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Lot 1802

A drawing of Hereford Cathedral, a print of Monnow bridge, Monmouth and an etching on steel of `Valley`

Lot 18

AFTER A POGGI, ENGRAVED BY F BARTOLOZZI, SOFT GROUND COLOURED ETCHING, PUBLISHED 1788, “George Augustus Elliot, Lord Heathfield, Governor of Gibraltar”, 17” x 14”

Lot 22

AFTER T ROWLANDSON, ANTIQUE HAND COLOURED ETCHING, DATED 1801, “Marketplace at Cambridge”, 6” x 9”

Lot 48

NEIL CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Wells Cathedral”, 4” x 6”; INDISTINCTLY SIGNED, HAND COLOURED ETCHING, “ ...... Matterhorn”; INITIALLED AND DATED 1887, SEPIA ETCHING, Fisherfolk on a Beach; and AFTER JACQUEMART, BLACK AND WHITE ETCHING, Flower Study, 11” x 8” (4)

Lot 62

BLACK AND WHITE PRINT, CIRCA 1868, (FROM A PUBLICATION), “The Royal Meet of the West Norfolk Hunt at Snettisham ……”, 9” x 14”; BERTHA GOOSE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1911, “Llangollen Bridge”, 8” x 12”; and LARGE BLACK AND WHITE PHOTOGRAPH, Racing Yachts on the Norfolk Broads, 15” x 35” (3)

Lot 99

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Great Yarmouth”, 5 ½” x 7” and T STEAD, SIGNED IN PENCIL TO MARGIN, PAIR OF BLACK AND WHITE ETCHINGS, “Norwich – Ethelbert Gate “ and “Norwich – Strangers Hall”, 4 ½” x 3” (3)

Lot 102

AFTER SIR A J MUNNINGS, BEARING INITIALS TO IMAGE, BLACK AND WHITE ETCHING, Horses Watering with Farmhand By, 7 ½” x 9”; and UNSIGNED, PENCIL DRAWING, Figure and Animals in a Wooded Lane, 7” x 10” (2)

Lot 103

HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Low Water, Walberswick”, 9” x 11”

Lot 105

HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Marketplace, Norwich”, 10” x 8”

Lot 106

HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING AND SEPIA ETCHING, “Ber Street, Norwich”, 8 ½” x 7 ½” and “King Street, Norwich”, 9” x 11 ½” (2)

Lot 108

HAROLD LONGE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, DATED 1937, “The Forge, Happisburgh”, 9” x 7”

Lot 114

FRANCIS SEYMOUR HADEN, BLACK AND WHITE ETCHING, River Landscape with Figures in a Sailing Boat, 6” x 8”; and INDISTINCTLY SIGNED, IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (7/25), A North African Town Scene, 9” x 7” (2)

Lot 116

CHARLES FRANCOIS DAUBIGNY, BLACK AND WHITE ETCHING, Wooded River Landscape with Punt, 6 ½” x 5” (A/F)

Lot 119

SAM GARRATT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Glasgow University, 7” x 8”; plus a further ETCHING AFTER DAVID LAW (2)

Lot 124

INDISTINCTLY SIGNED, LIMITED EDITION BLACK AND WHITE ETCHING, (13/100), “Timber Wagons”, 4” x 6”

Lot 129

INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, “The Flagstaff, Hampstead Heath”, 6 ½” x 3 ½”

Lot 130

ALFRED LOUIS BRUNET-DEBAINES (AFTER W L WYLLIE), SIGNED TO THE IMAGE, BLACK AND WHITE ETCHING, Busy River Estuary Scene with Shipping, 4 ½” x 10 ½”

Lot 133

LAWRENCE EIFIELD JENKINS, SIGNED IN PENCIL TO MARGIN, FIRST STATE DRY-POINT ETCHING, “The Barrow” (see further information verso), 10” x 13 ½”; and one other (2)

Lot 134

UNSIGNED, BLACK AND WHITE ETCHING, Estuary Scene with Sailing Ship and Pilot Boat, 9 ½” x 8”

