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Lot 6642

MICHAEL WOOTTON (XX/XXI) A framed etching titled 'Bite Bar', original RCA label verso. Image size 29cm x 41cm

Lot 270

ELYSE ASHE LORD (British 1900-1971) *ARR* Untitled - young female figure with flowers Coloured etching, pencil signed lower right, 28cm x 15cm, frame 50cm x 34cm.

Lot 649

George Engle (1932-1983), 'Tawny Owls', drypoint etching, 5x10cm

Lot 668

Evelyn Leigh-Pemberton (b.1887), 'St. Philip's Arundel', drypoint etching, signed and titled in pencil, 17x16.5cm

Lot 704

Valerie Thornton (1931-1991), 'Cloister, Elne', etching and aquatint, signed titled and dated '80, numbered 91/150, the plate 62x40cm

Lot 1036

An etching of a horse's head, initialed RD to plate and signed in pencil R Denholm, 19 x 24cm

Lot 717

W Fairclough - etching of bridge over water - 1983, 16 x 27cm

Lot 4812

Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the Temple (1635) etching, 13,5 x 16,5 cm. On laid paper bearing the arms of Amsterdam watermark. [1]

Lot 5010

Salvador Dali (1904-1989) Don quichotte et Sancho Pança (1968) ets op Japans papier, gesign. r.o., LV/XC, volledige blad 76 x 56 cm. Provenance, collection Prof. Dr. Dr. mult. Louis Fink [1] etching on Japanese woven paper, signed lower right, numbered LV/XC, ,Michler-Löpsinger 266bIllustrated on page 135 of the catalog

Lot 5024

Salvador Dali (1904-1989) 'La fille au page ets, gesign. r.o., e.a. 38 x 28 cm. Provenance, collection Prof. Dr. Dr. mult. Louis Fink [1] etching, signed lower right, 38 x 28 cm.

Lot 5198

Toegeschreven aan Pablo Picasso (1881-1973) Figuren ets, hele blad 26 x 30 cm. [1] attributed to Pablo Picasso (1881-1973), etching, full sheet size 26 x 30 cm.

Lot 5199

Toegeschreven aan Pablo Picasso (1881-1973) Figuren en paard ets, 9 x 12,3 cm. [1] attributed to Pablo Picasso (1881-1973), etching

Lot 5200

Toegeschreven aan Pablo Picasso (1881-1973) Figuren ets, hele blad 23 x 28 cm. [1] attributed to Pablo Picasso (1881-1973), etching, full sheet size 23 x 28 cm.

Lot 5201

Toegeschreven aan Pablo Picasso (1881-1973) Figuren ets, hele blad 23 x 17 cm. [1] attributed to Pablo Picasso (1881-1973), etching, full sheet size 23 x 17 cm.

Lot 36

Herbert Thomas Dicksee RE (British, 1862-1942)My Lady Sleeps signed in pencil 'Herbert Dicksee' (lower left)etching on vellumimage 25 x 49cm (9 13/16 x 19 5/16in).Footnotes:Herbert Thomas Dicksee came from a family of artists, his father being John Robert Dicksee (1817-1905), his uncle Thomas Francis Dicksee (1819 –1895), whose children were Sir Francis (Frank) Dicksee PRA (1853 –1928) and Margaret Isabell Dicksee (1858-1903). He first studied at the City of London School where his father had been the Drawing Master since 1953, and at 16 he entered the Slade School.Dicksee first exhibited in 1881 and in 1885 he was made a member of the Royal Society of Painters-Etchers and Engravers, where he exhibited 143 works. He also exhibited 95 works at the Royal Academy. His first dog picture exhibited at the Royal Academy was of Dingoes attacking sheep, after a picture by Alfred William Strutt (1856-1924). Other exhibits included 44 works at the Walker Gallery, Liverpool; 4 at the Manchester City Art Gallery; 2 at the Royal Institute of Painters in Water Colours; 1 at the Royal Society of Artists, Birmingham; and others at the Glasgow Institute of Fine Arts and the Royal Society of British Artists.Publishers such as Frost & Reed in particular, but also The Fine Art Society and Arthur Tooth & Sons, were quick to see his public popularity, using illustrated catalogues to show his work, then in 1901. A dog lover, Dicksee was often seen walking his Bloodhound. The Dandie Dinmont and Pugs often featured in his etchings were family dogs, as was the favourite Bull Terrier. The black French Bulldog, 'Shaver', featured in etchings was the only dog Dicksee ever entered for a dog show. At one show in Olympia, Dicksee walked the dog from Hampstead to the show venue to try to get weight off him before he went in the ring! Probably his best-known dog picture would be Where's Master?, following a commission from King Edward Vll to paint his favourite dog, a Wire-haired Fox Terrier - the picture was exhibited in 1911.When his father retired in 1895, Dicksee took over as Drawing Master at the City of London School, only retiring in 1927. His best-known pupil was Arthur Rackham. Today his work can be seen in the California State Library, The American Kennel Club, and the British Museum.For further information on this lot please visit Bonhams.com

