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Lot 272
Central Bank of Cyprus, initial engravers’ workings on transparent acetate showing the outlines of the plate design for the obverse of £5, 1990, design as issued, a unique and remarkable survivor, as most were simply treated as printers’ waste, glue residue n areas, an interesting piece! BNB B314, Pick 54 for design £60-£80 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 341
Central Monetary Authority of Fiji, initial engravers’ workings on transparent acetate showing the outlines of the plate design for the obverse of $10, 1980s issues, showing outline of the key part of design including Elizabeth II, design as issued, minor glue residue, a unique and remarkable survivor, as most were simply treated as printers’ waste BNB B410a, Pick 79a for design £80-£120 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 463
Reserve Bank of India, initial engravers’ workings on transparent acetate showing the outlines of the obverse plate design for 10 Rupees, 1975-88 issues, design as issued, unique and remarkable survivor, as most were simply treated as printers’ waste, an interesting record BNB B261, Pick 81 £120-£180 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 497
Bank Markazi Iran, a group of initial engravers’ workings on transparent acetate showing the outlines of plate designs for obverse of 5000 Rials, 1981 Issue design as issued, showing the entire design including the march scene, a unique and remarkable survivors, as most were simply treated as printers’ waste, dated 1981 in top margin BNB B272, Pick 133a for design £60-£80 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 713
State Bank of Pakistan, initial engravers’ workings on transparent acetate showing the outlines of the obverse plate design for 5 Rupees, similar to design for 1982-1986 issues, the main features are similar to the design issued, the decorative border and patterns differ from the issued note, unique and remarkable survivor, as most were simply treated as printers’ waste, an interesting record showing an attractive proposed design BNB B218a, Pick 33 for similar design £100-£150 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 881
South African Reserve Bank, initial engravers’ workings on transparent acetate showing the outlines of the plate design for a proposed reverse design, circa (1960’s-80’s), featuring a large coat of arms similar to the one used on the 1928-147 issues, unique and remarkable survivor, as most were simply treated as printers’ waste BNB B739a, Pick 110 £60-£80 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 938
United Arab Emirates Currency Board, initial engravers’ workings on transparent acetate showing the outlines of the plate design for an obverse of notes from the 200 Dirhams, circa 1989, design as issued, unique and remarkable survivor, as most were simply treated as printers’ waste, an interesting record BNB B211a, Pick 16 for design £100-£150 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 248
Sir Terry Frost RA, British 1915-2003 - Study for Quadrant and Circles, c.1967; acrylic and pencil on paper, annotated along bottom edge 'Proof IV Abstract Newlyn', 11.8 x 22 cm (ARR) Note: this work is one of a number of studies for an etching that was never editioned and printed at the University of Reading.
Lot 620
Rachel Ann Le Bas N.E.C, R.E (1923-2020), a signed etching "Ducks". 10 x 17.5 cm, framed and mounted. ARR. CONDITION REPORT: This etching has not been examined out of its frame. There is staining from acid from the mount to the edge of the margin of the print. The print itself has no visible tears or losses and is firmly held within the mount card. It is clearly signed and inscribed in pencil.
Lot 676
Willian Lionel Wylie (1851-1931), sailing boats in The Solent, signed in pencil in the margin lower left, etching. 17 x 35 cm (see illustration). CONDITION REPORT: This etching has not been examined outside of its frame. There are areas of discolouration, these are light but are in places along the edge of the margin where it meets the mount card. There are very occasional spots of foxing, these are small and pinprick in size. There are numerous indentations to the paper, these are visible and run mostly along the top of the etching. There is also a further indentation to the bottom right of the margin. Overall the paper is intact, no tears or holes and clearly signed in pencil lower left.
