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Lot 28

Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a fine early impression of New Hollstein's second state (of two), printing with little to no wear within the doorway and with burr-like tonal effects printing in the lower right quadrant, on laid paper with partial watermark of the Arms of Amsterdam, sheet 145 x 115 mm (5 3/4 x 4 1/2 in), trimmed to platemark, some fine thread margins (unframed)Provenance:Colnaghi & Co., London [stock number in pencil verso C.29900]Literature:Bartsch 118; New Hollstein 190 ii/ii

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Lot 62

δ Salvador Dalí (1904-1989)Vignette, from 'Petits Nus' from Ronsard (see Field 73-1; see M&L 260)Etching with hand-colouring in watercolour, 1968, signed in pencil, numbered from the edition of 95, published by Editions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 388 x 289mm (15 1/4 x 11 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 47

δ Augustus John (1878-1961)Maggie, A Village Child (Campbell Dodgson 69)Etching and drypoint, circa 1904, the edition was 25, on laid paper, with full margins, sheet 287 x 225mm (11 1/4 x 8 7/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 119

δ Pierre-Auguste Renoir (1841-1919)Sur la plage, à Berneval Etching with drypoint, circa 1892, from the posthumous edition, on laid paper, with full margins, plate 120 x 708mm (4 3/4 x 3in)The two seated figures are Julie Manet (daughter of Berthe Morisot and Eugene Manet), and her cousin Paulette Gobillard.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 44

Walter Sickert (1860-1942)A Music Hall - The Orchestra PitEtching, circa 1884, an unpublished and unrecorded impression of probably the only state, on laid paper, a Strasbourg Lily watermark, platemark 270 x 230mm (10 1/2 x 9in), sheet 300 x 270 mm (11 3/4 x 10 5/8 in) (unframed)Provenance:Thomas Agnew & Sons., London [stock no. 44052]John Kenworthy-Browne (b. 1931, art historian, specialising in architecture and sculpture, chiefly of the neo-classical period) Exhibited:Agnew's, Centenary Exhibition of Sickert Etchings, 1960, no. 55Literature:Not known to Bomberg, but cf. nos. 32 and 33

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Lot 102

** δ Pablo Picasso (1881-1973) L' Atelier (Bloch 80)Etching, 1927, a strong, richly inked impression, signed and numbered from the edition of 150 in red ink, on Japan paper, with full margins, sheet 460 x 560mm (18 1/8 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 33

Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, but a later impression of New Hollstein's fifth state (of eight) on laid paper with small indistinct watermark, possibly an armorial device, sheet 178 x 130 mm (7 x 5 1/8 in), trimmed within the platemark, two repaired tears in the upper right quadrant, other small nicks and surface dirt (unframed)Literature:Bartsch 194; New Hollstein 233 v/viii

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Lot 29

** Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good clear impression of New Hollstein's third state (of five) with Watelet's scratched signature in the lower left printing clearly, before further reworking, sheet 91 x 82 mm (3 5/8 x 3 1/4in) (unframed)Literature:Bartsch 136; New Hollstein 193 iii/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 15

** Rembrandt van Rijn (1606-1669)The GoldsmithEtching and drypoint, 1655, a good impression of New Hollstein's first state (of three), well inked and evenly printed on laid paper without watermark, small margins, platemark 78 x 57 mm (3 x 2 1/4 in), sheet 84 x 62 mm (3 1/4 x 2 1/2 in), some careful marginal repairs, notably the upper left corner (unframed)Literature:Bartsch 123; New Hollstein 289 i/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 40

Rembrandt van Rijn (1606-1669)Beggar with a Wooden LegEtching, circa 1630, a later impression of New Hollstein's final state (of four), on thick ivory wove paper without watermark, platemark 112 x 65 mm (4 1/2 x 2 5/8 in), sheet 164 x 105 mm (4 5/8 x 2 3/4 in), wide margins (unframed)Literature:Bartsch 179; New Hollstein 49 iv/iv

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Lot 25

** Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, but a later impression of New Hollstein's third state (of six) on fine laid paper without watermark, sheet 265 x 224 mm (10 3/8 x 8 3/4 in), trimmed on or just within the platemark, some heavy wear retouched with wash, but before reworking to the plate (unframed)Literature:Bartsch 44; New Hollstein 125 iii/vi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 56

