BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
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BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
*DAVID HOCKNEY (b. 1937) 'In the Dull Village' from 'Illustrations for Fourteen Poems from C.P. Cavafy', 1966, signed dated and numbered 71/75 in pencil to the margin, etching, the plate 34.5cm x 22.5 cm; complete with the large format poem (2)Provenance: Goldmark Gallery, Uppingham, RutlandFramed dimensions: 62.2cm x 47.9cm
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Sunday Afternoon' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman on a Bed' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
*DAVID HOCKNEY (b. 1937) 'According to Prescriptions of Ancient Magicians' from 'Illustrations for Fourteen Poems from C.P. Cavafy', 1966, signed and dated in pencil to the margin, artist's proof etching aside from the edition of 75, the plate 34.5cm x 22.5 cm; complete with the large format poem (2)Provenance: Goldmark Gallery, Uppingham, RutlandFramed dimensions: 64.5cm x 50.5cm
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Vista from Balcony' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
*JOHN PIPER (1903-1992) 'Mixed Styles: Regency - Victorian - Modern 1939, from 'The Brighton Aquatints', signed in pencil to the margin, hand coloured etching and aquatint, from the edition of 250, the plate 19cm x 27.5cmNote: The Brighton Aquatints, a bound set of 12 etchings, were printed by the Curwen Press and published in late 1939, in an edition of 250. They celebrated the rich diversity of the famous seaside town's architecture.Framed dimensions: 35.2cm x 43.5cm
*ERICH WOLFSFELD (1884-1956) 'Komischer Alter' full-length portrait of a man, etching, 32cm x 25.7cm (plate); together with a full-length portrait of a seated and and his dog, signed in pencil to the margin, etching, 27.5cm x 23.8cm (plate) (2)Provenance: Deceased estate, Dorset.Standing manframed dimensions: 57cm x 46cm Man and dog framed dimensions: 46cm x 36cm
After Giovanni Battista Piranesi (Italian, 1720 - 1778), Veduta della Basilica di S. Giovanni Laterno, etching with title below, 36 x 53 cm, framed and glazed 59 x 74 cm; Veduta Degl'avanzi Del Sepolcro Della Famiglia Plauzia, etching, 45 x 61 cm, framed and glazed 65.5 x 81 cm; Veduta interna del Panteon, etching with title below, 46 x 56 cm, framed and glazed 68.5 x 78 cm, all with David Ker Fine Art labels verso; After Pierre Fourdrinier (1698 - 1758), Section of East Front, Houghton Hall, 50 x 71 cm, framed and glazed 72 x 91.5 cmQty: 4
Assadour Bezdikian (Lebanese/French, b.1943), 'Eclipse', signed and dated in pencil 'Assadour 72' and 'Epreuve retrouver le 28 Octobre 1972', hand-coloured etching on paper later mounted onto board, image 39 x 39 cm, sheet 76 x 56 cmDonated to the Bertrand Russell Foundation by the artist in the 1970s
Robyn Denny (1930-2014)Graffiti 19Etching with aquatint in colours, 1977, signed, dated and titled in pencil, numbered from the edition of 40, printed by JC Editions, London, published by Bernard Jacobson Gallery, London, on Arches wove paper, with full margins, sheet 700 x 567mm (27 1/2 x 22 3/8in)
BROWNE, Alexander. Ars Pictoria: Or an Academy Treating of Drawing, Painting, Limning, Etching. London: J. Redmayne, 1669. Folio (311 x 196mm.) Title, engraved portrait frontispiece, 28 engraved plates mostly after Arnold de Jode, extra-illustrated with 17 engraved plates mounted verso original plates. (Lacking 2 original plates, frontispiece with marginal loss, leaves before A1 detached and twenty plates to rear loose, some with loss to margins.) Disbound. Note: Alexander Browne was a versatile figure in the London art world of the late 17th century. He was a printmaker, an auctioneer, a dealer, an artist and art tutor, and he also played a role in the commercial development of the mezzotint in London. [Wing 5097.] – And a further two volumes (including George Brown’s ‘Arithmetica Infinita, or The Accurate Accountant’s Best Companion’, 1717-1718, oblong 32mo) (3).
TYNDALE, Walter. An Artist in Italy. [London:] Hodder and Stoughton, [1913.] Limited edition, this being number 18 of 250 copies signed by Walter Tyndale, folio (283 x 217mm.) 26 tipped-in colour plates with captioned tissue-guards. (Mild toning.) Original full vellum, decorative gilt to covers and spine, t.e.g., original ties. – And a further two illustrated volumes (including No. 31 of ‘Modern Masters of Etching, C.R.W. Nevinson’, 1932, oblong 4to) (3).
AFTER JACQUES CALLOT (FRENCH CIRCA 1592 - 1635) THE CAPTAIN Etching and engraving 24 x 15cm (9¼ x 5¾ in.)Together with three further works After Jacques Callot (French circa 1592 - 1635), comprising: Teatro fatto in Firenze nella festa a cavallo per la ventua del Serenissimo Principe d'Urbino; Funerary display for a Tuscan Grandduke; Primo Intermedio della Veglia della Liberatione di Tirreno, Various sizes, (4)
JACQUES CALLOT (1592-1635) Primo Intermedio della veglia della liberatione di tirreno fatta nella sala delle comdie del Ser.mo Etching,1616 28.5 x 20.5cm (11 x 8 in.) SALEROOM NOTICE: Please note this lot does not contain a later engraving by Andrea Mante as previously mentioned in the description. It only contains one etching. Condition Report: The sheet has been stuck down at the four corners and a small tab of tape is visible lower right. The sheet has also been cut down (see online images). Otherwise the work appears to be in good condition commensurate with age. Unexamined out of glazed frame.Condition Report Disclaimer
ÆŸ FRED TOMASELLI (B.1956)RICK MOODY. PHRASE BOOKThe book, 2000, comprising, one etching, three relief prints and five offset lithographs printed in colours, with title-page, text and justification, this copy signed in pencil by the artist and author, numbered from the edition of 150, published by the Whitney Museum of American Art, New York, on wove paper, bound as published in the original black linen covered boards, housed in a printed epoxy covered slipcase with original hanging brackets verso overall size 370 x 27.5cm
AFTER ROWLAND LANGMAID "Escorting the Royal vessel" black and white etching, signed in pencil lower right 18 cm x 32 cm together with another by the same hand depicting sailing ships and two figures in a rowing boat foreground, 18 cm x 32 cm and EDWARD J CHERRY "The Shambles" black and white etching, signed lower left in pencil, 17 cm x 12 cm (3)
Third Reich Hitler Youth Knife 5 1/2 inch, single edged blade. Blade with faint RZM etching. Plated, turn up quillon crossguard. Plated pommel. Black composite, checkered slab grips. Motif absent and some damage. Contained in its blackened steel scabbard. Leather belt loop with grip retaining strap. PAYMENT ON RECEIPT OF INVOICE PLEASE. BACS ONLY - NO CARDS ACCEPTED
A COLLECTION OF RIFLE BAYONETS AND SWORDS, to include three French Chassepot, a fencing sword, a curved sword and two others, the French bayonets each come with their scabbard, the blades appear to be in good condition and only have age related wear but the cross guards and scabbards have surface rust and are in need of a clean, the curved sword is fully rusted, another sword is missing its handle, the last one is missing its scabbard and the blade is rubbed but there are still some etching with coat of arms and a military badge, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
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71174 item(s)/page