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Lot 250
δ Tracey Emin (b.1963) Sitting with you Etching, 2013, signed, titled, dated and numbered from the edition of 200 in pencil, printed and published by Counter Editions, London, the full sheet, 305 x 230mm (12 x 9in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 28
δ Terry Frost (1915-2003) San Rafaek (Cadoba) (Kemp 106) Etching with Aquatint and handcolouring in white gouache and graphite, 1989, as included in the Lorca Suite, signed and inscribed Artist's Proof 1, aside from the edition of 75, on wove paper, printed by Hugh Stoneman and Alan Cox at the Print Centre, published by Austin Desmond Contemporary Books, London, with full margins, 565 x 385mm (22 ½ x 15 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 310
Jasper Johns (b.1930) Large Lightbulb (ULAE.58) Etching with aquatint, 1969, on wove paper, signed and numbered from the edition 40 in pencil, from 1st Etchings, 2nd State, printed and published by Universal Limited Art Editions, New York, with their blindstamp, with full margins, 650 x 495mm (sheet)
Lot 33
δ Anthony Gross (1905-1984) Les Mamelons Etching, 1962, signed, titled and numbered from the edition of 50 in pencil, on wove paper, with margins, 380 x 490mm (15 x 19 1/4in) (PL) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 35
δ Anthony Gross (1905-1984) Winter Grasses Etching, 1972, signed, titled and numbered from the edition of 70 in pencil, on wove paper, with margins, 355 x 490mm (14 x 19 1/4in) (PL) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 361
δ D*Face (b.1978) Ha Ha Ha Not So Superman Etching and screenprint in colours, 2008, signed in pencil, numbered A/P 24/28, an artist's proof aside from the edition of 95, on wove paper, printed and published by Black Rat Projects, London, with their blindstamp, 885 x 590mm (23¼ x 33¾ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 44
δ John Hoyland (1934-2011) Fly Away Etching with aquatint and carborundum printed in colours, 1981, signed and dated in pencil, numbered from the edition of 60, on wove paper, with full margins, 570 x 710mm (22 ¼ x 27 ¾ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 67
δ Victor Pasmore (1908-1988) Metamorphosis Linear Motifs A (Bowness Lambertini G.57.1) Etching with aquatint printed in colours, 1945/76, initialled, dated and numbered from the edition of 55 in pencil, on wove paper, with full margins, 610 x 712mm (24 x 28in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 68
δ Victor Pasmore (1908-1988) Square Development (Bowness Lambertini G51) Etching with aquatint in colours, 1953-75, initialled, dated and numbered from the edition of 55 in pencil, on wove paper, with full margins, 612 x 712mm (24 x 28in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 81
δ Julian Trevelyan (1910-1988) Thames Ditton (Turner 227) Etching with aquatint printed in colours, 1969, signed and titled in pencil, numbered from the edition of 75, printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, on wove paper, with full margins, 350 x 475mm (13 3/4 x 18 3/4 in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 82
δ Julian Trevelyan (1910-1988) The Lookout (Turner 388) Etching with aquatint printed in colours, 1984, signed, titled and numbered from the edition of 50 in pencil, on wove paper, printed by the artist, with full margins, 350 x 475mm (13 3/4 x 18 3/4 in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 83
δ Julian Trevelyan (1910-1988) Camel Corps (Turner 253) Etching with aquatint printed in colours, 1972, signed, titled and numbered from the edition of 250, on T.H. Saunders wove paper, printed by Studio Prints, London, published by Christies Contemporary Art, London, with full margins, 520 x 658mm (20 1/2 x 25 7/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 84
δ Julian Trevelyan (1910-1988) Ischia (Turner 352) Etching with aquatint printed in colours, 1979, signed, titled and numbered from the edition of 150 in pencil, on wove paper, published by Christies Contemporary Art, London, with full margins, 525 x 658mm (20 5/8 x 25 7/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 85
δ Julian Trevelyan (1910-1988) Lions (Turner 194) Etching with aquatint printed in colours, 1966-67, signed, titled and numbered from the edition of 250, on handmade Crisbrook paper, printed and published by Editions Alecto, London, with full margins, 504 x 623mm (19 3/4 x 24 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 86
