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PAUL SANDBY, RA (1730-1809) THE ROMANS POLITE TO STRANGERS: PALAZZO RUSPOLI AL CORFO, ROME Etching with aquatint, after D. Allan, c.1780-1781 33.5 x 51.5cm.; with `View of Arco Felice`, aquatint by Sandby after P. Fabris, published 1777, 27.5 x 53.5cm.; and a separate printed explanation for `The Romans..` (4 items, 1 unframed) ++ The former with some staining, waer and tears, principally in the margins; the latter satisfactory, some foxing; the
THOMAS MALTON (1748-1804) , AFTER THOMAS ROWLANDSON (1756-1827) A SUDDEN SQUALL IN HYDE PARK Etching and aquatint with hand colouring, published by S. W. Fores, 1791, Image 33.5 x 45.5cm. * It has been suggested that the man on horseback is George, Prince of Wales and the man driving the carriage is Richard Barry, 7th Earl of Barrymore (a notorious hedonist, known as `Hellgate` and `The Rake of Rakes`, who died aged 23) ++ Small repaired damage in sky upper right and top left; damage in margin at left edge, not affecting the image; central crease where formerly folded; other faults
WILLIAM WALCOT (1874-1943) LOWER BROADWAY; BATTERY PARK; FORTY SECOND STREET; PARK AVENUE Four from the suite of five (`Brooklyn Bridge` missing), etching with drypoint, some with aquatint, 1923-1924, each signed in pencil, unframed The largest plate 12.5 x 18.5cm. (4) ++ Very slight handling creases; `Forty Second Street` and `Battery Park` with pale light stains at left edges
WILLIAM LIONEL WYLLIE, RA (1851-1931) LOBSTER FISHERMEN, SHERINGHAM, EAST COAST, NORFOLK Etching, signed and inscribed To W D Kirkpatrick 1918 18 x 23cm.; with the etching `First in with the Catch` by Wyllie, signed, 14 x 23cm, both unframed (2) * In 1919, Wyllie illustrated and co-authored `More Sea Fights of the Great War` with Kirkpatrick ++ Each sandwich mounted; the latter with two prominent fox marks
SIR GEORGE CLAUSEN, RA (1852-1944) CLEANING WHEAT (Gibson 28) Etching, signed, with inscription 4th State, unframed 30 x 22.5cm.; with three etchings or drypoints comprising `Laugharne`, 1932, etching by Martin Hardie, signed; `Wherefore Plough`, 1924, by Robert Sargent Austin, signed; and `Dort`, 1872, by James Clarke Hook, this last one unsigned and framed (4, one framed) ++ Clausen a little creased and foxed in margins; others satisfactory
William Lionel Wyllie RA, RBA, RE, RI, NEAC (1851-1931) Port of London, Signed in pencil, black and white etching, together with a further etching by A Ballin of Maritime subject matter and a further port scene by C E Holloway, 30cm by 34.5cm, 14cm by 26cm and 37.5cm by 56cm respectively (3)
A large collection of various unframed prints, some signed, to include Carolyn Brady (American, 1937-2005), 111 x 55cm. A reproduction print of David Hockney's 'The Polish Royal Family', sheet 19 x 25.5cm. An artists proof dated '67 signed indistinctly and numbered 7/30, 49 x 40cm. A woodcut print signed by Emily Jones, 1990, 50.5 x 74cm. Three posters for 'Country Folk Old Time Workshops', various sizes. A exhibition poster for '2 Man Show - Muhammad Arshad & Ahmad Khalid Yusof', 1969, 63.5 x 52.5cm. A Mironov signed etching, 7 x 10cm. An Edwardian Collage, 47 x 27cm. Total quantity 26. See images.
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71174 item(s)/page