small holes, some dust soiling, slight surface abrasion, 260 x 2160 mm, framed and glazed (Qty: 1)NOTESBunbury s most successful design. Recent research has revealed that the figures are based on actual personages prominent in Bath at the time, including the Master of Ceremonies Richard Tyson, the ex-Prime Minister Lord North, his wife and daughter, the Mayor and Mayoress of Bath, some French financiers, Bunbury's wife Catherine (nee Horneck, a lady in waiting to the Queen) and the artist himself bowing to his audience.
Lot 171
* Jackson (G.). Belshazzar. The property of the Earl of Carlisle, circa 1860, pencil and watercolour portrait, trimmed to image and laid on near contemporary paper, signed and title below image in pen, image size 315 x 430 mm, framed and glazed, together with, Portrait of a Hereford cross Bull, circa 1870, unattributed watercolour, 255 x 25 mm, framed and glazed, with, Stafford (H.), Short Horned Heifer, circa 1845, lithograph with contemporary hand colouring, 235 x 330 mm, framed and glazed, plus, Welles (E. F.), Woodstock. A Hereford Bull. The property of Mr. John Price, circa 1870, lithograph with contemporary hand colouring, 230 x 320 mm, framed and glazed, and, Dighton (Dennis), Daffodil (in two positions) at 21 months old. Bred by & the property of W. B. Thomas, circa 1870, uncoloured lithograph, old folds, 185 x 235 mm, mounted, framed and glazed, with an unattributed etching of a Black West Highland Stot, 215 x 280 mm (Qty: 6)
Lot 1527
Fernando Diaz Infante (Mexican, act.1980s). "Viejos Robles". Etching. 1984. Signed, titled, dated, annotated in pencil, lower right. An artist's proof. Cream wove watermarked paper. Full margins. Fine impression. Good to very good condition. Provenance: Ex-collection Jaled Muyaes & Estela Ogazon. Overall size: 20 1/4 x 25 13/16 in. (514 x 656 mm). Image size: 13 13/16 x 20 3/16 in. (351 x 513 mm). Image copyright © The artist or his asignee. [26890-5-100]
Lot 1529
Karima Muyaes (Mexican, b.1960). "Ventanas". Color etching with aquatint. 2002. Signed, titled, dated and numbered in pencil. Edition of 35. Wove paper. Full margins. Fine impression. Fine condition; two zinc plates utilized. Literature/catalogue raisonne: James Orr's provisional catalogue number PR78. Provenance: Private collection, Santa Barbara, California. This print was included in the one woman exhibition “Karima Muyaes: Retrospectiva, 1985-2007,” at the Museo de Arte Regional (Azcapotzalco), Mexico City, March-May, 2007. Overall size: 28 x 21 1/2 in. (711 x 546 mm). Image size: 19 1/2 x 13 9/16 in. (495 x 344 mm). A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2020. Muyaes’s work has sold at Sotheby's (New York City), Swann Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas). In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [16699-0-400]
![Jean Dubuffet (French, 1901 - 1985). "Denegator [from: Presences Fugaces]". Color silkscreen. 1973. Signed with the initials](https://cdn.globalauctionplatform.com/b074dc86-17d4-4888-8d50-a9bb01781b90/a09325a5-966c-4074-bff0-aac7002c01fb/468x382.jpg)
Lot 1334
Jean Dubuffet (French, 1901 - 1985). "Denegator [from: Presences Fugaces]". Color silkscreen. 1973. Signed with the initials and dated, lower right; annotated lower left; publisher's blindstamp, lower right. A trial proof aside from the regular editoin of 100 plus 20 HC. High-grade archival Dutch Etching wove paper. Full margins, as issued. Fine impression. Fine condition. Literature/catalogue raisonne: Sophie Webel, "L´Oeuvre Gravé et les Livres Illustrés par Jean Dubuffet. Catalogue raisonné II", Baudoin Lebon éditeur, París 1991, nº 1162; L27.165D. Overall size: 30 x 22 in. (762 x 559 mm). Image size: 19 1/2 x 13 5/16 in. (495 x 338 mm). "Denegator" is one of six prints in Dubuffet’s “Presences Fugaces” series, which sold for $32,500 at Sotheby’s New York, October 18, 2018, lot #237. The set was printed by Ives-Sillman, New Haven, CT, and published by Galerie Jeanne Bucher, Paris, and Pace Editions, New York City. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [29957-5-3000]
Lot 782
Karima Muyaes (Mexican, b.1960). "Voces y Cantos". Color etching with aquatint. 2005. Signed, titled, dated and numbered in pencil. Edition of 30. Pale cream wove paper. Full margins. Fine impression. Fine condition. Two zinc plates utilized. Printed by Emilio Payan in Mexico City. Literature/catalogue raisonne: James Orr's provisional catalogue number PR103. Provenance: Private collection, La Jolla, California, acquired directly from the artist. Included in the one woman exhibition “Karima Muyaes: Retrospectiva, 1985-2007,” at the Museo de Arte Regional (Azcapotzalco), Mexico City, March-May, 2007. Overall size: 25 1/4 x 19 1/2 in. (641 x 495 mm). Image size: 15 7/16 x 11 3/4 in. (392 x 298 mm). A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2020. Muyaes’s work has sold at Sotheby's (New York City), Swann Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas). In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [17707-0-500]
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71174 item(s)/page