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Lot 1
The following lots offered are from the estate of Ivor Roberts-Jones CBE RA 1913-1996, artist and sculptor. The artist worked mainly in the field of portraiture, the monumental Winston Churchill statue in parliament square is one of eight National monuments Ivor Roberts-Jones created along with over twenty portraits for the Welsh National Portrait gallery and further private commissions and exhibitions throughout his career. "Abstraction and reality have an uneasy relationship in my sculpture, all things vividly seen are, as I believe, abstractions and starting work is the beginning of a move back to reality" Ivor Roberts-Jones. Ivor Roberts-Jones was a member of the the Society of Portrait Sculptors and exhibited in the founding exhibition of 1953 and is included in the society's 43rd annual exhibition in 2006. Source: President Nigel Boonham FRBS After Francisco Goya y Lucientes 1746-1828- 'Ne Se Peude Mirar', 2nd edition of the 'Disasters of War'; etching with aquatint, signed within the plate, 14x20.5cm: together with one other etching after the same hand titled 'The Blind Singer'; etching with aquatint, 20x12cm: J Pass fl. Late 18th/Early 19th century- 'The Clotho', or 'The Deadly Viper', after Albertus Seba 1665-1736, publ London as the act directs Oct 3 1801 by J Wilkins; plate 1, from the 'Locupletissimi rerum naturalium thesauri' ; hand-coloured engraving, 24x19cm: together with a further nine etchings, engravings and woodblock prints by and after different hands to include: Dirk Stoop 1618-1681, Cornelias Bega 1620-1664 and others, (12), (unframed)
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Frederick Hollyer 1837-1933- Study for the 'Masque of Cupid'- Disiderium, after Sir Edward Coley Burne-Jones BT ARA; platinotype, 21x19cm: European school circa 1900- Portrait of a gentleman seated full-length; lithograph, bears stamped monogram on the reverse, 32x20cm: Paul Drury, American 1903-1987- Portrait of a young woman, head and shoulders turned to the left; etching, signed in pencil and inscribed '3rd state, final proof', 16x12cm., (3), (unframed) Note:This platinotype is the only record of the drawing before the right side was cut off, presumably by a member of the artist's family, before it was gifted to the Tate Gallery by the artist son in 1910., source: Victorian etching, p.18, Maas Gallery 1999
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James Gillray 1756-1815- 'Inspecting a Volunteer Corps in Hyde Park'; publ Dec 4th 1803 by H Humphrey 27 St James's Street London; hand-coloured etching, trimmed on plate mark, 26x19cm: together with one other hand-coloured etching by the same hand titled 'Charons Boat-or-the Ghosts of all the Talents taking their last voyage, from the Popes Gallery at Rome', publ July 1807 by H Humphrey, 25x35cm: Thomas Rowlandson 1756-1827- 'An Old Ewe Drest Lamb Fashion', from the Tegg's Caricatures no 42; hand-coloured engraving, 25x35cm: together with one other hand-coloured engraving titled 'Old Fellows from Downing Street complaining to John Bull' after George Moutard Woodward, 23x33cm., (4)
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Graham Clarke b.1941- 'Windmill Hill'; hand-coloured etching, arched, signed titled and numbered 59/100 in pencil, 8.8x12.3cm: together with one other etching by the same hand titled 'Valley Cottage', arched, signed, tiled and numbered 34/100 in pencil, 8.8x12.3cm: Fred Cuming b.1930- Standing female nude; etching, signed and numbered 12.40 in pencil, 11.5x7.4cm., (3)
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An early 19th century wax relief portrait plaque of Titian mounted on glass (damaged), 20 x 15cm., in oak frame, inscribed to the reverse modelled by H. Smith, 3 Northernhay Place; a carved mother-of-pearl portrait plaque of a Roman Emperor, oval, 8 x 6cm., in satinwood frame; a parian relief portrait plaque of a gentleman, 8 x 5.5cm., later mounted on velvet, in rosewood frame; a pair of portrait miniatures of St Peter and St James, watercolour on card, oval, 7 x 6cm., gilt frames and a coloured etching of a gentleman in 16th century costume, 9 x 7cm., in gilt gesso frame. (6)
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Ben Nicholson O.M. 1894-1982 st ives from trezion signed numbered 48/50 and dated 67 in pencil etching sheet: 28x38cm.; 11x15in. This work was published by Leslie Waddington Prints in an edition of 50. Provenance Mrs Beth Pinkard Hester Van Royen Gallery Ltd London Literature Exhibition Catalogue Ateliers Lafranca Locarno; Kunsthalle Mannheim Ben Nicholson Etchings 1983 and 1984 pp. 86 and 182 no. 43 (illustration of another example)
