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Lot 4

Rembrandt van Rijn (1606-1669)A Blind Hurdy-Gurdy Player and Family Receiving Alms Etching and drypoint, 1648, but a later very well inked and bold impression, New Hollstein's third state (of five) on laid paper without watermark, platemark 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 180 x 143 mm (7 x 5 5/8 in), marginal loss to upper corners restored, expert restoration to areas of surface abrasion and fine perforations to the sheet (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v

Lot 40

δ Salvador Dali (1904-1989)The Cycles of Life. Reflections (Field 79-C)Etching with lithograph printed in colours, 1979, signed in pencil, numbered from the German edition of 125, published by Graphos Verlag, Germany, on BFK Rives paper, with full margins, sheet 615 x 440mm (14 ¾ x 21 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 44

δ Salvador Dali (1904-1989)Venus (Field 74-17-A; M&L 677e)Etching, 1971, signed, inscribed 'H.C' and numbered in roman numerals in pencil from the edition of 25, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 47

δ Salvador Dali (1904-1989)Ananas (Field 67-11)Photolithograph with etching, 1967, signed in pencil, numbered from the edition of 175, published by Les bibliophiles de l'Union Française, Paris, on Japon nacré paper, with full margins, 590 x 388mm (23 ¼ x 15 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 49

δ Salvador Dali (1904-1989)Don Quichotte and Sancho Panza (Field 68-1)Etching with aquatint printed in colours, 1968-80, the second state with the aquatint, signed in pencil, numbered from the edition of 200, on Auvergne wove paper, with full margins, 495 x 390mm (19 ½ x 15 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 5

Rembrandt van Rijn (1606-1669)Lieven Willemsz van Coppenol, Writing Master: The Larger PlateEtching, engraving and drypoint, circa 1658, but a later impression of New Hollstein's eighth state (of nine), on thick fibrous laid paper without watermark, sheet 141 x 131 mm (5 1/2 x 5 1/4 in), trimmed just within the plate (unframed)Together with:'The Pancake Woman', etching, 1635, but a later impression of New Hollstein's final state (of seven), on thin laid paper without watermark [AND] 'The Tribute Money', etching, circa 1634, but a later impression of New Hollstein's third state (of three), on thin laid paper without watermark (unframed) (3) Literature:New Hollstein 306 viii/ix; 144 vii/vii; 138 iii/iii

Lot 67

δ Pablo Picasso (1881-1973)Negre (Bloch 633, Baer 841)Etching, 1949, signed in pencil, one of 16 proofs with the corrected title-page for the book Corps Perdu as cited by Baer in volume V of her catalogue, as included on a folded sheet of Montval wove paper, with full margins, 390 x 570mm., (15 3/8 x 22 ½ in.) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 7

Rembrandt van Rijn (1606-1669)A Beggar Woman Leaning on a StickEtching, 1646, but a later slightly faint and delicate impression of New Hollstein's fourth state (of five) on ivory laid paper, platemark 82 x 66 mm (3 1/4 x 2 1/2 in), sheet 86 x 70 mm (3 1/2 x 2 3/4 in), thinning to platemark indentation at lower left corner, expertly repaired (unframed)Literature:Hind 219; New Hollstein 229 iv/v

Lot 76

δ Pablo Picasso (1881-1973) after.BethsabéEtching with aquatint printed in colours, circa 1960, signed in pencil, the edition was 300, printed by Atelier Crommelynck, with their blindstamp, on BFK Rives paper, with full margins, sheet 455 x 560mm, (17 3/4 x 22in)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 77

δ Pablo Picasso (1881-1973)Balzac (Bloch 713)Etching, 1952-61, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on laid paper, with full margins, sheet 356 x 530mm., (14 x 20 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 78

δ Pablo Picasso (1881-1973)Homme Assis Près d'une Femme Allongée (Bloch 1456)Etching, 1967, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on wove paper, with full margins, sheet 446 x 559mm., (17 ½ x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 94