δ Marc Chagall (1887-1985)Colère (Anger) II (Kornfeld 59)Etching printed in red ink, 1925, one of only 16 impressions on Japan paper, and very few in this colour, with full margins, sheet 250 x 190mm (9 7/8 x 7 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 19

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on thin wove paper without watermark, printing with tone, sheet 152 x 116 mm (6 x 4 1/2 in), thread margins, minor surface dirt (unframed)Literature:Bartsch 72; New Hollstein 206 ii/ii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 261

Roy Lichtenstein (1923-1997)Illustration for "Hüm-Bum!", from La Nouvelle Chute de l'Amérique (Corlett 274)Etching with aquatint printed in colours, 1992, initialled in pencil, numbered from the edition of 80, printed by Atelier Dupont-Visat, published by Les Editions du Solstice, Paris, on Arches paper, with full margins, sheet 481 x 354mm (18 7/8 x 13 7/8in)

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Lot 46

δ Walter Sickert (1860-1942)Femme de Lettres (Bromberg 149)Etching, circa 1911/12, the fifth state, on wove paper, with full margins, sheet 241 x 291mm (9 1/2 x 11 3/8in)Provenance:Dominic Winters, Cirencester, 31st July 2020, lot 556Thomas Agnew & Sons label versoδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 36

** Rembrandt van Rijn (1606-1669)Adoration of the Shepherds: Night PieceEtching and drypoint, 1652, but a later impression of New Hollstein's eighth state (of eleven), on laid paper with indistinct watermark, sheet 151 x 198 mm (6 x 7 3/4 in), thread margins, the wooden planks behind the Virgin and Child have been lightly scraped of their etched lines, some ink wash in places to heavily worn areas (unframed)Literature:Bartsch 46; New Hollstein 300 viii/xi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 64

δ Salvador Dalí (1904-1989)La Tauromachie Individuelle (Field 72-11; M&L153b)Etching with aquatint printed in colours, 1966, signed in pencil, numbered from the edition of 250, printed and published by Pierre Argillet, Paris, published, on Arches paper, with full margins, sheet 503 x 660mm (19 3/4 x 26in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 22

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth or seventh state (of eight) on laid paper without visible watermark with sheet mounted onto support, with some signs wear to the plate, sheet 543 x 415 mm (21 3/8 x 16 1/4 in), trimmed within the platemark and lacking publisher's imprint, skimming verso to several areas, old handling creases, nicks and minor abrasions, some even toning (unframed)Literature:Bartsch 81; New Hollstein 119 vi-vii/viii

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Lot 214

δ David Hockney (b.1937)A Room Full of Straw, from Illustrations for Six Fairy Tales of the Brothers Grimm (MCA Tokyo 101)Etching with aquatint, 1969, signed in pencil, numbered from the edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, on wove paper, with full margins, sheet 450 x 410mm (17 3/4 x 16 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 41

Adriaen Jansz van Ostade (1610-1685)The Backgammon PlayersEtching, circa 1682, a well inked impression of the fifth state (of six) on laid paper without watermark, platemark 83 x 71 mm (3 1/4 x 2 7/8 in), sheet 99 x 85 mm (3 7/8 x 3 1/4 in), some minor spotting and light surface dirt (unframed)Provenance:Unidentified collector's ink stamp [apparently not in Lugt]Literature:Bartsch, Hollstein 39 v/vi

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Lot 23

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth state (of eight), on laid paper with text-based watermark that reads 'P S RVE', with some signs wear in the plate, platemark 532 x 412 mm (21 x 16 1/4 in), sheet 544 x 415 mm (21 3/8 x 16 1/4 in), horizontal crease with careful repair to splitting, minor handling creases, some careful small repairs to extremities (unframed)Literature:Bartsch 81; New Hollstein 119 vi/viii

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Lot 63

δ Salvador Dalí (1904-1989)Hommage à Dürer, from Hommage à Albrecht Dürer (Field 71-8 M; M&L 508b)Etching with pochoir in colours, 1972, signed in pencil, numbered from the edition of 50 in Roman numerals, published by Vision Nouvelle, on Japon paper, with full margins, sheet 512 x 675mm (20 1/8 x 26 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 37

** Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later impression of New Hollstein's second state (of four), printing with the two dots in the upper right corner but before further rework, on laid paper without watermark, platemark 209 x 158 mm (8 1/4 x 6 1/4 in), sheet 213 x 170 mm (8 3/8 x 6 3/4 in), some signs of wear in the densely hatched areas, small marginal repaired nick to centre right edge, further marginal repair to centre left visible verso (unframed)Literature:Bartsch 280; New Hollstein 286 ii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 26

Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, but a later impression of New Hollstein's third state (of four) on laid paper without watermark, platemark 118 x 89 mm (4 5/8 x 3 1/2 in), sheet 121 x 91 mm (4 3/4 x 3 5/8 in), some toning and spotting to sheet (unframed)Literature:Hind 148; New Hollstein 165 iii/iv

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Lot 30

** Rembrandt van Rijn (1606-1669)The Angel departing from the Family of TobiasEtching, 1641, but a later slightly grey-black impression of New Hollstein's fifth state (of nine), on fine laid paper without watermark, sheet 105 x 156 mm (4 1/8 in x 6 in), thread margins, repaired tear lower centre (unframed)Literature:Bartsch 43; New Hollstein 189 v/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 118

Pierre-Auguste Renoir (1841-1919)La Danse à la Campagne 2e Planche (Delteil 2)Etching, circa 1890, with the artist's stamped signature, on wove paper, with full margins, sheet 218 x 139mm (8 5/8 x 5 ½ in)

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Lot 213

δ David Hockney (b.1937)French Shop (MCA Tokyo 112)Etching with aquatint, 1971, signed and dated in pencil, numbered from the edition of 500, printed by Shirley Clement Print Shop, Amsterdam, published by Observer, London, on BFK Rives paper, with full margins, sheet 625 x 535mm (24 1/2 x 21in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 18

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a very good but later impression of New Hollstein's sixth state (of nine) on laid paper with slightly indistinct text-based watermark, platemark 373 x 256 mm (14 3/4 x 10 1/8 in), good margins, some marginal nicks to extremities, faint vertical abrasion along the right quadrant of image, minor spotting (unframed)Literature:Bartsch 73; New Hollstein 113 vi/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 20

** Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with touches of drypoint, 1635, but a later impression of New Hollstein's third state (of four), on laid paper without watermark, platemark 137 x 171 mm (5 3/8 x 6 3/4 in), sheet 161 x 188 mm (6 3/8 x 7 3/8 in) (unframed)Literature:Bartsch 69; New Hollstein 139 iii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 55

δ Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Three impressions of the etching, 1873, from the posthumous edition, printed after 1906, on laid paper, with full margins, each 250 x 165mm (9 7/8 x 6in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 21

** Rembrandt van Rijn (1606-1669)Jerome Praying: ArchedEtching, 1632, a fine delicate impression of New Hollstein's first state (of five) on laid paper without watermark, platemark 107 x 81 mm (4 1/4 x 3 1/4 in), sheet 114 x 86 mm (4 1/2 x 3 3/8 in), small spot just below the lion, small expert repairs to the upper margin, minor marginal nick to the lower right corner (unframed) Literature:Bartsch 101; New Hollstein 112** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 27

** Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a later impression of New Hollstein's fourth state (of five), on laid paper mounted onto conservation support, total sheet 399 x 318 mm (15 3/4 x 12 1/2 in), trimmed to or within the borderline, re-margined, some careful repairs to old splits and small losses (unframed)Literature:Bartsch 99; New Hollstein 173 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 34

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), printing before Watelet's scratched signature and subsequent rework to the farmhouse, on fine ivory laid paper without watermark, platemark 102 x 127 mm (4 x 5 in), sheet 110 x 134 mm (4 1/8 x 5 1/8 in), some uneven thread margins (unframed)Literature:Bartsch 237; New Hollstein 251 ii/v

