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Lot 295
A FINE NORTH GERMAN VAMBRACE FOR THE LEFT ARM WITH ETCHED DECORATION, BRUNSWICK, CIRCA 1560-5 of fully articulated construction, comprising tubular upper and lower cannons, each formed with a longitudinal ridge at the outside of the arm, the former surmounted by a turner of three lames fitted at the inside of its lowest lame with a later staple to accommodate the strap of an overlying pauldron, the lower cannon formerly opening at the front but now closed by a later rivet, and a couter with a small flat leaf-shaped wing, enclosed at the inside of the elbow by a series of twelve lames and embossed at its point with a quatrefoil, the main edges of the vambrace formed with roped inward turns accompanied by recessed borders enclosed to the inside by a pair of narrow grooves, and finely etched with bands and borders of running foliage involving a female in contemporary dress, a female herm, snakes issuing from a cornucopia, a crane, lions' masks, a bull's-head, hounds and hares, all on a stippled and blackened ground, the lames at the inside of the elbow etched with narrow bands of guilloche(the etching worn at inside of the lower cannon) 49.4 cm; 19½ in Provenance The Brunswick Ducal Armoury, Wolfenbüttel Schloss Marienburg, sold in these rooms 4th December 2013, lot 311 Several vambraces of this enclosed form were at one time to be found in the armoury of the Dukes of Brunswick (Bohlman 1915, nos 8 & 9, figs 22 & 28; Tower of London 1952, nos 12 & 33, pl. IV; and Sotheby's, Schloss Marienburg, 5 Oct 2005, lots 285 & 305). Vambraces of a similar form can be recorded as parts of two Brunswick armours in the Hofjagd- und Rüstkammer, Vienna, inv. nos A 691 & A 1185, respectively made for Johann von Ranzau about 1559 and the Archduke Karl II of Styria about 1565 (Gamber & Beaufort 1990, pp. 105 & 108, pls 71-2)
Lot 296
A FINE NORTH GERMAN VAMBRACE FOR THE LEFT ARM WITH ETCHED DECORATION, BRUNSWICK, CIRCA 1560-5 of fully articulated construction, comprising tubular upper and lower cannons, each formed with a longitudinal ridge at the outside of the arm, the former surmounted by a turner of three lames fitted at the front of its lowest lame with a later staple to accommodate the strap of an overlying pauldron, the lower cannon, with a slightly V-shaped lower edge, formerly opening at the front but now closed by a later pair of rivets, and a couter with a small flat leaf-shaped wing, enclosed at the inside of the elbow by a series of sixteen lames (the top one restored) and embossed at its point with a quatrefoil, the main edges of the vambrace formed with roped inward turns accompanied by recessed borders enclosed to the inside by a pair of narrow grooves, and finely etched with bands and borders of running foliage involving masks, dolphins and birds, all on a stippled and blackened ground (the etching worn in parts) 51.0 cm; 20 in Provenance The Brunswick Ducal Armoury, Wolfenbüttel Schloss Marienburg, sold in these rooms 4th December 2013, lot 312
Lot 272
PALMER (SAMUEL)PALMER (A.H.) Samuel Palmer. A Memoir, ONE ORIGINAL ETCHING ('CHRISTMAS') BY SAMUEL PALMER, 13 autotype plates (including pictorial title), 9 woodcut illustrations 'from the original blocks', early morocco-backed cloth, joints worn, 4to, The Fine Arts Society, 1882This lot is subject to the following lot symbols: •
Lot 287
HOCKNEY (DAVID)WEBB (PETER) The Erotic Arts, NUMBER 41 OF 126 COPIES WITH ORIGINAL ETCHING BY HOCKNEY AND SCREEN PRINT BY ALLEN JONES, each signed and numbered by artist in pencil, further numbered on the colophon, illustrations throughout, light foxing to half-title and title, publisher's green morocco gilt, g.e., slipcase (soiled), large 8vo, Secker & Warburg, 1975This lot is subject to the following lot symbols: •
![PICASSO (PABLO)ILIAZD, Pseudonym of ILIA ZDANEVICH. Pismo [in Russian], NUMBER 46 OF 50 COPIES 'sur Japon ancien', from an ov](https://cdn.globalauctionplatform.com/a4df984e-a30f-4e2c-a23c-aafb01542967/42e7b7a1-caf3-4ba3-a5e2-ab05014b1246/468x382.jpg)
Lot 302