Lot 467

P McGregor-Wilson RSW: a pair of watercolours, Duart Castle Mull, and Eigg, Rhum and Skye, 8 1/2" x 12", in gilt frame, two other watercolours and an etching

Lot 189

David Dodsworth,Tempo I, carborundum etching, signed in pencil, limited edition, 162/350, 55cm x 38cm

Lot 421

AFTER JACKSON SIMPSON "The Spaniel", drypoint etching, signed and titled in pencil, bears blind studio stamp, 15.5 cm x 24 cm, together with "Setters" by the same hand, signed and titled in pencil, bears blind studio stamp, 15.5 cm x 24 cm (2)

Lot 422

19TH CENTURY ENGLISH SCHOOL "Molineaux", study of a Boxer, coloured etching, published by Dighton Spring Gardens January 1811, 31 cm x 27 cm, together with AFTER THOMAS WORTH "A New Jersey Fox Hunt Taking Breath" and "Breaking in, a Black Imposition", "The Crowd that Scooped the Pools" and "The Sports that Lost their Tin", published by S Lipschitz & Son London, together with two further prints (8)

Lot 502

AFTER RALPH STEADMAN “Fool or jester?” black and white etching, limited edition 108/250 No'd lower left, signed lower right, plate size 45 cm x 30 cm

Lot 507

AFTER WILLIAM BROWN "Old houses in Butter Row" study of houses in Cirencester, dry point etching, signed lower right in pencil 33 cm x 25 cm, framed and glazed book plate titled "Cirencester, Gloucestershire" 19.5 cm x 11 cm, AFTER F MACKENZIE "226 Henry the Fifth Chapel" print 28.5 cm x 21 cm, AFTER WILLIAM BROWN "John Shaw Ram Inn Cirencester" engraving, signed in pencil lower right, 18.5 cm x 17.5 cm (4)

Lot 135

Rowland Langmaid (British 1897-1956) "View of the Houses of Parliament and Westminster" etching signed lower right housed within a gilt and glazed frame 51.5cm by 39cm

Lot 137

Harold Wyllie (British 1880-1973) "Harbor Scene with Sailing Ships" Etching, signed lower Left housed within a ebonised and glazed frame 51.5cm by 35cm including frame 

Lot 143

Rowland Langmaid (British 1897-1956) "Dreadnoughts" Etching signed lower right  housed within a ebonised and glazed frame 54cm by 41cm

Lot 144

William Lionel Wyllie RA, RI, RE, (British 1851-1931) "Bringing Home the Catch" Etching signed lower left housed within a ebonised and glazed frame 46.5cm by 27.5cm including frame 

Lot 146

Rowland Langmaid (British 1897-1956) "View of Tower Bridge from the Thames" Etching signed lower right housed within a painted and glazed frame 42.5cm by 23.5cm including frame 

Lot 177

Herbert Thomas Dicksee, RE (British, 1862-1942)'On Velvet' signed in pencil, etching on vellum, published by Frost & Reed 192223 x 38cm (9in x 15in)

Lot 239

Sale Item: FRAMED ETCHING Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 17.5% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