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Lot 71

δ Salvador Dalí (1904-1989)Memorabilia, from Aurelia (Field 72-5C; M&L563b)Drypoint with etching and aquatint printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Aterliers Rigal, published by Editions d'Art de Francony, Paris, on Auvergne Richard de Bas paper, with full margins, sheet 577 x 796mm (22 7/8 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 17

** Rembrandt van Rijn (1606-1669)Bald Headed Man in Profile Right: the Artist's Father (?)Etching, 1630, a good impression of New Hollstein's final state (of five) on laid paper without watermark, sheet 71 x 59 mm (2 7/8 x 2 1/4 in), showing some signs of wear in the heavily cross hatched areas, trimmed to or on the platemark, laid onto conservation tissue support, crease and repair to upper left corner (unframed)Literature:Bartsch 292; New Hollstein 62 v/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 281

Raymond Pettibon (b.1957)Untitled (I Fear The Reader Would Have No Patience With Me, So Let Me Illustrate)Etching, circa 2001, signed in pencil, numbered from the edition of 100, on wove paper, with full margins, sheet 472 x 374mm (18 5/8 x 14 1/2in)

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Lot 35

Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, a dark impression of New Hollstein's first state (of two), printing with the rust marks along the upper plate edge but before later rework, on laid paper with Arms of Amsterdam watermark with letters 'A.I.' [cf. Hinterding D-d-a], platemark 125 x 214 mm (4 7/8 x 8 3/8 in), sheet 130 x 217 mm (5 1/8 x 8 1/2 in), rust spot in the upper left quadrant (unframed) Literature:Bartsch 65; New Hollstein 267 i/ii

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Lot 39

Rembrandt van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a later impression of New Hollstein's final state (of four), printing with some plate tone on thick laid paper without watermark, platemark 73 x 102 mm (2 7/8 x 4 in), sheet 75 x 105 mm (3 x 4 1/8 in), small margins (unframed)Literature:Bartsch 68; New Hollstein 138 iv/iv

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Lot 65

δ Salvador Dalí (1904-1989)Vision de Paradis, from La vida es sueño (Field 73-1-K; M&L 517a)Etching with aquatint printed in colours, 1971, signed in pencil, numbered from the edition of 250, published by Editeuropa, Monaco, with their blindstamp, on Richard de Bas paper, with full margins, sheet 587 x 794mm (23 1/8 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Lot 31

Rembrandt van Rijn (1606-1669)The Rest on the Flight: a Night PieceEtching with drypoint, circa 1644, a good impression of New Hollstein's seventh state (of nine), with some signs of wear in the plate but before further rework, on ivory laid paper without watermark, platemark 90 x 57 mm (3 1/2 x 2 1/4 in), sheet 97 x 65 mm (3 7/8 x 2 1/5 in), perforation restored within the centre of the plate with careful retouching (unframed) Literature:Bartsch 57; New Hollstein 216 vii/ix

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Burstow & Hewett
Lot 606

Andre Masson, L'Odyssee, 1977/8, original etching aquatint, signed in pencil, no. 3/120, plate 49cm x 34cm, framedGood condition

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Burstow & Hewett
Lot 602

Marino Marini, gaukler giocoliere, etching aquatint, published 1971, plate 30cm x 24cm, framedGood condition

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Burstow & Hewett
Lot 689

Chinese School, coloured etching, dragon and Yin Yang, signed, stamped and text inscription in pencil, plate 14cm x 14cm, framed

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Burstow & Hewett
Lot 434

Arthur Briscoe (1920 - 1997), the shadow of the mainsail, etching, signed in pencil, plate 16cm x 30cm, framedVery good condition

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Burstow & Hewett
Lot 425

Julian Trevelyan (1910 - 1988), Silo, coloured etching, signed in pencil, no. 17/25, plate 24cm x 35cm, unframedVery good bright original condition, no foxing, creases or paper damage

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Burstow & Hewett
Lot 598

Jean Francois Raffaelli, Les Rapins, etching, plate 20cm x 13cm, framedGood condition

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Burstow & Hewett
Lot 438

Victor Pasmore (1908 - 1998), metamorphosis 2 - the gardens of Hammersmith, etching with aquatint, published by Marlborough Graphics in 1976, signed with pencil monogram, no. 47/55, dated 1948/76, Inmans 31.7.17, plate 27cm x 37cm, framedVery good condition

