Rembrandt van Rijn (1606-1669)A Blind Hurdy-Gurdy Player and Family Receiving Alms Etching and drypoint, 1648, but a later very well inked and bold impression, New Hollstein's third state (of five) on laid paper without watermark, platemark 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 180 x 143 mm (7 x 5 5/8 in), marginal loss to upper corners restored, expert restoration to areas of surface abrasion and fine perforations to the sheet (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v
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δ Salvador Dali (1904-1989)The Cycles of Life. Reflections (Field 79-C)Etching with lithograph printed in colours, 1979, signed in pencil, numbered from the German edition of 125, published by Graphos Verlag, Germany, on BFK Rives paper, with full margins, sheet 615 x 440mm (14 ¾ x 21 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Venus (Field 74-17-A; M&L 677e)Etching, 1971, signed, inscribed 'H.C' and numbered in roman numerals in pencil from the edition of 25, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Ananas (Field 67-11)Photolithograph with etching, 1967, signed in pencil, numbered from the edition of 175, published by Les bibliophiles de l'Union Française, Paris, on Japon nacré paper, with full margins, 590 x 388mm (23 ¼ x 15 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Don Quichotte and Sancho Panza (Field 68-1)Etching with aquatint printed in colours, 1968-80, the second state with the aquatint, signed in pencil, numbered from the edition of 200, on Auvergne wove paper, with full margins, 495 x 390mm (19 ½ x 15 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Lieven Willemsz van Coppenol, Writing Master: The Larger PlateEtching, engraving and drypoint, circa 1658, but a later impression of New Hollstein's eighth state (of nine), on thick fibrous laid paper without watermark, sheet 141 x 131 mm (5 1/2 x 5 1/4 in), trimmed just within the plate (unframed)Together with:'The Pancake Woman', etching, 1635, but a later impression of New Hollstein's final state (of seven), on thin laid paper without watermark [AND] 'The Tribute Money', etching, circa 1634, but a later impression of New Hollstein's third state (of three), on thin laid paper without watermark (unframed) (3) Literature:New Hollstein 306 viii/ix; 144 vii/vii; 138 iii/iii
δ Pablo Picasso (1881-1973)Negre (Bloch 633, Baer 841)Etching, 1949, signed in pencil, one of 16 proofs with the corrected title-page for the book Corps Perdu as cited by Baer in volume V of her catalogue, as included on a folded sheet of Montval wove paper, with full margins, 390 x 570mm., (15 3/8 x 22 ½ in.) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)A Beggar Woman Leaning on a StickEtching, 1646, but a later slightly faint and delicate impression of New Hollstein's fourth state (of five) on ivory laid paper, platemark 82 x 66 mm (3 1/4 x 2 1/2 in), sheet 86 x 70 mm (3 1/2 x 2 3/4 in), thinning to platemark indentation at lower left corner, expertly repaired (unframed)Literature:Hind 219; New Hollstein 229 iv/v
δ Pablo Picasso (1881-1973) after.BethsabéEtching with aquatint printed in colours, circa 1960, signed in pencil, the edition was 300, printed by Atelier Crommelynck, with their blindstamp, on BFK Rives paper, with full margins, sheet 455 x 560mm, (17 3/4 x 22in)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Balzac (Bloch 713)Etching, 1952-61, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on laid paper, with full margins, sheet 356 x 530mm., (14 x 20 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Homme Assis Près d'une Femme Allongée (Bloch 1456)Etching, 1967, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on wove paper, with full margins, sheet 446 x 559mm., (17 ½ x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marcel Duchamp (1887-1968) and Jacques Villon (1875-1963)La Mariée (The Bride) (Ginestet et Pouillon E672)Etching with aquatint printed in colours, 1934, signed by both Duchamp and Villon, also titled in English by Duchamp, numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on wove paper, with full margins, sheet 711 x 533mm (28 x 21in) Jacques Villon (Gaston Duchamp) was the elder brother of Marcel Duchamp and a master printmaker, at the behest of Gelerie Bernheim-Jeune he produced and number of aquatints reproducing important works of the day by artists including his brother Marcel Duchamp, Henri Matisse, Amedeo Modigliani, Pablo Picasso, and others. In the most past these incredible aquatints were produced with the artist who had originally conceived the work and often works were signed by both aritsts.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
James Gillray (British 1756-1815) - Sans Culottes - Feeding Europe with the Bread of Liberty, monochrome caricature etching published by H Humphrey 1793, 31 x 36.5 approx visible sheet size together with Britannia Between Scylla & Charybdis, published by H Humphrey 1793, 31 x 37cm approx visible sheet size, both framed (2)
James Gillray (British 1756-1815) - Sin, Death and the Devil, Vide Milton, monochrome caricature etching published by H Humphrey 1792, 32.5 x 41cm approx visible sheet size, together with the Pacific Entrance of Earl Wolf into Black Haven, published by H Humphrey 1792, 38 x 53.5cm approx visible sheet size, both framed (2)
James Gillray (British 1756-1815) - A True British Tar, monochrome caricature etching, published by H Humphrey 1795, 32 x 22cm approx visible sheet size, together with Improvements in Weights and Measures, monochrome caricature etching, published H Humphrey 1798, 36.5 x 26.5cm approx visible sheet size, both framed (2)
James Gillray (British 1756-1815) - After Charles Loraine Smith (British, active 1762 - 1803) - French Volunteers Marching to the Conquest of Great Britain, coloured etching, published October 25th 1803 by H Humphrey, with incorporated initials C L S, 21 x 61.5cm approx visible sheet size, framed
DESCRIPTION: Giovanni Batista Piranesi (Italy, 1720-1778). Etching on laid paper. Veduta del Castello dell'Acqua Paola sul Monte Aureo." With center fold crease. In archival frame. MEASUREMENTS: Plate 15-2/3" high x 24-1/2" high; paper 19-3/4" high x 38-1/3" wide; overall with frame 24" high x 62" wide. CONDITION: Even overall toning as expected with age. IMPORTANT: Before bidding, please read the terms and conditions. When you registered for the auction you agreed to these terms and will be required to comply with them.