δ Julian Trevelyan (1910-1988) The White Nile (Turner 198) Etching with aquatint printed in colours, 1966-67, signed, titled and numbered from the edition of 250, on handmade Crisbrook paper, printed and published by Editions Alecto, London, with full margins, 535 x 670mm (21 x 26 3/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 95
δ Hans Bellmer (1902-1975) Untitled Etching printed in colours, signed and numbered from the edition of 150 in pencil, on wove paper, with margins, 660 x 505mm (26 x 19 7/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 99
δ Marc Chagall (1887-1985) L'arrivée de Tchitchikov (Chichikov's Arrival), from Les Ames Mortes (Cramer Books 17) Etching, 1923, from the total edition of 368, on Arches with the MBM watermark, printed by Louis Fort, Paris, published in 1948 by Teriade, Paris, with margins, sheet 285 x 372mm (11 1/8 x 14 5/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 132
A George V infantry officers sword, early 20th Century83cm straight single fullered blade, acid etch decoration of George V cypher surmounted by a crown, with pierced guard, fish skin grips with twist wire decoration, complete with metal scabbard. CONDITION REPORT: Some rusting to blade 8-12inch from tip and on acid etching, no dents to scabbard, pitting to plating of scabbard and some rusting, sword good fit to scabbard see images
Lot 481
Her Highness Princess Ann, mezzotint after Sir Godfrey Kneller, engraved by John Smith, 1720 plus HER HIGHNESS PRINCESS MARY (OF HESSE), mezzotint engraved by John Smith circa 1720s, plus three others similar all engraved by John Smith circa 1720s including PRINCESS CAROLINA ELIZABETH, PRINCESS AMELIA, PRINCESS AMELIA SOPHIA ELEANORA, all laid down on card plus EUGENE BEJOT: BAYONNE, etching approx 12 x14cm
Lot 102
Arst: Julia MillsTitle: Cornish HeadlandSize: 44 x 21 x 2cmMedium: Baulk & GlassJulia MillsAs a glass artist, I first found inspiration in Cornwall and have lived and worked in the far west since 1999, where I find inspiration in the ephemeral light of the coast. I love walking along the seashore - this constantly shifting interface between land and sea fuels my imagination and is a recurring theme in my work.Using the highest quality handmade glass sourced from around the world and enlivened by natural lines, tiny bubbles and intricate textures, I create contemporary glass art full of colour and movement. I enjoy working with the techniques of acid-etching and sand-blasting to manipulate and craft light as it falls onto the glass, experimenting with translucence, colour combinations and organic forms. Each piece transforms its surroundings with multi-faceted, colourful highlights and mesmerising reflections. DISCLAIMER: The Porthleven baulk/harbour defence wood is made (on the whole) of Douglas Fir Pine. The actual date of the wood is unknown, the wood broke on the 5th February 2014 and after that was stored outdoors in the harbour yard. Wood is a natural product that responds to temperature and humidity variations by expanding and contracting. You are purchasing a natural product as seen and the Charity the Fishermen's Mission cannot be held responsible for any changes in the wood after the auction on the 18th March 2017.
Lot 215
A GROUP OF SEVEN ETCHINGS BY VYACHESLAV KALININ (RUSSIAN B. 1939) a) The Birdsetching on paper plate: 15.5 x 17.5 cm (6 1/8 x 6 7/8 in.); overall: 39.3 x 31.6 cm (15 1/2 x 12 1/2 in.)signed in pencil lower rightb) Three Designs for Playing Cards, 1977 etching on paper each plate: 16 x 12 cm (6 1/4 x 4 3/4 in.); overall: 37 x 60 cm (14 1/4 x 23 5/8 in.)signed and dated in pencil lower right c) The Motherland, 1972etching on paper plate: 41 x 32.5 cm (16 1/4 x 12 5/8 in.); overall: 62 x 40 cm (24 1/2 x 15 3/4 in.)monogrammed and dated in plate; signed in pencil lower rightd) The Rodovo Dream, 1972tinted etching on paperplate: 50 x 65 cm (19 5/8 x 25 5/8 in.); overall: 60 x 75.5 cm (23 5/8 x 29 3/4 in.)inscribed and dated in plate Grav Kalinin V. V. / Okt 1972 / Der. Rodovo; signed in pencil lower right e) Bach`s Prelude, 1975 tinted etching on paper plate: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); overall: 75.5 x 60.5 cm (29 3/4 x 23 7/8 in.)signed, titled and dated in plate; signed in pencil lower right; bearing a gifting inscription on versof) Hunters in an Abandoned Village, 1975 tinted etching on paper plate: 65 x 49.5 cm (25 5/8 x 19 1/2 in.); overall: 76.7 x 60 cm (30 1/4 x 23 5/8 in.)signed, titled and dated in plate; signed in pencil lower right; bearing a gifting inscription on versog) The Head of St. John, 1972 tinted etching on paper plate: 65 x 49.5 cm (25 5/8 x 19 1/2 in.); overall: 75.5 x 56 cm (29 3/4 x 22 in.)signed and dated in plate; signed in pencil lower right
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71174 item(s)/page