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James Gillray (British, 1756-1815)St. George and the Dragon; The Wounded Lion (BM 10424; BM 10421) Etching and aquatint with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins, 397 x 402mm (15 5/8 x 15 7/8in)(PL)(unframed); together with 'The Wounded Lion' (BM 10421), etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with margins, 260 x 360mm (10 1/4 x 14 1/8in)(PL)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)A Cockney and his Wife Going to Wycombe; A Barbers-Shop in Assize Time. - From a Picture Painted by H. W. Bunbury Esq. (BM 10471; BM 11779) Etching and aquatint with hand-colouring, 1805, on laid, published by H. Humphrey, London, with trimmed margins within the platemark, 257 x 369mm (10 1/8 x 14 1/2in)(SH)(unframed); together with 'A Barbers-Shop in Assize Time. - From a Picture Painted by H. W. Bunbury Esq.' (BM 11779), etching with hand-colouring, circa 1851, on wove, from the Bohn edition, published by Henry Bohn, London, with margins, 433 x 600mm (17 x 23 5/8in)(PL)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Plumb-pudding in danger: -or- State Epicures taking un Petit Souper (BM 10371) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 257 x 358mm (10 1/8 x 14 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Visiting the Sick (BM 10589) Etching with hand-colouring, 1806, on heavy wove, published by H. Humphrey, London, with full margins, 260 x 360mm (10 1/4 x 14 1/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Westminster Conscripts Under the Training Act (BM 10596) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with narrow margins, 253 x 361mm (10 x 14 1/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Political-Candour; -i.e.- Coalition-'Resolutions' of June 14th 1805 (BM 10414) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 352 x 273mm (13 7/8 x 10 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)A Bear and his Leader; Fortune-Hunting; Pandora Opening Her Box (BM 10566; BM 10301; BM 11219) Etching and aquatint with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 245 x 346mm (9 5/8 x 13 5/8in)(SH)(unframed); together with 'Fortune-Hunting' (BM 10301), etching with hand-colouring, 1804, on wove, published by H. Humphrey, London, with margins, 255 x 379mm (10 x 14 7/8in)(PL)(unframed); together with 'Pandora Opening Her Box' (BM 11219), etching with hand-colouring, 1809, on wove, published by H. Humphrey, London, with margins, 361 x 260mm (14 1/4 x 10 1/4in)(PL)(unframed)(3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Making-Decent; -i.e.- Broad-Bottomites Getting into the Grand Costume (BM 10531) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins close to the platemark, 247 x 355mm (9 3/4 x 14in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings (BM 10518) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 252 x 372mm (9 7/8 x 14 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)More Pigs than Teats, -or- the New Litter of Hungry Grunters, sucking John Bulls Old Sow to Death (BM 10540) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with full margins, 248 x 349mm (9 3/4 x 13 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Charon's Boat. -or- the Ghost's of 'all the Talents' taking their last voyage (BM 7371) Etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with margins, 243 x 347mm (9 5/8 x 13 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)British Tars, towing the Danish Fleet into Harbour; The New Dynasty: -or- The Little Corsican Gardiner Planting a Royal-Pippin-Tree. - 'All the talents', busy, in clearing the ground of old Timber (BM 10762; BM 10744) Etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 240 x 347mm (9 1/2 x 13 5/8in)(SH)(unframed); together with 'The New Dynasty: -or- The Little Corsican Gardiner Planting a Royal-Pippin-Tree. - 'All the talents', busy, in clearing the ground of old Timber' (BM 10744), etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with trimmed margins close to the platemark, 247 x 350mm (9 3/4 x 13 3/4in)(SH)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Disciples Catching the Mantle: - The Spirit of Darkness Overshadowing the Priests of Baal (BM 10992) Etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 400 x 340mm (15 3/4 x 13 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Phaeton Alarm'd! (BM 10972) Etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with margins, 340 x 375mm (13 3/8 x 14 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Spanish Bullfight or the Corsican Matador in Danger; Spanish-Patriots attacking the French-Banditti.