John Sloan (USA 1871-1951): 'Nude by Bookcase', proof etching signed in pencil, signed and dated 1931 in the plate 11cm x 14cmProvenance: from the collection of the late Brian Hill of Bridlington, purchased by Brian hill from The Fine Art Society 1993, receipt versoDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Kane Cunningham (British 1961-): 'Scarborough Harbour', limited edition etching from The Coast Series signed titled and numbered 9/35 in pencil , plate size 25cm x 33cm.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Kane Cunningham (British 1961-): 'Scarborough', limited edition etching from The Coast Series signed titled and numbered 10/35 in pencil , plate size 25cm x 33cm.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Ada Maude Parsons S.W.A. (19th/20th century) - 'Temple Porch, Bristol', signed, black and white etching, 11.5" x 8.75" (pl); together with another etching by the same artist, 'The Bookshop, Bristol' and five further etchings including one by R. L. Armitage, 'The Old Curiosity Shop', 'The Riverbank', by Bernard Eyre Walker, one signed by William Holmes May and dated 1890, country lane with figure and rabbit, also two smaller etchings signed E. Rivet depicting a Borzoi and another of an Alsatian, various sizes (7)
W. Bennet (20th century) - 'Shelley's Cottage, Weymouth', signed, black and white etching, 8" x 4.75"; together with nine further etchings by Aquila's Leon Lacault (c.1920) female nude, others by Ralph Clarkson, 'Sterling Old Bridge', Louis Ruet (1867-1951), 'Le Voyager after Messonier', George Straton Ferrier, fishing boats (c.1865), James McArdle, 'Castle Urquart', W. Bennett 'Blackington Windmill', another of an Italian hill town, and one depicting geese in flight, an example signed M. Pielon, trees by a pond, various sizes (10)
William Monk R.E. (1863-1937) - 'Swiss Cottage', signed original black and white etching, 9.75" x 6.75", (pl); together with seven further signed examples by the same artist, depicting 'Back Lane', 'Vine Wharf', 'Edinburgh Castle from The Town', 'Edinburgh Castle from The Gate', 'Selby Abbey, Yorkshire', 'Dorkin from Box Hill', 'Riding in a London Park', another inscribed example 'Bank Holiday on The Dee (Chester)', together with an original watercolour sketch of a 'Study of a Mountain, Co. Wicklow, Eire' (drawn whilst on his Eire tour in 1906), various sizes (10)
Rego (Paula).- Morrison (Blake) Pendle Witches, number 67 of 90 deluxe copies with an original etching and signed by the author and artist, from an edition limited to 1090, mounted plates by Paula Rego, prospectus and Christmas card from the printer loosely inserted, original yellow cloth with illustration mounted on upper cover, uncut, original etching with aquatint 'Him' numbered and signed by the artist, loose in folder, together in cloth slip-case, 4to, Enitharmon Press, 1996; and a trade edition of Rego's Jane Eyre signed and illustrated by her and with a First Day Cover featuring 6 stamps from the work, 4to & 8vo (2)
Botany.- Thornton (Dr Robert John, circa 1765-1832) The Queen Flower, from 'The Temple of Flora', a clear well-inked impression of the only state, etching, engraving and aquatint printed in colour, finished by hand, on wove paper with initials-based watermark, platemark 560 x 410 mm (22 x 16 1/4 in), small margins, careful small repair in lettered margin to perforation over the word 'London', faint signs of damp-staining and browning, unframed, 1812Literature:Dunthorne, p. 246
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71174 item(s)/page