PICASSO (PABLO)ILIAZD, Pseudonym of ILIA ZDANEVICH. Pismo [in Russian], NUMBER 46 OF 50 COPIES 'sur Japon ancien', from an overall edition of 66 copies, SIGNED BY PICASSO and the author on the colophon leaf, 6 etchings or engravings (including pictorial title) by Picasso, tissue guards, paper toning and some offsetting to endpapers and blank leaves but contents clean, loose as issued in parchment wrappers (the title etching repeated on the upper cover) with card insert, original additional protective paper wrappers with title printed on upper cover, stiff parchment envelope [Bloch 462-467; Baer 784-788; Cramer Books 48], folio (378 x 250mm.), Paris, Latitud curanta y uno, [1948]This lot is subject to the following lot symbols: •
![PICASSO (PABLO)[MERIMÉE (PROSPER)] Les Carmen des Carmen, NUMBER 208 OF 245 COPIES 'sur Arches', from an overall edition of 2](https://cdn.globalauctionplatform.com/a4df984e-a30f-4e2c-a23c-aafb01542967/914ea2e2-843f-4a11-9647-ab05014b7ca0/468x382.jpg)
Lot 306
PICASSO (PABLO)[MERIMÉE (PROSPER)] Les Carmen des Carmen, NUMBER 208 OF 245 COPIES 'sur Arches', from an overall edition of 275, signed by Picasso (in red pencil) and Aragon on the colophon, SUITE OF 5 ORIGINAL PRINTS BY PICASSO, comprising a colour lithograph, a drypoint etching, and 3 aquatints, each numbered in pencil '208/245', plates, marginal illustrations and decorations (some in colour) by Picasso, loose as issued in publisher's stiff wrappers, original jute-covered solander box, lettered in red on spine, slightly rubbed and split at joint [Cramer 126; Monod 8045], folio (358 x 260mm.), Paris, Editeurs Francais Réunis, 1964This lot is subject to the following lot symbols: •
Lot 333
PLATH (SYLVIA)Pursuit. With an Etching & Drawings by Leonard Baskin, NUMBER 56 OF 100 COPIES, etched plate signed by Baskin loosely inserted as issued, illustrations in the text (some full-page), original green morocco by Zaehnsdorf, t.e.g., slipcase [Tabor A17], 1973; Dialogue Over a Ouija Board, NUMBER 13 OF 140 COPIES, frontispiece by Leonard Baskin, publisher's limp vellum, slipcase [Tabor A25], 1981--HUGHES (TED) Henry Williamson. A Tribute, NUMBER 18 OF 200 COPIES SIGNED BY THE AUTHOR, frontispiece, publisher's wrappers, 1979, [Rampant Lions Press] for Rainbow Press, 8vo and small 4to (3)This lot is subject to the following lot symbols: •
Lot 54
DARWIN (CHARLES)HAIG (AXEL HERMAN) 'Darwin's study a week after his death', etching, signed 'Axel H. Haig', with addition of title and note 'The only proof in my possession. A.H.H.' in pencil beneath image, image 280 x 360mm., [1882]--MAGUIRE (THOMAS HERBERT) Portrait of Charles Darwin, seated facing left, lithograph, mounted above a facsimile signature of Darwin on original card mount, spotting to mount, image 285 x 242mm., mount 475 x 355mm., [1849]--[TISSOT (JAMES JACQUES) Portrait of Charles Darwin [for 'Vanity Fair', captioned 'Natural Selection'], chromolithograph, cropped to size, image to view 310 x 188mm., [1871]--MAULL & FOX. Portrait of Charles Darwin in 1854, photogravure above facsimile signature, some spotting, 265 x 180mm., Maull & Fox, 1912, all framed and glazed; and another photographic portrait of Darwin (5)
Lot 24
Carroll, Lewis; Van Sandwyk, Charles (illus.) Alice's Adventures in Wonderland. Folio Society, 2016. Folio, quarter vellum with vellum tips over pictorial red paper-covered boards, upper board with central white rabbit in decorative borders in gilt and white with red detailing, spine lettered in gilt, t.e.g., illustrated endpapers; limitation in two colours with original etching signed by Van Sandwyk no. 228 of 1000, 11 full colour tipped-in plates, nine smaller colour illus laid down on pages, numerous b/w line drawings, some full-page, in clamshell cloth-bound box, paper label to spine titled in gilt and black, with loosely inserted prospectus, letter, proclamation, illustration and note on vellum binding. Limited ed. as per etching. An impressive and attractive Folio Society production, showcasing Van Sandwyck's charming take on the much-loved world and characters. Along with: Alice's Adventures, Macmillan, 1877, in later red-leather; and another, 1899 People's Edition, in org. cloth. [3]
Lot 383
JAMES SQUIRE MORGAN (Australian 1886-1974); a drypoint etching, landscape near Scone, first state, signed in pencil lower right, with title and first state lower left, 18.5 x 26cm, unframed, and after Rembrandt Van Rijn; an engraving on wove paper of a Marley stump by coastal scene with figures and women in the background and another after the same artist 'The Three Trees', each 17 x 20cm, unframed (3).