- Loyal Britons lending a lift (BM 10997; BM 11010) Etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 252 x 353mm (10 x 13 7/8in)(SH)(unframed); together with 'Spanish-Patriots attacking the French-Banditti.- Loyal Britons lending a lift' (BM 11010), etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 274 x 389mm (10 3/4 x 15 3/8in)(SH)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Wife Shewing Off Their Daughter Betty to Their Neighbours, On Her Return From School (BM 11444) Etching with hand-colouring, 1809, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 313 x 472mm (12 3/8 x 18 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Billy the Gamekeeper. – W.S. (BM 11592) Etching with hand-colouring, 1810, on wove, published by H. Humphrey, London, with margins, 347 x 245mm (13 5/8 x 9 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XXIII, from 'Mother and Child' (Cramer 693) Etching, 1983, on wove, signed with the initials and inscribed 'Bon à tirer' in pencil, a bon à tirer impression before the numbered edition of 65, published by Raymond Spencer Company, Ltd. for The Henry Moore Foundation, Much Hadham, with full margins, 260 x 143mm (10 1/4 x 5 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child III, from 'Mother and Child' (Cramer 673) Etching and aquatint printed in colours, 1983, on wove, signed with the initials and inscribed 'Bon à tirer' in pencil, a bon à tirer impression before the numbered edition of 65, published by Raymond Spencer Company, Ltd. for The Henry Moore Foundation, Much Hadham, with full margins, 225 x 178mm (8 7/8 x 7in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Samuel Palmer (British, 1805-1881)The Skylark (Lister 2) A rare etching, 1850, on wove, a counterproof impression (from the third state of eight), with margins, 95 x 70 (3 3/4 x 2 3/4in)(PL)For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Senza Titolo 9 (Lynton 61) Etching and aquatint printed in colours, 1989, on wove, signed with the initials, dated and inscribed 'I/XV' in pencil, one of 15 artist's proofs aside from the numbered edition of 90, printed by Vigna Antoniniana Stamperia d'Arte, Rome, published by Stamperia d'Arte 2RC, Rome, with full margins, 2160 x 1228mm (85 x 43 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)One plate, from 'Sensory World' Etching and aquatint printed in colours, 1996, chine collé on wove, signed with the initials and numbered 'I/III' in pencil, one of three proofs aside from the numbered edition of 35, published by Marlborough Graphics Ltd., London, with full margins, 295 x 290mm (11 5/8 x 11 3/8in)(PL); together with Wendy Pasmore (British, 1908-1998),'Untitled (Pieces 2)', screenprint in colours, 1988, on heavy wove, signed with the initials, dated and numbered 34/50 in pencil, with full margins, 220 x 380mm (8 5/8 x 15in)(I)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Abbott McNeill Whistler (American, 1834-1903)The Pool (Kennedy 43; Glasgow 49) Etching with drypoint, 1860, on cream laid, Glasgow's final sixth state, 135 x 215mm (5 1/2 x 8 1/2in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)A Furnished Room (Heenk 33) Soft-ground etching and aquatint printed in colours, with hand-colouring, 1977, on Arches, signed, dated and numbered 52/100 in pencil, printed and hand-coloured by Petersburg Studios, New York, published by Petersburg Press, New York, the full sheet printed to the edges, 540 x 692mm (21 1/4 x 26 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Sea (Heenk 117) Sugar lift-ground etching and aquatint printed in colours, with hand-colouring, 2002-2003, on wove, signed with the initials, dated 'MMIII' and inscribed 'PP 5/5' in pencil, one of five printer's proofs aside from the numbered edition of 100, printed and hand-coloured by Jack Shirreff at the 107 Workshop, Wiltshire, published by Thames & Hudson, London, the full sheet printed to the edges, 232 x 265mm (9 1/8 x 10 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Put Out More Flags (Heenk 90) Lift-ground etching, aquatint and carborundum in colours, with hand-colouring, 1992, on heavy wove, signed with the initials, dated and numbered 67/75 in pencil, printed and hand-coloured by Jack Shirreff at the 107 Workshop, Wiltshire, published by the Modern Art Museum of Fort Worth, Texas, the full sheet printed to the edges, 450 x 550mm (17 3/4 x 21 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marie Laurencin: a signed limited edition etching, "L'Ange Bleu" (3), 62/150, in silvered frameCondition:Minor foxing and undulation to picture  