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*Caricatures & satirical engravings. Vernet (Carl, after), Les Aveugles, c.1830s, hand coloured etching, approx. 290 x 395 mm, together wine two finely hand coloured aquatints of Swiss girls in regional dress, each approx. 155 x 115 mm, a hand coloured etched caricature of Wellington entitled 'The Man Wot Drives the Queen', pub. E.King, April 1829 and measuring approx. 340 x 240 mm, plus others similar (approx. 35)
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*Mason (Frank H., 1876-1965). Sailing boats in calm waters, etching, signed in pencil, plate size approx. 165 x 213 mm (6.5 x 8.5 ins), together with Whitby Abbey with town below, etching, signed in pencil, plate size approx. 160 x 110 mm (6.25 x 4.25 ins), plus Birchall (William Minshall, 1884-1941), H.M.S. Monarch, 1919, watercolour with traces of pencil, on paper, heightened with bodycolour, signed, titled and dated, approx. 210 x 310 mm. (8.25 x 12 in.), and an orig. pencil sketch, attributed to Paul Sandby (1725-1809) showing a manor house amongst trees, sheet size approx. 117 x 186 mm. (4.5 x 7.25 in.), all framed and glazed (4)
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*Military. Dixon (Robert, after), 'To the Officers and Volunteers of the Norwich Rifle Corps, This Plate of their Uniform is most respectfully Dedicated by their obliged Comrade, pub. R.Dixon, 15 October, 1804, hand coloured soft-ground etching by E.Bell, one small closed tear, somewhat toned, approx. 475 x 310 mm, framed and glazed See illustration inside rear cover of this catalogue. (1)
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*Napoleonic Wars. Bowyer (R., pub.), 'Precipitate Flight of the French through Leipsic Pursued by the Allied Armies, 19th October 1813', pub. 1815, hand coloured aquatint, vertical crease where previously folded, approx. 305 x 520 mm, together with Bertaux (Duplessis, after), Bataille D'Austerlitz, contemp. hand coloured soft-ground etching with aquatint, approx. 365 x 460 mm, and Atkinson (J.A.), Baggage Waggon, pub. William Miller, 1 January, 1807, hand coloured aquatint, image approx. 225 x 345 mm, plus C.H.S., An Officer, Private & Driver of the Royal Waggon Train, pub. Colnaghi & Co., 1 April, 1812, hand coloured aquatint, plate dimensions approx. 220 x 310 mm, and two others including a large hand coloured maritime engraving in poor condition and an engraved view of St. Petersburg, most mounted (6)
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William Lionel Wyllie (1851-1931) - Artist’s proof drypoint etching - “The Tower of London” - View of the River Thames with steam ships, tugs and lighters to foreground and the Tower of London to background, 9.75ins x 14.5ins, signed in pencil to lower left margin, in contemporary ebonised frame and glazed Illustrated
Lot 1
Gertrude Ellen Hayes 1872-1956- 'Grope Lane, Shrewsbury'; etching, signed in pencil, 25x15cm: John L Roget 1938-1908- 'Houses Near Welsh Bridge, Shrewsbury'; watercolour: Randall late 20th century- Farm yard; watercolour, signed: together with five other watercolours and prints by and after different hands, (7)
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Soichi Hasegawa, b.1929- 'Ete en Touraine'; etching with aquatint printed in colours, signed, titled and numbered 79/110 in pencil, 53x63.5cm: together with two other etchings in colours by the same hand titled 'Lumiere Astrale', signed titled and numbered 88/110 and 'Songe Oceanique', signed titled and numbered 2/110, both 54x65cm., (3)
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India-Jane Birley b.1961- 'Study of a Torso'; pencil, 28.5x42cm. Provenance: with David Kerr Fine Art, London according to label attached to the reverse: Erik Desmazieres, late 20th century- 'Atelier de Marc Antoine'; etching, signed, titled and dated 1986, 64x50.5cm: J Hatthaway, late 20th century- Studio interior; pencil and charcoal, signed and dated 88, 99x69.5cm., (3)
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After William Banks (Scottish) 19th century- 'Views of the English Lakes'; Publ: by J Garnet, Windermere, line engravings, set of 30 in a bound volume, 15x22cm: Anthony Waterloo c.1610-1690- Pan and Syrinx; etching, initialed within the plate, 29x24cm: together with nine further 18/19th century prints, scrapbooks and books to include 'The English Struwwelpeter', and 'Kate Greenaway', (11) (part unframed)
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Thomas Rowlandson 1756-1827- Title page of 'The Caricature Magazine or Mirror of Mirth being a Collection of Humorous & Satirical Caricatures', publ by Thomas Tegg, No 111 Cheapside; hand-coloured etching, 35x24cm: together with a small quantity of hand-coloured aquatints by Rowlandson, publ by Ackermann's, including nine prints from Dr. Synatax publ May 1 1812 and three others, (a lot)
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