![* Dame Laura Knight [1877-1970]-Five Clowns,:-etching and aquatint, signed in pencil bottom right margininscribed as titled u](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/9f0d830b-38bc-4a6a-975e-ab0400ca48d0/468x382.jpg)
![* David Hockney [b.1937]-The Lake,:-etching and aquatintsigned in pencil in the margin, No. 16 of 100image 35 x 20cm.* Note.](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/9b6896c3-9085-4af9-ab6f-ab0400ca495c/468x382.jpg)
![* David Hockney [b.1937]-The Boy Hidden in an Egg,:-etching, aquatint and drypointsigned in pencil in the margin, artist's pr](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/7fe4eac5-70e4-4b6f-ac11-ab0400ca49ea/468x382.jpg)
![* David Hockney [b.1937]-The Boy Hidden in a Fish,:-etching and aquatintsigned in pencil in the margin, artist's proofimage 2](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/5c8a7c35-6772-44b7-9f96-ab0400cd9d24/468x382.jpg)
![* Jean Rees [1914-2004]- Beach Huts & Houses, Positano,:- signed, inscribed on the reverse acrylic on board, 27 x 34cm, t](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/44f2f82d-da86-4023-8258-ab0400cae261/468x382.jpg)
![* Wilfred R E Fairclough [1907-1996]- Venice, The Chef,:- etching, signed and dated 1984 plate size 19 x 14cm, together with](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/b22820be-514f-41c4-a0be-ab0400ca4ac7/468x382.jpg)
![* Wilfred R E Fairclough [1907-1996]- Venice - The Rose and The Writ,:- etching, signed and dated 1999 image size 22.5 x 16cm](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/0b55b6f4-12df-412a-81c9-ab0400ca4c0b/468x382.jpg)
![* Jock McFadyen [b.1950]- Trevor,:- etching in colours, signed, inscribed and numbered 15/15 sheet size 77 x 57cm, together w](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/ee4fdc60-33df-46c3-86ef-ab0400cb019d/468x382.jpg)
![* Mark Clark [1959]- Standing nude,: etching, signed and dated '96, numbered 42/90 plate size 15 x 10cm, together with an Yvo](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/a0f6da6c-3b72-45f3-a92e-ab0400ca4f04/468x382.jpg)
![* Anthony Gross [1905-1984]-La Poufette; figures in a street scene:-etching, signed, inscribed and numbered 9/70image size,](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/9da71bdb-bcc1-40ed-99c8-ab0400ca527f/468x382.jpg)
![* Wilfred R E Fairclough [1907-1996]- El Kantara, Toldedo,:- etching, signed and dated 1937 plate size 24.5 x 33cm, together](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/4c766fac-0e40-489b-b412-ab0400ca5318/468x382.jpg)
![* Terry Frost [1915-2003]-Black, orange, yellow,:-coloured etching, A/P 1signed and dated '96 in pencil in the margin, image](https://cdn.globalauctionplatform.com/3f31ccb4-f882-4dee-8a5b-aaf400c3dfde/6a50cbf4-29b4-4322-87f2-ab0400ca554e/468x382.jpg)
Lot 441
Property from the collection of Bryan and Valerie Steele Herbert Thomas Dicksee RE (1862-1942) 'THE LAST FURROW' (THREE-HORSE PLOUGHING TEAM AT DUSK) Original etching on wove, signed by the artist with annotation 'First Proof', Pl.29 x 58cm, unframed Provenance: From the artist's grandson. The Bryan & Valerie Steele Collection. The artist further enhanced this proof before it was published by Frost & Reed, 1899 (see following lots) making this example particularly rare.
Lot 442
Herbert Thomas Dicksee RE (1862-1942) 'THE LAST FURROW' THREE HORSE PLOUGHING TEAM AT DUSK Original etching on wove, signed by the artist with annotation 'Final Proof' Pl. 29 x 58.5cm, unframed. Rare. Provenance: from the artist's grandson. The Bryan and Valerie Steele Collection The artist further enhanced this proof before it was published by Frost & Reed, 1899 (see next lot).
Lot 444
Herbert Thomas Dicksee RE (1862-1942) 'THE REAPERS' (THREE HORSE TEAM REAPING A CROP OF CEREALS) Original etching on vellum, signed artist's proof, edition of 325, remarque of barley or oats, published by Frost & Reed, 1917, with blindstamps Pl.44 x 67.5cm Provenance: The Bryan and Valerie Steele Collection.
Lot 446
Herbert Thomas Dicksee RE (1862-1942) 'THE SENTINEL' (RECUMBENT BLOODHOUND ON GUARD AT HIS MASTER'S DOOR) Original etching on vellum, signed artist's proof, edition of 300, plate destroyed, remarque of a mailed gauntlet, published by Frost & Reed, 1913, with blindstamps Pl.34.3 x 62.8cm Provenance: The Bryan & Valerie Steele Collection.