Lot 136

UNSIGNED, EARLY 19TH CENTURY ENGLISH SCHOOL, BLACK AND WHITE ETCHING, Inscribed to margin “Barking, 26 Bow Boilers” (interior view of Barking Power Station circa 1930s), 12” x 8”

Lot 138

MORTIMER LUDDINGTON MEMPES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Merton College”, (see gallery label verso), 10” x 8”

Lot 139

MORTIMER LUDDINGTON MEMPES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE DRY-POINT ETCHING, “Rotterdam”, (see gallery label verso), 7” x 9”

Lot 141

SIR WILLIAM RUSSELL FLINT, SIGNED IN PEN TO MARGIN, BLACK AND WHITE DRY-POINT ETCHING, “The Posada Kitchen”, 7” x 9”

Lot 142

JAMES ABBOT McNEILL WHISTLER, SIGNED AND DATED 1859 TO IMAGE, BLACK AND WHITE DRY-POINT ETCHING, “Old Westminster Bridge”, (Note: label verso inscribed “Etching of Westminster by J Whistler, Etched on the Copper from Nature), (discoloured and with other minor defects), 3” x 8”

Lot 143

ERIC DAGLISH, INSCRIBED VERSO, BLACK AND WHITE WOODCUT PRINT, “Cock of the Rock”, 4 ½” x 4 ½”; and LAL HITCHCOCK, SIGNED AND DATED ’82, LIMITED EDITION BLACK AND WHITE ETCHING (20/50), “Sheep”, 1 ¾” x 2 ½” (2)

Lot 148

ALFRED BENTLEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Richmond Castle, York”, (see gallery label verso), 9” x 12”

Lot 149

ANDREW F AFFLICK, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Plazzo Dario, Venice”, (see gallery label verso), 8” x 11 ½”

Lot 150

SYDNEY E TUSHINGHAM, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “San Leonardo, Venice”, (see gallery label verso), 9” x 13”

Lot 151

ROBERT AUSTIN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Lambs, 4” x 3”

Lot 180

ELYSE ASHE LORD, SIGNED IN PENCIL TO MARGIN, COLOURED DRY-POINT ETCHING, Study of an Oriental Girl standing by a Tree, 11” x 6” (A/F)

Lot 190

LOUIS ICART, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, PUBLISHED 1921, A Fashionable Lady with Cats by her Feet, 11 ½” x 15” (rolled) (A/F)

Lot 191

WALTER DENDY SADLER, ENGRAVED BY CHARLES O MURRAY, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1919, “A Work of Art (The Epicure)”, 14” x 11” (mounted but unframed)

Lot 192

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1919, “From Overseas”, 16” x 12”

Lot 193

WALTER DENDY SADLER, ENGRAVED BY C H BOUCHER, BLACK AND WHITE ETCHING, PUBLISHED 1907, “The Butler”, 11” x 7 ½”

Lot 194

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1901, “Sowing the Wind”, 14” x 11

Lot 195

WALTER DENDY SADLER, ENGRAVED BY C H BOUCHER, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1907, “The Landlord”, 11” x 7 ½”

Lot 196

WALTER DENDY SADLER, ENGRAVED BY OSWALD BURNS, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1920, “The Angler’s Rest”, 15” x 11”

Lot 197

WALTER DENDY SADLER, ENGRAVED BY JULES JOUQUET, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, “The Answer”, 15” x 11”

Lot 198

AFTER WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING, “Stymied”, (Golfing in Olden Times), 10” x 15”

Lot 225

CHARLES BARTLETT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (3/60) COLOURED ETCHING, “Reflection”, 14” x 17 ½”; plus two further LIMITED EDITION PRINTS by different hand (3)

Lot 250

PATRICK PROCKTOR, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (3/20) BLACK AND WHITE ETCHING, “Barry Klost 1972”, 21” x 13 ½”

Lot 2020

"Early 19thC cordial glass with internal ribbon twist stem, bell shape with grape and vine etching"