Lot 555

A 19TH CENT ETCHING OF A CROWD AT A HORSE RACE ENTITLED “HERE THEY COME, DERBY DAY” 12 X 17” TOGETHER WITH TWO PENCIL SIGNED ETCHINGS, ONE OF TWO YOUNG GIRLS IN AN INTERIOR THE OTHER A VIEW OF A CROWDED QUAYSIDE, BOTH SIGNED INDISTINCTLY APPROX EACH 11 X 8”

Lot 117

MICHAEL AYRTON [1921-75]. Minotaur Rising, 1971. etching, edition of 75, 71/75. signed in pencil. sheet size 59 x 78 cm - in an unglazed frame. Provenance: Private collection, UK. [good condition - some soft handling creases at bottom edge [centre] - 3 or 4 tiny marks outside image - unexamined out of frame]. Buyers premium of 20% + vat is payable.

Lot 121

CECIL COLLINS R.A. [1908-89]. The Great Happiness, 1965. etching and aquatint, edition of 70, 43/70. signed in pencil. 79 x 55 cm - overall including frame 90 x 68 cm. Provenance: Goldmark Gallery [label on rev.]; private collection, UK. One of the Neo-Romantic artists. [very good condition - some undulation at extreme edges of the paper - small soft handling creases at centre of bottom - unexamined out of frame]. Buyers premium of 20% + vat is payable.

Lot 140

HENRY MOORE [1898-1986]. Seated Mother & Child, 1979. etching, edition of 100, artist's proof, 8/25; signed in pencil. 31 x 23 cm - frame 43 x 35 cm. Provenance: private collection, USA. [very good condition - unexamined out of frame]. Buyers premium 20% + vat payable.

Lot 19

HAROLD WILLIAMSON [1898-1972] Building the Manchester Cenotaph, 1925. Etching and aquatint on wove paper, signed, titled and dated in pencil, edition size unknown. 29.8 x 20cm image, 38.1 x 28.3cm sheet [unframed]. [Good original condition commensurate with age.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 203

MATTHEW HILTON [1948 -]. 2nd, 1991. drypoint etching, edition of 25, proof; signed and dated in pencil. Printed with Hugh Stoneman. sheet size 49 x 50 cm. Unframed. Provenance: the artist; private collection, UK. [very good condition - slight soft crease handling top left corner]. Buyers premium 20% + vat payable. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.

Lot 205

MATTHEW HILTON [1948 -]. 6th, 1991. drypoint etching, edition of 25, proof; signed in pencil. 49 x 50 cm. Unframed. Provenance: the artist; private collection, UK. [very good condition]. Buyers premium 20% + vat payable. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.

Lot 206

MATTHEW HILTON [1948 -]. 3rd, 1991. drypoint etching, edition of 25, proof; signed in pencil. 49 x 50 cm. Unframed. Provenance: the artist; private collection, UK. [Very good condition]. Buyers premium of 20% + VAT is payable. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price.

Lot 21

ANTHONY GROSS [1905-1984]. St Ouen, Fécamp, 1924 [Herdman 2306]. Drypoint etching on cream laid paper with full margins, signed, dated and titled in pencil from the unnumbered edition of 50. 13.6 x 19.7cm image, 22 x 27.5cm sheet [unframed]. [Very good original condition commensurate with age.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 27

ALEXANDER MACKENZIE [1923-2002] Lucca, 2002. Etching and aquatint on Arches paper, signed, dated and numbered 8/20 in pencil, printed at Stoneman Graphics, Cornwall, published by Austin Desmond Contemporary Books. 29.5 x 20.5cm image, 56.5 x 38cm sheet [unframed]. Provenance: acquired directly from the publisher.A new book on Alexander Mackenzie paintings 1951 to 2001 has just been published - see lot 212 and there is a new website: www.alexander-mackenzie.co.uk[Very good condition.]Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 29