Lot 447
Herbert Thomas Dicksee RE (1862-1942) 'PATIENCE' (TWO ALERT DEERHOUNDS LAYING DOWN - INTERIOR OF PENSHURST PLACE) Original etching on vellum, signed artist's proofs edition of 325, published by Frost & Reed, 1922, with blindstamp Pl.36.8 x 63.5cm Provenance: The Bryan & Valerie Steele Collection.
Lot 448
Herbert Thomas Dicksee RE (1862-1942) 'THE FIRST NIGHT FROM HOME' (A PUPPY ASLEEP, CONTENT WITH ITS NEW SURROUNDINGS) Original etching on vellum, signed artist's proof, edition of 250, one state only, published by The Fine Art Society, London, 1901, with blindstamp Pl.21 x 29.8cm Provenance: The Bryan and Valerie Steele Collection.
Lot 449
Herbert Thomas Dicksee RE (1862-1942) 'THE VETERAN' (PORTRAIT OF A BLOODHOUND'S HEAD, FACING LEFT) Original etching on vellum, signed artist's proof, edition of 250, no other state, plate destroyed, published by Frost & Reed, 1921, with blindstamps Pl.43cm square, unframed Provenance: From artist's grandson. The Bryan and Valerie Steele Collection.
Lot 455
Herbert Thomas Dicksee RE (1862-1942) 'THE OLD HOUND' (PORTRAIT OF THE HEAD OF A DEERHOUND, SIDE-FACE) Original etching on vellum, signed artist's proof, edition of 300, one state only, plate destroyed, published by Frost & Reed, 1912, with blindstamp Pl.42.2 x 41.4cm - 37cm circular image within Provenance: The Bryan and Valerie Steele Collection.
Lot 456
Herbert Thomas Dicksee RE (1862-1942) 'ON THE MOORS' (SCOTTISH DEERHOUND) Original drypoint etching on wove, signed artist's proof, edition of 100, no other state, published by Frost & Reed, circa 1926, with blindstamp Pl.24.2 x 26.5cm, unframed Provenance: The Bryan and Valerie Steele Collection. NB Pencil ' 72/150' is an error by the publisher.
Lot 457
Herbert Thomas Dicksee RE (1862-1942) 'GOOD-BYE' (LADY WITH DEERHOUND, BOTH LOOKING WISTFUL, IN THE GARDENS OF PENSHURST PLACE) Original etching on vellum, signed artist's proof, edition of 525, published by C.Klackner, London, 1892, with a remarque of flowers, with blindstamp PI.67 x 50.5cm Provenance: The Bryan and Valerie Steele Collection.
Lot 459
Herbert Thomas Dicksee RE (1862-1942) 'CLOUDS HAVE A SILVER LINING; JUST BIDE A WEE, AND DINNA FRET' (LADY, SEATED, WITH TWO KING CHARLES SPANIELS, LOOKING THOUGHTFULLY AT RAIN ON THE WINDOWS OF PENSHURST PLACE) Original etching on vellum, signed artist's proof, edition of 300, published by The Fine Art Society, London, 1907 with blindstamp Pl.47 x 58.4cm Provenance: The Bryan and Valerie Steele Collection.
Lot 460
Herbert Thomas Dicksee RE (1862-1942) 'ON THE THRESHOLD' (ARTIST'S WIFE ELLA MARIA IN DOORWAY OF A CORNISH COTTAGE, RECUMBENT TERRIER DOG OUTSIDE) Original etching on vellum, signed artist's proof, edition of 300, one state only, plate destroyed, published by Frost & Reed, 1904 Pl.43.6 x 30.5cm Provenance: The Bryan and Valerie Steele Collection.
Lot 461
Herbert Thomas Dicksee RE (1862-1942) 'LUCKY DOG' (LITTLE GIRL OUTSIDE A CORNISH COTTAGE FEEDING A TERRIER - TO THE DETRIMENT OF WAITING GEESE) Original etching on vellum, signed artist's proof, edition of 300, plate destroyed, published by Frost & Reed, 1908, with blindstamp Pl.47.7 x 32.8cm Provenance: The Bryan and Valerie Steele Collection.
Lot 463
Herbert Thomas Dicksee RE (1862-1942) 'THE BOYHOOD OF RALEIGH' AFTER THE PAINTING BY SIR JAMES EVERETT MILLAIS (1829-1896) Etching on vellum, signed artist's proof, edition of 400, published by The Fine Art Society Limited, London, 1901 with blindstamp PI.56.2 x 67.3cm Provenance: The Bryan and Valerie Steele Collection.
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71082 item(s)/page