Lot 554

AFTER ARCHIBALD THORBURN "Sable Antelope", black and white print, together with a black and white engraving after a 17th century scene depicting huntsmen and hounds in a wooded landscape, a pair of figural engravings of gentlemen, AFTER S. VAN ATHE ... "St. Paul`s, London-December 29 1940, black and white drypoint etching depicting St. Paul`s during the Blitz, indistinctly signed in pencil in the margin, a pair of Continental coloured engravings, a pair of mounted and displayed cigarette cards of birds, and various watercolours, pictures and prints

Lot 433

An early 20th century black and white etching of a young boy leading a blinded soldier along a riverside path, indistinctly signed in pencil to the margin

Lot 484

Three pencil drawings, river landscape, coastal scene and rural scene, together with a pair of lithographs of Kildaire Cathedral, and a black and white etching of the Porte dei Sospiri, Venice, signed in pencil to the margin JB Marney (?) 1925

Lot 223

After Goodall, Egyptian Harvest, etching by William Heydemann, signed in pencil by etcher and artist, 26 x 55 cm (10 1/4 x 21 1/2 in.)

Lot 563

After Guercino, Figures by a Bridge in a Landscape, etching in brown ink, over two sheets.

Lot 397

After Rowland Bachelor, Self portrait 1937, monochrome etching, signed, titled, number 2/49 and another etching "At The RA", (2).

Lot 421

Monochrome etching of Tower Bridge, and other monochrome prints, (6).

Lot 629

After Alphonse de Neuville - `The Defence of Rorke`s Drift, 22-3 January 1879`, late 19th Century etching on India paper mounted, approx 75.5cm x 111cm, within an oak frame.

Lot 683

After Jan Georg van Vliet - Two Bricklayers, 17th Century monochrome etching from a series depicting trades and professions, approx 21cm x 16.5cm, within a gilt frame.

Lot 709

Carol March - `The Pensive Selina Reclined`, etching, signed, titled and editioned 2/75 in pencil, together with another print by Carol March.

Lot 741

Garnet Wolseley - View of a Cottage in a Landscape, monochrome etching, signed in pencil.

Lot 769

Fred Millar, after Terrick Williams - View of a Continental Market, colour etching, signed in pencil, approx 28.5cm x 33.5cm, together with a collection of other prints by Fred Millar.

Lot 684

Mariel Jacque Barbizon Coloured etching, signed and dated 1951, also AH Geyer, Old Cottages, Drymas, etching signed, 14 x 19cm, also Continental School, Acrobats at Key West, watercolour, 18 x 12cm (3)

Lot 805

H Goltzius, Last Supper, Engraving, dated in the plate 1585, 26 x 35.5cm, together with Death of a Bull, hunting engraving, inscribed `A Paris Chez P mariette`, 16.3 x 24cm (trimmed down)l and AB Gillespie, St Giles Cathedral, Edinburgh, etching, signed in pencil, 34 x 50cm (3)

Lot 819

Robin Tanner (Wiltshire 1904-1988) Christmas Etching on blue paper, numbered XXVII, signed in pencil and dated 1929, 33.5 x 28cm no.27 from an edition of only 50

Lot 109

J.A. SMITH On the docks etching, signed in pencil on margin 14.5cm x 21cm TOM GRAHAM Irish Setter etching, signed and titled in pencil on margin 20.5cm x 28cm (2)

Lot 88

Tanner (Robin). Elegy Written in a Country Churchyard, by Thomas Gray, pub. Old Style Press, 1981,. orig. etching, signed in pencil to lower margin, engs. to text, a.e.g., orig. qtr. morocco gilt in d.j., with paper title label to upper cover, some rubbing to extrems., 4to. Limited ed. 70/100, signed by Robin Tanner and Mary Crimmings. (1)

Lot 284A

A framed and glazed etching of Sherwood Forest, together with a gilt framed and glazed engraving after Bartels `Dutch Fisher Inn`.

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