John Coughlan (b. 1932)"William Butler Yeats," Etching, Lim. Edn., 99 (100) copies, approx. 46cms x 36cms (18" x 14"), in oak frame. (1)

With Signed Original Etching[Swift (Jonathan)] Gulliver (Lemuel) Travels into several remote Nations of the World, newly illustrated by Peter Stuart, L. (The Folio Society) 2011, Ltd. Edn. of 1000 Copies with Signed Etching, cold. frontis & 16 cold. plts. (complete) in attractive vellum backed decorative boards, gilt lettered spine, in matching clam box. (1)

Portfolio: Old Master Engravings, Etchings, Prints etc., some after Ribera, B. Rode, Bonnat, Rubens, Caraccus, and including Etching by S. Hanriot of Sarah Bernhart, portraits etc. As a coll., w.a.f. (1)

Salvator Rosa, 1615 - 1673Etching: "The Rescue of the Infant Oedipus," 73cms x 48.5cms (28 3/4" x 19") etching with dry point, Second State of Two, a very good impression, Signed 'pinxit' in recent hogarth frame; together with Peter Paul Rubens, Pinxit, 1623 Engraving: "The Nativitiy," Serenissimo Maximilano Utrisque Bavariae Duci et Christianae Religionis ... Petrus Paulus Rubenius Venerabundus Dedicabit Concecrabatq. approx. 56cms x 73cms (22" x 28 3/4"), in black frame. As an engraving, w.a.f. (2)

A Gaymard, After William Ward R A, Lovely Brunette, mezzotint, 23cm x 18cm; others IG Wood, Penydarran Iron Works, Etching, 20cm x 33cm; Copper Works, with part of Morris Town, published 1811, 22cm x 53cm (3)

A framed pencil signed limited edition 43/75 etching entitiled 'Stubble field and wild flowers' by AY.Gross, frame, 60 x 55cm.

Alan Stones, limited edition etching, "Swaledale" (III), 74/150. 44 cm x 33 cm, framed, signed and dated 1986.

Percy Kelly (1918-1993), an etching "Back Lane Allonby", 23.5 cm x 30 cm, framed, Castlegate Gallery label verso (see illustration). ARR

An 18th century Jacobite ogee glass etched with rosebud and leaves, with folded foot. Height 15.3 cm (see illustration). CONDITION REPORT: The glass is in very good order. There are no chips and no cracks. The etching is crisp and clear. There are no significant scratches to the body stem or foot.

A Pablo Picasso hand signed limited edition etching, 29/50. From the Erotica Series catalogued Bloch 1512. 15/4/68 No II. "The Old Man and His Tonkinese Hat". 56 cm x 46 cm (image only). Frame dimensions 99 x 84 cm. Sold with original receipt dated 2003 for £7700 (see illustration). CONDITION REPORT: This etching is in first class condition with no issues. It is well framed and under glass. There is no fading, foxing, tears or creases. The etching was originally bought at an auction on a P&O cruise in 2003.

Georges BraqueFeuillage en couleurs Original-Farbradierung auf cremefarbenem "BFK de Rives" 44 x 38 cm (66 x 50 cm) Signiert und nummeriert sowie mit den Trockenstempeln "Atelier Crommelynck Presses Dutrou Paris" und "L/B.U.F./C.B". Exemplar III/XX. Erschienen im Verlag Société des Bibliophiles, Paris. - Das Papier minimal gebräunt.Vallier 105 Georges BraqueFeuillage en couleurs Colour etching on cream-coloured "BFK de Rives" 44 x 38 cm (66 x 50 cm) Signed and numbered as well as with blindstamps "Atelier Crommelynck Presses Dutrou Paris" and "L/B.U.F./C.B". Proof III/XX. Published by Société des Bibliophiles, Paris. - The paper minimally browned.Vallier 105

Marc ChagallL'Horloge Original-Farbradierung auf Velin mit Wasserzeichen "RIVES" 31 x 23,2 cm (55,8 x 38 cm) Unter Glas gerahmt. Signiert und nummeriert. Exemplar 146/300. Gestochen von Georges Visat. - In guter Erhaltung.Maeght 1202 Marc ChagallL'Horloge Colour etching on wove paper with watermark "RIVES" 31 x 23.2 cm (55.8 x 38 cm) Framed under glass. Signed and numbered. Proof 146/300. Engraved by Georges Visat. - In fine condition.Maeght 1202