TERRY FROST RA [1903-1992] La Soltera En Misa, 1989 [Kemp 101]. Etching and aquatint with hand colouring in red on Somerset wove paper with full margins, signed and numbered 5/5 in pencil from the untrimmed edition, aside from the trimmed edition of 75, printed by Hugh Stoneman and Alan Cox at the Print Centre 1989, published by Austin Desmond Contemporary Books Ltd, London as part of Eleven Poems by Federico Garcia Lorca. 56.5 x 38.5cm image, 75.5 x 56.5cm sheet [unframed]. Provenance: acquired directly from the publisher. Collection: Tate Gallery; British Museum; Government Art Collection; Fitzwilliam Museum. [Very good condition.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 30

TERRY FROST RA [1903-1992] Arbole, Arbole, 1989 [Kemp 107]. Etching and aquatint on Somerset wove paper with full margins, signed and numbered 3/5 in pencil from the untrimmed edition, aside from the trimmed edition of 75, printed by Hugh Stoneman and Alan Cox at the Print Centre 1989, published by Austin Desmond Contemporary Books Ltd, London as part of Eleven Poems by Federico Garcia Lorca. 56.5 x 38.5cm image, 75.5 x 56.5cm sheet [unframed]. Provenance: acquired directly from the publisher. Collection: Tate Gallery; British Museum; Government Art Collection; Fitzwilliam Museum. [Very good condition.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 31

TERRY FROST RA [1903-1992] Thamar Y Amnon, 1989 [Kemp 105]. Etching and aquatint on Somerset wove paper with full margins, signed and numbered 4/5 in pencil from the untrimmed edition, aside from the trimmed edition of 75, printed by Hugh Stoneman and Alan Cox at the Print Centre 1989, published by Austin Desmond Contemporary Books Ltd, London as part of Eleven Poems by Federico Garcia Lorca. 56.5 x 38.5cm image, 75.5 x 56.5cm sheet [unframed]. Provenance: acquired directly from the publisher. Collection: Tate Gallery; British Museum; Government Art Collection; Fitzwilliam Museum. [Very good condition.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 33

TERRY FROST RA [1903-1992] Self-portrait, 1979 [Kemp 75]. Etching on wove pape, signed, dated and numbered 2/20 in pencil, printed by the artist and Jeff Clarke at his Oxford Studio. 24.7 x 18.9cm image, 44.5 x 38cm sheet [unframed]. Provenance: acquired directly from the artist's studio. Collections: National Portrait Gallery; British Museum. [Good condition, some light, scattered foxing throughout the sheet]. Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 37

JOHN HOYLAND RA [1934-2011] Bouquet, 1983. Etching and aquatint on wove paper, signed, dated and numbered 3/60 in pencil, printed at Kelpra Studio, published by Waddington Graphics, London. 98 x 79cm image, 121 x 91cm sheet [unframed]. [Very good condition.] Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there.

Lot 67

JOHN WELLS [1907-2000]. Dancer, 1950. etching, edition of 25, 14/25; signed and dated in pencil. image 20 x 13.5 cm - frame 35 x 27 cm. Provenance: the artist; private collection, UK. St Ives artist. [good condition - some time toning to the paper - the mount does not look acid-free - the paper undulates slightly - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 75

LEON KOSSOFF [1926-2019]. The Window, 1984. etching and aquatint, ed. 40, 37/40; signed in pencil. image 28 x 38 cm - overall including frame 58 x 67 cm. Provenance: private collection, UK. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable. ARR 4%

Lot 49

FELIM EGAN (1952-2020)Untitled Carborundum Etching, 44 x 38cm (paper size)Signed, numbered 7/50

Lot 35

A matching pair of late 20th Century Orrefors clear crystal glass tumblers. With tapering design and 'Hasselblad' camera / photography etching design to body. Text reads 'Hasselblad 200 FC/M with a a pictorial Hasselblad camera illustration above. Retains original labels to each. Measures height 8cm. 

