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Lot 221
Geoffrey Sneyd GARNIER (1889-c.1971) The Old Fish Market, Newlyn Etching, signed, numbered 3/100. Artist's exhibition label to verso 'Geoffrey S. Garnier - Orchard Cottage, Newlyn West, Penzance', 18.5cm x 24.5cm, 34cm x 38cm framed. Together with a Claude Rowbotham etching of St Michael's Mount.Foxing to the margin of the Sneyd Garnier, but doesn't impact the etching itself.
Lot 436
Sheila OLINER (1930-2020) Three Etchings Dance With The Stars Fall Down, signed titled and numbered 2/30 blind-stamped, 30cm x 20cm; an artist's proof of a vase of flowers, signed, 20cm x 30cm; Danced With Fabric, drypoint etching artist's proof II/II, signed, titled, numbered and blind-stamped, 29.5cm x 27.5cm (3) Shipping is available from £25.22 to a UK Mainland address.
Lot 17
'Femme en Automobile', after Manuel Robbe (1872-1936), circa 1902,signed in pencil, monochrome etching on paper, 50 x 40cm, mounted, framed and glazed. Lot to be sold without reserve.This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
![David Waterson R.E. [1870-1954],Original etching titled "Brechin Cathedral" [Frame- 30x40cm]](https://cdn.globalauctionplatform.com/1b194cfd-0591-4a36-bb50-b21400a8c083/8023aa4b-47e9-4cfb-8eb8-b21400e935bf/468x382.jpg)
Lot 162
Snooker / Billiards Interest - Three framed prints, the first depicting a late 20th century match between John Roberts Jr and Edward Diggle, the second titled Ordinary Position and a coloured etching entitled Difficult Moments, all mounted and framed under glass, largest approximately 37 cm x 50 cm image size. [3]. [W]
Lot 424
CRAIGIE AITCHISON C.B.E., R.A.., R.S.A. (SCOTTISH 1926-2009) PINK CRUCIFIXION, 2004 signed in pen (lower right) and dedicated For Tom (lower left), etching, aquatint and carborundum, with hand colouring, on wove paper, a proof aside from the edition of 50 76cm x 65cm (29 7/8in x 25 ½in) Gift of the Artist to the present owner
Lot 52
HENRI MATISSE (FRENCH 1869-1954) NU DRAPÉ SUR FOND COMPOSÉ DE CERCLES, 1931 (D.224) signed and numbered 16/25 in pencil in the margin (lower right), etching on Chine appliqué paper plate: 11.7cm x 8.7cm (4 5/8in x 3 3/8in) Sotheby's, London, Old Master, 19th and 20th Century and Contemporary Prints, 12 December 1991, lot 419;Private Collection, U.K.
Lot 176
Mary Toft.- Anonymous (1720s) The Doctors in Labour; or a New Whim Wham from Guildford, twelve scenes relating to the affair of Mary Toft, "the rabbit breeder", etching on wove paper without watermark, sheet 350 x 260 mm (13 3/4 x 10 1/4 in), trimmed within the platemark, unframed, 1726 [but a later 19th century impression]Literature:BM Satires 1781*** A large and extraordinary print about one of the most notorious and amusing frauds of the early 18th century. Mary Toft was a poor illiterate Surrey woman, and "On 23 April, 1726, she declared that she had been frightened by a rabbit while at work in the fields, and this so reacted upon her reproductive system that she was delivered in November of that year first of the lights and guts of a pig and afterwards a rabbit, or rather a litter of rabbits" [DNB]. In time the miracle was exposed as an elementary piece of deception, but not before it gave rise to a torrent of pamphlets (including a poem by Pope, see Foxon D238) and several prints, including one by Hogarth. The present sheet is an excellent example of what was for the period a rather new departure in social commentary, as artists, especially the young Hogarth, expanded the range of graphic satire to include various aspects of daily life, and laid the foundations for the work of such later figures as Gillray, Rowlandson, and Cruikshank.
Lot 12
(i) EMIOVBO BEROMA; (ii) ERHU IVIE (RED BASE); (iii) IFIEDO I (B/W)each signed, titled, inscribed and dated Lagos (i) 12/40 Sept 1983; (ii) 29/30 April 1981; (iii) 3/20 Feb 1989; Deep Etching lower marginetchings on deckled paper, two printed in colours and one monochrome(i) 67.5 x 23cm; 26 1/2 x 9in86.5 x 37cm; 34 x 14 1/2in (mount)(ii) & (iii) 49.5 x 68cm;19 1/2 x 26 3/4in62 x 81cm; 24 1/2 x 31 3/4in (mount)all unframed(3)Property from a Private Collection, LondonQty: 3
Lot 11
Nicolette Savage Etching "Pigwig", signed in pencil lower right and numbered 45/150, 10cm x 13cm P Thomas Black and white print "Cyclist, County Clare", signed in pencil and numbered 7/75 After Modigliani Colour print Female nude After Maud Earl Pair of colour prints "The Long Vacation", foxhounds and gun dog and duck (5) From the collection of the late Maurice Costley
Lot 495
Giovanni Battista Piranesi 1720 - 1778"The Roman Colosseum" Circa 1766A framed 18th century Etching of the interior .Entitled " Veduta dell'Interno dell'Anfiteatro flavio detto il Colosseo"(View of the interior of the flavian Amphitheatre known as the Colosseum)Etching Signed "Cavr Piranesi Fece" within the plate. Lower RightFramed and glazed. 73.5cm x 98cm with frame.
Lot 552
FRANK BRANGWYN (1867-1956) CALVARY SCENE, an etching produced for the book' L'Ombre de la Croix', depicting three crosses and trees, unsigned from the collection of William de Belleroche, approximate size 7cm x 9.5cm including margins with Liss Fine Art gallery receipt, together with a still life drawing attributed to George Hooper (1910-1994), attribution by the staff of Brighton College of Art, approximate size 6.5cm x 5cm including margins, Condition Report: dirty marks to the 'Hooper' drawing
Lot 610
ATTRIBUTED TO MICHEL DE GOEYE (BELGIUM 1900-1958) 'ANDERLECHT', an etching depicting a Belgian town at night, featuring drunken sailors, a brothel and lovers, attribution verso, approximate size 66cm x 50cm including margins, Condition Report: the etching is in good condition, frame marked in places
Lot 551
TWO ETCHINGS AND A DRAWING, comprising an etching of a male figure sat at a work bench, indistinctly signed and titled 'The Etcher' to lower margin, approximate size 23cm x 16cm, an indistinctly signed Spanish etching numbered 3/5 and an indistinctly signed and titled panorama sketch of a town
Lot 566
HAROLD WILLIAMSON (BRITISH 1892-1978) SEATED FEMALE NUDE, a full length figure study of a seated female figure, signed lower right, pencil on paper, approximate size 40cm x 32cm, together with an etching depicting a standing full length nude female figure by the same hand, initialled in the plate, approximate size 30cm x 24cm, Condition Report: light spots of foxing in places to the drawing, etching is in good condition (artist resale rights apply) (2)
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