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Burstow & Hewett
Lot 489

11. William Blake (1757-1827) engraver after John Flaxman (1755-1826), stipple engraving and etching on paper, Pandora Opening The Vase, from Compositions fromthe Works, Days and Theogony of Hesiod, published by Longman, Hurst, Rees, Orme and Brown 1817, 14cm x 21cm, mounted, glazed and framed. Flaxman, a close friend of Blake, was the much more successful artist at the time and used his name to help the struggling Blake with engraving commissions. According to The William BlakeArchive, the Hesiod etchings “are one of Blake’s major endeavours as a commercial etcher/engraver of designs by other artists … Without the Hesiod project, Blake andhis wife Catherine might have descended into dire poverty.”

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Burstow & Hewett
Lot 655

Joan Miro, Saccades 1962, original etching with aquatint, form an edition of 125 copies on Rives paper, image 10cm x 13cm, mountedGood condition

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Burstow & Hewett
Lot 406

Joan Williams, Beside The Sea, coloured etching, signed in pencil, no. 6/50, plate 49cm x 34cm, framedVery good condition

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Burstow & Hewett
Lot 575

Herbert Dicksee (1862 - 1942), a polar bear, etching, signed in pencil, plate 21cm x 27cm, framedSeveral small fox marks in the margin, very slight paper discolouration, original frame and mount

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Wilson55 Auctioneers & Valuers
Lot 99

Tom McGuiness (British 1926-2006) "Miners Going Inbye" Signed, titled and dated '77 in pencil in the margin, numbered 45/50, etching with aquatint.plate size 8.5 x 12cm (framed 29 x 34.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing in the margins. The print is ornately framed and glazed.

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Wilson55 Auctioneers & Valuers
Lot 43

Geoffrey Key (British 1941-) "Head" Signed and dated '79 in pencil in the margin, an artist's proof, titled on artist's label verso, drypoint etching.20 x 15cm (framed 50 x 45cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing in the margins. The print is ornately framed and glazed.

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Wilson55 Auctioneers & Valuers
Lot 79

James Taylor Dolby (British 1909-1975) A lamplit street scene with figures Signed and dated 1931 in pencil in the margin, dedicated to Mr and Mrs Jack Clarkson, etching.19.5 x 18cm (framed 40 x 29cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There is some light time staining and browning around the edges of the paper near the mount board and some minor spots of foxing across the sheet. The print is framed and glazed. There is extensive foxing and staining across the mount. The original frame has some minor scuffs and knocks commensurate with age.

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A & C Auctions of Pendle
Lot 510

After Rembrandt Harmensz. van Rijn Four Illustrations to a Spanish Book (B., Holl. 36; H. 284) the rare set of four etchings with engraving and dry point, 1655, later pressing, framedThe 4 etching depict - David and Goliath, Daniel's Vision of the four Beasts, MENASSEH BEN ISRAEL and Piedra gloriosa o, De la Estatua de Nebuchadnesar [Glorious stone, or On the Statue of Nebuchadnezzar].

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Smiths Newent Auctions
Lot 650

Etching and Etchers by Phillip Gilbert Hamerton 1876

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Ewbank's
Lot 2156

Edmund Blampied (British, 1886-1966), 'Fairy Tales' (1931), etching, ed. 17/108, inscribed with signature to margin, 19 x 27cm, framed and glazed, bearing Chas A. Jackson label to the reverse.

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Ewbank's
Lot 2170

Louis Icart (French, 1888-1950), full-length depiction of a woman with birdcage, etching in colours, signed in pencil to margin, 43 x 32cm, framed and glazed.

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Hansons Auctioneers and Valuers
Lot 3049

Derby interest: 18th century map of Derby, c.1731; also a 19th century etching of East View of Derby; and a 19th century etching of a view of Derby from St Mary's Bridge

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Hansons Auctioneers and Valuers
Lot 3030

An early 19th century English School pencil and ink picture of a fly fisherman on the banks of a river, together with a 19th century framed etching of Wootton Hall Lodge, Staffordshire

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