Lot 309

Antonio Carbonati,Pont de la Tournelle,monochrome etching, signed and numbered 45/100,18x43cm,Bejot etching, French engraving of St Martin, and one other engraving of a windmill.Qty: 4

Lot 477

THE STUDIO: MODERN MASTERS OF ETCHING, ALPHONSE LEGROS1926, with F.S. Meyer 'A handbook of ornament', Batsford 1896, and other books

Lot 483

ROBINSON, C.R.B: 'A ROYAL WARRANT'or 'Picturesque Ramble in the Isle of Purbeck', with etchings by Alfred Dawson, published by The Typographic Etching Co. London 1882, in red cloth binding

Lot 618

W.L. WYLLIE, HMS VICTORYEtching, unsigned, plate image 31 x 22 cms, with another etching by Samuel ChamberlainProvenance: The Estate of the late Roger Peers (1932-2023), Curator of the Dorset County Museum between 1959 and 1992

Lot 368

Selection of signed artworks, etchings & prints with; a watercolour landscape of a cottage signed by F. G Madley, watercolour / gouache cliffside view on paper signed M.J.C. Hill, etching titled ‘Salisbury Cathedral’ indistinctly signed in pencil, ‘A Bedfordshire Homestead & Renhold’ by A. W. Baldwin signed print. Plus, ‘Brugh-head, Murrayshire’ drawn and engraved by William Daniell hand-coloured. Buyer to collect or arrange own transportation. (5)

Lot 369

After Henry Alken and John Dean Paul, pair of comical coaching hand-tinted etching scenes (five strips in total, numbered 1-5), to include; 1. “Selvitur aeris hyems – it thaws – we must be off to Melton”, 2. “Go! I fancy he can! Milton loquitor upon my soul a lie! Shakespeare”, 3. “Doing a bit of City”, 4. “All the World’s a stage (Bull and Mouth Inn)” & 5. “At his head a grafs green turf and at his heels a stone”. Both framed and glazed. (2)

Lot 370

Norman Lindsay (Australian, 1879-1969), ‘Rita’ limited edition facsimile etching. Initialled lower right and numbered lower left, with Odana Editions Certificate of Authenticity. Edition 83/550. Framed and glazed in ornate gilt frame. 14cm x 18.5cm.

Lot 373

Meta Plückebaum (German, 1876-1945), ‘Bzzzzzz’ original hand coloured dry point etching, signed lower right, titled lower left. Framed and glazed. Born in Dortmund, Plückebaum was privately tutored for art in Düsseldorf. There she was also one of the first members of the Düsseldorf Artists Association , founded in 1911. Famous for her kitten, puppy and flower motifs, Plückebaum is popular throughout Europe and America. Leading to commissions to illustrate children’s literature. Plate measures 20.5cm x 25cm, 23cm x 28cm.

Lot 374

Jean Pierre Orinel (French, Contemporary), hand coloured etching on paper of a cats face. Signed lower right, titled lower left. Hand coloured green eyes. Framed and glazed, with Paris framing label to reverse. Plate measures, 24cm x 18cm, 27cm x 22.5cm.

Lot 375

Salvador Dali (Spanish, 1904-1989), ‘Cymbeline’ original colour etching from Shakespeare II series (1971). Hand signed to lower right, E.A to lower left. With Ocean Village certificate of authenticity (17.9.2009). In very large glazed ornate frame. Plate measures 12cm x 18cm, 28cm x 37cm paper, frame measures 76cm x 85cm.

Lot 376

Salvador Dali (Spanish, 1904-1989), ‘The Merry Wives of Windsor’ original colour etching from Shakespeare II series (1971). Hand signed to lower right, E.A to lower left. With Ocean Village certificate of authenticity (17.9.2009). In very large glazed ornate frame. Plate measures 12cm x 18cm, 28cm x 37cm paper, frame measures 76cm x 85cm.

Lot 377

Alexandra Nechita (Romanian-American, b. 1985), ‘Summer Tomatoes’, limited edition hand coloured etching (2008). Signed to lower right, numbered lower left, edition 6/98. With Ocean Village certificate of authenticity (17.9.2008). Framed and glazed in large ornate frame. Plate measures 20cm x 27cm, 35cm x 41cm, frame measures 74cm x 80cm.

Lot 128

William Lee Hankey (British 1869-1952), two girls, etching, signed in pencil to the bottom, with blind stamp, framed, glazed and mounted, frame size 42cm x 36cm

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