δ Marcel Duchamp (1887-1968) and Jacques Villon (1875-1963)La Mariée (The Bride) (Ginestet et Pouillon E672)Etching with aquatint printed in colours, 1934, signed by both Duchamp and Villon, also titled in English by Duchamp, numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on wove paper, with full margins, sheet 711 x 533mm (28 x 21in) Jacques Villon (Gaston Duchamp) was the elder brother of Marcel Duchamp and a master printmaker, at the behest of Gelerie Bernheim-Jeune he produced and number of aquatints reproducing important works of the day by artists including his brother Marcel Duchamp, Henri Matisse, Amedeo Modigliani, Pablo Picasso, and others. In the most past these incredible aquatints were produced with the artist who had originally conceived the work and often works were signed by both aritsts.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 364

James Barry RA (Irish, 1741-1806)Elysium and Tartarus, or the State of Final RetributionEtching and engraving, 1792pl. 42 x 93cmCondition report: Browning all over and the old black frame has several chips.

Lot 374

Frederick Landseer Maur Griggs (1876-1938)St IppolytsEtching, 1927, second state, from an edition of 32, signed and inscribed in pencil 'To my friend Frank Short, Xmas 1927'image 13 x 11.5cmCondition report: One brown foxing mark in the right-hand corner, cream edges a little discoloured.

Lot 395

Cecil Aldin [1870-1935]-Terrier in a chair,:-etching, signed and numbered 72/100 in pencilimage size 25 x 19cm.

Lot 1261

A framed watercolour depicting a ship Sea clipper In full sale signed RH Woolmer two pencil sketches signed Westwood and drypoint etching of a Continental Street Scene. (4) - NO RESERVE

Lot 1009

Bertha Morisot, etching ' Lecon D' Aquarelle ', 18cms x 13cms, gilt framed

Lot 1618

Kurt Meyer Eberhardt (German 1895-1977) - Signed sepia coloured etching of a pair of Dachshund pups, signed, with biographical details verso, 23 x 25cm approx visible sheet size, framed

Lot 1644

20th century school half-length study of a long haired man, signed limited edition monochrome etching, indistinctly signed number 123/200, 24.5 x 20cm approx visible sheet size in substantial moulded gilt frame

Lot 1669

James Gillray (British 1756-1815) - Britannia Between Death and the Doctor's, hand coloured caricature etching, published by H Humphry 1804, 26.5 x 39cm approx visible sheet size, framed

Lot 1670

James Gillray (British 1756-1815) - The Crown and Anchor Libel, hand coloured caricature etching published by H Humphrey 1795, 25.5 x 35cm approx visible sheet size

Lot 1671

James Gillray (British 1756-1815) - Germans eating Sour-Krout, hand coloured caricature etching published by H Humphrey 1803, 27 x 37.5cm approx visible sheet size, framed

Lot 1672

James Gillray (British 1756-1815) - The Westminster Just -Asses A Braying, hand coloured caricature etching published by W Humphrey 1782, 25.5 x 36cm approx visible sheet size, framed

Lot 1673

James Gillray (British 1756-1815) - Midas, Transmuting All Into Gold Paper, hand coloured caricature etching, published by H Humphrey 1797, 35.5 x 25.5cm approx visible sheet size, framed

Lot 1674

James Gillray (British 1756-1815) - Sans Culottes - Feeding Europe with the Bread of Liberty, monochrome caricature etching published by H Humphrey 1793, 31 x 36.5 approx visible sheet size together with Britannia Between Scylla & Charybdis, published by H Humphrey 1793, 31 x 37cm approx visible sheet size, both framed (2)

Lot 1675

James Gillray (British 1756-1815) - Sin, Death and the Devil, Vide Milton, monochrome caricature etching published by H Humphrey 1792, 32.5 x 41cm approx visible sheet size, together with the Pacific Entrance of Earl Wolf into Black Haven, published by H Humphrey 1792, 38 x 53.5cm approx visible sheet size, both framed (2)

Lot 1677

James Gillray (British 1756-1815) - A True British Tar, monochrome caricature etching, published by H Humphrey 1795, 32 x 22cm approx visible sheet size, together with Improvements in Weights and Measures, monochrome caricature etching, published H Humphrey 1798, 36.5 x 26.5cm approx visible sheet size, both framed (2)