Pierre AlechinskyVol Augural Farbaquatintaradierung auf Papier auf Leinwand 186 x 189 cm. Gerahmt. Auf dem Papier signiert, datiert, betitelt und nummeriert. Exemplar 12/99 (+20 A.P. +20 H.C.). 2RC Edizioni d'Arte, Rom. - Mit leichten Altersspuren.ProvenienzBaukunst Galerie, Köln (mit rückseitigem Aufkleber); Privatsammlung, Nordrhein-Westfalen Pierre AlechinskyVol Augural Colour aquatint etching on paper on canvas 186 x 189 cm. Framed. Signed, dated, titled and numbered on paper. Proof 12/99 (+20 A.P. +20 H.C.). 2RC Edzioni d'Arte, Rom. - Minor traces of age.ProvenanceBaukunst Galerie, Cologne (label verso); private collection, North Rhine-Westphalia

Gabriele MünterBei der Schleuse (Stockholm) Original-Radierung auf festem Büttenpapier 7,4 x 9,9 cm (15,3 x 17,4 cm) Unter Glas gerahmt. Signiert und bezeichnet 'Münter No.5' sowie rückseitig mit dem braunen Nachlass-Stempel. Aus einer Auflage von 10 Exemplaren. - Schwach gebräunt und mit Lichtrand. Die Ränder minimal unregelmäßig beschnitten.Friedel 54.2 Gabriele MünterBei der Schleuse (Stockholm) Etching on firm laid paper 7.4 x 9.9 cm (15.3 x 17.4 cm) Framed under glass. Signed and inscribed 'Münter No.5' as well as verso with brown estate stamp. From an edition of 10 proofs. - Weakly browned and with light-stain. The margins minimally unevenly trimmed.Friedel 54.2

Markus LüpertzDie drei Grazien Kaltnadelradierung und Holzschnitt auf Karton, aquarelliert 69,5 x 94,3 cm. Monogrammiert 'Ml' (ligiert) und beschriftet. Exemplar e.a. Künstlerexemplar außerhalb einer unbekannten Auflage. Markus LüpertzDie drei Grazien Drypoint etching and woodcut, watercoloured, on card 69,5 x 94,3 cm. Monogrammed 'Ml' (joined) and inscribed. Proof e.a. Artist's proof beside an unknown edition.

Emil NoldeKniendes Mädchen Original-Radierung auf Velin mit Wasserzeichen "VAN GELDER ZONEN" 30,6 x 22,7 cm (60,5 x 45,5 cm) Signiert und betitelt. - Im breiten Rand mit schwachen Stockflecken.Schiefler/Mosel 76 VProvenienzEhem. Sammlung Jolanthe Nolde; seitdem in Familienbesitz Emil NoldeKniendes Mädchen Etching on wove paper with watermark "VAN GELDER ZONEN" 30.6 x 22.7 cm (60.5 x 45.5 cm) Signed and titled. - Weak foxmarks in the wide margins.Schiefler/Mosel 76 VProvenanceFormerly collection Jolanthe Nolde; family possession since

Ernst Ludwig KirchnerSelbstbildnis mit Pfeife Original-Radierung auf grauem faserhaltigen Büttenkarton 22,2 x 20 cm (38,7 x 26,9 cm) Unten rechts mit Bleistift signiert und datiert 'EL Kirchner 08'. Bislang noch nicht publizierte Druckvariante, Unikat neben dem bei Gercken erwähnten Abzug des I. Zustandes in einem Exemplar. - Im Passpartout-Ausschnitt gebräunt.Gercken 226 I (Variante); Dube R. 27Wir danken Günther Gercken, Lütjensee, für die wissenschaftliche Beratung und ergänzende Auskunft; dieses Exemplar ist von ihm in den Nachtrag zu Ernst Ludwig Kirchner, Kritisches Werkverzeichnis der Druckgraphik, aufgenommen.ProvenienzErich Heckel, Nachlass, Hemmenhofen Ernst Ludwig KirchnerSelbstbildnis mit Pfeife Etching on grey fibrous laid card 22.2 x 20 cm (38.7 x 26.9 cm) Signed and dated 'EL Kirchner 08' in pencil lower right. Print variant, hitherto not yet published, unique impression beside the single print of the Ist state mentioned by Gercken. - Browned in mat opening.Gercken 226 I (variant); Dube R. 27We would like to thank Günther Gercken, Lütjensee, for his scientific advice and additional information; he has included this print in the supplement to Ernst Ludwig Kirchner, critical catalogue raisonné of prints.ProvenanceErich Heckel, Estate, Hemmenhofen