Lot 5404
Haden, Sir Francis Seymour -- Ô Laborum Dulce Lenimen - Hands Etching. Radierung und Kaltnadel. 13,8 x 21,4 cm. (1865). Harrington 94 II (von III), Schneiderman 84 V (von VII)."Ô Laborum Dulce Lenimen" - der Mühen süße Linderung ("O Sweet Solace of my Labors"), so betitelte der antike Dichter Horaz in einer seiner Oden liebevoll seine Laute, welche ihm immer wieder aufs Neue süße Zerstreuung spendete (Carmina 1,32,14f.). Der britische Künstler Francis Seymour Haden fand diese wohlige Zerstreuung zwar nicht in den süßen Tönen einer Laute, wohl aber in der schöpferischen Gestaltungskraft, die er in der Kunst des Radierens für sich entdeckte. Ursprünglich zum Arzt und Chirurgen ausgebildet ist Haden heute jedoch vor allem als Radierer und Kunstförderer bekannt, der mit seinem leidenschaftlichen Interesse am Medium der Radierung einen bedeutenden Anteil am sogenannten Etching Revival in England hatte. Zusammen mit anderen Verfechtern der Technik, darunter James McNeill Whistler (1834-1903) und Alphonse Legros (1837-1911), betonte er insbesondere die große Freiheit, Lebendigkeit und Spontaneität, die die Technik der Radierung mit sich brachte. Seine Anstrengungen gipfelten 1880 schließlich in der Gründung der Society of Painter-Etchers, welcher Haden über lange Jahre als erster Präsident vorstand. Desweiteren war er Mitglied des Institut de France, der Académie des Beaux-Arts und der Société des Artistes Français und wurde 1894 zum Knight Bachelor geschlagen. Das vorliegende, ungemein reizvolle Blatt mit der reduzierten Darstellung von den Händen und Arbeitsgerätschaften des radierenden Künstlers stellt klar Invention und Entstehungsprozess des finalen Kunstprodukts in seinen Fokus. Es handelt sich um eine von mehreren solcher auf nahansichtige Aufnahmen der Künstlerhände reduzierten Darstellungen, die Haden im Laufe seines Lebens geschaffen hat. Die Radierung erschien erstmals im Jahre 1865 in Hadens erster kunsttheoretischen Abhandlung Etudes a l'eau forte. Es handelt sich um einen Abzug des fünften Druckzustandes vor der weiteren Verstärkung der Schattenpartien und vor der Verkleinerung der Platte. Prachtvoller, kräfiger und toniger Druck mit feinem Rand um die gratig druckende Plattenkante. Vorzüglich erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 408
After Snaffles , "The season 1939-40, signed in pencil lower right, , Blind Dtamp, Good colour, 28 x 49cm, An etching print,Henry Alken, engraved W Summers, titled Tattenham Corner". In partial gilt glazed frame 48cm x 77cm, After Cecil Aldin, The Belvoir Hunt, framed and glazed, signed in pencil to mount, 32cm x 68cm
Lot 412
A pair of etching plates, depicting the Liverpool to Manchester Railway 1831, in walnut glazed frames 29 x 67cm, Set of three, Etching print /book plate, titled "The Full Cry" "Joy in the Village", " quiet with hounds", printed by CJ Culliford, and titled to mount Full Cry , Mossoo's Hunt and print signature G Bridgeman 27cm x 33cm, A gilt glazed engraving of a hunting scene, titled to mount, "Hertfordshire, Village Scenery, Hounds going to cover, Publ 1833 by D Wolstenholme, 28.5 x 38.5cm, in good condition
Lot 817
Full title: James Ensor (1860-1949): 'Small bizarre figures', etching, second state, (1888)Description:Work: 14 x 10 cm Paper: 29,7 x 24 cm Provenance: - Ex-collection Georges Buysse (with certifcate, August 22, 1974). - Private collection, Belgium. Ref.: - Taevernier, 53 (2/2).Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Lot 819
Full title: James Ensor (1860-1949): 'Squelettes voulant se chauffer', etching, dated(18)95Description:Work: 13,5 x 10 cm Paper: 33 x 27,5 cm Frame: 40 x 34 cm Signed and dated in the plate. Ref.: - Taevernier, 98.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
![Full title: Jules De Bruycker (1870-1945): 'Theatre Tenor', etching, [1907]Description:Work: 22 x 13,5 cm Paper: 43 x 30 cm F](https://cdn.globalauctionplatform.com/3049243e-6c6d-4f72-9d8a-b0bf00fd3594/97b09fb5-acae-4e03-8b46-b0c000061e6d/468x382.jpg)