Lot 1678

James Gillray (British 1756-1815) - After Charles Loraine Smith (British, active 1762 - 1803) - French Volunteers Marching to the Conquest of Great Britain, coloured etching, published October 25th 1803 by H Humphrey, with incorporated initials C L S, 21 x 61.5cm approx visible sheet size, framed

Lot 272

A large framed and glazed Sidney Nolan etching, signed by the artist. 72x88cm

Lot 219

An etching of W Somerset Maugham

Lot 363

PICTURES AND PRINTS, etc, to include John Furnival (British 1933-2020), 'Chateau D'Issan' a drypoint etching, 53/150, framed, image size approximately 33cm x 46cm, two Nicola Butlin charcoal drawings, amateur watercolours, assorted prints and gilt picture frames, etc

Lot 504

William Lee Hankey, etching, Seated female nude, signed in pencil, overstamped SPECIMEN, 25 x 20cmCONDITION: Not laid down but paper discoloured and foxed and creased particularly in the margins.

Lot 536

Mark Severin (1906-1987), etching, 'Dutch harbour', signed in pencil, 16.5 x 23cm

Lot 538

J. Alphonse Brewer, coloured etching, Harbour scene, 27 x 40cm and an unsigned oil sketch of a house under moonlight, 20 x 30cm

Lot 17

M Taylor, "Summer In The Hills", pencil signed etching limited edition 1/30

Lot 21

M Taylor, pencil signed etching interior, limited edition 1/30

Lot 172

DESCRIPTION: Giovanni Batista Piranesi (Italy, 1720-1778). Etching on laid paper. Veduta del Castello dell'Acqua Paola sul Monte Aureo." With center fold crease. In archival frame. MEASUREMENTS: Plate 15-2/3" high x 24-1/2" high; paper 19-3/4" high x 38-1/3" wide; overall with frame 24" high x 62" wide. CONDITION: Even overall toning as expected with age. IMPORTANT: Before bidding, please read the terms and conditions. When you registered for the auction you agreed to these terms and will be required to comply with them.

Lot 381

GEORGE FREDERICK WATTS (1817-1904); a gilt-framed and glazed sepia etching 'Orpheus and Eurydice' signed G . F. Watts in pencil in the margin lower left, further pencil signatures lower right (etching size 31.5cm x 49.5cm)

Lot 154

Albany C Howard "Ga D,oro Venice" Drypoint, Blind stamp to lower left, 34cm x 25cmCondition reportHas some age discolouring to the background of the picture.The etching and signature are clear.Minor age discolouring to the paper mount also.Considering the age the etching is in ok condition. 

Lot 191

Tom MacKenzie (1947-2018) "Old Man of Storr" Coloured Etching, Signed and titled in pencil, 45.5cm x 61cm

Lot 273

AIDAN KIRKPATRICK (20TH CENTURY), "LANGLEY HALL", BLACK AND WHITE ETCHING, SIGNED, DATED 1979, NUMBERED 5/100 AND INSCRIBED WITH TITLE IN PENCIL TO LOWER MARGIN, 17 X 25CM, TOGETHER WITH A FURTHER COLOURED ETCHING BY E S ELMHIRST (2)

Lot 33

Julius Rosenbaum (1879-1956) Danish. In the Workshop, Etching, 8.5" x 7.5".

Lot 34

Jean-Jacques de Boissieu (1736-1810) French. The Pipe, Etching, 10" x 13".

Lot 56

After William Palmer Robins (1882-1959) British. Cattle in a Landscape, Etching, Signed and Dated in Pencil, 8" x 12".

Lot 125

John Sloan (USA 1871-1951): 'Nude by Bookcase', proof etching signed in pencil, signed and dated 1931 in the plate 11cm x 14cmProvenance: from the collection of the late Brian Hill of Bridlington, purchased by Brian hill from The Fine Art Society 1993, receipt versoDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 255

Kane Cunningham (British 1961-): 'Scarborough Harbour', limited edition etching from The Coast Series signed titled and numbered 9/35 in pencil , plate size 25cm x 33cm.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 256

Kane Cunningham (British 1961-): 'Scarborough', limited edition etching from The Coast Series signed titled and numbered 10/35 in pencil , plate size 25cm x 33cm.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Lot 3015

Stanley Anderson (1884-1966), Les Arcades, Dieppe, etching, signed, 20.5cm x 31cm.