Joan MiróJe n'ai jamais appris à lire ou les incipit Original-Farbradierung auf Velin 21 x 27,3 cm (22,4 x 27,8 cm) Gerahmt. Signiert und nummeriert. Exemplar 41/175. Farbradierung zu dem Buch "Je n'ai jamais appris à écrire ou les incipit" von Louis Aragon. Gedruckt von Arte Adrien Maeght, Paris. Herausgegeben von Editions Skira, Genf 1969. - Geringfügig gebräunt.Dupin 1316; Cramer Bücher 129 Joan MiróJe n'ai jamais appris à lire ou les incipit Colour etching on wove paper 21 x 27.3 cm (22.4 x 27.8 cm) Framed. Signed and numbered. Proof 41/175. Colour etching for the book "Je n'ai jamais appris à écrire ou les incipit" by Louis Aragon. Printed by Arte Adrien Maeght, Paris. Published by Editions Skira, Geneva 1969. - Minor browning.Dupin 1316; Cramer Books 129

Pierre SoulagesEau-forte VII Farbradierung auf Karton 66,5 x 50,5 cm. Unter Glas gerahmt. Signiert, nummeriert und von fremder Hand bezeichnet. Exemplar 56/100. Edition Berggruen, Paris - Mit Altersspuren.Pierre Encrevé und Marie-Cécile Miessner, Pierre Soulages, l'oeuvre imprimé, Paris 2003, WVZ-Nr. 7 Pierre SoulagesEau-forte VII Color etching on card 66.5 x 50.5 cm. Framed under glass. Signed, numbered and designated by another hand. Proof 56/100. Edition Berggruen, Paris. - Traces of age.Pierre Encrevé and Marie-Cécile Miessner, Pierre Soulages, l'oeuvre imprimé, Paris 2003, cat.rais.no. 7

Jean Cocteau, etching, le bal, from an edition of 220 copies, 1953, plate size 8.25" x 6", plus 2 other lithographs by Carzou and Minaux, framed (3)

A quantity of decorative paintings and prints, etc. to include NICHOLAS EGAN "Study of a London model", a pencil study of a nude, an etching of "Snow-capped mountains" and a modern oil of "Lurcher in a landscape" together with a quantity of various books to include JULIANNA HORATIA EWING “Jackanapes”, paper board bound, “The Gollywog's Christmas” by FLORENCE K UPTON and BERTHA UPTON, published Longmans, Green & Co. London, New York, Bombay and Calcutta 1907, paper board bound, AA MILNE “The House at Pooh Corner” with illustrations by Ernest A Shepard, published 1928, tooled and gilded pale blue leather bound, A A MILNE “When we were very young”, illustrated by Ernest H Shepard, 10th edition, published 1925 ad various other books including JM BARRIE, KIPLING, TENNYSON, etc.

AFTER RICHARD BEER "Continental building", limited edition print No'd. 7/50, indistinctly titled and signed in pencil lower right, approx 87 cm x 51.5 cm including frame, together with AFTER DOROTHY WOOLLAN "Study of London Bridge", etching, dated 1935 and signed in pencil lower left, approx 37 cm x 28.5 cm including frame, together with a Modernist study of "Male figure with serpent / spring coil", monochrome watercolour, unsigned, image approx 24 cm x 20 cm

Graham Evernden, coloured etching, Daisy Lake, signed in pencil, image 16" x 12", framedVery good condition

Framed Etching of Old Time London & 4 other pictures

JOHN LEECH TINTED ETCHING 'THE BATTLE OF THE BOYNE'

Leonard Russell Squirrell, pencil signed aquatint with etching, Ipswich School, limited edition 14/150, 15.5cm x 22cm

John Sell Cotman, etching of The west End of Braysworth Church, 31.5cm x 23cm

A folder of etchings by John Sell Cotman, circa 1821, seven etching including Rouen, Caun, Breville etc.

John Sell Cotman, etching "Garden House on the Banks of the River Yare", 31cm x 23cm

19th Century school, study of sailing vessels, unsigned watercolour, 8cm x 16cm; and a pencil signed etching, portrait of a young man (2)

Winifred Austen, etching of ducks, pencil signed on mount, plate 19cm x 25.5cm

Harry Becker 1860-1928, "March" unsigned etching, 12cm x 24cm 

Leonard Russell Squirrell, pencil signed etching depicting The Guildhall Lavenham, 19cm x 22.5cm