Lot 821
Full title: Jules De Bruycker (1870-1945): 'Theatre Tenor', etching, [1907]Description:Work: 22 x 13,5 cm Paper: 43 x 30 cm Frame: 46,5 x 33,5 cm Ref.: - J.D.B. 22 (link). - Le Roy, 16.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
![Full title: Jules De Bruycker (1870-1945): 'La Moisson', etching, ed. 38/80, [1916]Description:Work: 52,8 x 43 cm Paper: 60,3](https://cdn.globalauctionplatform.com/3049243e-6c6d-4f72-9d8a-b0bf00fd3594/ad7c9223-c5af-4b6b-8e9e-b0c0000623b1/468x382.jpg)
Lot 822
Full title: Jules De Bruycker (1870-1945): 'La Moisson', etching, ed. 38/80, [1916]Description:Work: 52,8 x 43 cm Paper: 60,3 x 49,5 cm Frame: 79 x 65 cm Ref.: - J.D.B. 77A (link). - Le Roy, 55. Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Lot 824
Full title: Jules De Bruycker (1870-1945): 'Paria', etching, dated 1906Description:Work: ca. 19,5 x 14,5 cm Paper: 23,5 x 19 cm Frame: 29,5 x 25 cm Signed inside and outside the plate. Ref.: - J.D.B. 006 (link). - Le Roy, 4.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Lot 825
Full title: Jules De Bruycker (1870-1945): 'Piccasilly Circus London', etching, dated (19)33Description:Work: ca. 23 x 18,5 cm Paper: 41 x 33 cm Frame: 45 x 37 cm Ref.: - J.D.B. 84 (link). - Le Roy, 63.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Lot 826
Full title: Jules De Bruycker (1870-1945): 'Jacobus Alijn', etching, ed. 4/75, (1921)Description:Work: 54 x 36,5 cm Frame: 68,7 x 49,5 cm Frame: 73 x 54 cm Ref.: - J.D.B. 135A (link). - Le Roy, 100. Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Lot 827
Full title: Jules De Bruycker (1870-1945): 'Cathedrale d'Audenaerde', etching, (1920)Description:Work: 42,5 x 39,8 cm Paper: 65,3 x 47,7 cm Ref.: - J.D.B. 117B (link). - Le Roy, 82.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Lot 839
Full title: Rik Wouters (1882-1916): The prisoner, etching, dated 1911Description:Work: 21,5 x 14,5 cm Paper: 36 x 27 cm Frame: 38,5 x 29,5 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
![Full title: James Ensor (1860-1949, after): 'The deadly sins dominated by death', etching in colours, [1904]Description:Work:](https://cdn.globalauctionplatform.com/3049243e-6c6d-4f72-9d8a-b0bf00fd3594/e4c2e39b-33d5-4606-ac33-b0c000070ca9/468x382.jpg)
Lot 876
Full title: James Ensor (1860-1949, after): 'The deadly sins dominated by death', etching in colours, [1904]Description:Work: 13,5 x 8,5 cm Frame: 33,8 x 29,2 cm Reference: - A. Taevernier, James Ensor. Illustrated catalogue of his engravings, their critical description and inventary of the plates, Ghent, 1999, pp. 310-311 (N. 126).Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Lot 479
A late 16th century German silver and ‘lemon’ parcel-gilt ‘monatsbecher’ by Hans Erne, Strasbourg, circa 1580, of flared design and engraved in the manner of Virgil Solis (1514-1562), the decoration emblematic of the month of May, finely engraved below the rim with a broad band of panels beneath, the inscription ‘SECHT / WELCH / EIN / MENSCH / ISTDAS / DER / MEY / BRINGT / BLIEMLEIN / MANIGFAT / MACHT / FRISCH / GEBLVET / IVNG / VND / ALT’, the foot with a further band of engraved decoration of fruit and foliage, reserving three panels of a stag and hounds, the base with assay scrape, maker’s mark conjoined ‘HE’, town mark for Strasbourg, height 10cm. £2,000-£3,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- The engraved inscription translates as ‘The month of May brings magnificent flowers and makes fresh blooms young and old.’ The small German beakers known as ‘monatsbecher’ (‘month beakers’) were made in sets of a dozen, one beaker for each month of the year, and used almost exclusively in German-speaking countries. They were fashionable between the early 16th and mid 17th centuries. This example will have been the fifth in a set of twelve. These cups were popularised by the designs of Virgil Solis (1516-1564), a German draughtsman, skilled in engraving, etching and woodcut, and one of Nuremberg’s most prolific printmakers and book illustrators. The engraved or embossed scenes are often allegorical and inspired by the Labours of the Months. The month of May was associated with courtship and merrymaking and can be seen here in the depiction of figures playing backgammon and drinking in a boat and in the couple bathing together. The significance to mankind of Blood, Water and Wine, both sacred and profane, can also be interpreted; sacramental (a panel depicting Christ: Ecce Homo); medicinal (scene of blood-letting); hospitality (a servant preparing a dinner table). Further references to the month of May include the depiction of lily of the valley or ‘Maiglöckchen’ in German, translating literally as ‘little May bells’, together with the panel depicting ‘twins’ amidst clouds representing the astrological sign for Gemini, against which is visible the numeral ‘5’ for the month of May. For a similar silver and parcel-gilt ‘monatsbecher’ by Courakt Grenter, Strasbourg, circa 1560, see the Salting Collection, V & A (Room 62, The Foyle Foundation Gallery). We are grateful to the Goldsmiths’ Hall Library for assistance in researching the maker’s mark. Literature: The maker’s mark is identified from: L'orfèvrerie de Strasbourg dans les collections publiques française, by Hans Haug, pub. Éditions des Musées nationaux, Palais du Louvre, Paris, 1978. Old Silver of Europe and America: from early Times to the Nineteenth Century. by E. Alfred Jones, pub. B.T.Batsford Ltd., London 1928. Condition Report Engraved decoration in good condition, with no apparent rubbing to the gilt surface. Horizontal dent, approximate length 3cm, positioned approximately 3cm above the footrim, not affecting engraved areas. Further horizontal indentation running around the upper part of the cup, possibly the result of stacking.
Lot 506
JOHN WHITTAKER AFTER JAMES AND FRANCIS STEPHANOF, A SET OF FIVE PRINTS OF THE PROCESSION AT THE CORONATION OF GEORGE IV CIRCA 1823 Each with gilt cartouche detailing participants below on on Japan vellum with gold letterpress, stipple engraving with etching and aquatint, and hand-colouring and including: Price William-Frederick Duke of Gloucester, Leopold George-Fredrick Duke of Saxony, Prince Frederick Duke of York, and two others, now framed and glazed frames 72 x 59cm John Whittaker's production of the folios of this series was undertaken in total secrecy with no one allowed to see or know how he produced the final mixed media prints. The undertaking was so time consuming, and expensive that it bankrupted him and consequently few examples of the work were ever made. A complete bound set, probably George IV's own copy, is held in The Royal Collection (RCIN 1005090).
Lot 319
OASIS - (WHAT'S THE STORY) MORNING GLOSY LP (UK DAMONT - CREATION CRE LP189). A beautiful original UK LP pressing of Oasis' 1995 2nd studio album (What's The Story) Morning Glory (CRE LP189, 1995 UK pressing on Creation. A1/ B1/ C2 D- matrix, all sides have Damont etching. Labels all bright and clean. Records are both in lovely VG+ condition, each side displays a small number of wispy/ hairline paper marks. Both original black glossy inner sleeves are Ex, no splits or tears. The tri-fold sleeve is also in quality Ex condition).
Lot 227
JAMES ABBOT MCNEILL WHISTLER (1834-1903) “Old Westminster Bridge” (Kennedy 39), black & white etching, signed & dated 1859 in the plate, on laid paper with partial watermark, 7.5cm x 20cm, inscribed in pencil to mount “K39II & W36II”; purchased from Ernest, Brown & Phillips, The Leicester Galleries, 1960, framed & glazed (15.7cm x 32cm overall).
Lot 344
After John F. Herring Etching and aquatint The race horse Elis, engraved by Charles Hunt, published by the artist and S. & J. Fuller, 1836, framed and glazed, 46.5cm x 59cm After J A Wheeler Sen. Colour lithograph The race horse "Paradox" ridden by F Archer, published by Messrs Fores, Piccadilly, framed and glazed, 49.5cm x 58cm (2)
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71174 item(s)/page