Lot 944

Ada Maude Parsons S.W.A. (19th/20th century) - 'Temple Porch, Bristol', signed, black and white etching, 11.5" x 8.75" (pl); together with another etching by the same artist, 'The Bookshop, Bristol' and five further etchings including one by R. L. Armitage, 'The Old Curiosity Shop', 'The Riverbank', by Bernard Eyre Walker, one signed by William Holmes May and dated 1890, country lane with figure and rabbit, also two smaller etchings signed E. Rivet depicting a Borzoi and another of an Alsatian, various sizes (7)

Lot 945

W. Bennet (20th century) - 'Shelley's Cottage, Weymouth', signed, black and white etching, 8" x 4.75"; together with nine further etchings by Aquila's Leon Lacault (c.1920) female nude, others by Ralph Clarkson, 'Sterling Old Bridge', Louis Ruet (1867-1951), 'Le Voyager after Messonier', George Straton Ferrier, fishing boats (c.1865), James McArdle, 'Castle Urquart', W. Bennett 'Blackington Windmill', another of an Italian hill town, and one depicting geese in flight, an example signed M. Pielon, trees by a pond, various sizes (10)

Lot 946

William Monk R.E. (1863-1937) - 'Swiss Cottage', signed original black and white etching, 9.75" x 6.75", (pl); together with seven further signed examples by the same artist, depicting 'Back Lane', 'Vine Wharf', 'Edinburgh Castle from The Town', 'Edinburgh Castle from The Gate', 'Selby Abbey, Yorkshire', 'Dorkin from Box Hill', 'Riding in a London Park', another inscribed example 'Bank Holiday on The Dee (Chester)', together with an original watercolour sketch of a 'Study of a Mountain, Co. Wicklow, Eire' (drawn whilst on his Eire tour in 1906), various sizes (10)

Lot 955

Adolphe Cieslarczyk (1916- ) - Abstract etching, signed in pencil and numbered 20/30, 7.52 x 7.1"

Lot 102

Graham CLARKE (b.1941-): Coloured etching, titled 'Summer Passengers' 253/400, signed in pencil

Lot 87

A Graham CLARKE (b.1941-)coloured etching triptych, titled 'Joe's Place' monogrammed in pencil

Lot 93

Graham CLARKE (b.1941-): Large colour etching titled 'Winter Goods' No. 271/400 edition, signed in pencil lower right

Lot 432

Corridon 74 'The Seat' 14/25 pencil signed etching, 25cm x 36cm

Lot 53

A coloured etching circa 1850 "Carnival" signed in the plate Moore and Williamsn lower right, 35cm x 51cm (Foxed)

Lot 223

Rego (Paula).- Morrison (Blake) Pendle Witches, number 67 of 90 deluxe copies with an original etching and signed by the author and artist, from an edition limited to 1090, mounted plates by Paula Rego, prospectus and Christmas card from the printer loosely inserted, original yellow cloth with illustration mounted on upper cover, uncut, original etching with aquatint 'Him' numbered and signed by the artist, loose in folder, together in cloth slip-case, 4to, Enitharmon Press, 1996; and a trade edition of Rego's Jane Eyre signed and illustrated by her and with a First Day Cover featuring 6 stamps from the work, 4to & 8vo (2)

Lot 98

Botany.- Thornton (Dr Robert John, circa 1765-1832) The Queen Flower, from 'The Temple of Flora', a clear well-inked impression of the only state, etching, engraving and aquatint printed in colour, finished by hand, on wove paper with initials-based watermark, platemark 560 x 410 mm (22 x 16 1/4 in), small margins, careful small repair in lettered margin to perforation over the word 'London', faint signs of damp-staining and browning, unframed, 1812Literature:Dunthorne, p. 246

Lot 257

MANNER OF LUCIEN FREUD Etching of a girl. Artist's proof no. 3/10. Bears a signature. Size of work 2¾' x 3¾'

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